Si Begg & Neil Landstrumm - "The Pusher (M)" (3:59)
The Exaltics - "00045.00.2" (3:53)
Amato - "Sueur Et Poussiere" (6:13)
DJ Overdose - "Industry Repeats" (4:55)
Review: As ways to introduce a new label go, this first outing from Hearse is pretty special. It's something of an all-star affair, with cuts from scene stalwarts and a lovely screen-printed sleeve. To kick things off, old pals Neil Landstrumm and Si Begg join forces on talkbox-sporting ja, "The Pusher (M)", where bleeping melodies and intergalactic electronics cluster around a mind-altering electro groove. The Exaltics offer up a razor-sharp slab of arpeggio-driven 4/4 electro insanity ("00045.00.2"), while Amato smothers an EBM/industrial funk style beat in foreboding electronic riffs and suitably wonky modular motifs. It's left to DJ Overdose to close proceedings, something he does in style via the distorted drums and mangled electronics of industrial electro workout "Industry Repeats".
Das Ding - "Life Is A Tool In The Hands Of Strangers" (4:04)
DJ Overdose - "I See No Stars At Night" (4:16)
DJ Overdose - "Potje Freaken" (4:55)
Review: The Go Finger label has been digging into the undergrowth of synthwave sounds and deviant electro for a few years now, more recently graduating from the tape scene to put out EPs of leftfield electronic adventures on wax. This EP in particular is quite something, calling on the vintage talents of Das Ding in all their eerie, warped, pulsing, analogue refinement. "Conun Drum" is a curiously playful trip through noirish cityscapes by way of strobing lead lines and militaristic machine beats, while "Life Is A Tool In The Hands Of Strangers" takes a more uptempo approach without losing the bombast of their melodic arrangements. Dutch electro champ DJ Overdose steps up for the B side, dropping the overcast and creeping "I See No Stars At Night" and the dishevelled robot beatdown "Potje Freaken".
Review: Dutch legend Jeroen Warmenhoven returns with some proper, thumping, electro-bass just the way you want it, following up some great outings recently on L.I.E.S., Unknown To The Unknown and his newly inaugurated RotterHague imprint. Hard dystopian futurism that's heavy on analogue synths and the most booming kicks await you on such belters as "Time Compensator" or the Detroit inspired aqua-funk of "D 6equij5 11 1" and "W SPEPS28+" respectively. They're all pretty fine jams, but A side cut "OS VCH" was the real winner on here - an emotive and soulful journey that sees the veteran producer employ a style that's definitely his own.