Back catalogue: Balearic/Downtempo

Review: Nunorthern Soul's fourth vinyl outing encourages you to sit back, relax, and sink into some truly horizontal sounds awash with Balearic bliss. James Bright kicks off the session with the warm glow of 'Amber' and its slowly percolating beats and painterly synths. Be.Lanuit's 'Nana A Leon' has a starry eyed charm that will get you gazing off into the night and elsewhere Norht Of The Island's 'I Feel' has a chugging groove and exotic synth work bringing plenty of colour. This is a high class EP of richly detailed downtempo brilliance.

Review: This is a second new and standalone 7" that is taken from Incense Music for Bed Room, a new compilation series from Incense Music that was curated by Toru Hashimoto and legendary Japanese downtempo and Balearic master Calm. On the A-side, we delve into Haruka Nakamura's beautiful tribute to Bill Evans' timeless piece 'Soiree'. On the flip, 'Valsa de Euridice' is a rendition of Vinicius de Moraes' classic from Etepalma, the inaugural 2006 album by Nobuyuki Nakajima. Renowned as a composer and pianist, Nakajima presents a captivating interpretation that captures the essence of the original piece. Together, these tracks offer a harmonious blend of homage and reinterpretation.

Review: There is plenty of psychedelic colour to this latest EP from the Spanish Baffling Noise label. It appears to be the first release from Numbat who has a love of long, winding, slow-motion synth patterns that weave their way in and out of deep, dubby, stylish drums. That is certainly the case on 'Southern Exposure' (Hybrid Man remix) while 'Amalgamate' is leggy house music with happy melodies and 'E-Break' then heads off through the cosmos on solar winds, trippy melodies and warm drums. 'Southern Exposure' is a chubby, dubby, sludgy techno head wrecker in its original form.

Review: Thievery Corporation veteran Eric Hilton is on a roll with his Montserrat House label, operating out of DC and adding new layers to his considerable legacy in downtempo sounds. As was teased by the 'Amor Astral' single from 2023, this new album finds Hilton working closely with long time Thievery collaborator, Argentinian singer Natalia Clavier. Her coolly soulful tone hovers over the buttery funk jams Hilton lays down, where the drums are tight and crisp and the basslines wrap themselves around the groove with snake-like grip, all the better to sink into when you need a little chill-out time from a certified master of the art.

Review: First released in 1997 as his sixth and final LP project, Colin Newman's Bastard came to the innovative "post-everything" label Swim a good while after the Wire member and electronic experimentalist had already made several splashes in the mitts of the infamous Cartel, the arch-distributor and de facto trade guild giving rise to labels like 4AD and Beggars. Keeping in close knit to such sonic romanticists helped propel Newman's sound into dreamier realms over the years, and this seven-tracker functions as the pinnacle of this tendency. First coming across as a more convincing analogue to contemporaries like Lush, Newman's sound here is less polished and thus more "authentic"-seeming, basking in militant breaks and techstep entrainments and which come blent with incredible pad and amped-up guitar washes. In the in-betweeny moments, we're also met with trip-hop delights resting on the lower-ends of the spectrum; the alien middle finger on the cover says it all, a veritable "fuck you" gestured by an early subject of dance music, a genre that Newman recalls was a misunderstood, much-maligned genre at the time.

Review: A fresh, atmospheric sound is proferred by South Carolina singer and producer Nancy Blues in the form of her latest vinyl LP Exit Simulation, in which she cuts through the intertwined hazes of childhood memory and personal psychogeography to produce a veritably ultra-ambient dust cloud of sound in 13 tracks. At its core, the album trickles faintly forth from the watershed that is neo-soul - multi-layering her voice; harmonizing; pitting honest, raw rimshots-n'-crackles against contemporary stylistic cornerstones like lo-fi and night-bussy ambient electronica - all to evoke, convincingly, the mood of stasis in which she finds current solace in her current home of Charleston. Evocative of having found a newfound time and place to reflect, Blues conjures up the weekends of her youth, spent mesmerized at the ambient music of the slow-paced devotionals performed by the local Oklahoman church band.