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FORTHCOMING
Apogee Symphony Desktop Audio Interface
Cat: 762366 Rel: 31 Aug 20
 
audio interface
Notes: Symphony Desktop for Mac and Windows packs the legendary sound quality of Apogee's rack-mount Symphony I/O Mk II into an elegant and inspiring 10x14 audio interface that sits on your desk and fits in your bag. With Symphony Desktop, musicians and producers are empowered to record, overdub and mix with the music industry's most respected AD/DA converters and mic preamps.

By combining superior performance, with new features like mic preamp emulation, the Apogee Channel FX plugin and ultra low latency recording with hardware DSP and Apogee native FX plugins, Symphony Desktop will amplify your creativity in your studio or on the go and give your recordings the Apogee sound quality Advantage.

Symphony Desktop not only delivers the music industry's most sought after and respected sound quality with its Symphony I/O Mk II pedigree, it offers the inspiring and elegant usability of the iconic Apogee Duet and Quartet.

Apogee FX Plugins included with Symphony Desktop:

Symphony EQ - Native and hardware versions
Symphony Compressor - Native and hardware versions
Symphony Reverb - Native version

Mic Preamp Emulations included with Symphony Desktop:

British Solid State - Class A console sound - Inspired by the Marinar "Round can" input transformer and discrete transistor design of the Class A Neve 1066 mic preamp.
American Tube - Lush, 50s Tone - This emulation offers the lush, larger-than-life sounds of the 50s era Ampex 601 preamp, carefully restored and modded for lower noise and greater dynamic range.

In the Box:

Symphony Desktop
12V DC power supply
USB Type C to A cable
USB Type C to C cable
Quick start guide
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MRP:$1,621.67 SAVE 17%
coming soon $1,351.39
Cat: 458041 Rel: 02 Jun 12
 
2-channel level converter, comes with UK version external power supply
Notes: The CLEANBoxPro provides 2 channels of unbalanced to balanced level conversion and 2 channels of balanced to unbalanced level conversion in a rugged, compact, and portable unit. Balanced lines offer increased immunity to external electrical noise, such as hum. Since a balanced system minimizes induced noise, it is the preferred method of connecting audio gear, especially when long lengths of cable are used.

One section of the CLEANBoxPro converts 2 channels of consumer-level unbalanced input signals into 2 channels of pro line-level balanced output signals. It has 2 RCA jack inputs and a stereo mini-phone jack input connected in parallel. The balanced output feeds 2 XLR male jacks.

The other section of the CLEANBoxPro converts 2 channels of line-level balanced input signals into 2 channels of consumer unbalanced output signals. It has 2 XLR female input jacks. The unbalanced output feeds 2 RCA jacks and a stereo mini-phone jack connected in parallel.

Each section has stereo level controls to optimize signal levels. An LED indicator lights when power is applied.

The CLEANBoxPro can be an invaluable tool in application areas including: home or professional recording studios, live sound, PA, permanent installs, DJ, AV, consumer Hi-Fi, podcasting and broadcasting. The CLEANBoxPro can be used with: mixers, audio processors, laptop computers, computer sound cards, CD/DVD players, video gaming machines, MP3 player/recorders, powered monitors and digital audio workstations.
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 2 in stock $62.62
Cat: 718642 Rel: 18 Mar 20
 
Next generation audio interface featuring 2 DiscretePRO microphone preamps
Notes: Ultra-versatile interface from Arturia. Small format for desktop use but absolutely packed with connectivity, including MIDI, ADAT expansion, clock, USB hub, and multi-speaker support.

Supplier's notes:
You're making tomorrow's music... so why settle for yesterday's interface? AudioFuse is the revolutionary pro audio interface that sets a new standard in sonic quality, creative production and value. It fuses the superior sound of high-end analogue studio consoles with the flexibility of a solid mobile interface - with all the connectivity you need for any recording or performance.

Whatever sound you need to capture, from the most delicate ambience to the heaviest cacophony, AudioFuse will reveal the beauty in everything.

Pro studio quality was our mantra right from the start with AudioFuse. Now you can transform your desktop, hotel room, concert - whatever, wherever - into a studio with world-class sound.

No compromises, each element of the AudioFuse has been selected to perfectly serve your sound, such as the two proprietary DiscretePRO microphone preamplifiers and the set of top-notch AD/DA converters.

Saving the purity of your sound and the passion it conveys is what AudioFuse is all about.

When creating and recording, you need an interface that lets you focus on the task at hand and keep distractions to a minimum.

With AudioFuse, we didn't want to settle for merely bringing you the sound quality of a pro studio, we wanted to bring you its workflow too. That's why you have detailed metering, talkback for instant communication with talent in the next room, inserts to add professional effects processing to your recording chain, A/B monitor switching, and direct access to the essential features so you can spend more time creating and less time setting up.

Wherever it comes from, whatever it has to travel through, and wherever it needs to go, AudioFuse will guide your sound.

AudioFuse connects with virtually everything: mics, instruments, turntables, studio equipment, Mac, PC, Linux, tablets, even iOS and Android phones. It all happens with a round-trip latency as low as 3 milliseconds so you'll feel right in the groove every time.

When you know your equipment is the best of the best, creativity can take care of itself.

When it is all about giving the best of yourself being able to rely on the best technologies becomes crucial. The lowest harmonic distortion, the most linear frequency response, the highest signal-to-noise ratio and the shortest latency, these technical terms may seem far removed from your creative process, but they are essential to delivering your music in the highest quality possible.

Capture the moment - at home, in the studio, on the road, or wherever creativity strikes.

AudioFuse has a super-solid aluminium chassis you can trust, complete with a hard cover to protect it from damage in your bag - or even just dust on your desktop. The build quality goes far beyond a great-looking exterior, as well. Your unit has to pass rigorous testing before it can be packed and shipped. It even comes with a test specification printout of your exact unit. Meet your new best friend for the studio and stage.
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MRP:$1,022.44 SAVE 19%
 1 in stock $830.17
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quote 718642
Cat: 632727 Rel: 14 Nov 16
 
2-in/4-out high performance USB audio interface
Notes: Really neatly designed audio interface with built-in studio monitor control. Two line/mic inputs, stereo line/headphone outs, plus ADAT digital connection for future expansion. A smart idea backed up with high-quality sound.

Supplier notes:
iD14 delivers the audio performance of a large format console in a compact and elegant desktop package. iD14 provides a pair of world-class Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I and the revolutionary ScrollControl. With its versatile feature set and intuitive layout, iD14 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD14, you're always guaranteed the same world class Audient sound. Developed by design legend David Dearden and optimised over 18 years of refinement, our mic pre is used by thousands of professional studios around the world. With its versatile nature and smooth tone, the iD14 will quickly become your 'go to' mic pre.

Brilliance on the inside enables brilliance on the outside:
iD14 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way. Brilliance on the inside enables brilliance on the outside.

Simply scroll to control:
Get hands on control of your software with iD14's ScrollControl. With a touch of a button iD14's volume encoder becomes a virtual scroll wheel that allows you to adjust DAW hosts, plug-in parameters, iD14's mixer app and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD14 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Customise your control surface:
It gets even better! When not using the virtual scroll wheel, the iD button can be assigned to control iD14's monitoring features. Following in the footsteps of its critically acclaimed big brother iD22, we've still included DIM, CUT, Polarity Reverse, Mono Sum, Talkback and Cue Mix monitoring, all of which can be assigned to the iD button.

Grows with your needs:
Need to track drums? No problem! As your system grows, iD14 can be expanded via the optical input connector, supporting both ADAT and S/PDIF. Enabling you to expand up to ten inputs via an eight-channel mic pre, such as the ASP800.

Discover just how simple it can be:
We understand the need to keep things simple and iD14's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD14 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD14 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD14 will stand up to countless late nights in the studio and days on the road.
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 More than 10 in stock $177.90
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quote 632727
Cat: 632726 Rel: 14 Nov 16
 
2-in/2-out high performance USB audio interface
Notes: INCLUDES 500 POUNDS WORTH OF PLUG-INS AND CREATIVE SOFTWARE:

When you buy any Audient product you will also receive over 500 pounds worth of plug-ins and creative software with ARC - Audient's creative hub. Included in this offer is Eventide's Ultrachannel and Ultrareverb plugins (350 pounds), Steinberg's Cubase LE and Cubasis LE2 (for iOS), 10 free masters for automated mastering service LANDR (120 pounds) and 2 free courses and a 20 pounds voucher for online audio educators Producertech.

***OPEN TO NEW AND EXISTING CUSTOMERS***

***ALL YOU HAVE TO DO IS REGISTER YOUR PRODUCT AND TAKE ADVANTAGE OF THESE GREAT OFFERS FOR FREE!***

iD4 delivers the audio performance of a large format console in a portable desktop package enabling you to record your vocals and guitar simultaneously. Providing one renowned Audient console mic pre, class-leading converter technology, dual headphone outputs, console style monitor control, JFET D.I and our virtual scroll wheel technology 'ScrollControl', iD4 is a professional but affordable solution for your home studio or for when you're on the road.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD4, you're always guaranteed the same world class Audient sound.

Brilliance on the inside enables brilliance on the outside:
iD4 provides you with high performance AD-DA converters. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Simply scroll to control:
With a touch of a button iD4's volume encoder becomes a virtual scroll wheel, enabling you to adjust DAW hosts, plug-in parameters and even scroll through your iTunes library - just like you're adjusting a piece of hardware. Wherever your mouse pointer hovers, the iD knob can scroll to control! And when you're not using ScrollControl, pressing iD4's volume encoder activates DIM, enabling you to quickly reduce the playback volume.

Plug in and be inspired:
iD4 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly. Get professional quality recordings from the start and take your track to the next level.

Headphone mixes with Clarity:
Recording an acoustic guitar and vocal? iD4's Monitor Pan feature enables you to pan both the mic pre input and D.I input from left to right, making it easy for you to create a balanced headphone mix that suits you. Quickly plug in, set up a headphone mix and starting tracking instantly, perfect for singer songwriters & producers on the go!

Record with confidence:
iD4's Monitor Mix feature lets you monitor a blend of both iD4's inputs and your DAW playback, providing near zero latency monitoring while recording. Designed with creativity in mind, Monitor Mix allows you to quickly blend in your DAW playback and start recording along to your multitrack instantly, enabling you to focus on the music and lay down your track effortlessly.

Write, collaborate and create:
Featuring a dual headphone output, iD4 enables you to collaborate with your friends and other artists. Whether you're recording a guitar and a vocal, or just listening to music together, iD4 lets you plug in two sets of headphones, making it the perfect tool for jamming with your friends and capturing creativity as it happens. The dual headphone output also has both a jack and mini jack output, so no more need to carry around a pesky headphone adaptor!

Quality deserves protection:
iD4 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD4 will stand up to countless late nights in the studio and days on the road.
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 More than 10 in stock $112.36
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quote 632726
Audiowerkstatt DIN 2 MIDI 2 DIN Converter v2 (DIN 2 MIDI 2 DIN Converter)
Cat: 714389 Rel: 20 Dec 18
 
Converts DIN-Sync/Sync24/Sync48 signal to MIDI-clock-signals & vice versa
Notes: The audiowerkstatt din2midi2din v2 has a MIDI- and a DIN-sync-output and on both outputs a clock-signal is sent at the same time.

With a button you can select, if the clock-signal present at the DIN-sync- or the MIDI-input is used. A LED indicates the selected input.

The device operates as a standard in "Sync24"-mode (24 clock pulses per quarter note). By holding the button when switching on, the device is started in "Sync48"-mode (48 clock pulses per quarter note).

All settings will be saved and restored at startup.
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 1 in stock $82.18
Cat: 710381 Rel: 15 Nov 18
 
Stop & start DIN-Sync/Sync24/Sync48 devices in perfect synchronisation - version 2
Notes: You push the button and the audiowerkstatt din-restarter starts or stops the following sequencer at the beginning of the next bar (4/4-stroke only) in perfect timing.

If the sequencer is running, it will be stopped at the next bar and if the sequencer is standing, it is started at the next bar.

The device operates as a standard in "Sync24"-mode (24 clock pulses per quarter note). By holding the button when switching on, the device is started in "Sync48"-mode (48 clock pulses per quarter note).
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 2 in stock $82.18
Cat: 704180 Rel: 01 Oct 18
 
Version 2 of the MIDI clock shifter featuring powder-coated steel enclosure
Notes: The audiowerkstatt midi-clock-shifter v2 helps you to move your MIDI-slave as many MIDI-clock-ticks as you want forward or backward, while running in synchronisation to the MIDI-master. A 7-segment-display shows the direction and number of MIDI-clock-ticks, the MIDI-slave has been moved.

A tool, for on-the-fly correction of a MIDI-slave, that is not reliable or to push a loop, that is not recorded in a rhythm, to that rhythm.

And a tool to have fun with playing around with two sequencers and do things like e.g. going slightly forward and backward with one of them.

You can set whether only the MIDI-clock and MMC commands (start, stop, continue) are sent or the MIDI-data, received at the MIDI-in, will be mixed with that.

All settings will be saved and restored at startup.
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 1 in stock $129.00
FORTHCOMING
Behringer Podcastudio 2 USB Bundle with USB Audio Interface
Cat: 772939
 
podcasting bundle
Notes: The PODCASTUDIO 2 USB bundle has everything you need to make high-quality podcasts, produce your own music and home recordings - plus it works seamlessly with your PC or Mac* computer! All the software you'll need is provided- a XENYX 302USB mixer with built in USB/audio interface, XM8500 microphone, HPM1000 headphones and much more - you'll be up and running in mere moments, right out-of-the-box!

No matter what your audio mixing needs, the XENYX 302USB provides the performance and features that can take your talent to the next level. With its professional sound quality, 5 Inputs with the legendary XENYX mic preamp, built-in USB/audio interface, plus rugged reliability - the XENYX 302USB is ideal for both your live gigs and recording sessions.

The XM8500 dynamic microphone is a performing/home recording enthusiast's dream come true! This professional-quality microphone is designed to capture your sound with outstanding sensitivity and accuracy. With its cardioid pickup pattern for excellent sound source separation and feedback rejection, this ultra-wide frequency response mic is an excellent choice for any performing or recording scenario - and it's rugged enough to go the distance! With its integrated shock mount system, mic stand adapter, spherical wind and pop filter, all in an impact-resistant carrying case - the XM8500 just may be the only microphone you'll ever need.

HPM1000 headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring a single-sided cord that resists tangling; an ultra-comfortable headband; and a 1/4" adapter for the 1/8" connector, HPM1000 phones are compatible with everything from your smartphone - to your mixing console.

Because you'll want to take full advantage of your XENYX 302USB's recording and podcasting potential, all the software you'll need for audio recording, editing and even podcasting is included - all free of charge and downloadable from behringer.com. You'll be ready to go live on your PC or Mac right out of the box. A free download of more than 150 virtual instruments and FX plug-ins is provided - turning your computer into a powerful home-based or mobile recording studio from input to output.

This amazing PODCASTUDIO 2 USB setup includes a: professional 5-input XENYX 302USB mixer with the studio-grade XENYX Mic Preamp; pair of high-quality HPM1000 headphones; great-sounding XM8500 dynamic mic - and all the cables and recording/podcasting software you'll ever need.
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coming soon $94.67
Cat: 605785 Rel: 23 May 16
 
Audiophile 18 in 20 out USB Audio/MIDI interface with MIDAS mic preamplifiers & DAW software included
Notes: U-PHORIA UMC1820:
The incredible U-PHORIA UMC1820 bridges the gap between your creativity and your fans. This blazingly fast USB 2.0 studio-in-a-box will have you recording your next masterpiece in minutes with all the connectivity required for your microphones, guitars, keyboards and even MIDI devices.
Record the perfect vocal right to your computer-based DAW thanks to the 8 astonishingly clear, world-class MIDAS-designed mic preamps, which include +48 Volt phantom power for condenser microphones, all going through studio-grade 24-Bit/96 kHz converters for the best possible sound quality. It also provides I/O support for S/PDIF, ADAT and S/MUX formats. Whether you're a singer-songwriter, producer on the go, or just need a rock-solid interface for running backing tracks at a gig, the ultra-dependable U-PHORIA UMC1820 will help you shine in the digital domain.

Studio in a Little Black Box:
When it's time to make recording history on your Mac or Windows computer, plug in microphones, instruments or line level sources to the UMC1820's 8 combination XLR/TRS inputs for the ultimate in studio flexibility! Connect and communicate with MIDI devices to add the benefit of control surfaces to your studio workflow. And since the UMC1820 is compatible with all popular recording software including Avid Pro Tools*, Ableton Live*, Steinberg Cubase, and others - it's ready for anything.

96 kHz Precision:
You take your tracks seriously, and the UMC1820 respects that, providing up to 96 kHz resolution for even the most demanding applications in music as well as video post-production. Work with confidence and accuracy in your favourite recording software for professional results every time.

MIDAS - The Legend in Sound Quality:
Ever since its formation in the 1970s, MIDAS has had a long history of innovation and leadership in the world of audio mixing consoles. Employed by the most famous touring acts and installations world-wide, legendary MIDAS consoles such as the XL4 and Heritage H3000 quickly became industry standards.
MIDAS has earned their impeccable reputation due to their no-compromise approach for audio and build quality and in particular for their Award-winning Mic Preamps which are considered by industry experts as the industry's best sounding designs. Building on this legacy, the XL8 and PRO Series of Live Mixing Systems continue this great heritage of Award-winning audio quality.
BEHRINGER is proud to incorporate a MIDAS designed mic preamp for the ultimate in high quality audio reproduction in both live and studio environments. Find out more about MIDAS' amazing legacy by visiting their extensive website.

Convenient Monitoring:
The UMC1820 mix control allows zero-latency direct monitoring, which means musicians can experience their performance clearly and with no delay or lag in the returning signal, resulting in a better performance and recording. Its powerful phones output has its own level control and Monitor A/B source select for DJ-style cueing. Plus we provide free audio recording, editing and podcasting software, plus 150 instrument / effect plug-ins - just a download away at behringer.com.

Getting Connected:
The U-PHORIA UMC1820 provides 18 inputs and 20 outs and built-in MIDI I/O to sync your favorite hardware. You'll have ultra-easy control via your computer for producing a richer performance. On the rear panel of the UMC1820, you'll find the USB 2.0 port for hassle-free connection, and plenty of analog playback output options including 1/4" TRS, RCA and XLR. Built-in MIDI I/O allows you to connect keyboards and other outboard MIDI hardware.

Lots of Digital I/O:
ADAT input allows you to connect a BEHRINGER ADA8200 (sold separately), expanding to a total of 16 MIDAS-designed mic preamplifiers, so you can mic the entire band! And there are enough outs to feed separate headphone mixes to each performer. Naturally, the UMC1820 supports all standard I/O formats, including S/PDIF, ADAT, S/MUX and analog.

Tracktion - Record, Edit, Mix and Share
Tracktion is one of the world's fastest and easiest Digital Audio Workstations (DAW) for composing, recording, editing, mixing and sharing your music with the world. Featuring a single-screen interface, and pushing the envelope in design elegance, Tracktion brings together outstanding Pro DAW features, such as dynamic automation, unlimited track count, MIDI recording and support for VST and AU plug-ins. This powerful music production software gives you all the tools of an entire professional-grade recording studio. Learning a DAW has never been easier, thanks to their vast and readily available library of resources.
As our way of saying "Thank You", when you register your (insert the product name) at behringer.com, we'll reward you with a complimentary download code for the full version of Tracktion. Recording and editing couldn't be easier. To learn more about Tracktion, visit tracktion.com/support/videos.
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 4 in stock $202.85
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quote 605785
Cat: 637341 Rel: 31 Jan 17
 
Advanced digital microphone system for acoustic guitar
Notes: iRig Acoustic Stage is the new hi-tech solution for accurately reproducing the full sound of acoustic guitars and other instruments with studio-quality sound live on stage and in the studio. The combination of its advanced MEMS microphone and hi-quality preamp and DSP processing unit provides - for the first time ever - a break-through solution that offers hi-quality natural sound, advanced features, ease of installation and a convenience never seen before.

Until now, getting your acoustic to sound like it does in the studio when playing on stage has been a difficult, if not impossible, task. Playing an acoustic on stage typically falls into two scenarios: using the on-board piezo or magnetic pickup system to project a fractional representation of your acoustic's natural warm tone, or sitting stationary on stage with microphones in "the sweet spot" on your acoustic, dramatically limiting your ability to move.

It's a compact acoustic microphone and advanced digital preamplifier and processing unit that recreates a studio microphone set-up providing you with all the true character and tonal nuance of your acoustic in live playing situations. Simply clip the iRig Acoustic Stage's microphone to the sound hole, attach it to the iRig Acoustic Stage pre-amplifier processor, then connect the preamp to your amplifier or mixer. iRig Acoustic Stage also features a "Cancel Feedback" button that gets rids of annoying frequency feedback during performance.

Once installed and active, you'll immediately hear what you've been missing with your traditional live setup as your acoustic tone comes alive with vibrance, warmth, depth and earthy, woody tone. If you currently perform with an acoustic-electric, iRig Acoustic Stage can greatly enhance your guitar's live tone. iRig Acoustic Stage features an AUX input with a blend control that lets you blend your guitar's current pickup system with iRig Acoustic Stage giving you even greater tonal flexibility and a roundness to your sound like you've never heard before.

Built for the Stage and Project/Home Studio:
iRig Acoustic Stage provides an enhanced acoustic sound that's perfect for live performance and recording. Getting that "studio" sound in project or home studios with your acoustic is now easier than ever. If you have an audio interface, simply plug iRig Acoustic Stage into the analog input. No interface? No problem! iRig Acoustic Stage also features an integrated class-compliant USB audio output for direct connection to your computer or compatible device. Not only will you get that fantastic sound, but you can also move around freely allowing you to get into the groove and capture your best acoustic performance in your studio.

How does it work:
iRig Acoustic Stage uses a patented system composed by an hi-tech MEMS microphone and a preamplifier / processor that includes an advanced digital signal processing component performing multiple functions, from instrument calibration to EQ, to feedback cancel. The microphone that clips on to the soundhole of the guitar and captures all of the "air", harmonics and sonic nuances of your instrument and playing style that is simply missed with traditional piezo and magnetic pickups. The synergy between the microphone and the 32-bit DSP-based preamp system provides amazingly rich, full-spectrum acoustic sound on stage like never before.

MEMS Microphone:
iRig Acoustic Stage uses an ultra-compact MEMS microphone to capture your acoustic's sound from the soundhole. It can be quickly slid into place in the soundhole of the instrument and easily removed with zero modification to the instrument required. This lets you use iRig Acoustic Stage on all your acoustic steel string guitars, classical nylon strings guitars and even ukuleles or other stringed instruments with a soundhole.

Acoustic Preamp/Built-in DSP:
The magic of iRig Acoustic Stage comes from the combination between the microphone, the preamp and the signal processing unit. iRig Acoustic Stage analyzes the incoming signal from your guitar i both the overall sound and nuance of the instrument AND the playing technique i and builds the optimum tone profile for the instrument that delivers a warm, round and balanced acoustic sound. The tone profile can then be enhanced through the use of 6 selectable tone presets, depending upon the playing situation. iRig Acoustic Stage gives you 3 presets for steel string instruments i natural, warm, bright i and the same 3 optimized for nylon string instruments.

Custom Calibration:
Out of the box, iRig Acoustic Stage is factory calibrated to sound great with most guitars. You can also customize the setup and calibrate iRig Acoustic Stage to optimize the overall response of the DSP specifically for your instrument, making the tone even more authentic and perfect for your guitar. The Custom Calibration feature takes just a few minutes and further refines your tone and responds more accurately to your playing style.
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 1 in stock $84.93
Cat: 540592 Rel: 16 Jul 14
 
Universal MIDI interface for iPhone, iPod touch, iPad and Mac/PC (lightning & USB cables included)
Notes: Introducing iRig MIDI 2, the first Lightning/USB compatible mobile MIDI interface that works with all generations of iOS devices as well as Mac and PC. It features everything you loved about iRig MIDI but with even greater pocketability, connectivity and control. Simply put, it's the perfect MIDI solution for the musician on the move.

As we've said, iRig MIDI 2 is the first portable MIDI interface that's compatible with Apple's Lightning cable. This, however, does not come at the expense of universal support. At the center of iRig MIDI 2 is its detachable Mini-DIN connector, which lets you attach a Lightning (included), USB (included) or 30-pin cable (sold separately) depending on the mobile device or computer that you'd like to use. Now you have the flexibility to use MIDI with whatever device you want, anytime, and anywhere.

iRig MIDI 2 is small, but it can be made even smaller when all of its cables are detached. Because of its Mini-DIN connector, you can remove all cables for extreme portability: Now you have something that you can easily carry with you in your pocket to any gig, performance, studio or jam session. In addition, all iRig MIDI 2 cables are bumper friendly, which means you can connect and start jamming without having to remove your mobile device's protective carrying case

Like iRig MIDI before it, iRig MIDI 2 features three MIDI ports: IN, OUT and THRU. But this time around the ports are standard-sized and require no adaptor or special cable to use - in fact, you can use any standard MIDI cable you'd like. These ports give you all the control and connectivity that MIDI allows: Use the IN port to use external keyboards and controllers to play your favorite software sound modules and synthesizers. Use the OUT port to control external hardware or synthesizers from your mobile device or computer. And you can use the THRU port to send MIDI data to multiple instruments at once. Monitoring MIDI data with iRig MIDI 2 is easy, it comes with two LEDs that give you an at-a-glance readout of the note data as it passes through the IN and OUT ports.

With iRig MIDI 2, you get more than just a supremely portable MIDI interface; you also get a full suite of music creation apps. As soon as you open the box you'll be ready to go. iOS users get two of IK's most popular mobile apps: SampleTank FREE is a sound and groove workstation filled with hundreds of high-quality instruments and patterns. iGrand Piano FREE is a concert-quality piano app that puts world-class piano sounds at your fingertips. And Mac and PC users can enjoy the full creative power of SampleTank 3 SE, a free version of IK's next generation SampleTank 3 desktop sound workstation. Beyond all that's included, iRig MIDI 2 works with all MIDI-compatible Mac and PC software as well as the entire spectrum of Core MIDI apps for iOS such as GarageBand, Cubasis, Beat Maker 2, Auria and many more.

iRig MIDI 2 has been designed and manufactured in Modena, Italy - a city famous for high-performance Italian industrial design. Like all IK products, it's been through rigorous quality testing to ensure the utmost in dependability i iRig MIDI 2 is housed in a durable rubberized enclosure designed to last performance after performance and gig after gig. IK Multimedia uses only the best components, materials and processes to create solid, smartly manufactured products at an affordable price.

(Included/free apps: http://www.ikmultimedia.com/products/irigmidi2/index.php?pp=irigmidi2-app)
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MRP:$106.11 SAVE 39%
 5 in stock $64.49
Cat: 571031 Rel: 09 Sep 16
 
Professional quality USB audio interface & fully programmable mixer
Notes: K-Mix is Keith McMillen's newest innovation: an unbreakable, 8-in/10-out audio interface and programmable mixer. K-Mix features 2 ultra-accurate, high-efficiency low noise uPre preamps, and a precision opto-tactile control surface that was designed from the ground up for an unprecedented level of control. Keith McMillen have made super clean audio more accessible, so you can focus on the music. K-Mix is a go-anywhere, fully-programmable, audio multi-tool that can meet all your needs as an artist, whether you're in the studio or on the road. With no moving parts, K-Mix can be transported in a backpack without the fear of snapping off a fader or knob, while still giving you unrivaled audio quality, mixer functionality, and control. K-Mix is a pro-quality USB audio interface with transparent uPre preamps for superb quality audio recording in the studio or on the stage. K-Mix is a fully programmable mixer that features flexible routing, per-channel DSP, and can function without a computer. K-Mix features an unbreakable precision opto-tactile control surface designed from the ground up to command any DAW.

Audio Interface:

- USB Bus Powered
- Ultra-Low Noise uPre Preamps
- High-End AKM Converters
- 32-bit Floating Point Signal Path
- 8-in/10-out Audio

Programmable Mixer:

- Per Channel DSP
- Flexible Routing
- Standalone Quad 5.1, 7.1 and Octo Surround Mixer
- Onboard Preset Storage
- No Computer Required

Control Surface:

- Ultra-Sensitive Precision Rotaries and Faders
- User Assignable MIDI Controls
- Light Weight and Portable
- Rugged Construction, No Moving Parts
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MRP:$786.49 SAVE 28%
 4 in stock $570.09
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quote 571031
Cat: 711947 Rel: 26 Nov 18
 
High specification single synth MIDI to CV converter
Notes: The PRO-SOLO Mk3 converts MIDI data into CV- gate and clock signals. The operation is easy and clear, settings can be saved in non-volatile memory. High-resolution 16-Bit converters provide accurate tracking and fast response. 1V/oct and Hz/V characteristics are possible as well as normal gate and Switched Trigger (S-Trig).

The unit features two CV- and one gate output, additionally there's an analogue clock output. MIDI thru socket can also be used as DIN-Sync output or it can output two additional voltages with a special cable. MIDI synched LFO.
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 2 in stock $166.45
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quote 711947
Cat: 698450 Rel: 09 Aug 18
 
1 MIDI in to 12 MIDI thru
Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 12 MIDI THRU sockets. These can then be connected to the MIDI IN of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.
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 More than 10 in stock $114.43
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quote 698450
Cat: 759356 Rel: 08 Feb 18
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Mackie Big Knob Studio+ Monitor Interface is a modern version of the original Big Knob Studio Command System, combining intuitive design with high-resolution Onyx mic preamps and seamless integration with all major DAWs. Equipped with USB connectivity, the Big Knob Studio+ features TRS combo and 1/4'' jack input connectors, along with 1/4'' jack balanced/unbalanced output connectors and dedicated headphone outputs.

Onyx Recording/Playback:
The Mackie Big Knob Studio+ offers high-resolution USB interfacing with resolutions up to 192kHz. Featuring two Onyx microphone preamps, the Big Knob Studio delivers an ultra-wide gain range - up to 60dB - and award-winning sound quality.

Flexible Integration:
The latest addition to the Big Knob series provides models with unique features and a variety of I/O, ensuring that this interface seamlessly integrates within your existing setup. Suitable for a range of applications, the Mackie Big Knob Studio+ is equipped with dual headphone outputs, a dedicated amp-driven studio out, a true cue mix and much more.

***Now with Pro Tools First (including The Musician Collection), Waveform OEM and DAW Essentials Collection - upon registration***
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 1 in stock $250.42
Cat: 665772 Rel: 20 Oct 17
 
2-in x 2-out USB interface - perfect for home studios & mobile recording
Notes: Whether you're tracking your latest song idea or doing a live stream, the Onyx Series USB Interfaces deliver true studio-quality sound with maximum headroom and ultra-low noise.

Combining high-resolution 24-bit/192kHz converters with premium Mackie analog circuitry and Built-Like-A-Tank hardware design, the bus-powered Onyx Series USB Audio Interfaces give you the power to capture your best performance and experience media with pristine fidelity at home or on the go.

Perfect for singer-songwriters and content creators, the Onyx Artist 1.2 features an Onyx mic pre plus a 1/4" input with Hi-Z switch for quick and easy recording. The Onyx Producer 2.2 expands the versatility with dual Onyx mic pres and MIDI I/O for controllers, synthesizers and more.

Both models offer zero-latency direct monitoring plus a headphone output, L/R line-output and +48v phantom power.

Tracktion T7 DAW:

Tracktion T7 is a multi award-winning workstation, featuring powerful and creative tools to inspire the modern musician. Unlike typical 'Lite' versions, T7 does not impose any restrictions - you get unlimited track count, powerful features, compatibility with all popular plugins and efficient performance on Mac, Windows, and Linux operating systems.

DAW Essentials Collection:

Introducing a collection of 16 contemporary FX plug-ins for use with any DAW. These plug-ins utilize the very latest algorithms and coding techniques to deliver extraordinary sound quality in an extremely efficient package, allowing the plugins to be used liberally across a wide range of native computer systems.
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 3 in stock $83.74
Notes: All you need to get started recording instruments and vocals: two mics, an interface, headphones, software and all necessary cables. Just add a computer and start making music. Also great for recording podcasts or voiceovers.

Supplier's notes:
The Mackie Producer Bundle provides everything you need to get your home studio up and running with professional-quality sound. The Producer Bundle includes Mackie EleMent Series condenser and dynamic microphones; Mackie MC-100 Professional Headphones; and Mackie's popular Onyx Producer 2o2 USB interface, including a full software suite.

With two different types of cardioid microphones in the Producer Bundle, you're ready to record virtually anything. Mackie's EM-91C large-diaphragm condenser microphone is great when you want warmth and brilliance for vocals, to capture the nuances of stringed instruments, and much more. It's also an excellent choice for live streaming, voiceovers, and many other types of content creation. Mackie's EM-89D dynamic vocal microphone is extremely versatile. Primarily designed for stage use, it also makes a fine addition to a studio microphone collection. It's an excellent handheld vocal microphone and also excels as an instrument and amplifier microphone, thanks to its ability to capture loud sources.

The hub of your Producer Bundle setup is the Onyx Producer 2o2, a 2-in, 2-out, bus-powered USB interface that records up to 24-bit/192 kHz audio. The Onyx Producer 2o2 furnishes two XLR/TRS combo mic/line/instrument inputs with Mackie's renowned Onyx preamps for class-leading fidelity and dynamic range. Compatible with all major DAWs for macOSr and Windowsr, the interface comes with AVID Pro Toolsr | First and Waveform OEM recording and production software. You also get the Musician Collection for Pro Tools | First, with 23 plug-ins, including BBD Delay, Eleven Lite, 304E EQ, and 304C Compressor; and The DAW Essentials Bundle for Waveform OEM, which provides 16 powerful plug-ins, including Equaliser, Compressor, Reverber8, and Limiter. With Onyx Producer 2o2 and this powerful software suite, you'll be ready to produce a wide variety of music and other audio projects.

To monitor everything, the Mackie Producer Bundle provides Mackie's MC-100 Professional Headphones, which deliver clear rich lows and highs and very good noise isolation. They're excellent for tracking and referencing your mix.
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MRP:$329.58 SAVE 18%
 1 in stock $269.44
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quote 762547
FORTHCOMING
Meris MIDI I/O Control Interface
Cat: 781916 Rel: 24 Sep 20
MRP:$123.59 SAVE 17%
coming soon $102.98
Cat: 542615 Rel: 23 Oct 14
 
Bus powered USB/iPad recording interface with built-in class A mic preamplifiers and MIDI compatibility
Notes: Excellent choices for mobile musicians, sound designers, and podcasters, the USB 2.0 bus-powered AudioBox iOne and iTwo provide high-quality audio I/O for Mac, PC, and Apple iPad. These compact, ruggedly built interfaces offer high-performance Class A mic preamplifiers, record 24-bit audio at up to 96 kHz, and include powerful, easy-to-use Studio Oner Artist DAW for Mac and Windows and Capture Duo recording software for iPad.

PreSonus is famous for its tightly integrated hardware/software solutions, and the AudioBox i series is no exception. Of course you get Studio One Artist. But we didn't stop there!

PreSonus' award-winning analog signal processors and microphone preamps have long been popular among top professionals and home enthusiasts alike. So when you see the name PreSonus, you expect top audio quality - and the AudioBox i series delivers.

AudioBox iOne and iTwo are mobile interfaces in the best sense of the term. They can sit on a tabletop or fit in the pocket of a backpack or laptop bag and are powered by the USB bus, so you don't have to mess with a "wall wart" power supply or AC cord. And they're built to withstand the rigors of travel.

The AudioBox i series consists of two great 24-bit, 96 kHz mobile-recording solutions: the compact AudioBox iTwo and subcompact AudioBox iOne.
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 2 in stock $101.91
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quote 542615
Cat: 705024 Rel: 10 Oct 18
 
All-in-one recording package featuring audio interface, microphone, headphones & software
Notes: Everything you need to record and produce:

Start recording today with this complete, all-PreSonus package! Based on the AudioBox USB 96 audio/MIDI interface and award-winning Studio One recording and production software, PreSonus AudioBox 96 Studio is great for creating multitrack recordings, demos, live recordings, podcasts, field recordings for video and sound effects, and much more.

AudioBox USB 96: Simple, reliable, and portable:

The AudioBox USB 96 is the heart of the AudioBox 96 Studio. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.

Studio One Artist 4 makes recording a breeze:

No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio One Artist 4 lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One Artist 4 makes it easy!

Capture every nuance with the M7 condenser microphone:

Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to "warm up" a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

Hear every detail with HD7 professional headphones:

PreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 7 in stock $160.21
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quote 705024
FORTHCOMING
Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface (B-STOCK)
Cat: 777617
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.
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coming soon $492.02
Cat: 782780 Rel: 05 Feb 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Great for recording studios, mobile musicians, guitarists, podcasters, and live streaming, the bus-powered Studio 24c 2-in, 2-out audio interface features 2 front-panel combo mic/line/instrument inputs with PreSonus XMAX-L solid-state mic preamps, 2 rear-panel line outputs, MIDI I/O, and onboard direct monitoring control. A complete, all-in-one home recording studio, the Studio 24c comes with PreSonus' award-winning Studio One Artist music production software for macOS and Windows.

World-class recording software included:

Seamlessly integrated with the included PreSonus Studio One Artist music production software, the Studio 24c interface works with virtually all macOS and Windows recording software. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment.

Take the tour:

The 2-in, 2-out Studio 24c audio interface features USB-C computer connectivity and includes combo mic/instrument/line inputs with +48V phantom power for condenser mics; balanced, 1/4-inch TRS, line-level main outputs; and an output level control. Its built-in MIDI interface enables connection to a keyboard, sound module, or control surface. A Mixer knob blends analogue input and computer playback for low-latency monitoring.

Superior sound:

The Studio 24c operates at up to 192 kHz for ultra-high-definition recording and mixing. High-quality converters on every input and output and PreSonus' professional-grade XMAX-L mic preamps enable you to capture complex musical harmonics smoothly and naturally, with no audible distortion.

Designed for the home recording studio. Built for the road:

Whether you're just getting into recording or are a veteran producer who wants to go mobile, the Studio 24c will give you clear, clean, ultra-high-def sound in a bus-powered, rugged unit. While it's a perfect companion for any recording software, the Studio 24c and included Studio One Artist provide you with a complete, affordable, home and mobile recording solution.

Includes Studio Magic Plug-in Suite:

This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.
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 1 in stock $116.96
Cat: 761833 Rel: 05 May 20
 
Portable USB MIDI & gate hub
Notes: Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
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MRP:$181.02
 More than 10 in stock $175.81
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quote 761833
Cat: 779296 Rel: 05 May 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
Read more
 1 in stock $165.21
Cat: 778146 Rel: 05 May 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables
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 1 in stock $165.40
RME
Cat: 704405 Rel: 01 Nov 19
 
Compact & flexible 2-channel hi-end AD/DA-converter
Notes: Crystal clear conversion from the ever-reliable RME. Two channels of pristine AD/DA for ultimate sound quality in and out of your DAW. Proper mastering-grade kit.

Supplier's notes:
The ADI-2 FS is a compact and extremely flexible 2-Channel Hi-End AD/DA-converter. The small 9.5" unit offers first-class AD/DA-conversion from/to SPDIF, AES and ADAT, at up to 192 kHz. Its ability to use SPDIF, AES and ADAT format provides outstanding compatibility. Whatever it is - simply get connected!

Balanced analogue inputs and outputs, monitoring via headphone output, SteadyClock FS for optimal conversion quality, 3-stage hardware input and output level control and the additional modes D-D and A-A turn the ADI-2 FS into a universal tool and a flexible problem-solver. Its pro-class sound qualifies it also as an extension for other premium converters.

Features:

The ADI-2 FS is equipped with two servo-balanced analogue line inputs via XLR/phones combo jacks, simultaneously usable balanced XLR and unbalanced phone jacks, an adjustable High Power headphone output on the front, an ADAT compatible optical SPDIF I/O, and a coaxial SPDIF I/O (RCA, AES/EBU compatible). These extensive connectivity options provide the most flexible and uncompromised signal transmission.

The analogue inputs use the advanced circuit design of the highly acclaimed ADI-2 Pro, thus offering outstandingly low noise and distortion as well as an extended frequency response. Three different settings for input and output levels provide perfect compatibility in the analogue domain.

Unexpected Versatility:

With input selection set to DIG the device works as a digital format converter with simultaneous monitoring. The AD converter is disabled, the DA converter still used for monitoring the digital input signal, at the rear outputs and the headphone output.

A format conversion is possible between all options - SPDIF coaxial (or AES) with Professional or Consumer Status, as well as ADAT. The output selection ANA connects the analogue output circuitry directly to the analogue input circuitry. The DA converter is no longer active. The AD converter continues to convert the analogue input signal to SPDIF (AES) or ADAT, with the outputs SPDIF coaxial and ADAT optical simultaneously available.

High Power Headphone Output:

The ADI-2 FS uses a more powerful version of the proven High Power headphone outputs found in many RME interfaces. With a doubled power of 0.45 watts per channel, 0.1 ohm output impedance, a maximum output level of +19 dBu and very low output noise, the new generation of the High Power circuitry is universally applicable, from IEM to Planar. A relay ensures click-free on and off switching.
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MRP:$760.28 SAVE 26%
 1 in stock $560.81
RME
Cat: 762018 Rel: 03 Feb 20
 
audio interface & headphone amplifier
Notes: Serious mastering-grade kit. Stereo interface with high-end converters and headphone amp circuit for pristine sound quality. Proper clarity for critical listening.

Supplier's notes:
The RME ADI-2 Pro FS is a two channel 24-bit / 768kHz AD/DA converter and USB 2 Digital Audio Converter, audio interface and high-end headphone amp with new jitter rejection SteadyClock FS technology.

The RME ADI-2 Pro FS is the most flexible converter available with balanced and unbalanced I/O, two headphone outputs, DSP-based signal processing and RME's latest Steady Clock FS jitter rejection technology. It offers Class Compliant USB compatibility, sample rates up to 768kHz as well as DSD record and Direct DSD playback.

It boasts a raft of analogue and digital I/O, including two servo-balanced analogue XLR/TRS Jack inputs, two separate balanced and unbalanced outputs on XLR and TS as well as two headphone outputs. Digital I/O include optical ADAT, Optical and coaxial SPDIF and AES accessible via a breakout cable.

Furthermore, its Class Compliant UAC 2 USB 2.0 port offers iOS compatibility and is necessary for firmware updates. It can also work as a 6-in / 8-out audio on Mac OSX and Windows via WDM and ASIO.

Using the latest in A-to-D technology the ADI-2 Pro FS offers best possible sound with highest signal-to-noise ratio, super low THD and noise. It supports sample rates up to 786kHz PCM and DSD recording in dual mono design, with 3dB improved signal to noise ratio. Two digital-to-analogue converters are used for the separate stereo outputs. The latest Integrated Sample Rate converter takes care of clocking issues between S/PDIF and AES thanks to RME's latest SteadyClock FS technology.

A high-resolution display shows controls for the ADI-2 Pro FS unique features including DSP effects like 5-band parametric EQ, binaural crossfeed, adjustable loudness filter, selectable AD/DA filters and four analogue reference levels. Furthermore, M/S processing is provided with stereo width control as well as phase loop. The display also shows RME's famous Spectral Analyser and 30-band bi-quad filtered analysis tool.
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MRP:$1,222.18 SAVE 26%
 2 in stock $898.92
RME
Cat: 620638 Rel: 30 May 17
 
Remote control for RME audio interfaces
Notes: Plug'n Play Plus:

The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands.

TotalMix FX:

Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind.

With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete.

TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:

TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UCX, UFX, 802 and Babyface, Babyface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.
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MRP:$148.56 SAVE 24%
 3 in stock $112.19
RME Digiface USB Audio Interface (USB audio interface)
RME
Cat: 641232 Rel: 31 Mar 17
 
24-Bit/96kHz digital multi-format interface
Notes: This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
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MRP:$448.18 SAVE 26%
 2 in stock $331.15
RME
Cat: 525301 Rel: 13 May 14
 
1U rackmountable 30 input / 30 output audio and MIDI interface
Notes: Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME's unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.

TotalMix FX, RME's digital high-end mixer and signal router, driven by two powerful DSPs, with integrated EQ, Dynamics and Reverb/Echo effects at up to 192 kHz, plus a built-in monitoring controller.

The full-blown feature set also includes optional Class Compliant mode and operation with TotalMix FX for iPad, RME's app to fully control the 802 from the iPad, without any computer. The easy to use app includes metering for all 90 channels plus effects bus, different setup screens, and complete control of all features.

The Fireface 802 is a highly integrated pro audio solution, a full-blown studio, all within a 19" enclosure. An interface designed for users who don't want to make compromises in sound, stability and ultra-low latency operation, and who long for an unrivaled professional feature set. Once again a milestone interface from RME, including the best of the best and even a bit more.

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MRP:$1,721.54 SAVE 27%
 1 in stock $1,264.03
RME
Cat: 420693 Rel: 29 Mar 11
 
36-channel 192 kHz USB2.0 high speed audio interface
Notes: The compact RME Fireface UC has been uncompromisingly optimized for highest performance under Windows and Mac OS. Based on a newly developed RME Hammerfall core, the Fireface UC audio interface provides revolutionary ultra-low latencies even with multiple channels. It uses two different firmware versions with different transfer methods to remove current restrictions of typical USB audio interfaces. The unit's operating mode Win or Mac can be changed directly at the unit at any time. Under Mac OS, the Fireface's MIDI ports are class compliant, the operating system therefore automatically uses the included MIDI driver.

Under both operating systems, the available latencies are simply sensational. The smallest buffer offered under Windows has 48 samples, under Mac OS X 14 samples. With this RME provides a performance comparable to PCI express interfaces under USB 2.0.



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MRP:$1,116.07 SAVE 26%
 1 in stock $821.55
RME
Cat: 445883 Rel: 26 Jan 12
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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MRP:$1,389.47 SAVE 26%
 1 in stock $1,021.35
RME
Cat: 637503 Rel: 02 Mar 17
 
30-in/30-out USB audio interface featuring RME's unique direct USB recording & range of analog inputs
Notes: The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source. Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.

With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME's famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.

The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit's channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME's optional ARC USB remote controller.

RME's Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance.

Improved DURec (Direct USB Recording):
The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives.

ARC USB Remote Control - Plug'n Play Plus:
The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II.

TotalMix FX:
Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:
TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.
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MRP:$2,228.39 SAVE 25%
 1 in stock $1,662.46
Cat: 750413 Rel: 10 Oct 19
 
2-in/2-out USB 3.0 audio interface with 32-bit/192 kHz resolution
Notes: Nice little interface from the makers of Cubase. Two mic/line inputs, stereo line outputs for your monitors, MIDI I/O and a headphone output.

Supplier notes:
No matter where you want to record, your projects should always sound great. The UR22C brings you amazing sound quality in a remarkably compact, tough and versatile package for composing and recording anywhere. Use it with a computer or an iOS device for superb results, wherever you are.

Produce your songs in the best quality:

The UR22C is the perfect audio partner for composing and producing songs anywhere. With inputs for microphones and instruments (including onboard phantom power), MIDI inputs and outputs, latency-free monitoring with DSP effects and fast, reliable connectivity to computers or iOS devices, it is remarkably versatile. Not only that, but with two top class mic preamps, 32-bit/192 kHz recording quality and high-quality components throughout, the UR22C records your performance with stunning clarity and detail. Ideally sized to travel anywhere with you, its tough but lightweight construction and included Cubase AI recording software make it a great music-making companion.

Record your music wherever you want:

Whether you are a producer, journalist, sound designer or a composer looking to capture great new sounds, the UR22C makes high quality mobile recording a breeze. Housed in a compact, rugged but lightweight enclosure, its 32-bit/192 kHz recording quality, D-PRE preamps and seamless connection with iOS devices via SuperSpeed USB 3.1 Gen 1 with USB-C delivers a superb, portable recording setup at studio grade sound level. And the included Cubasis LE iOS recording app means you can start making professional recordings on an iPad straight away while the dspMixFx application allows you to use the included DSP effects with any iOS audio software.

Sit back and enjoy high quality sound:

If you are gaming, creating or just listening to live streamed content, the UR22C ensures that you always enjoy the best sound. Thanks to its 32-bit/192 kHz audio quality you can even enjoy professional hi-res audio recordings in their full beauty, with the industry-leading D-PRE preamps and high-quality components guaranteeing highest recording quality. The Loopback function allows you to seamlessly mix live and playback audio, with effects if required, for an enhanced experience, while the UR22C's SuperSpeed USB 3.1 Gen 1 with USB-C ensures you always have a reliable, fast connection.
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MRP:$212.23 SAVE 32%
 1 in stock $144.05
Cat: 768059 Rel: 24 Apr 20
 
audio & MIDI interface
Notes: Clever interface from Steinberg, designed to work equally as well for DAW use and DJing. Two inputs, four outputs, clear sound quality and a decent bundle of software included for good measure.

Supplier's notes:
Thanks to its 4 outputs, the new unique feature about the UR24C is its switchable monitor modes: DAW and DJ.

In DAW mode - used for producing music with a DAW, such as Cubase - you can adjust the balance of the signals coming from the DAW and from the UR24C's input.

In DJ mode - optimized for performances with DJ software or backing tracks - you can choose to either output the mono master sound to the right side of your headphones, with the mono cue sound to the left, or have both in stereo and mix the two. The monitor mode is switched in the setup window of the dspMixFxUR-C application.

The 2 operations are clearly visible on the interface: In DAW mode the power indicator LED ring is lit white, in DJ mode it is lit red.

The DJ feature is equally useful if you are recording somebody else and need to set-up a separate headphone cue mix, that in addition to the build in DSP effects is a very unique feature at this price point.
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MRP:$267.16 SAVE 29%
 3 in stock $190.18
Cat: 750415 Rel: 10 Oct 19
 
6-in/4-out USB 3.0 audio interface with 32-bit/192kHz resolution
Notes: Cubase developers Steinberg also know a thing or two about interfaces. The UR44C is a solid 6-in/6-out option with built-in MIDI interface and a pair of headphone outputs. Nice price, too.

Supplier's notes:
Finding a location for making high quality band or ensemble recordings has got a whole lot easier with the UR44C. With multiple high-quality inputs/outputs, professional-grade components, DSP effects and flexible use with computer or iOS device, all wrapped up in a compact, roadworthy package, anywhere is now your recording studio.

Write and record songs with your friends:

Gather your friends to produce music in exceptional quality with the UR44C, a rugged, portable audio interface that features flexible inputs and professional-level 32-bit/192 kHz recording quality. Four state-of-the-art D-PRE microphone preamps will capture your vocals and acoustic instruments in stunning detail, while Hi-Z and line inputs, plus MIDI In/Out, allow an entire group to be recorded, capturing the unique vibe of an ensemble performance. With two independent headphone outputs, latency-free monitoring with effects and Cubase AI recording software included, the UR44C is your key to producing great grooves together.

Make great band recordings - everywhere:

Studio time is expensive, as all bands know, but with the UR44C you can record in your rehearsal space, on stage and indeed anywhere, while not compromising on audio quality. Its rugged but compact, lightweight construction mean it can be taken anywhere and you can use it with both Windows/Macintosh computers and iOS devices. It can even be powered by an iPad Pro or a pocket-sized USB power pack. With onboard DSP effects and plenty of outputs for re-amping, it's your perfect portable partner for recording on location, then mixing elsewhere.

Take your sound to the stage:

The UR44C is a great onstage partner. As well as its rugged, road-ready construction and high-quality, reliable performance, you can use its multiple outputs for click and backing tracks. Mix your live input, via the UR44C's mic, Hi-Z and line inputs, with playback from the included Cubase AI, another DAW or an iOS recording app and use the MIDI In/Out to incorporate a wide range of hardware and trigger sounds from your VST instruments. It all means you can deliver a full performance, no matter if you're a solo artist or the member of the band making sure that all backing tracks are played reliably.
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MRP:$424.44 SAVE 33%
 1 in stock $286.16
Tascam Series 102i USB Audio & MIDI Interface (USB audio & MIDI interface)
Cat: 718909 Rel: 27 Jun 19
 
10-in/2-out portable USB 2.0 audio/MIDI interface with DSP mixer
Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.

iZotope award-winning plug-in included:

Tascam SERIES 102i/208i - iZotope Neutron Plug-inNeutron Elements provides an easy, fast way to a professional mix - and it is included with every purchase of a Tascam SERIES interface. Neutron brings mix workflows to the 21st century with four modern mixing tools in one mothership plug-in, featuring mix assistance powered by machine-learning with unrivalled quality and speed.
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MRP:$368.28 SAVE 42%
 2 in stock $213.26
Tascam Series 208i Audio & MIDI Interface (USB audio & MIDI interface)
Cat: 718908 Rel: 03 Jul 19
 
20-in/8-out USB 2.0 audio/MIDI interface with DSP mixer
Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

A Wealth of Outputs:

The SERIES 208i provides eight individual analogue outputs for versatile monitoring (up to four stereo pairs of monitor speakers) and surround audio (up to 7.1) for video production.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.
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MRP:$493.12 SAVE 38%
 1 in stock $305.86
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