雑誌

Notes: A four-year filming of the present-day live houses and clubs that supported band members and band kids from the 1980s to the 2010s, but are no longer around today.

Tokyo ROCKERS - The band boom, the melodic hardcore boom, and the places where we kids poured our youth into.

Notes: A Network Of Friends Vol. 5 Zine - A new installment of this classic 90s UK and European compilation zine.

This time the team at Negative Insight has wrangled 6 other international zine freaks to bring you a diverse offering of half size style zine content spread across 68 pages. Contributions from A Blast From The Past (UK), Bootlegs Of Filth (Australia), Crisispoint (UK), Gadgie (UK) Initonit (UK), Negative Insight (USA), and Vermynoze Putrida (Brazil) write in varying degrees of depth on Napalm Death, 80s UK punk in Leeds, complete with cassette tape and gig reviews, Subhumans, Autonomia (Peru), Pos Sismo (Brazil), Luopercais (Brazil), Kiljuvelka-70 (Finland), Icons Of Filth / Squeal fan art, and political and personal musing on topics such as nuclear arms, vegetarianism, and more.

Notes: "All in the Golden Afternoon We Glide" (Realia006) is the forthcoming record from LATHE 00, the new moniker under which Umbria-based artist Leonardo Carloni has recently started to operate. Preceded by several collaborative undertakings, LATHE 00's debut solo album is akin to an experiment in autotheory, where art-making practice and theoretical inquiry are entwined to the point of being virtually inseparable. Through the combined use of autobiographical and philosophical elements, "All in the Golden Afternoon We Glide" meditates on individuality, technology, and new forms of post-human existence.

The record has been conceived as a three-act project, with each act comprising four compositions that correspond to as many recurring themes: birth, love, death, and emptiness. Produced over the course of two years, the album has a total of twelve tracks, the majority of which run for less than two and a half minutes. As the album progresses, it becomes increasingly clear that these tracks are not simply standalone pieces of music, but rather outtakes from a single, continuously mutating continuum.

LATHE 00's first feature is a work of rare beauty. As a one-person debut project, its stylistic variety, compositional maturity, and technical rigor are outstanding. By combining a forward-looking production style with references as varied as ambient, hyper-pop, instrumental post-rock, world-beat, and modern classical and folk music, LATHE 00 develops a mode of expression that transgresses genres and is distinctively his own. The result is a signature sound that feels equally primordial and hyper-contemporary, fleshly visceral and digitally detached. The inclusion of the artist's own vocals in the music is a notable aspect of this style. Alongside sampled materials, his non-lexical vocalizations appear as both an affirmative and negative act, simultaneously gesturing towards bodiless dissolution and a desire to reclaim one's all-too-embodied presence in this world.

Despite its foundation in profound theoretical underpinnings, "All in the Golden Afternoon We Glide" surprisingly relies solely on wordless communication. As a result, the song titles become key conduits of information. Appealing primarily to the listener's sense of sight, they are used in a way that seamlessly blends the aesthetics of the digital ("Loading of Image Aborted!"), natural (the title track), and ritualistic (Pouring Blood into the Lake).

The album will be released in digital format, along with a limited-edition zine conceptualised and designed by Lidia Ginga Cozzupoli and Bernardo Berga. Drawing upon a diverse array of captivating images procured from open-source digital libraries, the zine endeavours to explore the narratives, symbolism, and hidden layers of significance interwoven within each of the album's tracks. It achieves this through a visual exploration of the four central themes that shape the record, which recur as cyclical motifs throughout both the album and the accompanying zine.

Edition of 30
12 pages
Screen-printed envelope 16x23 cm
Hand-numbered copies
Includes a QR code for high-quality album download

Notes: The fifth issue of We Jazz Magazine, "Amaryllis" for Mary Halvorson. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Stories include Mary Halvorson by Peter Margasak, Pi Recordings by Will Layman, Tyshawn Sorey by Marc Medwin, Women On the Syllabus by Tina Edwards, A Love Supreme Festival by Gareth Allen, Odysseus Festival by Dave Waller, Bob Rutman by Marialuisa Bonometti, Sarathy Korwar & Joanna Duda in conversation by Debra Richards, Tokyo Jazz Joints Vol. 3 by Philip Arneill, reviews, plus more.

Notes: The Artificial Intelligence mixed Liquid V Club Sessions 2xCD is on the way (12/6/06 release) and this is one of the big singles that ties in with the release. lV’s hot property Utah Jazz has gone in on the old Roni Size & DJ Die classic and come up with the two mixes presented here.

Notes: feat Ic3, Dynamite MC, Jakes, Skibadee, Shabba & Det, Ed Rush & Optical, Quarantine, Mistical, SP & Verse, Tonn Piper

Notes: Big Up is an independent San Fransico magazine covering underground sounds, contemporary art, revolutionary people, and street culture, with an emphasis on all aspects of the current global bass music scene. The 10th edition is a special "Influencers And Tastemakers" issue, including interviews with Kode9, Mary Anne Hobbs, Gilles Peterson, Peanut Butter Wolf, and Joe Muggs, plus extensive reviews section, and all the usual art & scene reports.

Notes: 'Big Up Magazine' is a San Francisco-based independent quarterly print and online magazine about contemporary art, underground music, revolutionary people, and street culture; with an emphasis on all aspects of the current global bass music scene. They're bagging up art that stops, wows and provokes; music that empowers, enlightens and looks forward; people who act, inspire and start revolutions. In just 9 months, Big Up has started to evolve into a global brand, with merchandise, events, and podcasts encouraging a rapidly growing and loyal customer base, drawn in by the magazine's unique niche content. Now available in the UK, Big Up Issue 4's headline features are with Mala of Digital Mystics, Rusko, and Flying Lotus, plus Warrior Queen, Adrian Sherwood, Cyrus, plus many more. As a special introductory offer, UK copies will also include an exclusive El-B mix CD, which will only be available to direct subscribers in the rest of the world. El-B's 'Big Sound' mix is a 22-track session highlighting his own material, in company with Ghost, Roxy, Benga, Zed Bias, and Opus.

Notes: Aspirations of Madness, Blank Forms' fifth collection of archival, unpublished, or newly translated texts, takes its title from a series of interviews with Japanese free jazz pioneer Masayuki Takayangi that were published in Japanese in 1975-76 and are published here in English for the first time.

The interviews provide a rare look at Takayanagi's eccentric practice and personality, both long under-recognized by audiences outside (and often, inside) of Japan. The postwar Japanese history that Takayanagi describes also surfaces in this publication's opening piece, a poetic tribute by the writer and artist Louise Landes Levi to one of Takayanagi's contemporaries, the poet Kazuko Shiraishi.

Aspirations of Madness includes a second Levi poem as well, "A Deep River," written while at La Monte Young and Marian Zazeela's Dream House in 2003. Complementing this tradition of Japanese free improvisation and poetry is the republication of a 1977 interview with Joseph Jarman, the great composer, poet, and multi-instrumentalist.

Notes: A zine about the tribes living in Mali, West Africa, with traditional masks, folk tools and small stories of each tribe.

Enclosed is a QR code for a mix by DJ Shhhhh.

Hiroshi Ogawa, the president of Tokyo Kan-Kan, a pioneer in African art for 46 years, has long collected a variety of folk tools of ethnic minorities in West Africa.

The book is an eye-pleasing visual book that describes the ritual tools, uses of folk tools, and small stories of each tribe in West Africa, sorted by country and tribe, along with photos taken during his travels.

The first volume is on the Republic of Mali.

The book is an easy-to-understand summary of the masked dances of the Dogon tribe and the rituals of the Bambara tribe, along with real local photos.

The book comes with a bonus QR code to listen to an original mix composed entirely of Malian music by DJ Shhhhh, who has been active in discovering world music and is highly trusted for his depth of knowledge in West African music.

Notes: Hip-hop first became a part of the mainstream in the early 1980's, but the true origins can be found in the spontaneous and progressive neighbourhoods in the 1970's. Writer and curator Johan Kugelberg has pulled together the scattered remains of a movement that never had its eye on posterity. Foreword by Afrika Bambaataa.

Notes: Borshch 2 discovers precious history lessons on the emergence of electronic music with Gudrun Gut, BBC Radiophonic Workshop, and Species of Fishes. The issue features ????’s newcomer Volruptus as well as techno titans Steffi, Perc, and Rødhåd. Loke Rahbek of Posh Isolation reveals the story of the punk and noise scene in Copenhagen. The organisers of Berlin Atonal and Varg as the festival’s a guest curator speak about the programming of Berlin’s significant experimental playground. An insider view sheds light on the gradual development of electronic music culture in Kyiv, with presidents and revolutions aside.

Notes: Together with Jeff Mills, Borshch 3 speculates on the role of music in the technology-driven future. We approach Jeff's collaborators who also see electronic music as an independent art form integral to their craft: poet Jessica Care Moore, actor Akaji Maro, and film diretor Jacqueline Caux. We meet Dasha Rush to explore her ideas envisioned in her Dark Hearts Of Space. Kelly Snook, a planetary scientist and instrument inventor, joins this circle of deep thinkers to discuss our expansion into outer space and propose new scenarios of a hopeful future.

Notes: In the pursuit of a sound mind, Borshch 4 explores the power of music to reach the darkest corners of the psyche and drive out an unquiet spirit. Aisha Devi, Object Blue, and Jasss experience the healing capabilities of music and its potential to purge, transform, and enlighten. Marie Davidson confesses about obsessive and destructive behaviors and the role of music in her process. Prequel Tapes reveals a new musical identity after physical trauma. Bergsonist creates sonic weapons to soothe anxieties, while Iron Sight uses distorted sounds as armor for a sensitive nature.

Notes: In sweaty basements and concrete cathedrals, we enter the darkness. We challenge our senses with obscure electronic music and unsettling environments to feel comfortable with our discomfort. Animistic Beliefs, Deena Abdelwahed, Rrose, Lucrecia Dalt, Klein, Alessandro Adriani, and Ziur commit to neither darkness nor light. In the democratic culture of shadows embodied in DIY studios and on stuffy dancefloors, these musicians experiment with our dark sides. In their process, sins, injustice, and disquiet are as human and real as pleasures and joy. Think of entering the dark as an act of coming home, to the cave where the primary source of life is hidden.

Borshch is a magazine for electronic music on and beyond the dancefloor.

Notes: Lately, everything's been weird. The feeling of vulnerability, fragmentation of time, space and memory, lack of solid ground. It's time to listen, improvise, and feel again. For many musicians, it's also been time to return to where they started, come back home, and remember what mattered before they grew up. In our conversations, Lanark Artefax, Lyra Pramuk, Nazar, Hiro Kone, Bill Kouligas, Amnesia Scanner, Farwarmth, Helena Hauff, and Racine review pieces and bits of their memories, values, and intentions with creating music. When you return to where you started and remember the days when the world was big, and you were small, and nothing was impossible, you begin to play again. You free and protect your inner child. You are at home.

The 'coming home' issue is a tribute to many musicians' fragile state of mind in recent months. Conversations with lanark artefax, lyra pramuk, hiro kone, bill kouligas, amnesia scanner, and helena hauff took place in the middle of the lockdown. it felt like an inward slowdown helped each of them stay hopeful and dreamy when everything was coming to pieces, and old structures wouldn't work anymore.

Borshch is a magazine for electronic music on and beyond the dancefloor. founded in berlin in 2017 by mariana berezovska and tiago biscaia, it's a space to provoke open dialogues and challenge established ideas about making, listening, and dancing to music. through physical and digital formats, borshch discusses the artistic, social, and political impact of electronic music on contemporary culture in and outside the club settings. the print edition of the magazine is published biannually.

Please note: magazine cover varies and particular cover cannot not be specified for order.

Notes: Eight-track compilation in AIFF and 320 MP3 on a metal USB stick, with an accompanying A5 full-colour zine. Zine is also included as a pdf on the USB stick.

The zine features an interview from Discwoman's Frankie Decaiza Hutchinson, writing on off-Facebook event organizing from Adwoa Afful, a beautiful cover from collage artist Fenna Fiction, and a guide to recognizing opioid overdoses and administering Naloxone from Liz Singh and Sara Martin in Toronto. It also features a comic from Finnish artist @juicycomics and a poem from Wafa Ktaech.

Notes: The Winter 2022 annual focuses on the creatives behind some of this year's standout shoots.

Introducing next edition of the The Collections, the limited edition publication compiling the best articles and photography of the last year.

The new issue, The Collections Vol. IV, launches today (17 November) and is in stores from 24 November. This year's collectable annual showcases behind-the-scenes insights from some of Crack Magainze's best features and imagery from 2022. This includes landmark covers such as Top Boy, Mistki, Carly Rae Jepsen and Hessle Audio as well as shoots with artists such as Lous and the Yakuza, Gaidaa and Girlpool.

The Collections was started up in 2020, during the pandemic, as a way to publish their best features at a time when the monthly magazine couldn't be printed. Since then, Crack Magazine have continued to use the publication as a space to celebrate and spotlight the work shared in the months prior. The fourth edition focuses on the creatives and shoots that make up the monthly magazine, in addition to some unpublished imagery, honing in on the global network of photographers.

Behind-the-scenes features in The Collections Vol. IV include an interview with ONDA - the photographer behind the May issue cover with Digga D - as well as interviews with artist Ethel Cain about self-shooting, and photographer Stephen Tayo about the Naira Marley cover shoot, Lagos and its creative scene, respectively. There's also a profile with Lynn Hayleigh (O-Ke) who photographed Touching Bass and a chat with duo Boy Harsher about filmography.

Notes: After two years Aaron Cometbus has finally issued a new issue of his legendary punk zine. Cometbus #51: The Loneliness of the Electric Menorah features a comprehensive 100 page history of Moe's and other used book stores from Berkeley, California's Telegraph Avenue.

Notes: Cometbus returns with a new issue featuring a little bit of everything- record labels, bookstores, skateboarding, comics, theater and more. What are the successes and failures of punk and its institutions? What happened to a once-thriving punk underground that paralleled the mainstream in music, publishing, comics, and art? AARON COMETBUS embarked on a year-long quest for the truth, interviewing scene makers like the people behind Epitaph Records, Fat Wreck Chords, Bound Together Books, Left Bank Books, Thrasher, Interference Archive, Fantagraphics, the Center for Cartoon Studies, C-Squat, and many other friends, luminaries, artists, and troubled souls. This is Cometbus at its finest, casting a loose net over an era and giving it meaning that would otherwise slip right past the history books and out of sight. 144 pages perfect bound.

Notes: Magazine for noise and politics - early 2017 issue.

Articles include:

- Education in England - An Update
- Notes from Non-Existence - Brexit vs. the Proletariat
- Poisoned Fruit in the Walled Garden - The Alt Right: A Growing Problem, But Not a New One
- The Working Class Gets Called Up to Fight Itself: Notes on a Recruitment Crisis
- Siege Mentality - Mason, Manson, Moynihan: On the Fringes of American Nazism

Plus comics, book reviews, music reviews and more...

Notes: Artist features: DEQ 17: Jon Dixon, John Briggs, Peter Croce, Viands, The Bassment, Grey Area (Southwest art gallery), Kaku (Usui) Sushi and Poke, Detroit Techno Militia (DTM), Two Rooms (Joel Peterson of Trinosophes & Sam Hooker of Peoples Records) Record Label Spotlight, Nandi, A7, Shawscape and Movement 2019 photo recap.

Artist features: DEQ 18: Eddie Fowlkes, Techmarine Bottom Feeders (Paris the Black Fu, Luxus Varta)*, DJ Moppy*, DJ Holographic*, Apollo Brown, Sundiata O M, Luke and Jeff Hess, ADMN and Infolines.

Notes: The first in a series of specials that 'Dig Deeper' into either a single genre, label, collection etc. Kicking off the series is a 32 page, hip-hop focused issue featuring contributors big in the game - some of which have been featured in previous DIG mags...

Contributions from: Bobby Corridor, Dan Greenpeace, Dave Vinyl, Disorda, DJ Format, DJ Supreme La Rock, Luke Scott, Mr Brown, Mr Krum, Phill Most Chill, Oxygen, Subrhythmic, Toddy La Rock, Waxer, Werner Von Wallenrod

Notes: Celebrating the musical discoveries of some of the best diggers out there, this is issue 1 of this CD-sized 24 page mini-magazine with accompanying online mix.

Issue 1 contributors: Barry Beats // Si Spex, Dr. Rob (Ban Ban Ton Ton), Blaxploitation Ed, Susanslegpolicy, DJ Format, Strictly Kev // DJ Food, Mr Thing, Albin // Boogie 80, Chris Gibbs (HBSMA), Mr Krum, Sie Vulture (Very Good Plus), Tom O'Grady (Resolution 88)

Notes: Continuing to celebrate the musical discoveries of some of the best diggers out there, this is issue 2 of this CD-sized 24 page mini-magazine with accompanying online mix.

Issue 2 contributors: A Cat Called Fritz, DJ Baila, DJ Supreme La Rock, Doublepeas, ExP, Jonny Trunk, Jorun Bombay, Mr. Brown, Good Life, Oxygen, Richard Wilson, Ski Oakenful

Notes: Continuing to celebrate the musical discoveries of some of the best diggers out there, this is issue 3 of this CD-sized 24 page mini-magazine with accompanying online mix.

Issue 3 contributors: Aver, Brad McNamara, Dan Higgott, Deathhop, MCM, Otis Fodder, Peter Toomey, Russell Paine, Sentinal One, Shawn Lee, Shok 1, Smoove, Tee Cardaci, Twelve Original Players

Notes: Continuing to celebrate the musical discoveries of some of the best diggers out there, this is issue 4 of this CD-sized 24 page mini-magazine with accompanying online mix.

Issue 4 contributors: Dan Digs, Diggabit, DJ Seith, Eric Adrian Lee, George Fields, Greg Belson, Jason Eli, Latebloomer, Mankub, Repo 136, Rob Webb, Spacey Sissick, Superstuff_45, Whirlwind D

Notes: Continuing to celebrate the musical discoveries of some of the best diggers out there is issue 5 of this CD-sized 24 page mini-magazine with accompanying online mix.

Issue 5 contributors: Ari Roberts, Darren Wall, Daryle Ashurst, DJ Mentos, Jay Balfour, Joe Austin, Mark James Aitchison, Matt Hazelbaker, Monobrow, Reverend Artemus C. Monkey, Toddy La Rock, Tony Justice, RARE GRILLS/Project Cee

Notes: The first three issues of DIG printed in a single 64-page magazine housed in a crate sleeve.

Issue 1 contributors: Barry Beats // Si Spex, Dr. Rob (Ban Ban Ton Ton), Blaxploitation Ed, Susanslegpolicy, DJ Format, Strictly Kev // DJ Food, Mr Thing, Albin // Boogie 80, Chris Gibbs (HBSMA), Mr Krum, Sie Vulture (Very Good Plus), Tom O'Grady (Resolution 88)

Issue 2 contributors: A Cat Called Fritz, DJ Baila, DJ Supreme La Rock, Doublepeas, ExP, Jonny Trunk, Jorun Bombay, Mr. Brown, Good Life, Oxygen, Richard Wilson, Ski Oakenful

Issue 3 contributors: Aver, Brad McNamara, Dan Higgott, Deathhop, MCM, Otis Fodder, Peter Toomey, Russell Paine, Sentinal One, Shawn Lee, Shok 1, Smoove, Tee Cardaci, Twelve Original Players

Notes: Founders of seminal 90s title Jockey Slut launch new bi-annual electronic music magazine Disco Pogo.

Following the success of 2020's A Jockey Slut Tribute to Andrew Weatherall book and a successful crowdfunding campaign raising L60k at the end of 2021, the original founders of seminal 90s electronic music magazine Jockey Slut are launching new publication Disco Pogo with the first issue out this month.

"We never had any intention of re-launching Jockey Slut and then events of recent years made us rethink. But the world has changed and so we decided that a new magazine with a new name was best", say Jockey Slut and Disco Pogo founders Paul Benney and John Burgess.

Disco Pogo is a 236-page, heavyweight, twice-yearly magazine featuring new names alongside the best electronic artists and stories from the past 30 years or so with contributions from some of the best music journalists and photographers working today.

The first issue features Gilles Peterson and SHERELLE on its covers, is out May 25th and will be available to buy in the UK, Europe and around the world from good independent record shops, specialist magazine shops, selected newsagents and direct from discopogo.co.

Notes: Disco Pogo is the new, bi-annual, electronic music magazine from the original founders of seminal 90s title Jockey Slut.

Issue 2 is, once again, a chunky 236 pages and features Daniel Avery, I. JORDAN, Ashley Beedle, David Holmes, Donna Summer, Eddie Chacon, Erol Alkan's Trash, Flesh at The Hacienda, Honey Dijon, Hot Chip, Kerry Chandler, Laurent Garnier, Lou Hayter, Paul Woolford, Ron Trent, TSHA, 90s Jungle and much more.

Long live acid house!

*** This magazine has two different covers - we can't guarantee which one you're going to get! ***

Notes: Issue 3 is a heavyweight 220 pages and features Roisin Murphy, Grace Jones, Art of Noise, Boards of Canada, Chris Frantz, Danielle Moore, Decius, Hifi Sean, Jamz Supernova, Leftfield, Luke Solomon, Native Tongues, Ralph Lawson, Twisted Nerve, Underground Resistance and much, much more.

*** This magazine has two different covers - we can't guarantee which one you're going to get! ***

Notes: Issue 4 is a bumper 200 pages of quality journalism and original photography and features The Chemical Brothers, Romy, Skream, Pet Shop Boys, 90s Chicago House, DJ Paulette, Mr Scruff, Jon Carter, John Carroll Kirby, Alex Kassian, Movulango, Say She She, Church of Sound, Josh Caffe, Sofia Kourtesis, A (New) Balearic Network, On-U Sound, 50 Years of Hip Hop and much more.

*** This magazine has two different covers - we can't guarantee which one you're going to get! ***

Notes: Khruangbin, Bicep and Elkka cover issue 4 of Disco Pogo

Three covers this time with huge features on the transcendental Khruangbin, the phenomenal Bicep and the incredible Elkka.

Plus 25 Years of The Social, How To Run A Record Shop With Phonica, DFA in photos, the pivotal year of 1994, Slam on how they made Positive Education, crate digging with Nightmares on Wax, Krust on where he is now and Richard Norris on has he ever ridden a horse!

Also features on Beat Hotel Ibiza / Bolis Pupul / Charlie Dark / Flowered Up / Julie Pavon / Lindstrom / Kate Bush / Mildlife / Miss Kittin / Optimo / Paranoid London / Pete Blaker / Robert Hood and much more.

204 pages of quality music journalism by the world's best music writers plus beautiful photography and design in a quality print magazine.

*** This magazine has three different covers - we can't guarantee which one you're going to get! ***

Notes: First issue of the magazine featuring lengthy interviews with Clayton Noone (CJA, Armpit, Root Don Lonie For Cash etc) and Monokultur.

Full colour printing, A5, written in English.

Notes: Second issue of Discreet Music Mag, featuring interviews with Greymouth and Jon Collin and a long piece on IDDB 001-044. Full colour, written in English.

Discreet Music, 2021

Notes: New issue! Interviews with Leda, Franciska, Troth and a feature on Incipientium. A5, 20 pages, written in english.

Notes: After several months of toil and hard graft, the DJB team are proud to present to you the DJBroadcast Collection, the new globally available, English print magazine. Printed on 192 high-quality format pages, the magazine features over 10 festival-based, stunningly illustrated, long-read articles that won't be found online, or anywhere else. Now you can take DJBroadcast with you wherever you go.

With over 13 years of print experience, having firmly established ourselves as the leading outlet in electronic dance music culture in the Netherlands, DJBroadcast thought it due time to bring our message across to a global audience, in order for more of you to read our cutting-edge articles.

Written by leading voices within the field, the DJBroadcast Collection will be published bi-annually, with each edition focussing on one core topic. For the first edition, the DJB team fielded together a series of narratives around one of our favourite subjects - festival culture. DJBroadcast journeyed from the snowy terrains of Iceland to the sunswept provinces of California to bring to you a series of stories about some of the more fascinating, independent and colourful festivals around.

A real labour of love, the DJBroadcast Collection is printed on four different types of thick, quality paper and features a one-off fold-out cover designed by Stefan Glerum. With editorial from some of the scene's leading voices, and most sought after photographers and illustrators, the Collection is a real collector's item and timeless publication. So if you like our website and enjoy reading our left-of centre editorial and analysis around contemporary topics and trends then you're going to love this.

Notes: The tenth issue of We Jazz Magazine, "Dominoes" for Donald Byrd. 128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Donald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar & Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts + reviews & more

128 pages, 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers

Notes: Issue #02 of Enthusiasms, Efficient Space's annual publication, further maps the label's extended universe of contributors and influences across 88 full-colour pages of offline content, featuring extensive conversations with like-minded duos CS + Kreme and Blazer Sound Sys-tem, Melbourne minimal composer Ros Bandt, the master of paranoia-inducing electronics Richard H Kirk and Tel Aviv-based Isophonic musician Roland P. Young. Rarely seen pictori-al spreads find Yolngu cultural warrior and Waak Waak Djungi songman Bobby Bununggurr sharing stories behind his traditional paintings and On-U Sound's dream team of misfits viewed through the lens of label co-founder and in-house photographer Kishi Yamamoto, alongside the collaborative art of Joshua Petherick and Midnite/3AM Spares compiler Lewis Fidock. The publication's fantasy mixtapes also continue with playlists from YL Hooi, Julien Dechery and David Pinhas, Time Is Away, Grace Ferguson and Ivan Liechti. Perfect bound and designed, as always, by Steele Bonus.

Notes: Efficient Space publication ENTHUSIASMS revives with Issue #03. 92 pages covering Aotea-roa DIY folk proliferator Maxine Funke, the vocal magick of Cucina Povera, Australian devo-tional jazz mystery Singing Dust, Osaka portal EM Records, unsung dub specialist Sheriff Lin-do and the living practice of e fishpool. View post-punk trailblazers through the lens of Rotter-dam polaroid photographer Peter Graute, while Swiss artist Elise Gagnebin-de Bons exhibits her series of collages purposed for Ghost Riders. The issue also boasts imaginary mixtapes from Gavsborg, Greg Davis and Jefre Cantu-Ledesma, Mikey Young, Sonic Boom and Troth. Perfect bound and illuminated by designer Steele Bonus.

Notes: Disco Beats has created a disc guide zine in paper format.

The theme is domestic disco 7-inch B-sides.

Please get a copy of this zine and go on a treasure hunt at record stores.

Most of the records in the zine can be obtained for a few hundred yen.

(Some of them are chill soul, and some are disco.)

Notes: ***B-STOCK: Crease on corner of book, otherwise in excellent condition***


Disco Beats has created a disc guide zine in paper format.

The theme is domestic disco 7-inch B-sides.

Please get a copy of this zine and go on a treasure hunt at record stores.

Most of the records in the zine can be obtained for a few hundred yen.

(Some of them are chill soul, and some are disco.)

Notes: Reproduction of Issue 2 of The Flower Press, the short-lived fan club fanzine designed and put together by The Beta Band.

Notes: After months of work we're super excited to finally share the inaugural edition of the brand new Fuzz Club Magazine. Issue 1 clocks in at 96 pages and includes interviews/features with the likes of Holy Wave, The Telescopes, RF Shannon, Nicholas Wood (The KVB/Saccades), The Oscillation, The Third Sound, Routine Death and Sherpa The Tiger, art spotlights on Olya Dyer of The Underground Youth and photographer Lilly Creightmore, Joao of 10 000 Russos reflecting on the singular legacy of Mark E. Smith and recalling a torturous interview with the man himself, a primer on the Swedish psych scene, Christian Bland, Al Lover and Bob Mustachio on the history of Levitation/Austin Psych Fest and an in-depth retrospective on 1988 as a pivotal moment in the early years of shoegaze. Plus a bunch more!

Officially out now, Issue 1 of the Fuzz Club Magazine is a beautifully printed, perfect-bound A5 mag with glossy pages and a soft-touch/matte laminated cover.

Notes: Here is Issue #2 of the Fuzz Club Magazine. This issue is packed with a story about digging cables and brit-pop bullshit by Will Carruthers, interview with Lumerians, The Gluts and Oliver Ackerman, Patrick Clark traces the history of krautrock, an extract from Craig Dyer's first novel, Jared Artaud writes about his time with Alan Vega and lots more.

As with Issue 1, this is a beautifully printed, perfect-bound A5 mag with glossy pages and a soft-touch/matte laminated cover.

Notes: The Interview Issue - four years in the making! With all-new Gods and Maiden trading Cards! PLUS: GZD goes BACK to the MIXTAPE - bonus sounds on included cassette.

Notes: A collection of behind-the-scenes photos from Gqom Oh! and Crudo Volta's Woza Taxi documentary. A new documentary from Italian music label Gqom Oh! and Rome-based radio station Crudo Volta sheds light on the artists behind gqom, an electronic dance movement born in the townships outside Durban. Woza Taxi, which premiered on The FADER in July, follows director Tommaso Cassinis and label head Nan Kole as they visit the homes and studios of core gqom artists. Alongside the film release, Gqom Oh! and Crudo Volta have produced a 32-page traditional mini newspaper to showcase the best photographs from the trip. It's a beautiful publication filled with raw, poignant images - a rare look behind the scenes of an emerging music culture. "It was really an amazing experience," Kole told The FADER about the project. "To see how they produce gqom, and how they live, and the whole creative process. How this music brings them closer together with their friends and crews, not only just to create a track, but also to dance together."

Notes: Head Voice is an audio recording zine founded by Donovan Quinn, Ben Chasny, and James Toth that focuses on creative musical pursuits and unorthodox sound production. The zine strives to be of interest to those intrigued by the imaginative ingenuity behind audio recordings, and is tailored from the threads of a thousand conversations between recording musicians concerning the creative, non-technical aspects of sound recording. While the world seems to be overflowing with tips and tricks concerning how-to-do-this and how-to-do-that, Head Voice is more interested in the joy of recording while keeping in mind the primacy of the music. Dogmatic opinions about the "right" and "wrong" ways to create and record musiciin both the analogue and digital realmitend to obscure and even dismiss the intuitive approaches that have been utilized to create art since the dawn of recorded time. Such strategies are often as unique, idiosyncratic, and individual as the artists who implement them, and these are the corners Head Voice wishes to explore, with the aim of presenting this shared knowledge as both a resource and inspiration.

6" x 8.25", Black and White, 84 pages.

Issue # 1 features interviews and /or articles on:
Cheval Sombre
Kristen Gallerneaux
Matt Valentine
Peter Laughner
Naomi Yang
Jason Quever

Notes: Too many incredible milestones in this issue to name! LL Cool J makes a record with Rick Rubin and Def Jam. KRS One gets arrested and meets his future DJ. The Fat Boys and Run DMC headline the first national Hip Hop tours. Just to name a few.
PLUS: This issue comes with an exclusive flexi disc of hip hop gold!