Synth modules

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: The Erica Synths Envelope Generator 2 is a re-triggerable, looping envelope generator with some unconventional features that are very useful for experimental setups. What sets the Black EG2 apart from other envelope generators is its optional GATE LENGTH setting, which allows for generating full ADSR envelopes even if a short trigger is used at the input. Likewise, in LOOP mode, the module outputs a full ADSR envelope instead of a classical AD envelope. The gate length is both manual and CV controlled, which allows for using this envelope generator in compact modular setups controlled by trigger sequencers only.

SPECS:

Gate input level 3...10V
Envelope amplitude 0...10V
Attack time 0...7,4"
Decay time 0...19"
Sustain level 0...10V
Release time 0...17"
Gate length 0...3,7"
Panel width 8HP
Module depth 25mm
Power consumption 29mA@+12V, 33mA@-12V

LOOP/SINGLE

Select between SINGLE SHOT or LOOP modes. When the internal gate is o , the rise and fall times are set via the A and R knobs. When the internal gate is on, all knobs have an e ect on the envelope shape.

The LED gives visual feedback on the envelope state.
GATE ON
Engage the internal gate and you have a full ADSR envelope in loop mode and with a trigger applied to the trigger input in single mode.

G. LENGTH

Set the internal gate length manually

LENGTH CV

This is the internal gate length CV input.

The CV is added to the gate length potentiometer setting

GATE

This is the GATE input

A / D / S / R

These knobs adjust envelope stage times and sustain level

TRIGGER

This is the TRIGGER input. You can retrigger the envelope and start the attack stage again, even if the gate is still high (see Figure 1).

If you wish to use the envelope generator with an internal gate, patch the incoming trigger signal here. The internal gate is linked to the trigger input, not the gate input.

EG OUT

This is the envelope generator output.

Notes: The Foldiplier is a 4hp odd/even harmonics generator with 2 different oscillating feedback paths. The folding core of the design originates from the odd harmonics (middle)section of the Serge Wave Multiplier. But the Foldiplier adds voltage control over the symmetry and offset as well as a switch for feedback, jumper selectable between, a transistor based oscillating fuzz inspired by the Hemmo Bazz Fuss with a lot more low harmonic content and a passive oscillating half wave rectification circuit with more high harmonic content. When these feedback oscillations mix with an incoming waveform some unpredictable and unique nonlinear timbres can be achieved. The module can also be used as a no-input experimental oscillator with the feedback switch engaged. All diodes in the module are silicon.

The Fold knob controls the amount of times the waveform is folded in on its self (indicated by the red led window below the knob). The C.V. knob below is an attenuator for incoming control voltage corresponding to the Fold jack(indicated by the red led window above the jack, it only responds to positive voltage). So, the Fold knob acts like an initial amount of folding depending on its position. For example, with the Fold knob fully clockwise you can get even more folds with a control voltage in at the Fold jack. The Offset knob controls how much positive DC voltage(0 to 5v, clockwise) or negative(0 to -5v counter clockwise) DC voltage(indicated by the led window above the Offset jack, red for positive, yellow for negative) injected into the waveform via the Symmetry knob. With the Offset knob position at noon(0v) there will little effect from the Symmetry knob. The Offset jack is expecting +5v to -5v with knob position at noon to scan through the positive and negative voltage. The Symmetry knob controls the amount of negative or positive offset voltage(dependent on the Offset knob) mixed with the waveform(indicated by the yellow led window above the Symmetry jack). If positive voltage is mixed with incoming waveform more folds will occur on the positive troughs of the waveform, likewise, when negative voltage is introduced more folds happen on the negative troughs. This part of the circuit can also be broken down by thinking of the Offset as a voltage controlled crossfader swinging between positive and negative voltages into a VCA controlled by the Symmetry knob and jack. When a voltage is present at the Symmetry jack the Symmetry knob becomes an attenuator. The Symmetry jack only responds to positive voltage.

Width: 4hp
Panel Material: Double Sided PCB panel with Classic and Soulless
Reverse Power Protected
Current Consumption: +12v: 40mA, -12v: 35mA
Depth: 47mm or 1.75"
All through-hole build
Ships with M3 black nylon screws
Expandable: No

Notes: The Mini PEG is a clock-synced envelope generator and LFO whose envelope times are set by the time between clock pulses or "pings". The Mini PEG is the latest version of the classic 4ms Pingable Envelope Generator.

Specs

Mini PEG
8HP Eurorack format module
0.95" (24mm) maximum depth (includes power cable)
16-pin Eurorack power header

Power consumption
+12V: 55mA
-12V: 30mA

Envelope Outputs
Maximum voltage range (ENV OUT): -9.4V to +9.4V
Maximum amplitude (ENV OUT): 9.5Vpp
Voltage range (5V OUT): 0V to +5V

Frequency range: +/-0.1dB DC to 1kHz, -1.0dB@2.5kHz, -2.0dB@4kHz
12-bit, 40kHz sample rate
Clock Range

Period range: 29.16 hours to 250us (4kHz)
CV Inputs (Div/Mult and Shape)

Voltage range: -5V to +5V
Gate Inputs (Ping, Trigger, Cycle)
Rising edge threshold: 2.5V

Notes: A compact attenuverting (attenuator-inverter) joystick controller and Gate Generator. With it, you can generate and process two control voltages using only one hand. Provided controls for CV ranges and offset adjust the boundaries of your control, this way it never gets out of the desired range, ensuring sensibility and playability even with wild performance gestures.

Specifications

Current needs: +12V: 25mA, -12V: 10mA
Width: 12 HP
Depth: 35mm (including power connector)
Aluminium, heat-treated front panel.
Designed, kits prepared and completed modules assembled in Barcelona.

Notes: Outs enables your modular system to output both professional and prosumer compliant audio, and send it to external amplifiers, mixers, recording devices, or DAW interfaces. Using the L+R Level knob, it scales modular-level voltages down to the level required to drive external gear at either the +4dBu balanced professional line-level standard or the -10 dbV unbalanced standard.

Headphone monitoring is also provided via a low noise built-in headphone amp (with its own independent level control), capable of driving a wide range of impedances - from studio grade headphones to portable style earbuds.

To use Outs, simply connect the final output of your patch to the 1/8" inputs (where the built-in activity LEDs light up to indicate the presence and intensity of the input signal). The left input is normalled to the right, so you can create a stereo signal from a mono source. Or if you have an Intellijel Mixup, you can remove a jumper from its rear panel, and connect it to the Outs module using the 3-pin link cable included with the Mixup.

Notes: Introducing the HATS808, part of Tiptop Audio's new series of drum modules that bring analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and tested to sound just like it did back in the 80's. Adapting to modular foramt has allowed Tiptop Audio to add some special features for each voice, like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without comprimising the signature sound of the TR-808 hi-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what give the 808 hi-hat sounds their unique metallic character and akes each HATS808 sound slightlty different from one-another. The original "choke" circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, by disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, there is a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.

Notes: Creatively inspiring business from Xaoc as usual. The Erfurt is a digital phase accumulator, digital oscillator, binary counter or clock/audio frequency divider. Versatile stuff.

Supplier's Notes:
Xaoc Devices Erfurt is a digital module that may be used as an 8-output clock and audio frequency divider, a bi-directional binary counter, or a component of the Leibniz binary system, i.e. a programmable digital oscillator.

Erfurt features an 8-bit register which holds its current state: an 8-bit number representing digital values from 0 to 255. The state is available at the front panel via eight binary (5V gate) outputs and reflected by the 8 status LEDs. There are three clock inputs: one incrementing the state at each impulse, one decrementing, and one resetting the state to zero. The state may also be changed manually with two buttons.

When operating alone, the state of Erfurt changes by 1 at each impulse from the clock inputs, so that it counts from 0 to 255 in a cycle (modulo 256). This yields the signal frequency divided by 2, 4, 8, etc. up to 128, available at individual bit outputs. Depending on which clock input is used, the clock patterns correspond to the so called mathematical or musical divisions of the rhythm.

With two different clocks patched to the inputs, the counter alternately increases and decreases its state, and ultimately it counts with a rate proportional to the frequency difference between the clocks. A third clock patched to the Reset input may be used to shorten the sequence thus making the cycle incomplete for even more rhythmic diversity.

When there is a Leibniz data source connected at the back (even as simple as Lipsk), the state increases or decreases in larger steps, depending on the data present at the Leibniz bus (eg. the value programmed by the Lipsk buttons). The counter overflows quicker, and produces more complex patterns.

The state of the counter may be used as a phase input to a digital wave table. Connected to other Leibniz modules, Erfurt may play various roles, eg. it may scan waveshapes in Jena, produce stepped voltages useful for making interesting glissandi with Drezno and any VCO, generate gate patterns animating the spectrum of Odessa harmonic banks, spawn pseudo-chaotic sequences when fed back to Lipsk, etc. Since Erfurt is based on CMOS logic (no CPU!), it can be clocked at very high frequencies (exceeding audio rate), therefore some selection switches are provided for clock pre-scaling.

Dimensions:
6 HP

Current Draw:
25 mA +12V
30 mA -12V
0 mA 5V

Notes: Gera is a component of the Leibniz subsystem that allows masking individual bits of the digital data by the use of logical AND operation.

It features 8 individual gate inputs that affect the individual bits of data, as well as 8 illuminated tact switches for manual inverting of each control input. When connected to Drezno that is processing a waveform or voltage, masking of individual bits yields various forms of quantization. However, Gera can function on its own. The AND operation is a basic building block for sequence automation, chaos and rhythm generation, and various computer-like modular patches.

Bit processing logic in Gera is hardware based, hence there is virtually no latency, and the binary signals may change at extreme rates.

Main features:

Logical AND operation on Leibniz data
Masking of individual bits controlled manually and by gate signals
Visual indication by illuminated buttons
6HP
30 mm depth (including ribbon cable brackets)
- +12V: +45mA / -12V: 0mA / +5V: 0mA

Notes: Think of the MFD like a tiny DJ mixer: two stereo inputs, one stereo output, with the option to cue either input and crossfade between the two. A simple idea very well executed.

Supplier's Notes:
Inspired by DJ mixers, the MFD allows you to cue and crossfade between signals. Ideal for live performance as well as jamming out ideas in the studio.

Supplier's Notes:
The 'MFD' is a 2-channel stereo crossfader designed for live DJ-style mixing and jamming in Eurorack. Two mono or stereo inputs are mixed to a single stereo output via direct or voltage control. Additional Cue controls provide preview monitoring of either input pre-mix via dedicated Cue switches and an output.

Voltage control over the crossfade and DC coupling allow for further creative uses such as a high quality stereo VCA or as a mix processor for either stereo audio signals or CV.

The MFD is designed to have very low noise and cross bleed and employs equal power crossfading for smooth constant level blending between signal sources.

Features:

Two channel stereo crossfader with voltage control.
Approx equal power crossfading.
Cue output switches for direct monitoring of either stereo input (pairing well with HPO for headphone monitoring).
Can be used as a high quality stereo VCA.
DC coupled for use with both audio and CV.
Skiff friendly with reverse power protection.
Two year warranty.
Made in England.

Ideal For:

Smoothly blending and monitoring 'tracks' or 'scenes' during a live set.
High quality VCA use for stereo based sources.
Voltage controlled crossfading and mixing of both CV and Audio signals.
Other advanced uses including audio rate modulation, stereo panning effects and a CV controlled FX send.

Technical Specifications

Supply: +12V 70mA / -12V 70mA

Size: 6HP

Depth: 32mm

Notes: The Fold Processor is a voltage-controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from standard sine, triangle, sawtooth, and square waves and includes a CV input with an attenuator, making it very easy to create beautifully animated folding sounds. Adjustable voltage-controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL-like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.

Size: 12HP
Depth: 31mm
Power: +12V 60ma / -12V 55ma

Notes: Terci Ruina combines three classic distortions in 4 hp. Distortions are reinterpreted in classic NE style and routed through each other for complete sonic annihilation of any sound. Patch in and out anywhere in the signal chain to pick the best sound for your purpose (because modular). Looking for a pretty distortion? This is probably not your module. Unapologetically gross and dirty.

Notes: Clever four-channel utility module designed to make it easier to achieve perfect oscillator tracking and transpose CV signals. Also includes some neat quantising and portamento features.

Supplier notes:
The CalTrans solves issues encountered when playing tonal music with a modular system: tracking problems, curves unrelated to Volt per octave ratio, limited octave range, cumbersome transpose, ...

The CalTrans corrects and expands the range of troublesome VCOs and brings V/Oct tracking to anything that oscillates.

Besides calibration, the CalTrans offers live play features. Each channel can be quantized and any combination of them transposed jointly.

A pair of rotary encoders with detent allow an precise selection of octaves and semitones.

VCOs whose tracking doesn't go high enough to follow the leader will see their pitch repositioned in their highest possible octave so that the global harmony is unaffected.

You can add a pinch of portamento and glissando to each channel and save the whole in user presets.

Notes: Lipsk facilitates the inversion of the individual bits produced by Drezno (or any other module connected to its input header at the back), and delivers the resulting code to its output header. Bit inversion can be manually controlled by pressing any of combination of its eight illuminated buttons, or it can be automated by patching gate signals into its gate input sockets. An active (5V) gate flips the state of the respective bit. If the button is active (bit already flipped), then the gate flips the bit again yielding double inversion (no inversion). The corresponding LEDs show the combined effect of both manual and gate actions. The bit processing logic is hardware-based, so there is virtually no latency, allowing the binary signals to be manipulated at extreme rates.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP

Notes: The SVF is a 4hp 2 pole 12dB State Variable Filter Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It provides Low Pass, Band Pass, and High Pass outs inspired by WASP and Thomas Henry filter topologies. The filter has 2 audio inputs, but channel 2 is jumper selectable between standard audio in or Ping-able operation. The 2019 revision also adds improved cutoff and resonance response and attenuversion through the ACV IN using the above pot. CV IN provides another unattenuated voltage input to modulate the frequency.

At the CV in, +10v will open the filter completely if the cutoff pot is CCW(counter clockwise). With the cutoff knob at noon the filter can be opened with +5v or closed with -5v. CV input at the ACV in is dependent on the CV attenuverter knob.

There are also several jumper selectable modes for max resonance, self oscillation or no oscillation based on the setting of the resonance pot. According to the jumper configuration, the filter is capable of clinical and clean, to juicy and drippy, to low pass gate sounding plonks, to screaming chaotic resonance. When set to self oscillation mode, the filter can produce a sine like wave with no input and a trapezoid like wave in the max resonance jumper setting. In max resonance mode, the filter output can exceed 10Vpp. On the newest version, there is a trimmer on the top pcb to set the lowest cutoff frequency.

The new black and white pcb/panel is reversible meaning, one side is classic (first picture) and the other side is soulless (second picture).

Notes: Module A-174-4 modules outputs three control voltages generated by a spring-loaded X/Y cross potentiometer (so-called joy stick) and a Gate signal. The control voltages for X and Y are controlled by the X and Y position of the joystick in the usual way. The third control voltage Z is controlled by the rotation of the spring-loaded joystick knob. The Gate signal is generated by a button at the center/top of the joystick knob.

For each control voltage the non-inverted signal (X, Y, Z) as well as the inverted signal with adjustable offset (-X+XO, -Y+YO, -Z+ZO) are available. The generic joystick control voltages are bipolar, i.e. they range from typ. -5V (lowest position) via 0V (center position) to typ. +5V (highest position). The "Overlap" switches can be used to add a fixed offset voltage of typ. +5V to the non-inverting output in question so that the output voltage range changes to typ. 0...+10V (rather than -5...+5V). That's necessary if e.g. a VCA has to be controlled, which requires a pure positive control voltage range. The switches are named "overlap" because they allow the overlapping of the non-inverting CV output (X, Y, Z) with the inverting output (-X+XO, -Y+YO, -Z+ZO) for crossfading applications. With the overlap switch "on" and appropriate setting of the offset control it's possible to obtain a control voltage range of 0...+10V for the non-inverting output and +10V...0V (i.e. same range but opposite direction) for the inverting output.

The offset voltages which are added to the inverting outputs can be adjusted by means of three small potentiometers. That way different kinds of control voltage ranges are possible, e.g.
-5V ... +5V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = off, Offset = 0)
0 ... +10V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = on, Offset = max)
-5V ... +5V for the non-inverting output and +10V ... 0V for the inverting output ( Overlap = off, Offset = max)
0 ... +10V for the non-inverting output and +5V ... -5V for the inverting output ( Overlap = on, Offset = 0)
On top of this the four quadrant voltages Q1, Q2, Q3 and Q4 are available. A quadrant voltage becomes positive when the joystick is positioned in the quadrant in question.
Each CV output is equipped with an LED that displays the present voltage.

Because of the construction height of the joystick (about 7 cm) the module cannot be installed into the cases A-100P6, A-100P9, A-100PMS6, A-100PMS9 and A-100PMS12 during transportation as the depth of the case cover is not sufficient. Into the base cases A-100PB and A-100PMB as well as in all other cases without cover the module can be installed without problems.

HP : 12

Notes: Taking equal inspiration from gritty delays on cheap mixers, the sounds of dub and the fracturing of consciousness in time and space, the Coma Reactor looks like a deceptively simple delay module... till you start digging deeper.

The Coma Reactor boasts the crunchy sounds of the PT2399 chip, but adds a number of useful routing possibilities that really open it up for sound mangling that transcends the norm.

Independent volume controls for dry, wet as well as FX loop return allow you to blend in clean, delayed and affected sounds to suit your needs. A CV input on the module increases or decreases the delay time, going from slight tape-echo warbles to some truly seasick pitch shifting. A buffered clean through allows you to pass an unaffected unity gain to a mixer or other device.

The Send/Return path allows you to process your delay signal through another effects unit. Without anything plugged in, a truly nasty bandpass filter lurks in the delay feedback path. The 2022 edition of Coma Reactor features Frequency (CV controllable) and Resonance knobs for this filter.

Lastly, this completely delirious module is also capable of generating noises and oscillating with no input attached, making it a useful soundtrack generator for the end of the world.

The 2022 Coma Reactor includes a breakout header for future integration with upcoming AFA expander modules.

Power consumption: 39mA at +12 V and 21mA at -12 V
Depth: 22mm
HP : 12

Notes: The modDemix music synthesizer module features 2 identical direct-coupled balanced modulator circuits that may be used together or independently for Ring Modulation, VCA, Mixer, Signal Multiplication, Voltage Controlled Polarization, Attenuation and more.

Features

Unique balanced modulator circuit turns OFF around zero volts at the Carrier/ Control INput, making the circuit behave well as a VCA.

STRENGTH is a Combo Knob, with nothing patched to STRENGTH CV IN, it works as a standard panel control, setting Level. With signal patched to STRENGTH CV IN, it works as an attenuator, setting the strength of the modulation.

Both circuits feed a summing stage, allowing the module to be used as a voltage controlled mixer.

AUXiliary IN allows for the stacking of multiple modDemix and/ or Optomix to create larger mixes.

Part of a decentralized mix console integrated throughout the system along with Optomix, X-PAN, Dynamix, and RxMx.

Able to introduce warm distortions to audio signals, sounds like no other VCA or Ring Mod.

MAX BLINKENLIGHTS, 8 LEDs packed into a small 6hp module.

Pairs well with MATHS and Optomix.

Specifications

Width: 6hp
Max Depth
(incl. power cable): 32mm

Power:
30mA@ +12V
30mA @ -12V

Notes: Each of the two sections of the module is capable of performing the analog multiplication of two signals (A and B) and add an offset (C). It can also act as a dual voltage controlled attenuverter, dual ring modulator, dual VCA or four channel mixer (see block diagram below).

The B inputs are routed to an attenuverter that multiplies the signal between -2 to 2, while the offset inputs (C) route through a unity gain attenuverter (multiplies the signal between -1 and 1).

The output of first section is routed to the output of the second (when the first's output is unused), so the second output can act as master to achieve (A1*B1+C1) + (A2*B2+C2) or (A1 + C1) + (A2 + C2) - a 4 channel mixer.

The through-zero (four-quadrant) multipliers in the A*B+C allow for true Ring Modulation. To achieve this, simply connect two waveforms to the A and B inputs.

Notes: The 'MCO' is a compact digital oscillator. It features a main 'morphing' wavetable output, an additional copy of this output with overlaid variable pulse width segments (ala Alpha Juno style saw wave pwm) and a sub square wave output an octave down to the main output. The waveform and pulse segment width and be both directly and voltage controlled. The pulse segment distribution can also be voltage controlled via the 'type' input.

Expect an early 90s slightly crunchy digital type sound (ala Ensoniq, Kawaii KX synths) rather than something striving for perfect analog emulation.

Notes: Sometimes your ears are not enough and you really need to see the sounds and control voltages you are generating. Zeroscope's two channel design lets you display and compare both control voltages and audio. It's a good old fashioned sci-fi light show!

The Zeroscope 1U is an adaptation of the excellent 3U Zeroscope by VPME.DE.

Three Modes Packed Into 1U:

- Scope: Standard graphical display, with time displayed on the X-axis and voltage displayed on the Y-axis.
- X-Y: Alternate graphical display with CH 1 driving the X-axis and CH 2 driving the Y-axis.
- Tune: Alphanumerical tuning display, which you can configure to show either Hz values or note names.

The Scope displays have adjustable display offset for each channel and an adjustable trigger threshold, while the tuner has options for reference pitch and average update speed.
Ins & Outs

The inputs are DC coupled and accept signals between -10V and +10V. The Signal on the input is normalled to the output below; this allows you to monitor or tune a signal without a mult or re-patching.

Notes: Make quick changes to signal routing manually or with CV control. Any audio or CV signal can be routed via two outputs in series, parallel or reverse series. Quick, clever and easy to use.

Supplier's Notes:
Signal flow is an essential concept in modular synthesis: the path taken by audio or control voltages (CVs) may be long or short, branching or linear, intuitive or highly complex.

While the patch programmability of a modular system is its greatest strength, it can also be a weakness: quick experimentation is often hampered by the need to repatch the synthesiser to change the signal flow.

Pivot 2 offers a unique solution: a compact, fully voltage controlled variable signal router. At the turn of a single knob, any signal can be routed through two external modules in series, parallel or reverse series, as well as any combination in between.

Experiment with patching wavefolders before, after or alongside filters, shuffle multiple delay lines, precisely dial in two-stage audio compression or easily control intricate feedback patches.

Looking beyond the basic signal routing application, Pivot 2 will also function as a complementary pair of counter-acting linear voltage controlled amplifiers (VCAs), a voltage controlled crossfader or a voltage controlled panner.

Analogue voltage controlled send/return router.
Seamless transitions from series, through parallel on to reverse series effect routing.
Also functions as a complementary VCA pair, voltage controlled crossfader or panner.
Impedance-compensated outputs with dual-colour LEDs.
Premium mounting hardware: black screws, black nylon washers and matching hex key.
High-quality components and assembly; designed and made in Belgium.

4 HP | +12: 60 mA, -12: 60 mA

Notes: Loop is a high fidelity looper with four unique recording modes and an intuitive user interface. It can capture up to five minutes of audio with reverse, and half-speed playback accessible. Each recording can use one of four modes: Sound on Sound, Dub, Replace, and Infinite (i.e. Frippertronics). Whether you're looking for minimal part layering, or full blown ambient soundscapes, Loop will take your patch for a ride.

High fidelity audio - 24-bit, 48kHz with five minutes of recording time
Four recording modes: Sound on sound, Dub, Replace, and Frippertronics
Intuitive interface
Half speed and reverse playback

Tech Specs:
Width: 2HP
Depth: 42mm

Notes: Sine is a harmonically pure VCO with two distinct outputs.

The primary output contains a perfect sine wave with a wide frequency range and pristine volt per octave tracking. The Sub output features two sine tones that can be blended together to achieve a mix of one octave below, or a fifth above the primary output's frequency.

In addition, both outputs have an internal wavefolder that adds harmonic content to the signal allowing for spectrally complex tones within a single module. Keep your tones pure (or not!) with Sine.

Notes: Updated expander module for the Moskwa II sequencer. The Ostankino adds additional connectivity to the Moskwa II, allowing CV control of most parameters, plus extra outputs.

Supplier's Notes:
Ostankino II expander adds CV inputs for many Moskwa II functions, as well as a transpose input, clock out and individual gate/bit outputs for each step.

Notes: The "uMM" combines a MIDI merger and two independent THRU distributors in a module that is only 4 HP wide. All sockets on the module are in MIDI TRS-B format.

At the heart of the two-input MIDI merger is a small, powerful ARM processor with plenty of buffer memory. Two MIDI streams are mixed to one output and can also be tapped via an additional second output. Two LEDs signal the operation of the merger: one LED indicates MIDI activity at the inputs, and a second LED warns of too much data at the inputs.

The second group of functions consists of two independent, separate MIDI THRU distributors. The MIDI data at the respective MIDI input can be picked up and distributed at the three THRU outputs. If required, a 1-to-5 distributor can be created from the two units by connecting an output of the left group to the input of the right group.

Features:

4x MIDI IN (TRS-B)
2x MIDI-OUT (TRS-B)
6x MIDI-THRU (TRS-B)
Powered via Doepfer connector

Notes: KR is based off of the concept of a guitar tonestack: you get a gnarly drive on the top and a super clean two-band shelving EQ with switchable midpoint after that. There are separate ins and outs, too, so if you want to EQ a thing and distort the other thing at the same time you can!

Kith Ruina's inspiration comes from the world of guitar amps. A drive into an EQ is an extremely common configuration for shaping guitar tone, and we find that it works extremely well for synths as well. A grungy drive into a pristine EQ gives excellent tone control, and with separate ins and outs for the two sections KR can be configured to fit into any patch you throw at it.

Notes: This is a complete mini synthesizer that only requires CV and Gate from your midi to CV converter. You can use an AKAI Mini Keyboard or Arturia KeyStep for example. As long as the product has CV and GATE outputs, you can musically control the CSVCO module. This is a great first-time module, or a great percussive voice to add to your electronic singer section.

The CSVCO is similar to the 'toy' algorithm on the mutable braids module, and the weird noise ring (kinda).

-When the Shift Register is put into random mode using the toggle switches you can create the classic arcade noise sound found on the Atari, and defender arcade game.
-The shift register can loop into more musical overtones, using the toggle switches, that also resemble early Atari pulse wave sounds.

These are the only two modules that BLM were able to confirm use the same related approach of using many pulse harmonics to sculpt the sound. There is no firmware, or simulation happening on the CSVCO. The module is an analogue and CMOS logic hybrid module. There are many modular sections involved to make this happen. It would take many modules to attempt to make your own CSVCO patch on your modular.

You would need the following: Triangle VCO, x2 clock generator, Shift Register module, High Pass Filter, VCA, Envelope Generator, Sub Division Pulse Generator Module, Logic xor, Logic AND, Logic Invert modules, and a mixer module. This would easily take up 64-84hp. Such a complicated patch on your system would probably not work as good as the CSVCO.

It can also be used for bright percussive sounds. All of this tracks +5 octaves, musically.

The CSVCO contains so many over tones (mathematically sub divided), that it is indeed producing chords. The EXT trigger input 'rolls the wheel of chance', and changes the overall tone of the shift register.

The CSVCO seems to sound more 'Minor' at times, it gives out a more creepy, spooky set of chords upon changing up the shift register.

Width: 8hp
Current: +150mA, -140mA

Notes: Running Order is a two track trigger sequencer. It can be a precise master clock or manipulate incoming clock signal and works great in use as a sub-sequencer/divider in your Eurorack environment.

Zero-jitter clock generation: less than 50 microseconds internal clock jitter
101 style 1/16th note input mode (step/rest) with manual or CV controllable amount of triggers repeats when the active trigger step happens
Euclidean mode enabled for each track where we set Euclidean total steps amount in the circle and then amount of triggers happening in that circle.
Per step trigger probability in 101 mode and global probability in Euclidean mode.
Separate synchronization (reset) inputs, sync for track 1 is normalled to sync track 2
Clock divider for incoming external clock allows to quickly obtain various musical divisions on the fly incl. triplets of course, but more importantly tuplets mode allows you to stretch desired amount of triggers happening into a single bar
Separate mute buttons for each track
8 patterns of triggers sequences stored in the module and recalled on the next power up
Available in 3U / 6HP version

Power consumption:
30 mA +12V
10 mA -12V
0 mA 5V

Dimensions:
22 HP
26mm deep with power ribbon cable connected

Notes: Pluck is a physical modelling synth voice. It uses the Karplus-Strong algorithm to create plucked string sounds. The dampening control sets the size of the string and allows for dramatic timbral shifts.

The decay control changes note length from percussive transients to infinite harp sounds. In addition, four voice polyphony provides complex layered tones; all from a single sound source.

Strum a new chord with Pluck.

Notes: Get glitchy with it.

The 2hp Slice is a compact beat repeat/glitch engine built to add clickless stutters, digital glitches, and more to your patch. With an onboard Triplet button, seamlessly switch between straight beat repeats to offset triplets, perfect for those trap style fills you can't live without. With massive repeat range, and CV/Gate inputs for complex glitch sequencing, Slice is everything you need to get glitchy with it, all in 2HP.

Tech Specs

Width: 2HP
Depth: 45mm
Power Consumption: +12V=83mA, -12V=8mA, +5V=0mA

The 2hp Slice will be available in both Silver aluminium and Black PCB front panels.

The 2hp Slice ships with a 10-16 power cable and 2 Silver M3 mounting screws.

Notes: Babel is a tool for creating massive intermodulation, and a workhorse for analogue logic, depending on your use and interpretation of its function. It provides three inputs, which can be arbitrarily increased with the chainable expander (see below). For each of those inputs, Babel outputs the maximum value (ANY), the minimum value (ALL), and the balanced middle value (XSOME), which follows along the centre values of the input waves. What CENTER means is adjustable via knob and CV control. XSOME is particularly interesting, as it has the same general shape as a multiplication function, but with sharper edges. What this means it that Babel will create ring-mod like intermodulation-but with extra harmonics like those produced with a wavefolder, and with an arbitrary number of inputs, instead of just two.

When viewed as a logic module, Babel takes any group of truth values and tells you whether any of them are true (ANY, the equivalent of "or" with just two values), whether all of them are true (ALL, the equivalent of "and" with just two values), and whether some, but not all of them are true (XSOME, the equivalent of "xor" with just two values). Turn CENTER all the way to the right for 0-+5V logic, or leave it cantered for -5V-+5V logic-handy when your "logic" modules are really LFOs.

Specs

Size: 6HP
Depth: 22mm
Power Consumption: +12V 44mA -12V 44mA
Output Swing: -10V-+10V peak
Input Range: -10V-+10V peak
Input Impedance: 30kO
Output Impedance: 150O
Output Drive: 2kO (min), 20kO+ (ideal)

Notes: HN VCF is a state variable filter having 12 db Low Pass, 12 dB High Pass, 6 dB Band Pass plus 18 db Low Pass marked as "LP!", because it has extra drive. All three parameters: "Freq", "Resonance" and "Drive" have dual knobs with outer knobs controlling bipolar CV amount. These affected CVs are then shown by the relative green/blue LEDs.

The possibility to have CV over "Resonance" and "Drives" makes it a very capable 6 HP filter.

"LP!" output has 6 dB steeper slope (18 dB) compared to ordinary 12 dB "LP" output. Plus it has much more drive.

Dimensions
6 HP
35 mm deep

Current Draw
55 mA +12V
65 mA -12V

Notes: Module A-149-4 generates four triggered random voltages which meet the criteria choosen by several controls.

Manual controls for the criteria selection:

Octave range (manual control "Oct."): this parameter defines how many octaves are covered by the random voltages (0 ... +5V, with "Oct." control fully CCW only 0V are generated)

Grid (6 illuminated radio buttons): this parameter defines the grid of the random voltages:

Octaves (Oct)

Octaves + Quin (Quint)

Chords

Scale

Semitones

continuous (i.e. stepless)

Minor / Major (2 illuminated radio buttons): this parameter defines in case of chords or scales if they are minor or major. For all other grids this parameter has no meaning

Sixth / Seventh (2 illuminated separate buttons): these parameters defines if the sixth or seventh is added. Valid only if Oct, Quint, Chord or Scale is chosen as grid.

The output voltages follow the 1V/octave standard with exception of the Continuous mode. The voltages in this mode are totally random and do not follow the 1V/oct standard (i.e. not a multiple of 1/12V).
The generation of a new random voltage at the output (CV Out 1...4) is triggered by the corresponding trigger input (Trig. In 1...4). The trigger inputs are normalled top down. The minimum trigger level is +2.5V (up to max. +12V).

Applications:

random polyphonic structures (in combination with the polyphonic modules A-111-4, A-105-4, A-132-8, A-141-4 and e.g. A-157 as trigger source and A-173-1/2 for transposition of the polyphonic structures)

any application that requires several random voltages

Width: 4 HP / 20.0 mm
Depth: 45mm (measured from the rear side of the front panel)

Notes: Module A-140-2 contains two ADSR type envelope generators behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V. The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR. Changing the positions of the mentioned jumpers allows to modify the factory settings.

Notes: Module A152 is a very useful switching and T&H module. It combines a voltage addressed 1-to-8 multiplexer and 8 fold T&H that can be used as kind of an analogue shift register too. The active in/output is displayed by a LED. The digital output of the currently addressed step outputs "high". The remaining digital outputs are low.

Instead of voltage control even clock/reset controlled addressing of the active step is possible. The rising edge of each clock signal causes an advance to the next state. The rising edge of the reset signal resets to step 1.

The sum of the voltages coming from the manual Address control and the CV input define the currently addressed step of the 3 sub-devices. If the module is controlled by clock and reset the control voltage has to remain unchanged as the CV control has priority over the clock/reset control (e.g. simply turn the CV control fully counter-clockwise and do not touch the Address control knob).

Sub-device #1 is the bidirectional 8-fold multiplexer (kind of an electronical 8-fold rotary switch). Bidirectional means that it works into both directions like a mechanical rotary switch: the common socket may work as an output that is connected to one of the 8 inputs that are e.g. connected to modulation or audio sources. But the common socket may even function as input. In this case the signal applied to the common socket is output to the currently addressed single socket. The voltage range of the in/outputs to be switched is the full A-100 voltage range -12V....+12V. All A-100 signals can be switched without any restrictions.

Sub-device #2 is the addressed 8-fold T&H. The signal at the common T&H input is connected to the addressed T&H output. As soon as a new output is addressed the last voltage is stored at the output (Track&Hold function). The T&H section of the A-152 allows the emulation of the "toggling T&H" function of the Buchla module 266 "Source of Uncertainty". Only the first two T&H outputs of the A-152 are required for this application. This unit can be used also as kind of an analogue (shift) register. The difference to a "real" analogue shift register is that the sampled output voltages are not shifted to the next output but remain allocated to the same output. But in some cases (e.g. controlling the pitch of 3 VCOs by 3 output voltages of the A-152) the result is the same.

Sub-device #3 is the digital output section. The digital output of the currently addressed turns to "high". All other digital outputs are low. The digital outputs can be used to trigger e.g. envelope generators or to control the reset input in the clocked mode to reduce the number of addressed stages.

Notes: R2M is module 1 of a pair of two 2 HP modules that allow you to connect a chain of controllers to your DROID master through a standard 3.5 mm stereo cable (sometimes also called aux-cable).

The usual idea is that you put all your DROID controllers into a skiff case and mount your DROID master, X7 and G8 into another case, together with all your fancy Eurorack sound modules.

R2C is module 2 of a pair of two 2 HP modules that allow you to connect a chain of controllers to your DROID master through a standard 3.5 mm stereo cable (sometimes also called aux-cable).

The usual idea is that you put all your DROID controllers into a skiff case and mount your DROID master, X7 and G8 into another case, together with all your fancy Eurorack sound modules.

While you could do this with the typical 6-pin ribbon connector (e.g. the 80 cm version that we offer), using the R2M/R2C combination has some serious advantages:

The connection cable can be almost arbitrary long (20 m have been tested and works perfectly).

Since the connection is done on the front of the modules, you can quickly disconnect your skiff for the purpose of travelling to a gig.

You can use a standard 3.5 mm stereo TRS cable for the connection.

These modules are not just passive connectors but contain special driver ICs that transform the electronic voltage levels, which run in the 6-pin ribbon, to something more stable and reliable that is fit for longer distances in a more hostile environment.

The controllers do not receive their power from the master but from the R2C module, which has a power connector and a voltage regulator for that purpose. Each chain of the R2C module provides the same power to its controller chain as the master does (it contains the identical voltage regulator). That means that you can connect up to 32 controllers (!) to one R2C.

Another nice thing: The R2M/R2C combination allows for two of these master / controller connections in parallel. That means that you can have two masters being attached to their individual controller chains. That does not mean, that each of the masters can access each of the controllers at the same time, however. Both master / controller connections work completely separately.

Package contents:
* one R2M module
* one R2C module
* one Eurorack power cable for the R2C
* two 6-pin ribbon cables for connecting the R2M to two masters
* two 3.5 mm stereo TRS cables, approx.. 1.2 m
* 4 red M3 screws for mounting the two modules

Notes: Play is a high-fidelity sample player with a full feature set.

Up to 32 samples can be loaded at a time and dynamically switched between using the file knob and associated CV input. Playback modes include one-shot, looping, or gated playback; all with extremely low latency. Transform your samples by pitching them up two octaves or down three octaves, all with a pitch knob that can be free running or quantized to semitones. The pitch CV input tracks volt per octave across its entire range and allows for musical sequencing of samples. Play ships with a pre-loaded SD card packed with loops, drum hits, and field recordings to get you up and running immediately.

Notes: Stmix is a compact 4 channel stereo mixer with an Auxilliar input. This input will allow us to chain a few of them or to insert an extra fifth input.

This module is compatible with Befaco's Hexmix system, and can be internally connected to hexmix module to add the output of STMIX to your main mix.

Specs

Current needs: +12V: 8mA, -12V: 10mA
Width: 6 HP
Depth: 20mm (including power connector)
Aluminiun, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: Stereo effects processing for Tangible's affordable AE modular system. Offers a total of 15 digital effect programs with CV control over three parameters each. Can run in Eurorack via an optional adaptor frame.

Supplier notes:
The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.

Each program has 3 parameters that can be adjusted and additionally be CV-controlled.

With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.

It is based on the FV-1 DSP chip that is well-known from other FX-modules in the Eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by Tangible Waves.

Notes: This is the version II of the original uVCA.

This module was adapted from a design by David G. Dixon

Notes: An ultra-compact 10HP VC filter with bags of personality. Camber can be treated as a subtle, non-intrusive sound design tool, or something much more lively.

Camber is designed to be a fun, tactile filter with a small footprint. It's sound is neutral enough for basic filtering without a fuss, with a much more aggressive tone available using high resonance settings in three-pole mode.

Filter Core

The core of the filter is based on a state variable topology using 2164 VCAs and 1% tolerance integrating capacitors. Resonance and feedback control is provided by the fantastic circuit design originally by Neil Johnson "Voltage Controlled 3-Pole State Variable Filter" recently made available in Sound Semiconductor documentation.

Operation

Camber is switchable between low pass and high pass responses with one pole (6dB) and three pole (18dB) flavours of each. It has full CV control of both cutoff frequency and resonance amount. The input is DC-coupled allowing LFO and CV signals to be routed through the filter. The filter will also act as a simple oscillator producing a clean sinusoidal signal with the resonance control turned *almost fully clockwise, and no signal at the audio input. Dialling in the resonance so that it is just under the point of self-oscillation allows the filter to be "Pinged" by sending gate signals to the audio input. This is useful for tuned percussion sounds and FX.

Specifications

Intellijel 1u format
Width 10HP
Depth 33mm
Power requirements ~40mA +12V/~40mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: The Low Fat is a new 2hp Eurorack module by AJH Synth, it's a High Pass filter, with frequency control by either manual pot, and/or external CV with attenuator. It's intended to compliment other filters, particularly low pass VCF modules, in practical tasks such as removing excessive low frequencies, for example when the bass is swamping a mix. It can be switched between 6dB (1 pole) response and 12dB (2 pole) response.

By patching a CV signal to the FCV input it can be voltage-controlled and used musically as with any other VCF. When used in conjunction with a LP filter it forms a fully customisable band pass filter, allowing the range of passbands to be cherry-picked. Feeding in a 1V/Oct pitch CV and setting the FCV pot to a suitable level allows it to track an incoming pitch CV, so the amount of High Pass filtering remains constant as the pitch of the incoming VCOs traverse up and down the frequency range. This can be particularly useful in creating percussive sounds, such as snares and hats, but also on sequenced bass lines. Since it is only 2HP it's a great way to occupy one of those frustrating gaps in your eurorack modular case with something that is deceptively useful, and adds another dimension to the classic bass monster that is the Transistor Ladder Filter.

Dimensions:
2 HP
26 mm deep

Current Draw:
9 mA +12V
12 mA -12V
0 mA 5V

Notes: Verb is a lush stereo reverb with a full feature set and superior audio quality. A wide range of reverb times take your sound from small room to never-ending concert hall.

CV over mix allows dynamic movement between the dry and reverberated sound, and the dampening control lets you dial in the perfect timbre for the wet signal. Whether you need a traditional reverb for an FX send or an esoteric sound design tool, Verb can take you there. Get lost in space with Verb.

Notes: An ultra-compact 10HP VC filter with bags of personality. Camber can be treated as a subtle, non-intrusive sound design tool, or something much more lively.

Camber is designed to be a fun, tactile filter with a small footprint. It's sound is neutral enough for basic filtering without a fuss, with a much more aggressive tone available using high resonance settings in three-pole mode.

Filter Core

The core of the filter is based on a state variable topology using 2164 VCAs and 1% tolerance integrating capacitors. Resonance and feedback control is provided by the fantastic circuit design originally by Neil Johnson "Voltage Controlled 3-Pole State Variable Filter" recently made available in Sound Semiconductor documentation.

Operation

Camber is switchable between low pass and high pass responses with one pole (6dB) and three pole (18dB) flavours of each. It has full CV control of both cutoff frequency and resonance amount. The input is DC-coupled allowing LFO and CV signals to be routed through the filter. The filter will also act as a simple oscillator producing a clean sinusoidal signal with the resonance control turned *almost fully clockwise, and no signal at the audio input. Dialling in the resonance so that it is just under the point of self-oscillation allows the filter to be "Pinged" by sending gate signals to the audio input. This is useful for tuned percussion sounds and FX.

Specifications

Intellijel 1u format
Width 10HP
Depth 33mm
Power requirements ~40mA +12V/~40mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The BXx2 is a dual channel preamp, EQ and mixer based on the classic Boss BX series mixers. With the inclusion of both input gain and level controls, each channel can be overdriven, producing the signature saturated and lively sound the BX mixers are known for. The EQ controls provide the channels with simple but great sounding high and low shelf EQs for emphasising and shaping sounds and an additional 'Aux' input allows another mixer or extra sound source to be chained in.

Input gain controls

Sets the input gain of the channel preamp. Higher settings will cause source to overdrive the channel.

Inputs

In 1 - Input to channel 1 of the mixer.

In 2 - Input to channel 2 of the mixer.

Aux - Auxillary mix input for chaining with another mixer or extra source.

Fixed gain (-6dB).

EQ High

Sets the gain of the fixed high shelf EQ. Boosts high frequencies when set above 12 o'clock and cuts when set below.

EQ Low

Sets the gain of the fixed low shelf EQ. Boosts low frequencies when set above 12 o'clock and cuts when set below.

Level

Sets the channel level in the mix. Use level controls to trim back volume when overdriving the preamp.

Output

Audio output producing the mix of the 3 inputs.

Technical specifications

Power: +12V 10mA / -12V 10mA
Size: 8HP
Depth: 32mm

The BXx2 was designed in collaboration with Feedback Modules and is based on their single channel 'PRE BX' module.

Notes: Erica Synths Clap is developed together with French company e-licktronic and it's our take on analogue clap circuits adapted for modular systems. Sharp, punchy sound, Accent & CV control over Tone make it distinctively expressive in studio and live performances.

Features
Tone and Decay controls
CV control with an attenuator over Tone
Manual trigger
Accent for Better expression

Decay range: 120ms - 1100ms
Audio output level: -5...+5V
CV level (full span): -5 - +5V
Trigger level: 5V
Trigger time: 1ms
Accent CV level: 10V
Power consumption: 24mA@+12V, 20mA@-12V
Module width: 6HP
Module depth: 35mm

On this run of modules the Pitch & Decay CV inputs are inverted: rising CV will decrease pitch, falling - increase.

Notes: ***B-STOCK: Box opened, product in perfect working order***


A LS1lightstrip but in THREE fat dimensions!

A matrix of awesome and a powerful and unique CV controller for your system.

LP1lightplane is an expanded, tri-dimensional LS1 lightstrip. The same functions are exposed on either axis plus pressure (z) for three times the fun!