Review: Casa Voyager's second release comes courtesy of Kosh, a producer who debuted on the label's previous, compilation style 12". The '80s electro revivalist kicks things off with "Catch the Train", where ghostly, Kraftwerk style synth melodies and punchy vocal samples cluster around a Drexciya style rhythm track, before wrapping spacey, Motor City style electronics in crunchy breakbeats on "Null 212". B-side opener "Electronic Setups" is a drifting, intergalactic and evocative shuffle through deep electro pastures, while "Bug in the System" combines snappy electro beats and squeezable acid bass with the kind of beguiling, almost melancholic chords more often found in early '90s ambient records.
Review: This is proving to be a big breakthrough year for Kosh, a producer hailing from Casablanca in Morocco. After making a first appearance last year on Casa Voyager, he's returned to that label a second time before dropping the "Endless Quest" 12" on eudemonia. But now he's made a marked leap forward with this transmission on 20:20 Vision, where his incredibly well-read take on vintage electro sounds right at home. There is quality pouring from every corner of this record, but we recommend you make a beeline for the sumptuous "Vicious Love," an acid-laced burner with soul to match its snarl.
Review: Kuldaboli is part of the Stilleben family and has helped define its sound with his searing take on electro. This time around he dials back the crazy and offers up some more thoughtful and mysterious electro that kicks off with the bottom-wiggling boom bap and gurgling bassline of "Eolileg Mannvera". Things slow down on the more eerie and unsettling "Kaldir Straumar" then its an all out computer game assault on "Lazer Tag" which is pristine digital perfection. "Where Are You" is a real floor wrecker and last of all alien life forms inhabit the haunting "Vakan Endalausa".
Review: Konstruktivists is the Industrial project of Glenn Michael Wallis from Kent, England. In the late '70s Wallis was a "control agent" for Throbbing Gristle and the Industrial Records crew. Influenced by Krautrock bands like Can, NEU!, Cluster/Harmonia as well as Tuxedomoon, Yello, Chrome, and SPK, Glenn began to record his own material. After several cassette releases, Konstruktivists' first LP 'A Dissembly' was released in 1982 followed by 'Psykho Genetika' in 1983 and 'Black December' in 1984. That same year Wallis collaborated with his friend Chris Carter, of Throbbing Gristle and Chris and Cosey fame, on CTI's 'Conspiracy International One'.
In 1985, Glenn spent a week at Chris and Cosey's studio recording 11 tracks that would become the 'Glennascaul' album originally released on Nigel Ayers' Sterile Records. Produced and mixed by Chris Carter, it marked a complete change in style for the band towards a beat-orientated rhythmic sound. 'Glennascaul' is proto electro at its very best, with Glenn's hallucinogenic vocals on top. A musical collage designed to invoke images in the mind. The back cover clearly states "No guitars. No Fairlights." For this deluxe reissue we've added two bonus tracks recorded around the same time, now vinyl for the first time ever. All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record is housed in an exact replica of the original jacket featuring cover art, which is a co-production of Trevor Brown, Nigel Ayers and an image Glenn Wallis supplied. Each copy includes a double-sided 8x11 insert with liner notes by Nigel Ayers, press clippings, and photos.