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4ms Quad Clock Distributor Module (Rev 2)
Cat: 589490 Rel: 10 Dec 15
 
4 channel voltage controlled clock divider/multiplier synthesiser module with master tap tempo - 10HP wide
Notes: Four channel voltage controlled Clock Divider/Multiplier with master Tap Tempo. Each channel can be synced to the tap tempo, to the channel above, or to an external clock. Each channel also has a reset jack.

With a Tap Tempo button and five sync'ed clock outputs, the QCD is a versatile head-of-the-chain "Master" clock module, and/or a complex rhythmic pattern generator.
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MRP:$282.86 SAVE 17%
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4ms Wav Recorder Module
4ms Wav Recorder Module (synth module)
Cat: 648950 Rel: 29 Jun 18
 
6HP Eurorack module for recording high-fidelity, low-noise stereo WAV files
Notes: The WAV Recorder from 4ms Company is a high fidelity, two-channel stereo audio recorder with basic playback features. Accepting a wide range of input signals, from line-level to modular-level, the WAV Recorder stores audio onto a microSD card in lossless .wav format up to 96kHz/24-bit. The trigger jack can be used for capturing rhythmic loops or synchronizing multiple WAV Recorder modules for multi-track recording. In Playback mode, the trigger jack or button plays the most recent recording. A simple file/folder navigation system can be used to browse the folders on the card for playing back .wav files. A Gain knob allows for up to +20dB of boost, and an LED Signal Meter indicates clipping and the signal level.
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MRP:$316.44 SAVE 25%
 1 in stock $236.79
Abstract Data ADE33 Event Boss Pattern & Rhythm Generator Module
Cat: 601494 Rel: 28 Mar 18
 
Sophisticated rhythm creation & manipulation module - 14HP
Notes: Pattern and rhythm creation and manipulation module for creating musically useful rhythms and patterns from a variety of inputs - it's a module that will jam along with you.

36 algorithms in 6 sets covering Variables, Multiples, Probability, Logic, Phase and Gates with configurable CV control over all parameters.

Takes regular clocks and generates rhythmic patterns, takes rhythmic patterns and generates new patterns, takes irregular and random patterns and generates new, irregular and probability-based patterns.

The patterns can be rhythmic, continually evolving or entirely random and can be controlled and manipulated via multiple CV options.

Can also be used as a utility module to perform Clock Division/Multiplication, Phase-Shifting and Logic-related tasks.
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ACL Mini MIDI USB MIDI To CV Converter Module
Cat: 776679 Rel: 06 Aug 20
 
MIDI to CV converter module
Notes: Compact solution for converting MIDI signals to Eurorack-friendly CV. USB in from hardware devices or a host DAW. Pitch, gate, clock, start/stop and CC outputs. Simple but effective.

Supplier notes:
The ACL MINI MIDI is a USB MIDI to CV convertor module in a small module.

It uses MIDI CLOCK, START/STOP, one selectable MIDI Controller and a monophonic MIDI Note to be converted to Eurorack compatible CV, GATE and clock signals.

It can be used as USB MIDI to CV interface by connecting to your computer via the USB B port. A Class Compliant USB MIDI device can be connected to the USB A port.
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MRP:$347.44 SAVE 23%
 2 in stock $266.94
ACL Pan Mix Mixer Module
ACL Pan Mix Mixer Module (synth module)
Cat: 776671 Rel: 30 Jun 20
 
mixer module
Notes: The ACL Pan Mix module mixes up to four different mono sources into a stereo output with panorama and gain control. It also includes an stereo aux input, which will be added unity gain to the sum for cascading purposes.
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MRP:$260.90 SAVE 17%
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ADDAC System ADDAC204 VC CV Mapping Module (red faceplate)
Cat: 776178 Rel: 08 Sep 20
 
CV mapping module
Notes: With the VC mapping module you'll be able to scale your voltage and also control its offset via CV.

This module provides two outputs for normal and inverted output voltages. A third output morphs between the normal and inverted outputs.

Mechanical:
. Format: Eurorack
. Width: 6 HP
. Depth: 2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: 40mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $201.27
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ADDAC System ADDAC206 Switching Sequencer Module (red faceplate)
Cat: 776180 Rel: 08 Sep 20
 
Switching sequencer module
Notes: This is a Quad Channel Switcher.

Among many other possibilities it allows to:

Turn any 4x4 step sequencer into a 16 step sequencer.
Scramble sequences with diferent clock division settings.
Route 1 audio or voltage signal to 4 diferent destinations.
Switch between 4 audio or voltage signals

MECHANICAL:
Format: Eurorack
Width: 8 HP
Depth: 3.5 cm

ELECTRICAL:
Max current: +80mA/-40mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.
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MRP:$299.65
 1 in stock $299.21
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ADDAC System ADDAC212 EG Map Pack Module (red faceplate)
Cat: 776195 Rel: 08 Sep 20
 
VC attentuator/offset module
Notes: A 4 Channel VC Attenuator and Offset.

The ADDAC212 is a 4-channel VC attenuator and off-setter. It lets you deal with up to four parallel inputs as a single pack, modulating their amplitude and offset (± 10V) with the same control knobs, both with cv inputs and dedicated attenuators.

Features 4 parallel VCAs with the same amplitude and offset control knobs and cv inputs with dedicated attenuators.

Idealized to be the perfect companion for Envelope Generators, you can send 4 EGs through it and control the overall amplitude and offset of all 4 envelopes at once. This allows more control over the Envelopes when patching typical synth voices.
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ADDAC System ADDAC302 Nchunk Control Module (red faceplate)
Cat: 776295 Rel: 08 Sep 20
 
Control module
Notes: The ADDAC302 Nchunk Control module allows you to connect a Nintendo Nunchuck controller to your modular synth, featuring a two-axis thumb joystick, a three-axis accelerometer and two trigger buttons.

The module provides CV outputs for all of the Nunchuck's parameters and special functions to remap the CV outputs. The remapping can be both continuous or step-by-step and can be accessed through either the dedicated CV inputs or the manual controls.

A specially dedicated Mix output averages between the first two CV outputs, a very useful feature for continuous control parameters.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 4 cm

Control Voltage I/O:
- CV inputs: 0 - 10v
- CV outputs: 0 - 5v
- Gate in threshold: 2.5v

Electrical:
- Compatible with +-12v and +-15v power supplies
. Max current: 100mA?
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC401 Gated Envelope Follower VS2 Module (red faceplate)
Cat: 776309 Rel: 08 Sep 20
 
Envelope follower module
Notes: With the ADDAC401 Envelope Follower you'll be able to use the volume of any sound source to control your synthesis.

This envelope follower has an interesting twist: besides outputting the volume information through a regular CV output, it also sports 8 independent gate outputs, triggered by the corresponding levels of the VU meter.

You can also control the offset on the gated outputs, either by CV or by steps through a special dedicated gate input.

Input Level and Decay controls allow you to achieve good envelope follower amplitude reaction.

Envelope Gain and Offset allows to set the envelope CV output to any desired CV range.

Monitor Leds for both the CV output and for the digital detection circuit.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 4.5 cm

Control Voltage I/O:
. CV output: i10v
. Gate input: 0 - 5v (threshold: 2.5v)
. Gate outputs: 0 - 5v

Electrical:
. Max current: 110mA +12v & 20mA on -12V
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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 1 in stock $256.16
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ADDAC System ADDAC604 Dual Filter Module (black faceplate)
Cat: 776353 Rel: 08 Sep 20
 
Dual filter module
Notes: Really nice stuff here. The filter circuit from ADDAC's 4 Voice Cluster module gets reimagined as a multi-mode stereo or dual mono filter module. A lot of filter action in just 6hp.

Supplier's Notes:

While developing the ADDAC105 4 Voice Cluster module, a new multimode filter to place after the summing mix stage- and the results were so postitive that it was released as a dedicated filter.

To make it more interesting, the circuitry was duplicated, to be able to use it in a stereo signal path.

To make it more versatile, a switch was added to set the working mode from Stereo to Dual Mono where both filters can be used independently.

In Stereo Mode the Left Cutoff is used to control the Right Cutoff.
In this case the Right Cutoff Knob and CV Input are simply bypassed and will have no impact on the Right Channel operation.
This allows immediate sync of both filter frequencies when the Stereo position is engaged.
Optionally there's a jumper in it's back that, when placed, connects the Right Controls back to the Right CV control allowing the possibility to control the offset of the Right Channel Cutoff.

Resonance is independent on both Modes and still has to be set manually to match both channels.

Both the Audio and CV inputs are normalled from the Left into the Right channels.
As standard plugging any input to the Right channels removes this connection.

Tech Specs:
6HP
4 cm deep
70mA +12V
70mA -12V
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ADDAC System ADDAC703 Discrete Mixer Module (black faceplate)
Cat: 776360 Rel: 08 Sep 20
 
Mixer module
Notes: Here's the second module of ADDAC System's 700's Heritage Series.

Inspired by Moog CP3 mixer, this is a totally discrete analog mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 3 cm

Electrical:
- Max current: 60mA.
- Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
- black screws
- black fibre washers
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FORTHCOMING
AION Modular 904B Voltage Controlled High Pass Filter Module
Notes: The AION Modular 904B High Pass filter is an Eurorack clone of the classic Moog Modular High Pass filter.
The 904B High Pass Filter attenuates frequencies below the Fixed Control Voltage(cutoff frequency) point at a rate of 24dB per octave.

The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
LOW- 4Hz to 20kHz
HIGH- 10Hz to 50kHz

Specifications:
Power: +12 60mA, -12 50mA
Depth: 40mm
Doepfer compatible.

60 mA +12V
50 mA -12V
0 mA 5V
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AION Modular 904C Filter Coupler Module
Cat: 780136 Rel: 07 Jul 20
 
Filter coupler module
Notes: The AION Modular 904C Filter Coupler is an Eurorack clone of the classic Moog Modular 904C.

The 904C Filter Coupler connects the 904A Lowpass and the 904B Highpass together to produce a Bandpass or a Band Reject filter response.

Bandwidth can be extended to three octaves and Center Frequency ranges from 5Hz to 20KHz. Both can be controlled manually or via control voltage.

The 904C provides a wide variety of signal processing and we strongly encourage experimentation but we advise to start with the following settings:

904A Fixed Control Voltage +6
904A Frequency Range 2
904B Fixed Control Voltage -1
904B Frequency Range LOW

The 904A and the 904B are required to use the 904C.
In the "OFF" position, the 904A and 904B are disconnected from the 904C an can be used independently.

The connection cables are provided with the module.

30 mA +12V
15 mA -12V
0 mA 5V


Specifications:
Power: +12 (30mA), -12 (15mA)
Depth: 20mm
Doepfer compatible.
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AION Modular 905 Reverberation Unit Module
Cat: 780111 Rel: 07 Jul 20
 
Reverberation module
Notes: When a dynamically varying signal is applied to the input of the 905, the output will consist of a series of closely spaced echoes, the subjective effect of which is similar to that of reverberation of sound. If a small amount of "echo signal" is mixed with a larger amount of "direct signal" (Reverberation Control set slightly clockwise), the effect of a typical concert hall is obtained. If the echo signal only is passed (Reverberation Control is set fully clockwise), an exaggerated echo suggesting a cave is obtained. The relative amount of echo signal and direct signal can be continuously changed from 100% direct signal to 100% echo signal.

Specifications:
Power: +12 (25mA), -12 (25mA)
Depth: 40 mm
Doepfer compatible
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AION Modular 923 Noise & Filters Module
Cat: 780146 Rel: 07 Jul 20
 
Noise & filters module
Notes: The AION MODULAR 923 Noise/Filters is an Eurorack clone of the classic Moog Modular 923.

The 923 Noise/Filters module provides a white noise and a pink noise source along with a manual Lowpass and a 6dB Highpass filter.

The two manual sweep filters, are single pole circuits with a frequency cutoff slope of 6dB per octave and a frequency range of 10Hz to 10KHz.

Any kind of noise color can be achieved using the white noise and filters together.

Specifications:
Power: +12 (35mA), -12 (35mA)
Depth: 40mm
Doepfer compatible
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AION Modular CP3 Mixer Inputs Module With 2U-3U Adapters
Cat: 780123 Rel: 07 Jul 20
 
Mixer module
Notes: The CP3 module is a 4 x 1 mixer with positive and negative outputs and a maximum gain of two. This mixer can combine both AC and/or DC voltages. The module has a switch which, in the ON position, allows unwanted spikes to be removed from the waveforms. There is also a passive multiple.

Input Impedance: 25k ohms
Output Impedance: 100 ohms
S/N Ratios: better than 60dB
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MRP:$333.23 SAVE 20%
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AJH Synth Entropic Doom Voltage Controlled Noisillator Module (black)
Cat: 763098 Rel: 04 Feb 20
 
controlled noisillator module
Notes: Really clever noise-based oscillator from AJH. Drones, sweeps and bleeps aplenty, ranging from tamed to out-of-control filth. Also doubles up as a more conventional ring mod and distortion module.

Supplier's notes:
This 14HP wide module is a voltage controlled noise based oscillator, or noisillator for short. It generates 1/f noise and this is then sent through a feedback loop which allows the noise to be "tuned" to varying degrees depending on the settings of the frequency and resonance controls, or incoming frequency or resonance CV's. The tuned circuit can be FM modulated too, for some thunderous sweeping sounds. We have bright and dark outputs, which are pre and post filter respectively. The Bright output will always have a degree of noise present in the signal, whereas the Dark output can be tuned noise only when 4 pole resonance is selected. We also have an external Sync input, which will reset the resonant waveform, and we also have an Audio input, so that an external signal can be mixed into the resonant loop. Combinations of external waveforms to these two inputs can create some massive drone sounds, or sweeping sync sounds.

There is also an XOR ring modulator, which can be used as a module in its own right too. Lastly, we have an XOR amplifier, which is another independant circuit that can be used to add noise and distortion to any audio signal.
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AJH Synth Lunar Module Apollo Mission Communicator Module (black)
Notes: Truly unique one from AJH, based on the sound of NASA's Apollo voice transmissions. Think outside the box and process drums and synths through this thing. Freaky. May or may not allow you to communicate with real astronauts.

Supplier's notes:
Here's a bit of fun for all fans of space missions from the previous century! This module is designed to re-create the ground to space and space to ground transissions from the Apollo era.

To be "Mission Control Houston" the Quindar PTT (push to talk) button adds a short 2,525Hz Qindar tone to the start of the transission, then at the end of the message the PTT button or switch is released and a short 2,475Hz Quindar tone is added to the audio. The bandwidth is slightly reduced in this mode.

For "Astronaut comms" we press the Capsule PTT switch, which allows us to add coloured noise, distortion, bandwidth reduction and either hum or LGM (Little green men space tone) noise to the audio signal. A deep space electret condenser mic is supplied and an be used with the MIC input.

Obviously the Lunar Module can also be used to add noise, hum, distortion, bandwidth reduction and LGM noise tone to any modular level audio too, and if the mic is left attached theremin like sounds can be added too with careful loudspeaker feedback.

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AJH Synth Mini Mod DH ADSR Envelope Module (black)
Cat: 637047 Rel: 22 Mar 17
 
Model D-based complex envelope generator - dark edition
Notes: AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.
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AJH Synth Mini Mod DH ADSR Envelope Module (black) (B-STOCK)
Cat: 776429 Rel: 22 Mar 17
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


AJH Synth have had quite a few requests for a variant of MiniMod contour generator with Release added to the envelope so that it is full ADSR but still with the characteristics of the Model D - so this is what they have done!

The DH-ADSR is exactly the same circuit as the original Model D envelope and therefore features the same contour shape and retrigger behaviour, but with the addition of a release control. However, they have also added a pulse delay and pulse stretch circuit, along with a re-trigger facility (both of these can be switched out of circuit so that the envelope is a simple ADSR unit).

The addition of pulse stretching and retrigger makes it into an LFO module and it can perform in a similar way to the EMS Synthi A and VCS3 Trapezoid generator, with a variable delay between each trigger and a variable "on" time - however it can also have full ADSR envelope on each retrigger too!

Notable Features:

- PREDELAY - This control determines how long (up to 10 seconds) the start of the envelope is held off, after a gate is received. This ability to delay the onset of the envelope is especially useful when used in conjunction with a standard ADSR: With both envelopes receiving the gate simultaneously complex envelopes can be produced as the DH-ADSR only starts running through its stages after the standard ADSR has completed. Once their outputs are mixed together in a mixer a single evolving envelope with multiple stages is produced!

- Use of the bipolar mixer found in the MINIMOD CV MIX-OFFSET-VCA module can enhance this technique even further, with more precise control over the polarity/offset of the envelope mix possible. Using the VCA of this module could allow for external modulation over either/both of the signals. It goes on...

- HOLD - When in Del-Hold mode (switch down) the HOLD control determines the gate length applied to the envelope, and thus controlling its length/overall shape. When the switch is up, normal ADSR action is produced.

- RETRIG - In this mode the DH-ADSR becomes an LFO, which can mimic the "Trapezoid" function of the vintage EMS designs. HOLD controls the length of the trapezoid shape, and PREDELAY allows for adjustable gaps between each repeat of the shape produced.
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AJH Synth Mini Mod Dual LFO & VCA Module (black)
Cat: 637044 Rel: 22 Mar 17
 
Dual LFO with waveshaping, sync input & DC-coupled VCA - dark edition
Notes: This has two LFOs, each with variable waveshape from Saw to Triangle to Ramp waveforms, or variable Pulse width on the Square wave output. LFO 1 has the addition of a low range and a Sync input. The nominal maximum frequency of the LFOs when in Triangle shape is 20Hz, but under certain combinations of settings they will go much higher, well into audio range.

Also included is a DC coupled VCA, the input of the VCA is normalised to the output of LFO 2, so a 0 to +5V input to the VCA CV input gives control of the LFO waveform amplitude. It can also be used as a stand alone VCA.

This module is very useful for controllers such as the Waldorf KB37 where the modulation wheel gives out 0 to +5V, this can be routed to the VCA CV module so the level of the modulation waveform can be easily controlled. This makes it very easy to add VCO vibrato or filter 'wah' with control of modulation amount from the modulation wheel or other controller.
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AJH Synth Mini Mod Precision Voltages Module (black)
Cat: 755446 Rel: 07 Nov 19
 
Precision voltages module - dark edition
Notes: Sometimes real precision is required with pitch control voltages - this module features a super accurate "Cal" output, which is accurate to <1mV over 20V, translates to one cent over 20 octaves! It is ideal for calibrating the scaling of VCO's, indeed we have been using our own version of this circuit to calibrate our own MiniMod VCO's for the last three years.

As well as being a precision voltage source it is also a very accurate voltage adder, it has two channels (A & B) and both full volts (octaves) or 1/12th volt increments (notes) can be either added to or subtracted from the incoming signal. Perfect for adding a voltage offset to the output of a sequencer or it can be used to add switchable octaves to a VCO which only has course and fine tunes controls.

It also has a "mix" output, which allows either A channel on its own, or with the three way toggle switch channel B can either be added to, or subtracted from channel B, and this is in addition to the addition and subtraction per channel mentioned earlier.

Dimensions: 10HP wide, 26mm Deep
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AJH Synth Mini Mod Sample Hold & Slew Module (silver)
Cat: 708090 Rel: 18 Apr 19
 
Sample & Hold, Track & Hold, Gated Slew, Clock & Noise generator - silver, 12HP
Notes: A real powerhouse module that takes up only 12 HP of rack space. It can generate random and pseudo random control voltages, staircase waveforms, deliberate aliasing of audio signals, portamento type effects, adjustable audio range noise and has many other uses too.

It can be switched between Sample & Hold or Track & Hold modes, and the unique "Restrict" control affects the way the hold output changes with respect to the current input level and previously held output level. With the control fully off the unit behaves just like any other S/H, but at fully clockwise the output is restricted to move by only a small amount after each new sample. The output will still have the same range as the input, but will need more hold commands to get there. This versatile Sample and Hold circuit was designed by Tony Allgood, and is built under licence from Oakley Sound.

The Sample Hold & Slew module also includes a very well featured Slew generator, which includes a Gated Slew function. It can be used independently or chained with the S&H module. Slew mode can be switched between Linear or Exponential Slew types. There is a Gate input, so that the Slew on/off can be switched using an External CV (Gated Slew), and also the Slew control logic can be reversed by a toggle switch that doubles as a manual Slew on/off switch. In addition, it has slew up only, slew down only or slew up and down modes, which are selected with a three-way toggle switch. An indicator LED lights when Slew is active

There is also an inbuilt analogue Noise generator, which is normalised to the input of the Sample and Hold section, and there are both regular and clipped Noise outputs - the Clipped Noise is particularly useful with the sample and hold section, as it is weighted to produce higher random voltages. Both Noise outputs are fed through an internal "Noise Colour" control - at centre position it allows the noise through unfiltered, turning the control anti-clockwise introduces low pass filtering of the Noise, and rotating it clockwise introduces high pass filtering. The Noise source itself is based on an analogue band gap shunt regulator configured in avalanche mode, and it generates white noise with a gradual roll off above 8kHz. It is a little "grainier" in character than the noise from our MiniMod Glide & Noise module (which uses a reverse biased transistor as a noise source), so is a useful compliment to this module as it does not generate exactly the same sounding Noise

Lastly, it includes a wide range clock generator with a rate LED. The range is from one cycle every thirty seconds to around 2 kHz and the clock output is normalised to the Clock Input of the S&H section. It also has a Clock Out jack so that it can be externally patched to other Eurorack modules.
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AJH Synth Mini Mod VCF Transistor Ladder Filter Module (black)
Cat: 625060 Rel: 22 Sep 16
 
Mini Mod VCF Transistor Ladder Filter Module
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AJH Synth Mini Mod VCF Transistor Ladder Filter Module (silver)
Cat: 625059 Rel: 22 Sep 16
 
Mini Mod VCF Transistor Ladder Filter Module
MRP:$251.86 SAVE 18%
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AJH Synth Mini Mod Vintage Transistor Core VCO Module (silver)
Cat: 625054 Rel: 22 Sep 16
 
Mini Mod Vintage Transistor Core VCO Module
MRP:$316.44 SAVE 17%
 1 in stock $262.62
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AJH Synth Ring SM Ring Mod Sub Bass Mixer Module (black faceplate)
Cat: 625079 Rel: 22 Sep 16
 
Ring SM Ring Mod Sub Bass Mixer Module
MRP:$335.82 SAVE 22%
 2 in stock $260.48
AJH Synth Ring SM Ring Mod Sub Bass Mixer Module (silver)
Cat: 625077 Rel: 23 Sep 16
 
AJH synth ring sm ring mod sub bass mixer module
MRP:$316.44 SAVE 17%
 1 in stock $262.62
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AJH Synth Sonic XV Diode Ladder Wave Filter Module (black)
Cat: 625082 Rel: 22 Sep 16
 
Sonic XV Diode Ladder Wave Filter Module
MRP:$316.44 SAVE 12%
 1 in stock $278.77
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AJH Synth Sonic XV Diode Ladder Wave Filter Module (silver)
Cat: 625081 Rel: 22 Sep 16
 
Sonic XV Diode Ladder Wave Filter Module
MRP:$316.44 SAVE 29%
 1 in stock $224.96
AJH Synth Wave Swarm Dual 6 Stage Wave Animators Module (black)
Cat: 688824 Rel: 01 Aug 18
 
Analogue waveform animator & dual channel device - black, 14HP
Notes: The WaveSwarm is a waveform animator and all analogue dual channel device.

Each channel simulates up to six VCO's beating in unison with a different beat frequency between each animation. The fixed beat frequencies are generated by twelve onboard LFO's, and the front panel pots control the level of each of the six animators, along with the level of the dry signal to the final mix. In addition to independent channel inputs and outputs it also has an A+B output, which sums the outputs of the two channels, creating an effect similar to twelve VCO's in unison! This is possible because channel B uses slightly different beat frequencies to channel A, they are not identical.

The input waveform can be saw, triangle, sine or wavetable/complex waveforms, in fact most waveforms with the exception of square or PWM waves will give some form of animation.

A soft clip circuit is built in so that at higher signal levels the signal magnitude is limited by rounding the top and bottom of the waveforms, thus slightly softening the sound. There are soft clip LED indicators for both channels.

It can produce huge, fat drones or supersaw type waveforms from a single sawtooth or triangle wave input.
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ALM Akemie's Taiko FM Drum Voice Module
Cat: 628650 Rel: 17 Oct 16
 
Complete drum voice featuring algorithm selection, operator release envelopes, ratios, waveforms & feedback
Notes: Gritty drum voice module based on new old stock Yamaha FM synthesis chips, also capable of a decent range of synth tones. User-friendly knobby interface with a decent range of CV inputs for modulation.

Supplier's notes:
'Akemie's Taiko' is an authentic complete FM synthesis based drum voice created using original Yamaha IC's. It builds on the same technology used in the mighty Akemie's Castle but in a more complete triggered voice form featuring both signal generation and envelope shaping.

The module provides CV and direct control over a number of FM parameters including algorithm selection, operator release envelopes, ratios, waveforms & feedback. This gives a massive range of unique sounds.

The voice is able to track 1 volt per octave allowing it to be used for melodic lines as well as percussion. Also optional 'frequency ramps' can be enabled for additional audio effects.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 7 in stock $273.39
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ALM Dinky's Taiko Digital Drum Voice Module
Cat: 584252 Rel: 15 Apr 16
 
12bit digital drum voice synth module with full voltage control and an analog EQ output path - 12HP wide
Notes: Dinky's Taiko' is a 12 bit digital drum voice with full voltage control and an analog EQ output path.

The drum voice consists of 3 parts; a digital noise source with controllable frequency and release time, a wavetable oscillator with start and end frequency settings together with a variable rate (and release time, and finally a mix and tone control for the audio output. All settings, bar the tone control, are both direct and voltage controllable.

The drum voice includes a trigger input as well as accent and choke trigger inputs to add further expressive and rhythmic control.
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 5 in stock $213.11
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Analogue Systems RS-100N Lowpass Module
Cat: 777029 Rel: 15 Sep 20
 
Low pass filter module
Notes: This low pass filter is a very good -24dB/octave Moog filter, based on the classic Moog cascade with selected, low-noise transistors. Being the successor of the RS-100, the new "S" version features several improvements regarding stability, tracking, distortion behavoiur and also the frequency range.

Two signal inputs, resonance, manually and voltage controlled cutoff frequency. Frequency range 10Hz to 35kHz with CVs applied. The transistors used in the filter cascade are low-noise and have been selected and matched in pairs to improve the frequency response over the whole frequency range. A better stability guarantees, after a one minute heating time, that the filter can be used as a clean and well tracking sine wave oscillator.
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MRP:$220.86
 1 in stock $201.27
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Analogue Systems RS-500N Synthifilter Module
Cat: 777032 Rel: 26 Jun 20
 
filter module
Notes: Genuine EMS synthi filter, with redesigned faceplate!

This legendary filter can be switched between pre1974 and post 1974 filter type and response. For the first time response can be voltage controlled which was designed on the circuit board but not available on the matrix. This module is made under license from EMS. The only officially licensed remake of the EMS diode lowpass filter used in the VCS3 and AKS synths. It´s a faithful recreation of the original circuit, featuring some modifications that are also done on vintage EMS equipment, like a switchable faster CV response option for very quick modulations. Another switch determines if the filter has 18dB/oct slope as used by EMS pre-1974 or 24dB. The cutoff frequency and also the resonance are voltage controllable. Signal inputs and outputs have level controls.
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MRP:$271.24 SAVE 16%
 1 in stock $227.10
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Analogue Systems RS-95N VCO Dual Bus Module
Cat: 776867 Rel: 26 Jun 20
 
oscillator module
Notes: The RS-95N oscillator is a premium, british sounding VCO with waveshaping possiblities. It has a new front panel design with elongated holes.

It is based on the RS-90 but has more features, predominantly a very special sine wave.

The RS-95N presented here is technically identical but instead a normal frequency control it features a gorgeous, lockable potentiometer with ten turns. This allows precise fine tune control and adds the look of an EMS synthesiser to the VCO.

The module has three audio outputs: pulse, triangle and sine.

The upper shape control affects the pulse width. The lower shape control not only morphs from a falling sawtooth over triangle to a rising saw (or ramp) but simultaneously alters the sine wave and produces a kind of smoothed, softer sawtooth. Additionally the saw/sine output is a CV-INPUT for the symmetry of the sine. Very extraordinary feature that all are voltage controllable.

The oscillator sync is "soft" and not only reacts to square waves but works with all waveforms.

The frequency control has three switchable modes:

STD (standard) with a range of two octaves.
2 is two octaves lower than STD.
WIDE mode gives a range from 0.3 Hz - 17kHz and thus allows use of the RS-95 as VC-LFO with waveshaping options!
The "vary" control not only attenuates but also can amplify the pitch CV. It controls linearly from 0V over 1V/oct to 0.4 V/oct.
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MRP:$322.90 SAVE 17%
 1 in stock $269.08
Animal Factory Godeater Distortion Module (B-STOCK)
Cat: 779154 Rel: 10 Mar 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A legendary German band that influenced industrial music for years to come. A young drum virtuoso and breakout techno talent. A recording engineer to the likes of St. Vincent, Queens of the Stone Age and Ozzy Osbourne. A former Dire Straits and Paul McCartney drummer. A multifaceted producer and DJ who can play the most underground cuts to audiences of 35000 while producing for the likes of Lady Gaga and Frank Ocean. A hard techno legend known for smashing raves around the world with long, powerful live sets.

All of the above have offered praise for the Godeater pedal and consider it a pivotal part of their arsenal, with good reason. The extreme saturation of the low end guarantees a bass distortion like no other, making it no longer a necessity but a matter of aesthetic choice whether to dial the clean in or not.

Popular demand dictated that we release the Godeater in Eurorack format - after almost two years of research and development, it's finally in production. The delay gave us time to understand what people wanted from this module, and gave us the inputs we needed to make this one seriously special. This module offers CV control over almost every parameter without compromising on the signature sound that users of noisy things the world over have fallen in love with.
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 1 in stock $233.10
Animal Factory Godeater Distortion Module (B-STOCK)
Cat: 777207 Rel: 10 Mar 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


A legendary German band that influenced industrial music for years to come. A young drum virtuoso and breakout techno talent. A recording engineer to the likes of St. Vincent, Queens of the Stone Age and Ozzy Osbourne. A former Dire Straits and Paul McCartney drummer. A multifaceted producer and DJ who can play the most underground cuts to audiences of 35000 while producing for the likes of Lady Gaga and Frank Ocean. A hard techno legend known for smashing raves around the world with long, powerful live sets.

All of the above have offered praise for the Godeater pedal and consider it a pivotal part of their arsenal, with good reason. The extreme saturation of the low end guarantees a bass distortion like no other, making it no longer a necessity but a matter of aesthetic choice whether to dial the clean in or not.

Popular demand dictated that we release the Godeater in Eurorack format - after almost two years of research and development, it's finally in production. The delay gave us time to understand what people wanted from this module, and gave us the inputs we needed to make this one seriously special. This module offers CV control over almost every parameter without compromising on the signature sound that users of noisy things the world over have fallen in love with.
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 1 in stock $232.68
Befaco Crush Delay V3 Echo Module (assembled)
Cat: 668620 Rel: 09 Nov 17
 
Echo-delay unit based on the PT2399 IC
Notes: Crush Delay v3 is a special Echo-Delay unit based on the PT2399 IC, which is able to offer 400ms of clean delay and up to 2 seconds of dirty repetitions, having a special talent to generate noisy-glitch textures. The module bases its operation on controlling the PT2399 chip with circuit bending techniques, converting the unit in an advanced VC digital trash generator. This third version comes with some interesting new features like redesigned VCAs circuits, wider range for clean delay and reduced depth to make it skiff friendly.

The module features a few VCAs to provide a flexible signal route to maximize module's possibilities. First two VCAs at the inputs to control the amount of signal sent to the delay. The first is routed to both the dry/wet mix and the delay, and the second directly to the delay. Combining the second VCA and the FX Send output allows external feedback routings.

Compared with v2, this third version offers a bigger range of clean delay time as well as a revision of some of the Crush modifiers. Combining those modifiers you will have a access to a vast palette of noises and textures that can be used in many different ways. From ambient/drone patches to even percussion sounds.

The VC Feedback features an automatic gain control to keep levels stable at any feedback level.

- Current needs: +12V: 135mA, -12V: 35mA
- Width: 11 HP
- Depth: 30 mm (inc power connector)
- Aluminium, heat-treated front panel
- Designed, kits prepared and modules assembled in Barcelona
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MRP:$303.53 SAVE 25%
 3 in stock $226.57
Befaco CV Thing Voltage Controlled MIDI Controller Module
Cat: 775217 Rel: 08 Jul 20
 
MIDI controller module
Notes: A 6 HP version of the VCMC module. Simpler, less connectivity but all the flexibility and power from VCMC.

It's the exact same concept as the VCMC in that you pump in CV and control MIDI gear or your DAW and software instruments but in a much smaller package. The faders and buttons have been droppws and just give you 8 CV inputs, a big white knob and that rather nice little screen. The MIDI connections are taken care of by a TRS socket and USB for direct connection to a computer.

Essentially, you've lost the manual controls over MIDI gear that the faders and buttons provided and are just going straight with triggers, notes or modulation.

Each of the 8 CV inputs can be mapped to any MIDI message or controller number, note or event. You can send clock, program changes, note on/off and everything you'd expect in MIDI. It's a pretty great way of connecting your modular to your external instruments or software while keeping the control in the Eurorack rather than ceding control to the DAW. And if you prefer things the other way around then Befaco also makes a MIDI Thing MIDI-to-CV interface.
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MRP:$331.94 SAVE 26%
 6 in stock $245.39
Befaco Even VCO Voltage Controlled Oscillator Module (assembled)
Cat: 668582 Rel: 09 Nov 17
 
High precision VCO with octave select
Notes: The EVEN VCO is a voltage controlled oscillator which offers stability even in the case of power supply fluctuations.

The EVEN VCO features a 10-position octave selector switch (C0 - C9) and is able to track with 1 cent precision between C0 - 7, 4 cents through C8 and 13 cents through C9.

Outputs:

- Triangle
- Ramp
- PWM
- Sine
- Even (waveshape with emphasis on even harmonics)

Inputs:

- Hard sync. This forces the core to reset in the event of a phase change at the input.
- V/oct. Two inputs for pitch control summed to the main octave selector and the tone control.
- FM. Linear pitch control.
- PWM CV. Pulse width control summed to the potentiometer.
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MRP:$273.82 SAVE 22%
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Befaco Hex Mix VCA Module (assembled)
Cat: 668637 Rel: 09 Nov 17
 
6-channel performance mixer with EQ's & mutes
Notes: Hex mix VCA is a compact six channel VCA with an unique response curve range from logarythmic to linear and to exponential using a pot.

All outputs are routed to output six to act as a mixer, with a normalization of each one to remove each VCA from the Mix.

Hexmix VCA can act as six independent VCAs as well as a Mixer for all the inputs (Selectable via a switch). Featuring an internal connection to interface with our Hexmix system.

Every VCA has a response pot for the incoming CV, being full logarythmic at maximum setup and full exponentiall at minimum setup, having the linear response in the centre position.

The pot provides the full range of responses to adecuante to our prefered application, such as percusive sounds or panning effects.

Level pot of each channel is an attenuator of the signal coming out of each VCA.

Jacks are normalled to 10 volts, so when we have no CV present VCA would be fully open and our Level pot will act as a volume.
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MRP:$368.11 SAVE 20%
 2 in stock $293.84
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Befaco i4 Instrument Interface Preamp Module (assembled)
Cat: 749081 Rel: 25 Oct 19
 
Eurorack instrument interface with Neutrik combo connector - 8HP
Notes: Instrument Interface is a Eurorack pre-amp capable of bringing any type of audio signal to modular levels, thanks to its amplification circuit.

The module can drive regular and condenser microphones (+48V Phantom Powered), as well as Instrument and Line signals with a very low distortion ratio.

Going further from the regular re-amp operation, Instrument Interface offers some additional extra functions like a Trig/Gate extractor and Envelope Follower circuits, allowing you to use the character of your audio signal in more creative ways.
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MRP:$282.86 SAVE 24%
 1 in stock $215.26
Befaco Kickall Percussion Voice Module (assembled)
Cat: 689669 Rel: 14 Feb 19
 
Punchy kick drum module - 6HP
Notes: Kickall is a 6HP compact synth voice that features everything needed to make a big fat Kick sound: A stable VCO that tracks V/oct, a couple of VCAs, envelopes for volume and pitch and an aggressive wave shaper.

The module has been designed with a kick synthesis patch in mind: VCO to VCA with an envelope to open the VCA and another one to change VCO pitch. As addition a CV controlled waveshapper has been added to the VCO and an extra VCA at the end of the signal path to control the volume of the sound to act as kind of an accent.
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MRP:$277.69 SAVE 22%
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Befaco Muxlicer Sequential Signal Processor Module (assembled)
Cat: 689665 Rel: 14 Jun 18
 
VC addressable sequential switch & sequencer - 16HP
Notes: Muxlicer is a sequential signal processor designed for add a huge range of special functions to your modular setup in the minimum space.

Muxlicer is divided in three main blocks: Digital Step Controller, Gate Generator and Analog Switch (a.k.a. Mux/DeMux).

The module is designed with high "function to HP ratio" philosophy, to have maximum flexibility in minimum space.
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MRP:$277.69 SAVE 24%
 5 in stock $212.04
Befaco Percall Quad VCA With Decay Envelope Module
Cat: 739916 Rel: 02 Jun 20
 
VC quad decay & four channel mixer - 12HP
Notes: From trickling hi-hats to thunderous kicks. The Befaco Percall 4-Channel VCA/Delay Envelope Module is designed to take care of all percussive aspects of your Eurorack rig. You'll be able to create a whole host of percussion thanks to the 4 VCAs, volume control and decay options. By using the trigger you'll be free to open the VCA whilst the volume knob helps determine the level of the percussive sound you've sculpted. Take your tones to the next level thanks to the inclusion of an output on the envelope. You can apply this to the pitch of the oscillator to achieve a fat kick drum which offers excellent low frequency energy. The Percall 4-channel module is the ultimate addition to your Eurorack.
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MRP:$308.69 SAVE 25%
 9 in stock $230.33
Befaco Rampage Ramp Generator Module (assembled)
Cat: 668585 Rel: 09 Nov 17
 
Dual complex function generator
Notes: The Rampage is Befaco's approach to an old invention: the Serge/Buchla ramp generator.

Befaco took the idea of a "patch programmable" function generator/processor, put two units in the same module and expanded them with new functions and ways to combine them: Slope detectors, analogue logic functions and evolved outputs.

The module is built around two voltage controlled integrators. Integrators (also known as Lag Processors or Slew limiters) allow you to process your voltages, converting sharp square waves in ramp-like waveforms.

These lovely devices can, for instance, convert a gate signal into a simple envelope, or achieve a "portamento" or "glide" effect when applied to pitch CV.

Another useful application of an integrator is its ability to low-pass filter an audio signal.

- Current needs: +12V: 110mA, -12V: 90mA
- Width: 18 HP
- Depth: 30 mm (inc power connector)
- Aluminium, heat-treated front panel
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MRP:$368.11 SAVE 23%
 1 in stock $285.22
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Befaco Spring Reverb Analogue Spring Reverb Module
Cat: 668584 Rel: 09 Nov 17
 
CV controlled spring reverb - 8HP
Notes: Electronically generated audio will usually sound starkly different to acoustically generated sound. This is more-often-than-not a desirable thing, but there are times when you might want to bring the "depth" of an acoustic environment back into your mix. The obvious difference between acoustic and synthesised sounds is that acoustic instruments have resonators, and exist in reverberant spaces. One way to add depth to an electronic sound is to somehow simulate the characteristics of a space, and mix this with the original signal.

Reverberation can be defined as the sum of all the reflections created from an initial sound source within a space, at a point within that space, over time.

To simulate this effect we can pass a sound through a spring with two transducers at either end. As the sound propagates it will cause the spring to expand and contract, creating a series of reflections that are picked up by the transducers (along with the original sound). This creates a simulation of reverberation with (in the case of spring of the reverb) a characteristic and classic colour.

FEATURES
The module has two audio inputs both of which can be CV or slider controlled:
- "IN1" is routed both to "DRY" mix and reverb tank input
- "IN2" Goes only to the reverb tank

The module also has 2 outputs:
- "WET" comes straight from reverb tank
- "MIX" is the mix of DRY signal and the output of reverb tank. It has CV control

It is possible to feedback the "WET" signal back into the module via "IN2" in either a straight feedback path or after passing through other modules before returning to "IN2".

With the "MIX" control we can control the amount of reverb and feedback in the mix while maintaining the presence of the original signal.

The module also features a high-pass filter at the input of the tank to control the colour of the reverberation and to tame saturation that may be created in the spring during feedback.

Finally there is a built-in VU meter connected to the "WET" output to visualise the level and saturation of the signal.
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MRP:$290.61 SAVE 19%
 1 in stock $236.26
Blue Lantern Modules Cydonia Bi-Phase VCF Module
Cat: 775759 Rel: 27 May 20
 
synth module
Notes: The module has two filters, and two OTA-based VCAs. Most of the controls are setup to control both filters with one set of parameter knobs. There is a spread knob that separates the resonance peaks between both filters. You can get cool vocal and nasal filtering with careful adjustment. The filters self resonate. There is a trimmer for each filter which allows you to adjust how much feedback you want.

There is a CMOS based logic control system to select the state variable outputs. DG412 modern analog switch is used internally. This analog switch is made for audio (-5v / +5). There is a 'reset' button to quickly go back to LP flavor.
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MRP:$355.19 SAVE 22%
 1 in stock $277.69
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