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Dynaudio LYD-5 Compact Nearfield Personal Monitor (black, single)
Cat: 780211 Rel: 22 Jun 20
 
studio monitor
Notes: Great value mid-range monitor from a reliable brand. 5-inch version of the LYD range, bi-amped with advanced digital signal processing in the crossover. Ideal for small studio setups and DJ monitoring applications.

Supplier notes:
LYD 5, with its low-volume precision, is the ideal complement for any small studio set-up. It uses the same lightweight aluminium voice-coils in its handmade 5in MSP drive-units as our high-end hi-fi speakers, and pairs them with cutting-edge Class-D amplification as well as a 24-bit/96kHz signal path with advanced DSP.
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MRP:$465.19 SAVE 17%
 2 in stock $386.59
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Dynaudio LYD-7 Compact Nearfield Personal Monitor (black, single)
Cat: 780219 Rel: 22 Jun 20
 
studio monitor
Notes: The distillation of Dynaudio's extensive speaker knowledge in a compact two-way nearfield design. Bass response as low as 45Hz thanks to DSP bass extension.

Supplier notes:
This monitor uses sophisticated DSP to extend or its curtail low-frequency response by 10Hz, while Position and Sound Balance controls let you fine-tune for total neutrality in your environment. Its larger 7in woofer helps extend bass, while the low-mass aluminium voice-coil, vented ferrite magnet and MSP driver take care of precision.



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MRP:$546.76 SAVE 19%
 2 in stock $443.95
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Genelec 8020D Compact 2 Way Active Monitor (raw aluminium, single)
Cat: 781489 Rel: 28 Jul 20
 
2 way active monitor
Notes: The ever-popular 8020D gets an industrial makeover with this raw aluminium finish. Same clear and revealing sound, same compact design but a striking new look.

Supplier notes:
When it comes to performance versus size, the 8020 has set the benchmark in nearfield monitoring for over 15 years.

Active Crossovers

Directivity Control Waveguide (DCW) Technology

SPL

100 dB

Frequency Response

56 Hz - 25 kHz (-6dB)

Dimensions

H 242 x W 148 x D 142 mm, with Iso-Pod (view in inches)

Classic design
The 8020D is the latest revision of this enduring studio classic, boasting an even higher SPL yet lower energy consumption than previous versions. Designed to adapt to the broadest possible range of listening environments, the 8020D thrives when space is at a premium.

Transparent and truthful
Engineers love the transparent and truthful reproduction of the 8020D, and with its wide uncoloured sweet spot you are always in a position to make accurate, reliable mix decisions. Additionally, our Intelligent Signal Sensing (ISS™) circuitry detects when your monitor is no longer in use, placing it into an environmentally friendly, power-saving standby mode.

Key Technologies

Active Crossovers

Directivity Control Waveguide (DCW) Technology

Intelligent Signal Sensing (ISS) Technology

Iso-Pod Stand

Minimum Diffraction Enclosure (MDE) Technology

Optimized Amplifiers

Protection Circuitry

Reflex Port Design

Room Response Compensation

Versatile Mountings

Package contains:
1 x 8020D monitor
1 x mains cable 1,8m
1 x user manual

Technical Specifications

SPL
100 dB

Amplifier Power
50 W Bass (Class D) + 50 W Treble (Class D)

Frequency Response
56 Hz - 25 kHz ("-6 dB")

Accuracy of Frequency Response
i 2.5 dB (62 Hz - 20 kHz)

Driver Dimensions
105 mm Bass + 19 mm Treble

Dimensions
H 242 x W 148 x D 142 mm, with Iso-Pod

Weight
3.2 kg / 7.1 lb

Connections
1 x XLR Analog Input
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MRP:$546.76 SAVE 25%
 2 in stock $412.08
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HEDD Type 05 Active Studio Monitor (single)
Cat: 738763 Rel: 09 Jul 19
 
Bi-amplified studio monitor featuring 7-inch woofer and 1-inch HEDD AMT (Air Motion Transformer) HF driver
Notes: The Type 05 model is a real multi-tasker. Its strong performance, digital connectivity, and compact size turn it into the ideal choice for mobile broadcast stations, recording studios, multichannel-setups, and VoIP conferences. The Type 05 is based on a 2-way-system that provides a solid fundament and a high degree of accuracy in the frequency range between 45Hz and 50kHZ by coordinating the interplay between a 6"-woofer and a high-resolution Air Motion Transformer (HEDD AMT).

Type 05 is, like all of our Series ONE studio monitors, additionally equipped with a modular connection system. Besides standard analogue XLR and RCA connections, the Type 05 features an empty card slot that we have designed to read Dante (Audio-over-IP) and other digital audio protocols.
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 4 in stock $346.23
IK Multimedia iLoud MTM Powered Studio Reference Monitor With Measurement Microphone (single, white)
Notes: White version of IK's clever MTM monitors, which use digital signal processing to analyse your room and ensure the flattest possible frequency and phase response.

Supplier notes:
IK Multimedia has added a white colour option for its iLoudr MTM, a compact reference monitor designed to deliver pristine sound and unprecedented accuracy for the modern professional and home studio. It provides innovative features not found elsewhere, and sound quality that rivals monitors several times the price.

iLoud MTM delivers unsurpassed accuracy, power and bass, 100W RMS power, and a class-defying 40 Hz to 24 kHz frequency response for a "firm", balanced and defined low end, to surpass the sound of speakers twice its size.

IK's advanced DSP expertise was leveraged to offer an ultra-flat frequency response, but more importantly, a truly linear phase response - a premiere feature in this price segment available only on a handful of products costing considerably more. This provides a natural, true-to-life sound made possible by IK's advanced DSP expertise.

The symmetrical MTM (midrange-tweeter-midrange) design provides point-source performance for superior imaging, even at close distances, so users can create mixes that will translate across multiple playback systems, with no ear fatigue. The design's exceptional, controlled sound dispersion enhances the transparency and neutrality by minimizing the impact of room acoustics, for truer monitoring.

iLoud MTM also offers one-touch, acoustic self-calibration derived from IK's award-winning ARC System, with an included reference microphone to easily adjust to any room's acoustics.

Additional features include: 103dB SPL maximum sound pressure; Audiophile-grade, high resolution algorithms and top-of-the line A/D converters; Off-axis response management to minimize the effects of room reverberation; and IK's patent-pending Physical Response Linearization (PRL™) system that corrects the system's performance in real time.

iLoud MTM also comes with a tilting isolation mount that adjusts from 0- to 20- for a wide range of setups, a rubber base for horizontal shelf-placement, and a bottom thread for mic stand mounting.

Incredible accuracy and transparency, deep and defined bass, precise stereo imaging at any distance, and automatic room calibration - all in a monitor that's small enough to fit on any desktop - make iLoud MTM deal for nearfield work or as a workhorse monitor in a home or project studio.
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MRP:$479.21 SAVE 29%
 4 in stock $339.86
Kali Audio Independence IN-8 3 Way Powered Studio Monitor (black, single)
Cat: 754479 Rel: 05 Dec 19
 
Innovative 3-way studio monitor, featuring the same woofer & tweeter as Kali's celebrated LP-8
Notes: Big and powerful nearfield monitors from the California brand. Tri-amped three-way design with an 8-inch bass driver for serious bass power. Hugely impressive and reasonably priced.

Supplier's notes:
Kali's IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Power. Detail. Soundstage:

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali's celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

Imaging:

We know. We keep harping on about the "hyper-realistic" imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you're hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali's LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you're not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic centre, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You're hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that's present in the mix.

Clarity:

The IN-8's total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.

The tweeter is crossed over at 3000 Hz, nearly an octave higher than on the LP-8. Taking up the space in between in the hero of the IN-8 system: the 4-Inch, profile-optimized midrange driver. This driver has a lot of work to do. In addition to reproducing midrange frequencies, it also acts as the waveguide for the tweeter. This means that the shape needed to be precisely engineered to provide an ideal dispersion characteristic for the tweeter.

It also means that the midrange needs to stay still. In many other co-axial or concentric systems, high excursion from the larger driver causes intermodulation distortion, and degrades the accuracy of the system. The midrange on the IN-8 is limited to less than 1 millimetre peak excursion, making it acoustically stationary while still providing midrange to keep up with the powerful woofer and tweeter.
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MRP:$465.19 SAVE 30%
 2 in stock $323.89
FORTHCOMING
Kali Audio Independence IN-8 3 Way Powered Studio Monitor (white, single)
Cat: 790958 Rel: 31 Dec 20
 
3-way powered studio monitor
Notes: Kali's IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Power. Detail. Soundstage.

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali's celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

IN-8: 140W
Class D Power
37 Hz
Lower Frequency Response
< 1.4% System THD
94 dB @ 1M
114 dB
Max SPL

The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it's playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.

Not only does the IN-8 do this, but its coincident architecture allows it to be more accurate than other speakers in a wider variety of challenging acoustic environments.

Rather than make our own claims about the accuracy of our speakers, we had them independently tested. You can find IN-8 test data below from both Pro Sound Testing and Audio Science Review. Please note that the data from Pro Sound Testing requires CLF Reader, which is a free program.

Because of the IN-8's coincident architecture, you may notice a dip between 8-10 kHz when measuring with a single stationary microphone. The dip is an on-axis diffraction artifact of the midrange baffle interface. It is evident in on-axis measurements, but not in total sound power. Perception of timbre should be neutral in most rooms. It is not recommended to apply room-correction EQs to the IN-8s based on single point static measurements.

You may have heard about the "hyper-realistic" imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you're hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali's LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you're not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You're hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that's present in the mix.

The IN-8's total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.
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MRP:$465.19 SAVE 17%
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KRK V6S4 Active Studio Monitor (single, black) (B-STOCK)
KRK
Cat: 777735 Rel: 15 Jun 17
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


KRK Systems V Series 6 nearfield studio monitors are specifically designed for audio production applications where accurate reproduction is critical. KRK worked with hundreds of pro engineers/producers/mixers to develop these ground-breaking monitors. Recording and broadcast studios as well as sound design and audio production houses will benefit from adding the V Series 4 as the go to monitor of choice.

V-Series 6 includes 49 user selectable EQ settings to ensure proper setup for room acoustics and placement anomalies as well as taste and individual preference. The KRK design team has painstakingly modelled and analysed hundreds of monitor placement and room acoustic situations to ensure that KRK delivers the most useful tools with minimal adjustments.
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 1 in stock $410.85
Presonus Sceptre S6 Coactual Studio Monitor (single)
Cat: 480963 Rel: 19 Nov 13
 
2 way, coaxial studio monitor with 6" low frequency driver and 1" tweeter
Notes: The Sceptre S6 CoActual Studio Monitor's coaxial speaker integrates a 6.5" low/mid-frequency driver and a 1" (25 mm), horn-loaded, high-frequency transducer.

The Sceptre S6 features a panoramic soundstage and a wide dynamic range. The advanced coaxial design works integrally with a 32bit/96 kHz, dual-core processor running Fulcrum Acoustic's TQ Temporal Equalization Technology.

The Sceptre S6 features a 6.5" low/mid-frequency driver, a 1" horn-loaded tweeter and front-firing acoustic ports. The systems are biamplified, with each transducer powered by an independent 100W RMS, Class D power amplifier with an internal heat sink. Sceptre has an internal power supply and a blue power-indicator LED. The S6 studio monitor has a balanced XLR and a 1/4" TRS line-level input with an A-taper level control.

Coaxial systems, such as the S6, have both drivers on the same axis, providing a single point source for a consistent acoustic center. This results in symmetry of response on both the horizontal and vertical axes, at any given angle. The crossover transition is, therefore, seamless at all angles..

Each Sceptre monitor contains a 32 bit/96kHz, dual core, active floating-point DSP chip that powers Fulcrum Acoustic's TQ algorithms. The TQ algorithms use fully addressable Finite Impulse Response (FIR) filters to eliminate horn reflections and to correct linear time and amplitude anomalies. Loudspeakers tuned with TQ provide a crisper stereo image, greater soundstage depth, more separation between the elements of a complex mix, increased resistance to feedback, more seamless transitions between distributed loudspeakers, and a less fatiguing listening experience.

The acoustic space control is a second-order shelving filter centered at 100Hz. It can remain flat or attenuate by 1.5dB, 3dB, or 6dB, reducing the boundary bass boost that occurs when the monitor is placed near a wall or corner.

The high-frequency driver adjust switch can boost the tweeter by 1dB, or cut by 1.5dB or 4dB. The High-Pass switch rolls off the lows below a specified frequency, 60, 80, or 100Hz, at a slope of 12dB/octave. This control is important if you are using a subwoofer in conjunction with the Sceptre.

A sensitivity control ranging from +4dBu to -10dBV helps you match the Sceptre to your mixer's outputs.

RF shielding protects against radio frequencies that could be introduced to the signal and become audible. Sceptre monitors also provide overheat protection, current-output limiting and subsonic protection. Soft startup amplifiers prevent damaging pops from sounding through the speakers when you power them up.
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MRP:$614.31 SAVE 25%
 2 in stock $459.88
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Presonus Sceptre S8 CoActual Studio Monitor (single)
Cat: 480962 Rel: 18 Aug 14
 
Front ported studio monitor with 8" low frequency driver and 1" tweeter
Notes: The Sceptre S8 2 way 8" CoActual studio monitor with DSP temporal equalization by PreSonus articulates nuances of your music that can't be reproduced by conventional designs. The Sceptre S8 features a panoramic soundstage and a wide dynamic range. The advanced coaxial design works integrally with a 32bit/96KHz, dual-core processor running Fulcrum Acoustic's TQ Temporal Equalization Technology.

The Sceptre S8 features a 8" low/mid-frequency driver, a 1" horn loaded tweeter and front-firing acoustic ports. The systems are biamplified, with each transducer powered by an independent 100W RMS, Class D power amplifier with an internal heat sink. The Sceptre has an internal power supply and a blue power indicator LED. The S8 studio monitor has a balanced XLR and a 1/4" TRS line-level input with an A-taper level control.

The Coaxial systems, such as the S8, have both drivers on the same axis, providing a single point source for a consistent acoustic center. This results in symmetry of response on both the horizontal and vertical axes, at any given angle. The crossover transition is, therefore, seamless at all angles.

Each Sceptre monitor contains a 32bit/96KHz, dual core, active floating-point DSP chip that powers Fulcrum Acoustic's TQ algorithms. The TQ algorithms use fully addressable Finite Impulse Response (FIR) filters to eliminate horn reflections and to correct linear time and amplitude anomalies. Loudspeakers tuned with TQ provide a crisper stereo image, greater soundstage depth, more separation between the elements of a complex mix, increased resistance to feedback, more seamless transitions between distributed loudspeakers, and a less fatiguing listening experience.

The Acoustic Space Control is a second-order shelving filter centered at 100Hz. It can remain flat or attenuate by 1.5dB, 3dB, or 6dB, reducing the boundary bass boost that occurs when the monitor is placed near a wall or corner.

The High-Frequency Driver Adjust switch can boost the tweeter by 1dB, or cut by 1.5dB or 4dB. The High-Pass switch rolls off the lows below a specified frequency, 60, 80, or 100Hz, at a slope of 12dB/octave. This control is important if you are using a subwoofer in conjunction with the Sceptre.

A sensitivity control ranging from +4dBu to -10dBV helps you match the Sceptre to your mixer's outputs.

RF shielding protects against radio frequencies that could be introduced to the signal and become audible. Sceptre monitors also provide overheat protection, current-output limiting and subsonic protection. The soft startup amplifiers prevent damaging pops from sounding through the speakers when you power them up.

http://www.youtube.com/watch?feature=player_embedded&v=wFHzYn1Sr3U
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MRP:$725.19 SAVE 35%
 1 in stock $468.30
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Yamaha HS5 Matched Pair Powered Studio Monitors (black, pair)
Cat: 785332 Rel: 20 Aug 20
 
Studio monitors
Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.
The new special edition HS5 MP Set includes two HS5 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.
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MRP:$527.64 SAVE 35%
 1 in stock $344.12
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FORTHCOMING
Yamaha HS7 Matched Pair Powered Studio Monitors (black, pair)
Cat: 785335 Rel: 21 Oct 20
 
Studio monitors
Notes: In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.

The new special edition HS7 MP Set includes two HS7 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 5" cone woofer and 1" dome tweeter
54Hz - 30kHz (-10dB), 74Hz - 24kHz (-3dB) frequency response
45W LF plus 25W HF bi-amp system for high-performance 70W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.
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MRP:$712.45 SAVE 33%
coming soon $476.88
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