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Synth modules

The Eurorack modular synth format is one of the most exciting areas of music technology. Pioneered by Doepfer, there are now hundreds of brands offering compatible modules of all varieties. You can combine your choice of the best oscillators, filters and much more in order to create a unique, bespoke synth setup which perfectly suits your needs. Eurorack modules offer the biggest range of options you can imagine, from basic analogue modules which replicate the sound of classic vintage synths, through to digital modules which allow you to explore completely new approaches to making music. Whether you’re a beginner or a more experienced modular head, you can take your pick of the best modules from leading brands including Mutable Instruments and ALM Busy Circuits. Our range also includes accessories, cases, patch cables and much more, allowing you to build and customise your perfect modular synth setup.
Synth modules
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4ms Catalyst Controller 8-Channel Macro Controller Module
4ms Catalyst Controller 8-Channel Macro Controller Module (controller/function generator/sequencer module)
Cat: 995953 Rel: 11 Mar 24
 
8-channel macro controller module - 20HP
Notes: Really smart integration of macro controls for Eurorack, based on the original design by Emblematic Systems. Assign settings to eight CV outputs then morph with the crossfader or record movements to manage presets or set up complex real-time modulation. Can also operate as Catalyst Sequencer.

Supplier's Notes:
The Catalyst Controller is a macro controller with eight precision CV outputs and a responsive crossfader to morph between scenes. A scene is a snapshot of up to eight CV outputs, like a modular preset. Traverse a "pathway" composed of multiple scenes using the crossfader or an external CV signal, or immediately jump using the scene buttons. Record CV and slider movements, and play recordings back via a button or external trigger.

Each output has sub-millivolt precision and a maximum range of -5V to +10V. Channels have an adjustable morphing curve, can be quantized to common scales, restricted to a particular voltage range, or set to output gates.

Whether used as a CV preset manager, seamless transition generator, chord sequencer, CV recorder, or experimental CV playground, the Catalyst Controller puts control of your modular at your fingertips.

The Catalyst Controller can also turn into a Catalyst Sequencer! Hold down a special button combination to change between controller and sequencer modes. If you end up liking the Sequencer more, you can even remove the double-sided faceplate, flip it over, and re-install with the Sequencer artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Specifications:

Smooth, responsive crossfade morphs between scenes
Eight output channels, each can be CV or Gate
Arrange scenes into pathways of up to 64 scenes
Smooth, responsive crossfader morphs from scene to scene along the pathway
Set slew/lag to limit how fast scenes can change
Adjustable Morph time per output
Control crossfading with an external CV
Record and playback up to 20 seconds of CV and crossfader motion
CV outputs can be set to -5V to +10V maximum, or limited to +/-5V, +5V, +3V, or +1V
CV outputs can be unquantized (sub-1mV resolution), or Quantized to common scales
Randomization of channel values/gates
Copy/paste
Based on the original Catalyst from Emblematic Systems

Pairs with: 4ms Catalyst Sequencer
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4ms Catalyst Sequencer 8-Channel Clock & Phase-Based CV/Gate Sequencer Module
4ms Catalyst Sequencer 8-Channel Clock & Phase-Based CV/Gate Sequencer Module (controller/CV modulation/sequencer/utility module)
Cat: 995961 Rel: 11 Mar 24
 
8-channel clock & phase-based CV/gate sequencer module - 20HP
Notes: The Catalyst Sequencer combines a traditional clocked step-sequencer with an unconventional phase-based sequencer to produce a new paradigm in sequencing. Eight precision CV sequencer channels can be simultaneously driven by a clock, a phase CV, or scrubbed manually with the crossfader.

Each of the eight channels has its own sequence length, quantizer, transposition, clock divider, randomization, voltage range (max -5V to +10V), and selectable CV (precise 16-bit resolution) or Gate mode.

Phase-based sequencing is an advanced form of sequencing where each step is selected by CV. The Catalyst Sequencer has a smooth, responsive crossfader that scrubs the sequence, playing it forward or backwards to track your motions. Patching in a CV signal will do the same: a ramp-up CV plays the sequence forwards, a ramp-down plays it backwards, a triangle plays it ping-pong, and complex waveforms generate new interesting rhythmic and melodic patterns.

The Catalyst Sequencer can also turn into a Catalyst Controller! Hold down a special button combination to change between sequencer and macro controller modes. If you end up liking the Controller more, you can even remove the double-sided faceplate, flip it over, and re-install with the Controller artwork visible.

Based on the original Catalyst module from Emblematic Systems.

Pairs with: 4ms Catalyst Controller
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AE Modular 2CVADD-HQ Dual Precision CV Adder Module
Cat: 944289 Rel: 15 Feb 24
 
A dual precision adder module.
Notes: The 2CVADD-HQ is a dual precision adder especially for adding 1V/octave (pitch-controlling) CVs. This makes it possible e.g. to transpose a sequence. Compared to general purpose CV mixers (like POLAMIX), this module does the summing of the CVs very precise (within a few millivolts), so the desired pitch is not affected.

The module offers three CV inputs for each of the both units; the first unit has an additional fourth input where the CV is subtracted - meaning "transposition downwards".

If you would like to have transposition buttons to shift by one or two octaves (or a free offset), take a look at the CVADDER-HQ module.
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AE Modular CVADDER-HQ Precision CV Adder Module
Cat: 944306 Rel: 15 Feb 24
 
A precision adder module especially for adding 1V/octave (pitch-controlling) CVs.
Notes: The CVADDER-HQ is a precision adder especially for adding 1V/octave (pitch-controlling) CVs. This makes it possible e.g. to transpose a sequence. Compared to general purpose CV mixers (like POLAMIX), this module does the summing of the CVs very precise (within a few millivolts), so the desired pitch is not affected.

The module offers four CV inputs where three of them are summed, and the CV at the fourth input is subtracted - meaning "transposition downwards".

This module also allows transposing the incoming CV by one or two octaves or a variable offset by buttons.

A separate output provides the voltage of the internal transposition (+1, +2 octaves / free).

If the transposition buttons are not necessary and you prefer to have a dual precision adder, take a look at the 2CVADD-HQ module.
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After Later Audio Cast Iron Voltage Controlled Panner Module
Cat: 1004354 Rel: 11 Mar 24
 
Voltage controlled panner module
Notes: A simple VC panner with CV-controlled level. The left input normals to the right input to give an easy way to add panning to a mono signal.

Expandable

Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4hp
12V: 40mA
-12V: 40mA
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 1 in stock $78.51
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After Later Audio Mingles Dual 3-Channel Mixer & Voltage Controlled Panner Module
Cat: 1004349 Rel: 11 Mar 24
 
3-channel mixer & voltage controlled panner module
Notes: Dual three channel voltage controlled panning mixer

Mixer section

Channel 1 and Channel 2 are three channel mixers with potentiometers to control level of three different inputs for each channel. Each channel then has a potentiometer to control panning as well as CV control for panning and level control

Panning and VCA

The VC panners are equal loudness panning and the VCAs for each channel are linear response.

Built-in LFO

There is a built-in LFO that is normalled to the panning CV input of each channel. CH1 gets the standard LFO and CH2 gets an inverse, enabling alternating channel panning. The default is to use a TRI wave for the LFO, but there is a jumper on the back to switch it to SQU.

Width: 12hp
12V: 140mA
-12V: 120mA
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After Later Audio Scenes Segment Generator Module (B-STOCK)
After Later Audio Scenes Segment Generator Module (B-STOCK) (CV modulation/envelope generator/LFO/sample & hold/sequencer/slew limiter sytnh module)
Cat: 993716 Rel: 01 Jan 90
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Six segment generator. Looping or one shot envelope generator. Chainable, so it can be expanded to link multiple units.

An exact hardware replica of the Mutable Instruments Stages.

Dimensions
14 HP
25 mm deep

Current Draw
80 mA +12V
20 mA -12V
0 mA 5V
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 1 in stock $256.70
After Later Audio Send VCA Expander Module For Bartender & Barback
Cat: 1004338 Rel: 11 Mar 24
 
Expander module for Bartender & Barback - 2HP
Notes: This is an expander for Bartender and Barback, enabling CV control of the level of the send bus of up to 8 channels.

Each section of four jacks has a cable to connect to the mixer modules. To get 4 channels to work with Barback you want to connect it to the last Barback in the chain of two. It will then pass along channels 3 & 4 to the next Barback.

Dimensions
2 HP

Current Draw
Module does not draw current
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 1 in stock $31.04
After Later Audio USB-2CH 2-Channel USB Module
After Later Audio USB-2CH 2-Channel USB Module (digital/dual/stereo/mixer module)
Cat: 1004343 Rel: 11 Mar 24
 
2-channel USB module - 4HP
Notes: Two channel USB module.

Standard Mode - Send two channels into your USB device and receive two channels from USB.

Insert Mode - Send two channels to your USB device and get a copy of the sent signal in the outputs.

Toggle between the modes via a pair of jumpers on the back. The USB-B to USB-A cable is provided with the module. Why use the cutting edge USB-B? I felt the jacks were way more sturdy than mounting USB-C jacks vertically.

Expandable - Bartender, Barbacks, DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 4HP
12V: 10mA
-12V: 10mA
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 1 in stock $93.09
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ALM Mega Milton Compact Utilities Module
ALM Mega Milton Compact Utilities Module (utility/attenuator/external/mixer/multiple/noise/sample & hold/slew limiter module)
Cat: 993662 Rel: 19 Jan 24
 
Smorgasbord of handy all analogue utilities module - 8HP
Notes: The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm
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Buchla & TipTop Audio Mixer & Preamplifier Model 207t Module
Cat: 950885 Rel: 26 Jan 24
 
Mixer & preamplifier module - 28HP.
Notes: A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.

Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.

Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.

The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.

While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.

Buchla 207t Features

Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more

Eurorack module
28hp wide
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Der Mann Mit Der Maschine P4B2 Expander Module For Droid
Cat: 1005196 Rel: 07 Mar 24
 
Expander module for the Droid with 4 pots & 2 buttons - 5HP
Notes: Expander for the DROID with 4 pots and 2 buttons

The P4B2 controller provides 4 potentiometers and 2 push buttons for free assignment to any of the DROID's parameters.

Each potentiometer outputs a value between 0 and 1 and can be used for controlling every aspect of the functions of your DROID patch (configuration), such as the speed or depth of an LFO, the pitch of a sequencer step, all aspects of an envelope, clock division and multiplication and much much more.

The buttons can be used as momentary or toggle buttons, if you like with three or four states. Or you can group several buttons together so that they work like "radio buttons". Buttons can be used for various tasks like switching between different behaviours, selecting wave forms, switching steps of a step sequencer, changing the root or scale of a quantizer or chord generator and much more. Also you can use buttons for overlaying a single pots with multiple switchable functions.

You can attach up to 16 controllers to one DROID master. This is done with a 6 pin ribbon cable. This module gets its power from the DROID master.

Besides the P4B2 there are many other types of controllers for the DROID.

Dimensions
5 HP
25 mm deep

Current Draw
11 mA +12V
0 mA -12V
0 mA 5V
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Der Mann Mit Der Maschine TRS Split CV/Audio Signal Distributor Module
Cat: 1005286 Rel: 07 Mar 24
 
CV & audio signal distributor module - 2HP
Notes: TRS Split - CV/Audio signal distributor

TRS Split is a multipurpose CV and audio signal distribution module. It has three 3.5 mm TRS (tip/ring/sleeve - stereo) jacks and six ordinary 3.5 mm mono jacks.

It contains 3 identical sections set up as following:

Upper jack carries the tip signal
Middle jack carries the stereo/dual signal
Lower jack carries the ring signal

Each section can either split a stereo signal into two mono signals or join two mono signals into one stereo signal. The module does not have any active components and does not need a power supply.

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

Switching sides

Two splitters can be used to switch tip and ring (left and right): Plug in a stereo cable in the middle jack of the first section. Connect mono cables to the upper and lower jack of the first section. Then connect the upper mono cable of the first section to the lower mono jack of the second section and the lower mono cable of the first section to the upper mono jack of the second section. The signals are switched. Plug a stereo cable in the middle of the second splitter and you're good to go.

Hint: This also works for MIDI signals. If you use MIDI over minijack, there are two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Stereo multiple setup

If you have a separate multiple in your modular, you can use the TRS-SPLIT to create a 1:2 stereo multiple as follows:

Plug a stereo cable in the middle jack of section 1, patch the mono cable from the upper jack into section 1 of your multiple (e.g. a 3/3/3 multiple) and feed two of the outputs back into the upper jacks of section 2 and 3. Do the same with the mono cable coming from the lower jack of section 1 going into the second section of a 3/3/3 multiple and patch two cables back into the lower jacks of section 2 and 3 of the TRS Split. Now the middle jacks of section 2 and 3 both carry the stereo signal.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current
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Der Mann Mit Der Maschine TRS Tool Stereo/Dual CV/Audio/MIDI Signal Multipurpose Module
Cat: 1005290 Rel: 07 Mar 24
 
Stereo & dual CV, audio & MIDI signal multipurpose module - 2HP
Notes: TRS Tool - Stereo/Dual CV/Audio/MIDI signal multipurpose module

TRS Tool is a multipurpose CV and audio signal distribution module for working with 3.5 mm stereo jacks (tip/ring/sleeve). These jacks are common for stereo audio but also for MIDI.

The TRS TOOL has no active components and does not need a power supply. It contains 3 different sections set up as following from top to bottom:

TRS Split
The upper jack carries the tip signal
The middle jack carries the stereo/dual signal
The Lower jack carries the ring signal

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

TRS Quad Multiple

Multiply a stereo signal. Four TRS jacks to be used with stereo minijack cables.

Use cases:

You could use this to multiply the signal for headphones - listen to patches together.

Or create sends - route one (or two) stereo signals to effects and use the third one as dry signal going to the mixer.

Experimental: multiply a MIDI signal to two or three receivers: NOTE: depending on the output power of the MIDI sender and the power draw of the MIDI receivers this might or might not work. MIDI uses a current of typically 5 mA instead of voltage levels for data transmission. So when you attach too many devices to one output the current might not be enough to drive all of them. So this is strictly spoken not covered by the MIDI standard, but might work anyway.

A/B Swapper
The bottom section of the module consists of two connected TRS jacks.
Whatever signal applies to the tip in jack A will be routed to the ring in jack B.
Whatever signal applies to the ring in jack A will be routed to the tip in jack B.

Use cases:

Switch the left and right side of a stereo audio signal.

Switch between MIDI standard A and B: If you use MIDI over minijack, there's two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current
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Doepfer A-196 PLL Phase Locked Loop Module (B-STOCK)
Doepfer A-196 PLL Phase Locked Loop Module (B-STOCK) (filter/oscillator/effect synth module)
Cat: 994989 Rel: 01 Jan 90
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Module A-196 contains a so-called phase locked loop (PLL). The basic PLL system is shown in the sketch at the bottom of this page. A PLL consists of three parts: voltage-controlled oscillator (VCO), phase comparator (PC), and low-pass filter (LPF). All parts are normally connected to form a closed-loop frequency-feedback system.

This is how a PLL works: The output of the internal VCO (linear CV control, rectangle output) is compared with an external signal (e.g. the rectangle output of a A-110 VCO) in the so-called phase comparator (PC). The output of the phase comparator is a digital signal (low/high/tristate) that indicates if the frequency resp. phase difference of the two input signals is negative, zero or positive. The output of the phase comparator is processed by a low pass filter (LPF) to generate a smooth voltage that is used to control the frequency of the internal VCO. The 3 units VCO, PC and LPF form a feedback loop that works like this: The control voltage (output of the LPF) increases as long as the external frequency is higher than the frequency of the internal VCO und stops increasing when both frequencies become identical. The control voltage decreases as long as the external frequency is lower than the frequency of the internal VCO und stops decreasing when both frequencies become identical.

But there are some stumbling blocks: Different types of phase comparators with advantages and disadvantages can be made. Some phase comparators e.g. even lock at harmonics, i.e. if the two frequencies to be compared are integer multiples. But for some applications this can be used to create interesting effects. The A-196 contains 3 different types of phase comparators: PC1 is a simple exclusive OR, that even locks at harmonics. PC2 is a so-called RS flipflop and PC3 a more complex digital memory network. The user can select one of the three phase comparators with a 3-position switch. When PC2 is used a LED displays the "locked" state, i.e. when the frequency of the internal VCO is identical to the external frequency.

Special attention has to be directed to the frequency of the LPF. To obtain a smooth control voltage for the VCO the frequency of the LPF has to be much smaller than the lowest frequency of the internal or external audio signal. Otherwise the frequency of the internal VCO will jitter or wobble around the correct frequency. But for special effects this frequency jitter can be used intentionally. Example: frequencies in the range 50Hz...1kHz have to be processed with the PLL. Therefore the frequency of the LPF has to be about 10Hz or even less. Such a low frequency of the LPF causes a noticeable slew of the internal VCO. When the frequency of the external signal jumps e.g. between 500Hz and 1kHz it takes about 0.1 second until the internal VCO reaches the new frequency (like portamento). So one has to find a compromise between frequency jitter and portamento. But these remarks are valid only for the "ideal" working PLL. As the A-196 is used in a musical environment the "problems" and disadvantages with jitter and slew time lead to additional musical applications like portamento effects, wobbling frequencies or harmonic locking according to the type of frequency comparator and time constant of the PLL low pass filter. Instead of the internal manually controlled low pass filter the voltage controlled slew limiter A-171 can be used to obtain voltage control of this parameter. Normal audio filters (e.g. A-120, A-121) cannot be used for this job as the minimum frequency is to high (down to a few Hz or even less necessary) and the signal has to be DC coupled due to the low frequencies. Audio filters are normally AC coupled.

Another very important application of a PLL is frequency multiplication in combination with an external frequency divider. For this the output of the PLL-VCO is processed through an external frequency divider (e.g. A-163, A-160, A-161, A-115) before it is fed to In1 of the phase comparator. In this case the frequency of the PLL-VCO will be a multiple of the master frequency. E.g. if the A-163 is used and adjusted to dividing factor 5 the frequency of the PLL-VCO will be 5 times the frequency of the master VCO. Consequently, frequency division (A-163) leads to frequency multiplication with the PLL circuit. In combination with the PLL low pass frequency several effects can be realized (frequency multiplication with portamento or wobbling). The frequency multiplication can even be used to drive a graphic VCO. If your graphic VCO e.g. has 8 steps (e.g. A-155) and you use a frequency divider with factor 8 in the PLL feedback the output of the graphic VCO has the same frequency as the master VCO. Another application is the generation of pseudo-harmonics (not real harmonics as only rectangle waves are available) or clock generation for switched-capacitor filters.
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Erica Synths Stereo FX Hi-Fi Stereo Effects Module
Erica Synths Stereo FX Hi-Fi Stereo Effects Module (effect/delay/reverb/dual/stereo module)
Cat: 989861 Rel: 01 Feb 24
 
Hi-fi stereo effects module - 10HP
Notes: The STEREO FX module brings hi-fi stereo effects into the Erica Synths Drum Series. Based on Erica Synths' new DSP engine, the module provides a wide range of custom delay and reverb effects. CV control over various parameters and the ability to save up to 10 presets will make this module an integral part of any performance rack.

Features

Hi-Fi stereo FX module
3 delay and 3 reverb effects
Tap and clock synchronization of delay time
Delay time divisions and multiplications in sync mode
10 preset patches
CV control over delay time, feedback, and preset selection
The FX is developed in collaboration with the Dutch company 112dB which offers some of the best-sounding VST instruments.

Technical specifications:

Audio input level: -5V - +5V
Delay time: 3ms - 3s
CV level (full span): -5 - +5V
Power consumption: +123mA, -40mA
Module width: 10HP
Module depth: 35mm
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Flame Airlectron Sensor CV Recorder Module
Cat: 990523 Rel: 16 Feb 24
 
Sensor CV recorder module - 8HP
Notes: The Airlectron Sensor Recorder module is equipped with a sunlight independent distance sensor to generate CV output voltages.

A distance sensor reacts to hand movements and varies the CV output voltages (bipolar/max +/- 5 V, unipolar/max 0-+10 V). The range control adjusts the detection distance (2-50 cm). The freeze function keeps the voltage when there is no continuous movement.

The recorder/looper can be used to record motion sequences for up to two minutes. This recorded data can be played back in a loop or once and restarted at the START/RESET input. LEDs indicate the status of the gate inputs and outputs.

Features:

3x controller
1x Vishay distance sensor
3x gate/trigger in- and outputs
2x CV outputs unipolar/bipolar
Power supply via Doepfer connector
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Frap Tools Cunsa Quad Analogue Pingable Multi-Mode Resonant Filter/Saturator/Mixer/Oscillator Module (B-STOCK)
Cat: 994493 Rel: 01 Jan 90
 
B-STOCK: Box opened, but product is in excellent condition and in perfect working order
Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Oof. Frap casually serve up one of the best filters we've seen in a long time. Quad multimode circuits with saturation and feedback give you extensive routing options. Delicious.

Supplier's Notes:
cunsa /'cu?nsa/ s.f. [dialect of Modena of uncertain etymology, probably from a Latin *comptiare, derived from comptus, participle of comere 'organize,' 'decorate'] i curing, seasoning (of foods), tanning (of leathers).

Seasoning is crucial for cooking. It is a process that enhances the flavors, glues the ingredients together, and even adds some unexpected kick.

From a gentle refining touch to a shovelful of spice, CUNSA is the perfect seasoning tool for your patches. It can sweeten a sour lead or beef up an insipid bass line, and anything in between.

And, just like a good oil, you can even taste it by itself!

CUNSA is a quadruple analog pingable multimode resonant filter, saturator, mixer, and oscillator.

It is Frap Tools' sound seasoning tool: it can gently even a patch, applying a final touch, or it can set it on fire with a ridiculous amount of spice. It's up to you and your cooking style!

It consists of four multimode resonant filters with a custom saturation and feedback control that you can use independently or in various combinations and roles thanks to a series of seminormalizations.

Four Analogue Resonant Multimode Filters

CUNSA features four state-variable filters that can be used independently or linked and mixed. Each filter provides three behaviors simultaneously: lowpass, bandpass, and highpass. Each behavior has a 12 dB/oct slope, except for the lowpass, which can be either 12 or 24 dB/oct.

Unique 'Character' Circuit for Feedback and Distortion

CUNSA handles feedback and gain staging with extreme control and versatility. Besides the usual Q control that emphasizes the cutoff frequency, the Character circuit defines the amount of soft clipping when the filter overloads. High clipping guarantees a controlled behavior with fat tone and pure resonance, while low or no clipping lets the signal saturate the filter stages and make it scream.

V/oct Tracking and Quadruple Oscillator

Each filter responds to the V/oct signal with excellent tracking. It is thus possible to move the cutoff frequency along with the main melody or make CUNSA resonate with no input and transform it into a multiple oscillator. The V/oct inputs are seminormalled so you can control more filters with the same CV. Easy chords stabs!

Ping and Ring

CUNSA is ideal for percussive and organic tones. The Ping circuit offers a behavior similar to the BRENSO but AC-coupled. Instead of shooting the frequency to the moon with any trig, CUNSA gently responds to different incoming gates with a selectable decay curve. The Ping circuit can thus create natural decay sounds when fed with trigs or smoother envelopes with any other voltage, like a linear integrator with a custom decay.

Besides this, you can also feed the filter's audio input with trigs and make it ring at high Q settings.

Linked or Individual Filtering

The four filters can work independently or arranged in groups through seminormalled inputs and sum outputs. CUNSA can thus be a 4×1, 2×2, or a massive 1×4 filter. Even odd configurations are possible, like 1+2+1 or 3+1. Mono, stereo, or quadraphonic audio is at your fingertips.

Filter and Combo Behaviour

When the filter behavior is set to COMBINED, every control of the cutoff frequency also affects the input VCA, reducing the signal amplitude and saturation as it approaches the lowest range. It can make organic decays with the ping circuit or tame the low range at high Q and Character settings.

Four Seminormalizations for Group Use

Four inputs have a cascaded seminormalization: audio inputs, VCA CV, V/oct, and Ping. Every signal patched to a filter will thus feed also those at its right, making simultaneous use even simpler. To remove a seminormalization, simply patch a dummy cable to the corresponding input.

Analog Mixing Stage and Group Outputs

Every filter output can be routed to an analogue mix bus that sums the four filters and outputs them in three combinations: all, 1+2, and 3+4. These outputs allow for versatile audio processing. Just like we did with FUMANA, we added a gentle shelving EQ for the higher frequencies of the All output to provide additional timbral variety.

CV Inputs with Attenuators

Besides the seminormalled inputs, every filter features additional CV inputs for cutoff frequency, Q, and Character, each with a dedicated attenuverter.
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 1 in stock $868.92
Herzlich 4x4 Switched Passive Matrix Mixer Module (B-STOCK)
Herzlich 4x4 Switched Passive Matrix Mixer Module (B-STOCK) (attenuator/mixer/multiple/quad synth module)
Cat: 1002125 Rel: 01 Jan 90
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Herzlich 4x4 Switched Passive Matrix Mixer is a fresh dose of hot old school synth flavor right into your signal chain - inspired by the Buchla and Synthi matrix mixers of yore, the Herzlich 4x4 Passive Switched Matrix Mixer will give you all the joys of an old school matrix mixer, and none of the pesky conveniences of a modern one!

Looking for a super clean, powered matrix mixer that will treat your signals with velvet gloves and behave with mind-numbingly boring predictability? Then you've taken a wrong turn, and instead of finding the pristine tedium you sought, you have uncovered a sleeping beast, an uncut diamond the size of a bell pepper and an all-red rainbow all in one. No power needed, and a super slim profile for even the shallowest skiff user.

The Switched Passive Matrix Mixer will set your heart ablaze with its glorious commitment to happy accidents and unapologetic jank. With absolutely no electronics to rein in the monster that resides in its circuitry, you will be delighted and shocked as you turn the knobs and click the switches, to find channels that bleed gently into each other, pots that alter channels other than their own, and switches that may take your desire to open and close them as suggestions rather than commands.

You'll think you've fallen asleep in the pale glow of your DAW and awoken to a nightmare at first, but very soon, you will discover it is a creative dream. Step into the shoes of the composers of yesteryear, and discover how your unintended accidents mixing CV or audio turn into beautiful and unexpected compositions. Find beauty in the strange interconnectedness of the switches and pots, as you try to brave and tame them. Reach synth transcendence with the psychedelic potential of passive matrix mixing, and open your heart to the multitudes of possibilities contained with the power of 70s circuit design.

Dimensions
20 HP
22 mm deep

Current Draw
Module does not draw current
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MRP:$185.65 SAVE 13%
 1 in stock $162.42
Herzlich Active Mixer 6-To-1/Dual 3-To-1 Active Mixer Module
Cat: 1003763 Rel: 06 Mar 24
 
Dual 3-to-1 or 6-to-1 active mixer module - 2HP
Notes: Take care of your utility mixing needs with the Dual Active Mixer, a dual active averaging mixer in 2hp that functions as either two 3-to-1 and a 6-to-1 averaging mixer, letting you mix audio and CV in a highly efficient package.

No knobs and no buttons, just pure mixing joy to help you sort out your patches with no wasted space. Not much else to say about this tiny wonder of technology, except to say it does what it says.

Money well spent thanks to Herzlich Labs, once again.

Dimensions: 2 HP
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Herzlich Buff Mult Buffered Multiple Module
Herzlich Buff Mult Buffered Multiple Module (dual/stereo/multiple/utility module)
Cat: 1003843 Rel: 07 Mar 24
 
Buffered multiple module - 2HP
Notes: The simple, but mighty, buffered multiple in beautiful black and gold. You know you want it, you want to get REAL buff, and this mult will get you there and a bit further still.

Built by hand by a lapsed office worker turned electronics engineer by night, you will certainly feel the hopeful spirit of this device as you install it in your rack.

The buffered multiple is useful when multiplying voltages that are sensitive to changes, such as volt-per-octave applications, and situations where you need to create a buffer between modules. This can come in handy more often than you might think.

The time for words is over, now is the time for action. Purchasing action. Go ahead, you know you need this.
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Herzlich Crossfade Micro Crossfader Module
Herzlich Crossfade Micro Crossfader Module (controller/expression/mixer/utility module)
Cat: 1003778 Rel: 06 Mar 24
 
Micro crossfader module - 2HP
Notes: Fade between two signals with the fader, just as nature intended

Do you have aspirations to smoothly fade between two signals? The Herzlich Crossfade lets you do exactly that, and exactly nothing else, using well-designed active circuitry and a smooth and performance friendly sliding potentiometer.

Whatever your aspirations are, this crossfader lets you live out your crossfading dreams in the simplest possible way, with not a fraction of an inch wasted on unnecessary features. Only delightful build quality and pleasantly smooth crossfading lies ahead for you.

Dimensions: 2 HP
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Herzlich FWR Dual Full Wave Rectifier Module
Herzlich FWR Dual Full Wave Rectifier Module (dual/stereo/phase shifter/polarizer/utility module)
Cat: 1003830 Rel: 06 Mar 24
 
Dual full wave rectifier module - 2HP
Notes: Dual Full Wave Rectification for Fun and Profit

Are you sick and tired of having pesky negative waveforms interfering with your signals? Do you detest seeing the back-and-forth motion of AC waveforms going backwards, then forwards? Those days are OVER with the Herzlich Labs FWR, a dual full-wave rectifier that puts an end to negative waveforms!

When you plug a signal into the FWR, you get two outputs in return, which have fully rectified the input. All negative inputs will be kindly returned to you in pristine, fully positive form. Beautiful bouncy sine waves, turned into pure "Oops! All Positive Waveshapes"-cereal, just the way you like it.

Use it anywhere where you want ONLY positive vibes, or use it with an inverter to get ONLY negative signals, if you please. Yes, you get two of these functions in just 2hp!

Dimensions: 2 HP
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Herzlich Lumen LED Voltage Visualiser Module
Cat: 1003784 Rel: 06 Mar 24
 
LED voltage visualiser module - 2HP
Notes: Two bipolar LEDs allow you to visualize your voltages as they swing between positive and negative, as well as their level of intensity, without affecting the signal you input.

Think of it as a 1D oscilloscope in just 2hp! An easy way to grasp what your patch is currently doing, without sacrificing the money or space on more fully-fledged solutions. Useful as part of a patch to keep track of your oscillations, as a troubleshooting device to quickly verify that something is doing what it should be doing, or simply as a healthy dose of blinkenlights in addition to your existing array of sparkling LED pleasures. Best of all? You get two in just 2hp - you'll have to spend some serious cash to get that kind of function-per-hp density anywhere else!

Dimensions: 2 HP
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Herzlich Manual Gate Performance Gate Generator Module (latching switch)
Herzlich Manual Gate Performance Gate Generator Module (latching switch) (controller/function generator/switch/utility module)
Cat: 1003767 Rel: 07 Mar 24
 
Performance gate generator module with latching switch - 2HP
Notes: Bartender? The power of gate signals at the touch of a button, please - but make mine a narrow one!

You already know what this is: it's a gate signal generator, and it generates gate signals. That's all there is to it. You press the button, the LED indicator lights up, and you get a 5v gate signal! Brilliant!

You get three, in just 2hp! That's 1 1/2 gate signal generators per hp! That's more than [competing product] from [competing brand]! You knew you made a good decision when you decided to look at this product.

All that remains now is to open your heart, and your wallet. Buy this gate generator - this version is the latching model (stays on or off after pressing). In fact, it works really well with the Quad Gate to Trigger Converter, also from Herzlich Labs - now you can generate both gates and triggers with ease! And in such little hp!

Oh, one more thing? Your friends are going to be very envious of this, when you show it off. Gold plated nuts, gold plated front panel, tastefully matte indicator LEDs, pleasantly tactile buttons, black hardware. All the details have received the closest care and attention.

Dimensions: 2 HP
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Herzlich Manual Gate Performance Gate Generator Module (momentary switch)
Herzlich Manual Gate Performance Gate Generator Module (momentary switch) (controller/function generator/switch/utility module)
Cat: 1003773 Rel: 07 Mar 24
 
Performance gate generator module with momentary switch- 2HP
Notes: Bartender? The power of gate signals at the touch of a button, please - but make mine a narrow one!

You already know what this is: it's a gate signal generator, and it generates gate signals. That's all there is to it. You press the button, the LED indicator lights up, and you get a 5v gate signal! Brilliant!

You get three, in just 2hp! That's 1 1/2 gate signal generators per hp! That's more than [competing product] from [competing brand]! You knew you made a good decision when you decided to look at this product.

All that remains now is to open your heart, and your wallet. Buy this gate generator - this is the momentary model (is normally off, and temporarily on when you press it). In fact, this also works really well with the Quad Gate to Trigger Converter, also from Herzlich Labs - now you can generate both gates and triggers with ease! And in such little hp!

Oh, one more thing? Your friends are going to be very envious of this, when you show it off. Gold plated nuts, gold plated front panel, tastefully matte indicator LEDs, pleasantly tactile buttons, black hardware. All the details have received the closest care and attention.

Dimensions: 2 HP
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Herzlich MMI Helios Inversus Passive Gestural Controller Module (lefthand version)
Herzlich MMI Helios Inversus Passive Gestural Controller Module (lefthand version) (attenuator/controller/expression/mixer/multiple module)
Cat: 1003741 Rel: 06 Mar 24
 
Passive gesture, touch & pressure controller module - 8HP
Notes: Drawing inspiration from the MMI Maxima, the MMI Helios is intended as a middle ground between the gestural control surface of the Maxima and the fingertip control of the smaller MMI.

Less density, but a much higher degree of patch control is the key point of the Helios, which complements other MMI devices very well, and can be joined with other Helios (Helii?) to form larger and creative control surfaces.

The design is greatly simplified compared to the original MMI, with only two I/O jacks - either can function as input and output, and their interaction with each other is determined by touching both plates simultaneously to form a connection, or in cooperation with other MMI devices.

Available in a "right" and "left" version - one is an exact mirror image of the other, which makes it suitable for having two units adjacent to one another.

Dimensions: 8 HP

***Please note: the "righthand" version is not included, it is shown in the picture for demonstration purposes only. ***
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Herzlich sAttenuverter Stereo Attenuverter Module
Cat: 1003825 Rel: 06 Mar 24
 
Stereo attenuverter module - 2HP
Notes: Beauty. Refinement. Attenuversion.

It's another Herzlich Labs release: the 2hp stereo Attenuverter. Two channels of connected attenuversion, allowing you to fully and smoothly invert any signals you plug in - turn negative to positive, turn phase to antiphase, and find all the variations in between.

With the usual pleasantly tactile sliding pot, the sAttenuverter is both performance friendly and inspiring to use. Extremely suitable for linked mono signals and stereo alike, it will feel right at home in the increasingly popular stereo setups in modular.

Dimension: 2 HP
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Herzlich sOffset Stereo Offset Generator Module
Herzlich sOffset Stereo Offset Generator Module (dual/stereo/CV modulation module)
Cat: 1003854 Rel: 06 Mar 24
 
Stereo offset generator module - 2HP
Notes: Need an offset voltage? Of course you do, you probably need one all the time, and you can never seem to find one. Well, here's two.

Yes, the Stereo Offset boasts not one but TWO linked offset voltages, and even better, they can be independently set as unipolar or bipolar with jumpers on the back of the module. To further aid your adventure in offsetting, bicolor LEDs will indicate the current state of both outputs.

Smoothly transition between voltages to simultaneously control other functions in your system, either by applying identical voltages to two different places, or by using simultaneous unipolar and bipolar signals for advanced control over your Eurorack system.

Do the right thing - get an offset generator you will love.

Dimensions: 2 HP
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Hexinverter Mutant Machine Analogue Percussion Module
Hexinverter Mutant Machine Analogue Percussion Module (drum/clock generator/envelope generator/noise/oscillator/synth voice module)
Cat: 995966 Rel: 06 Feb 24
 
Analogue percussion module - 22HP
Notes: A unique analogue percussion module, based on principles from the legendary 909 twisted into new sonic territory. Capable of everything from classic kicks and snares to more experimental hits and complex VCO effects.

Supplier's Notes:
A machine is born

The Machine began as a quest to create a rich-sounding eurorack snare drum synthesis module to complement the existing Mutant Drums. The project quickly became too large and costly to justify the module being capable only of snare drum sounds. So, the decision was made to learn from the architecture of the TR-909's snare and kick circuits, in order to develop a module capable of generating multiple forms of analogue percussion, and various other effects.

Like the other Mutant Drums, the Machine has its roots in classic analogue percussion synthesis. Even though it can create totally alien sounds, it still has the capability to deliver those classic 909 house snares and kicks if you want them. There are no microcontrollers in the Machine. The signals and waveforms are all generated by discrete components and ICs, for a distinctly analogue sound, and user experience.

Features

Microcontroller-free analogue percussion synthesis engine
Unique Inverter Core oscillators form the MEMBRANE. Each analogue oscillator has three waveforms to select from
Capable of synthesizing everything from heavy-hitting bassdrums to classic 909-style snares and other complex timbres
Modular design gives the Machine many auxiliary purposes, great for modular sound design of many varieties, and not just percussion
The SNAPPY section is comprised of a voltage controlled noise oscillator, for modelling the noisy part of drum timbres
Both MEMBRANE and SNAPPY elements have an external input for replacing the built-in sound sources, opening up many avenues of possibility
13 control voltage and audio inputs, for a fully modular drum experience
7 audio and CV/gate outputs for maximum integration with other modules
Dedicated outputs for each WAVE and NOISE oscillator mean you can use the Machine as a complex VCO in your system, when not synthesizing percussion
Waveform scanning feature generates complex timbres from analog waveforms
The MEMBRANE's waveforms can be scanned through automatically by the wavescanner's voltage controlled clock generator, or an external clock or VCO can be used
SCAN FREQ CV forms a unique form of timbre control, making the Machine act like a complex oscillator at its WAVES output
The ENABLE input allows you to gate the wavescanner on and off with a CV or gate signal

Technical specifications

Width: 29HP | Depth: 30mm
Current draw: +139mA, -115mA @ 12V
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Intellijel Tete Tetrapad Expander Module (B-STOCK)
Intellijel Tete Tetrapad Expander Module (B-STOCK) (controller/sequencer/expander synth module)
Cat: 1002284 Rel: 01 Jan 90
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Expander module for the Tetrapad, Intellijel's multi-dimensional performance touch controller. Adds huge functionality, allowing you to sequence parameters and create complex modulation.

Supllier notes:
Tete is the long awaited and highly anticipated expander for the Tetrapad.

Some of the key features:

Three primary modes: VOLTAGES, NOTES and COMBO.

VOLTAGES mode:

Up to 16 voltage storage locations (grid) with 8 voltages stored at each location.

You have the choice to record and playback your recall of these locations in a looper style (just play freely and spend arbitrary amount of time at any location) or as a clocked sequence (SH-101 style). Additionally you can traverse the matrix using the X and Y CV inputs to get Cartesian style sequencing.

There is also variable slew that allows you to morph/glide between the values.

NOTES mode:

You can create sequences or loops in chord, scales or keyboard mode. The isomorphic keyboard grid can vary from 4 notes to 12 notes max. There are real-time performance looping, transposition and inversion capabilities via the CV inputs and dedicated loop button. In sequencer mode each step can be a tie, rest, or gate with size 25/50/75%. Basically we have created a way to very quickly and intuitively make chord sequences that are very musical and easy to manipulate. It is difficult to summarize in words but we will be sure to create some videos to demonstrate how easy and fun this is to play with. It definitely represents something unique in the landscape of Eurorack sequencers.

COMBO mode:

In this mode you can loop record your performance on any combination of the following functions:

fader, bipolar fader, drum hit, switch or LFO. Kind of like Elektron style parameter locking but all of the motions is recorded continuously instead of just in slices. Instantly turn a simple patch into a highly animated and complex beast.

With all of the above mentioned loop recording modes you can very easily overdub since the Tetrapad detects pressure/pressing. In combo mode you can erase individual channels.

All modes allow for internal or external clocking and configurable syncing.

All of the modes have special XYZ CV modulation assignments and make use of the dedicated CV outputs.

For example, in Looper mode one of the CV outputs generates a continuous ramp that represents the position in the loop. This can be used with devices like the Planar 2 in Interpolation mode to sync the recorded patterns together no matter what tempo.
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 1 in stock $266.38
Jomox Mod FM 8-Voice FM Synthesiser Module (B-STOCK)
Cat: 993776 Rel: 01 Jan 90
 
B-STOCK: Small dent on faceplate edge, product in perfect working order
Notes: ***B-STOCK: Dent on the side, product in perfect working order***


This long-awaited FM voice module from Jomox is a self-contained synth in Eurorack format, patchable and compatible with other modules but capable of creating eight-voice polyphonic patches all on its own. Vastly powerful.

Supplier's Notes:
The Mod FM is a completely self-contained 8 voice FM synth in eurorack format, which can create powerful sounds out of the box without lacking the commonly provided CV modulation possibilities.

It provides 4 Operators and 2 LFOs/VCOs per voice. Additionally it has 2 analogue filters and analogue VCAs per voice which apply analogue warmth and depth to the Mod FM, although the FM engine is digital of course.

Each voice has own CV/Gate inputs and an individual output. There is a mix output which separates even and odd voices. Here you can mix internal effects like delay and reverb to the stereo output signal.

Next to the CV/Gate control, the Mod FM has Midi in and out in TRS type A format and a USB C connector which handles Midi too.

Even without diving too much into complicated modular setups you can create extremely good sounding and metallic FM sounds, snappy bases but also soft and deep sounding analogue style sounds.

Furthermore, the Mod FM offers a variety of external cv modulations in order to e.g. modulate each operator individually or control the FM envelopes.

The Mod FM is fully multitimbral, i.e. each voice can play an own sound in Multi Mode which gets stored as a complete multi set (not only vectorized). That is, you can copy a single sound to the desired multi, but editings made on that particular multi get stored along with the multi set.

Hence, we have the biggest advantage of the hybrid approach:

Modular is great but can be very complex, and you might be trapped in a system where you never reach again the desired sound of the latest session. Storability certainly helps.

The different sections in more detail:

Matrix FM:

4 operators are arranged in a matrix, in which every operator (= sine oscillator) can be modulated by each one of the other three.

The 16 endless potentiometers of the matrix adjust the modulation amount (FM amt) and the base frequency of the operators.

For each operator you can change the base frequency by the diagonal knobs.

There are several overtone modes that determine if one operator is controlled by the keynote (or CV) = base operator, or if it's locked in as overtone (= overtone operator) to the assigned base operator. For the base operator, the number resembles xxx semitones added to the keynote.

For the overtone operator, the adjusted number is the xxx = Nth overtone or harmonics to the base operator frequency.

The locked overtone operator tracks the base operator and is still able to modulate and being modulated.

Each operator has an ADSR envelope. This envelope can also be used to frequency-modulate the operator.

Algorithm:

The algorithms from the known FM synthesis are actually special cases to the whole matrix.

Because it gets pretty quickly uncontrollable if you turn all the knobs because of the feedbacks, Jomox have decided to implement the algorithms. There are 26 algorithms, that are derived from the DX9 with its 4 operators.

At this menu it's even possible to change the frequency mode of each operator to a fixed frequency that is edited in single Hz and which does not follow the keynote, but only modulation. That makes sense for e.g. percussive sounds.

LFO/VCO:

Each voice has 2 LFOs which can modulate either the frequency (FM) or the amplitude (AM) of an operator. Every LFO addresses 64 different wave forms that are displayed in the right OLED display.

There is another feature: each LFO can be switched into a VCO that covers the whole audio range. You can even mix it into the signal chain and it tracks to the keynote. The former LFO rate parameter turns into a detune parameter. That is, you can create classic sounding rectangle/sawtooth analogue basses or string pads - and much more of course.

Filter:

Each voice contains an analogue filter which is build up with the chip SSI2140 from Sound Semiconductor, which is an improved modern version of the old SSM2040, designed by Dave Rossum, and which had been used in Oberheim synths and the early SCI Prophet-5.

The filter has a classic 24dB output and a 12dB state-variable multimode-filter. The three basic characteristic outputs LP/BP/HP can be cross-faded continuously with one parameter called shape.

Both filter outputs 24dB/12dB can be mixed independently.

The ADSR for the filter is fast and cuts in very quick and directly, the resonance is well adjustable.

The filter section contains an own LFO for the cutoff which is independent from the digital sound engine and has also 64 waveforms.

The VCA is a fast transistor-VCA which is important for snappy sounds. The same transistor-VCA is used in all Jomox drum products. Therefore the ModFM can be used as a rich source for technoid drums and percussions of any kind.
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 1 in stock $908.86
Kaona Skippy Live Skippy Expander Module
Kaona Skippy Live Skippy Expander Module (expander/random/sequencer module)
Cat: 990890 Rel: 15 Jan 24
 
Expander module for Skippy - 10HP
Notes: You must absolutely own Skippy to use this module; it cannot operate independently.

The firmware version 2.21 or higher must be installed on your Skippy.

Additional features:
1 CV gate or trig input for Reset
1 CV gate or trig input for Play/stop
1 Reset button
1 Play/stop button
1 Live mode on/off button
16 function potentiometers distributed over 4 rows: you can freely choose a function (BPM, STEP, BEGIN, END, GAUSS, GATE, PROBA, CHAOS, SWING, WAY) for each row.
1 row of 4 algorithm potentiometers: you can freely choose an algorithm (Euclid, Jazzy, PolyR, Tiles) for each potentiometer.
The Save function takes into account the settings used in Skippy Live.
The selected parameters for Skippy Live are automatically saved.

Technical specifications:
10 HP
Depth: 25 mm
Power consumption:
+12 V 0 mA
-12 V 0 mA
+5 V 15 mA
Comes with a connector to Skippy and Knurlies.
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Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black)
Klavis Twin Waves MK2 Voltage-Controlled Dual VCO/LFO/Random Module (black) (digital/LFO/oscillator/dual/stereo/noise/quantizer/ring modulator/random synth module)
Cat: 951618 Rel: 26 Feb 24
 
Voltage-controlled dual VCO, LFO and random module - 8HP.
Notes: Two oscillators independently set as VCO, LFO, or random generator

This new version replaces the original Twin Waves. All features of the former are retained. You can check all videos, reviews and comments of V1, being sure to benefit of all in the MKII version :-)

Features in VCO mode:

V/Oct tracking over 10 octaves
Tuning lock with octave selection
Through zero and linear FM
Sub-octave output
Hard & soft synchronization
VCA control and CV algorithms selection
Quantizer with various scales
20 algorithm-based synthesis types among:
Wave shaping
Phase modulation
Phase positioning of multiple waves
Up to 5 stacked oscillators in tunable unison
Self-sync with phantom oscillator
Additive synthesis (7 waves)
Variable bit reduction (bit-crushing)
Ring modulator with its own 2nd oscillator
Noise with LPF, BPF, or resonant filter

Features in LFO mode:

Simultaneous signal and trigger outputs
External wave synchronization
Clock controlled rate with voltage controlled multiplier and divider
CV and knob control of output level
Algorithm based wave engine with a selection of:
Wave shaping
Phase modulation
Random levels and vectors (also Brownian)
Randomly spaced triggers and waves
Display with contextual icons and instant reminder help text
LEDs indicating potentiometer vs. value matching, switch settings and output signals
Automatically saved settings for instant recall at power on
Firmware update by playing an audio file via the front panel
Compact and skiff-friendly module

Dimensions
8 HP
21 mm deep

Current Draw
52 mA +12V
17 mA -12V
0 mA 5V
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MRP:$306.58 SAVE 24%
 3 in stock $234.44
Maneco Labs Pikoloops Sample Player Module
Cat: 992594 Rel: 22 Jan 24
 
Sample player module - 12HP
Notes: Pikoloops is Manecolabs' take on the Pkocore, developed by InfiniteDigits.

Main features:

A lo-fi music mangler based on the Raspberry Pi Pico .
Capable of holding 8 minutes of 8-bit 33 kHz monophonic samples.
Tempo-synced with a selectable BPM between 60 and 300, with samples mangled by beat-synced effects (stutter, retrig, gate, tunneling).
Loaded with real-time effects like a resonant filter, timestretching, volume, and wavefolding.
Sequenced with a 128-step sequencer with recording/playback
Saved and loaded via EEPROM for instant patch recall.
Able to load custom firmware, new samples, all through USB-C.
Sync-compatible with eurorack devices.
12HP eurorack module
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Morphor Envelope - Dual ADSR Analogue 2-Channel Envelope Generator Module
Cat: 1000411 Rel: 19 Feb 24
 
Analogue 2-channel envelope generator module - 6HP
Notes: The Morphor Envelope - Dual ADSR is a slim (6 HP) dual envelope generator. Each channel features standard ADSR (Attack, Decay, Sustain, Release) analogue circuitry, providing the classic, rich envelope shaping tools essential for any modular enthusiast. It features separate control knobs for the attack, decay, sustain and release parameters, two independent channels for versatile envelope shaping and each channel comes equipped with gate, re-trigger, output, and an inverted output.

On the back of the module you can find tiny switches for each channel to change the overall length of the complete envelope:
Short: 5 ms - 30 s
Med: 25 ms - 60 s
Long: 60 ms - 200 s (=3.3 min)

Features

100% analogue
Dual channel
Attack length control
Decay length control
Sustain level control
Release length control
Inverted output
Re-trigger

Specifications

Panel width: 6 HP
Panel height: 3 U
Module depth: 40 mm
Current draw: 12 V : 32 mA | -12 V : 32 mA | +5 V : 0 mA
Dimensions: 128.5 x 30.3 x 40 mm
Weight: 111 g
Power Socket : 16-pin
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 2 in stock $115.63
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Morphor LFO - Dual Analogue 2-Channel Low Frequency Oscillator Module
Cat: 1000406 Rel: 20 Feb 24
 
Analogue 2-channel low frequency oscillator module - 6HP
Notes: The Morphor LFO - Dual is a slim (6 HP) dual LFO. Each channel features analogue triangle, square, sine, saw and inverted saw outputs and a cycle reset input.

Frequency ranges:

Low: 0.005 - 1.5 Hz
Med: 1.5 - 425 Hz
High: 15 - 4250 Hz

Features

100% analogue
Dual channel
Triangle wave output
Square wave output
Sine wave output
Saw output
Inverted saw output
Cycle reset input
Low/Med/High frequency selector

Specifications

Panel width: 6 HP
Panel height: 3 U
Module depth: 25 mm
Current draw: 12 V : 22 mA | -12 V : 22 mA | +5 V : 0 mA
Dimensions: 128.5 x 30.3 x 25 mm
Weight: 71 g
Power Socket : 10-pin
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 1 in stock $115.63
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Morphor Mixer 5-Channel Amplifier Module (B-STOCK)
Cat: 994310 Rel: 01 Jan 90
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


The Morphor Mixer - 5 Channel Amplifier is a flexible analogue mixer module that can find a home in every type of Eurorack setup.

Each of the five channels feature an attenuator knob and mute switch to allow for instant playability, for example in live settings.

Input signals can be AC or DC-coupled depending on your preferred setting.

The output stage also features an extra attenuation/gain stage that allows you to double the mixed signal. An additional master mute switch, clipping LED are nice-to-haves that complete this intuitive mixer module.

Weight: 102 g
Dimensions: 128.5 × 40.3 × 30 mm
Width: 8 HP
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 1 in stock $151.58
Noise Engineering Ataraxic Iteritas Alia Digital Oscillator Module (black)
Cat: 992976 Rel: 24 Jan 24
 
Digital oscillator module - 10HP
Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform.

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm
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Noise Engineering Ataraxic Iteritas Alia Digital Oscillator Module (silver)
Cat: 992982 Rel: 24 Jan 24
 
Digital oscillator module - 10HP
Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Ataraxic Iteritas Alia

Proudly digital oscillator inspired by the last millennium on a swappable oscillator platform

Ataraxic Iteritas Alia is a voltage-controlled and proudly digital oscillator based roughly on the original Ataraxic Translatron. Now brought to the Alia platform and beefed up with a suboscillator and performable hold button, it's back and ready to make some killer basslines or glitchy madness. Sound starts with waveshaped bit tables that are amplitude modulated, folded, and distorted by the CV-controllable front panel controls. Ataraxic is ripe for sound design and exploration: a wide range of bright, digital timbres are readily available, and tuning below audio rates creates wonderfully unexpected textures. Guaranteed to make the fax machine jealous.

AIA is available on our 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm
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Noise Engineering Cursus Iteritas Alia Dynamically Generated Wavetable Oscillator Module (silver)
Cat: 992991 Rel: 24 Jan 24
 
Dynamically generated wavetable oscillator module - 10HP
Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Cursus Iteritas Alia

Dynamically generated wavetable oscillator using orthogonal functions on a swappable oscillator platform

Cursus Iteritas Alia is Noise Engineering's take on a wavetable-inspired additive oscillator. Cursus creates sounds from a dynamically generated wavetable, then gives the user spectral controls to sculpt and modulate. Cursus has three different algorithms, based on different conceptualizations of frequency: Fourier, which uses sine waves; Daubechies, using wavelets; and Walsh mode, using the Walsh transform. All that math is hidden behind a set of friendly controls that produces an extremely wide variety of harmonic sounds, perfect for melodic sound design. Cursus has long been regarded as the gentlest Iteritas, but if you need some beef and extra low end, try mixing the suboscillator output into your patch.

CIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm
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Noise Engineering Incus Iteritas Alia FM-Based Wave-Mangling Additive Voice Module (black)
Cat: 992963 Rel: 24 Jan 24
 
FM-based wave-mangling additive voice module - 10HP
Notes: Originally designed as a percussion voice, the Incus Iteritas Alia also lends itself well to FM synth sounds, combining deep internal modulation with user-friendly front panel controls.

Supplier's Notes:
Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Incus Iteritas Alia

FM-based wave-mangling additive voice for synthetic percussion and instruments on a swappable oscillator platform

Incus Iteritas Alia is a new member of the Iteritas family, hammering big and bold sounds into your patches. Incus started as a percussion voice, and evolved into so much more: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analogue-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

IIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

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Noise Engineering Incus Iteritas Alia FM-Based Wave-Mangling Additive Voice Module (silver)
Cat: 992970 Rel: 24 Jan 24
 
FM-based wave-mangling additive voice module - 10HP
Notes: Alia is a 10HP oscillator platform much like the Versio and Legio platforms. Launched in 2023 with a reboot of the beloved Basimilus Iteritas and Manis Iteritas, along with a new oscillator, Debel Iteritas, Noise Engineering is back with three more firmwares for the platform.

Separate hardware is available for each module, and a customer with any Alia module can try any firmware for free by going to the Noise Engineering Customer Portal and connecting with the included USB cable.

Incus Iteritas Alia

FM-based wave-mangling additive voice for synthetic percussion and instruments on a swappable oscillator platform

Incus Iteritas Alia is a new member of the Iteritas family, hammering big and bold sounds into your patches. Incus started as a percussion voice, and evolved into so much more: create kicks for any genre, snares, and metallic hits, or go melodic and create FM plucks, analogue-style basslines, and so much more. Incus uses a combination of waveshaping, saturation, wavefolding, FM, and additive synthesis, plus a slew of internal modulation, all behind easy-to-use parameters perfect for jamming.

IIA is available on Noise Engineering's 10HP Alia oscillator platform. Buy an Alia module and use the included USB cable to connect to the Noise Engineering Customer Portal and check out any other Alia firmware, free of charge, any time.

Width: 10HP
Depth: 22mm

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Noise Engineering Sinc Defero 4-Channel Buffered Attenuator & Multiple Module With LEDs (black)
Cat: 942751 Rel: 22 Feb 24
 
Buffered quad attenuator module with LEDs in 4HP.
Notes: Yep, it's an attenuator. With a fancy name! And LEDs!

Sinc Defero's inputs are circularly normalled, too, so you can use it as a mult by leaving inputs unpatched.

Features:

Size and power:

4HP Eurorack
+12v: 45mA
-12v: 40mA
Sinc - from Old English sinc for "treasure" and Greek clastic for "easily removable"

Defero - from Latin for "sloping down"

"Portable treasure reduction"

What's in the box:

Module
Power cable
To reduce excess materials, screws will no longer be included with Noise Engineering's modules beginning in 2023.
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MRP:$153.82 SAVE 12%
 1 in stock $135.78
Noise Engineering Sinc Legio Multimode Stereo Oscillator Module (black)
Cat: 1003576 Rel: 04 Mar 24
 
Simple stereo oscillator module with wavemorphing, folding & PM - 6HP
Notes: Stereo oscillator with wavemorphing, folding, and PM

"We may have just gotten the perfect Noise Engineering oscillator - in the most compact package possible." -- CDM Blog

Sinc Legio is a simple oscillator with some tricks up its proverbial sleeve. If you need some basic waveforms, Sinc has you covered - and it makes it easy to spice up those waveforms with phase modulation, wavefolding, or hard sync. Sinc pairs well with other oscillators in your system, too: hard-sync and stereo PM inputs make complex sounds easy to patch. Combine broad-ranging timbral parameters with a vintage-inspired chorus, and you're well on your way to stereo sound-design heaven in just 6 HP.

Sinc's multiple algorithms give a world of timbral possibility at the flip of a switch. Phase modulation, plucky FM, and bright and heavy modulation await. And on top of that, Noise Engineering have added a wavefolder to it. Shape and fold to your heart's content in Fold mode.

Not only is Sinc an incredible oscillator on its own, it's also part of the Legio platform. Use the included USB cable to connect to the Customer Portal and swap the firmware to any other Legio firmware, completely free, at any time. Let that sinc in!

6HP Eurorack
+12v: 140mA
-12v: 22mA
Sinc - from Latin: "treasure"

Legio - from Latin: "legion, army"

"A lot of treasure"
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Noise Engineering Sinc Legio Multimode Stereo Oscillator Module (silver)
Cat: 1003584 Rel: 04 Mar 24
 
Simple stereo oscillator module with wavemorphing, folding & PM - 6HP
Notes: Stereo oscillator with wavemorphing, folding, and PM

"We may have just gotten the perfect Noise Engineering oscillator - in the most compact package possible." -- CDM Blog

Sinc Legio is a simple oscillator with some tricks up its proverbial sleeve. If you need some basic waveforms, Sinc has you covered - and it makes it easy to spice up those waveforms with phase modulation, wavefolding, or hard sync. Sinc pairs well with other oscillators in your system, too: hard-sync and stereo PM inputs make complex sounds easy to patch. Combine broad-ranging timbral parameters with a vintage-inspired chorus, and you're well on your way to stereo sound-design heaven in just 6 HP.

Sinc's multiple algorithms give a world of timbral possibility at the flip of a switch. Phase modulation, plucky FM, and bright and heavy modulation await. And on top of that, Noise Engineering have added a wavefolder to it. Shape and fold to your heart's content in Fold mode.

Not only is Sinc an incredible oscillator on its own, it's also part of the Legio platform. Use the included USB cable to connect to the Customer Portal and swap the firmware to any other Legio firmware, completely free, at any time. Let that sinc in!
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Soma Laboratory Lyra-8FX Dual Delay & Distortion Module (black) (B-STOCK)
Cat: 997395 Rel: 01 Jan 90
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


LYRA8-FX is a processor that can give you a significant part of the mysterious LYRA-8 sound thanks to the FX section from the LYRA-8, expanded with CV controls and packed into a Eurorack module.

It contains a double modulated lo-fi delay with cross-feedback and the unique possibility of self-modulation, where the delay output signal modulates its own sample rate. Also, it packs a parallel distortion with CV control of the drive. The distortion is after the delay. It's much more than a delay - you can get a simple reverb, comb filter, chorus and much more cool FXs which are hard to describe.

It has a famous LYRA-8 build quality - no SMD, no twisted plastic shafts.

Pots:
IN volume
Stage 1 delay time
Stage 2 delay time
Stage 1 delay time modulation depth
Stage 2 delay time modulation depth
Delay feedback
Delay feedback CV amount
Delay mix
Distortion drive
Distortion mix
Distortion drive CV amount

Switches:
- Stage 1 delay time modulation source
Stage 2 delay time modulation source

Ins:
Audio in
Delay time CV
Delay feedback CV
Distortion drive CV

Outs:
Main audio out
Delay only out

Dimensions:
Width: 20HP
Depth:40mm

Power consumption:
+12V - 90ma
-12V - 20ma
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MRP:$242.93 SAVE 16%
 1 in stock $203.15
Tangible Waves AE Modular ADSR Module
Cat: 944300 Rel: 14 Feb 24
 
A classic four-stage envelope module.
Notes: The classic ADSR envelope with CV control for all parameters

The ADSR module offers the classic four-stage envelope (Attack, Decay, Sustain, Release) that is not only loopable (patch the end output into gate input) but also accepts CV control over each of the stages! For the time values (A, D, R) the value set by the knob can be increased to five times the duration by the corresponding CV value. For the Sustain value the knob and CV value are simply added.
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Tangible Waves AE Modular BraedBoard Prototyping Breadboard Module
Cat: 967152 Rel: 14 Feb 24
 
Prototyping breadboard module.
Notes: Try new circuits directly in the AE modular!

The BRAEDBOARD (no typo!) contains a breadboard area for solderless electronics prototyping so you can experiment with any kind of analog or digital electronics and make your first steps into electronics, starting with simple circuits for beginners to developing your own module.

Beyond the basic breadboard area, this module offers some benefit especially related to the AE modular system:

The left sockets make all bus signals available (CV, Gate, control, MIDI strt/stop/clock) and can be patched directly from here into your circuit
The leftmost row of the upper breadboard (the red one) is connected to +5V
The leftmost row of the lower breadboard (the black one) is connected to ground
The right sockets contains two units of the usual output resistor of 1k

The BRAEDBOARD module contains:

The module itself, completely assembled

A bunch of breadboard wires

Also included is an assortment of electronic components that are common in many module types:

Resistors (10 of each): 1k, 4,7k, 10k, 47k, 100k
Capacitors (5 of each): 1nF, 10nF, 100nF
Electrolytic capacitors (2 of each): 10uF, 100uF
2 LDR's
10 diodes 1N4148
10 LEDs red
2 transistors NPN (BC547)
2 transistors PNP (BC557)
2 MCP602 dual Op Amp
2 NE555 classic timer/oscillator chip
2 CD4017 counter
2 CD4051 analog switches
2 CD40106 schmitt triggers/inverters
Plugin-board with 2 potentiometers 50k
2 tactile momentary switches
2 slide switches

With these components, a lot of different synth circuits can be created, like oscillators, envelope generators, simple sequencers, to name a few. So this should give you a nice start into the exciting world of electronics in general and synth circuits in special.

Together with the upcoming information and sample projects you should be able to successfully build your first circuits in relatively short time.
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 1 in stock $40.58
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Tangible Waves AE Modular Compact Mixer 10/2 Mixer Module With FX Send/Return
Cat: 967167 Rel: 13 Feb 24
 
10/2 mixer module with FX send/return.
Notes: The COMPACTMIXER module is complete "final" mixer for your AE system; if offers the following features:

6 mono input channels with minijack and AE patch socket each

2 stereo input channels with stereo minijack and AE patch sockets each

Click-free mute buttons per channels

Per channel: level, pan and two FX-send knobs

2 FX send-return sections (send mono, return stereo) to connect either AE internal FX module or external FX devices

Master level control

Stereo headphone output with separate level control.

Shipping of this module will start approx. mid March 2022.

An internal connector allows the extension of input channels by a future extension module (similar to MIXCONSOLE/3CH)
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 1 in stock $153.56
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quote 967167
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