Back catalogue: Folk/Americana

Review: Julia Holter's sixth album, Something In The Room She Moves, is a dreamlike exploration of complexity and transformability, featuring flowing harmonic universes and fluid, water-like melodies. Her vocal register, reminiscent of Siouxsie Sioux, Nico, or Kate Bush, possesses a matchstick intensity, rekindling its own flame through the conversation in her voice. Holter's diaphragm shifts between instruments, creating a continuum of fretless electric bass pitches counterpointing with gliding vocal melodies. Glissing Yamaha CS-60 adds a touch of experimentalism, while her production choices and arrangements maintain a sense of simplicity and refinement. Holter's singing resonates in somatic frequencies, evoking a deep connection between mind and body. With its liquid, ever-changing nature, 'Something In The Room She Moves' invites listeners to immerse themselves in a world of sound that is both ethereal and profoundly human.

Review: Julia Holter's sixth album Something in the Room She Moves might just be the Los Angeles songwriter's best work. In the past she has often explored memory and dreamlike futures but on this new outing she is very much more in the moment throughout. She explains herself hat "There's a corporeal focus, inspired by the complexity and transformability of our bodies." Musically the album mixes fretless electric bass pitches with her unique vocal melodies. The recognisable sounds of the Yamaha CS-60 interweave with more organic wind instruments and add up to a fluid, watery sound that flows smooth and carries you along with it amongst the gorgeous harmonies.

Review: Julia Holter has subtly shifted focus on new album (her sixth in total) Something In The Room She Moves, moving away from exploring memory and dream-like states to instead focus on (in her words) "the complexity and transformability of our bodies". To create this rather distinctive (and rather good sound world), she added her own ethereal vocals to self-created backing tracks rich in electric fretless bass, warming wind and reed instruments, and distinctive synth sounds plucked from a Yamaha CS060. The results are predictably immersive and soul-enriching, with highlights including stunning opener 'Sun Girl', the percussively inventive 'Spinning', and the pastoral, dreamy 'Evening Mood'.