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Audio & MIDI interfaces

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Audio & MIDI interfaces

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16/6(ページ1/1)の商品
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Apogee Symphony Desktop Audio Interface
Cat: 762366 Rel: 13 Oct 20
 
audio interface
Notes: This desktop version of Apogee's high-end Symphony interface offers the same pristine sound quality found in the flagship Symphony I/O Mk II, but in a more compact form factor.

Supplier's Notes:
Symphony Desktop for Mac and Windows packs the legendary sound quality of Apogee's rack-mount Symphony I/O Mk II into an elegant and inspiring 10x14 audio interface that sits on your desk and fits in your bag. With Symphony Desktop, musicians and producers are empowered to record, overdub and mix with the music industry's most respected AD/DA converters and mic preamps.

By combining superior performance, with new features like mic preamp emulation, the Apogee Channel FX plugin and ultra low latency recording with hardware DSP and Apogee native FX plugins, Symphony Desktop will amplify your creativity in your studio or on the go and give your recordings the Apogee sound quality Advantage.

Symphony Desktop not only delivers the music industry's most sought after and respected sound quality with its Symphony I/O Mk II pedigree, it offers the inspiring and elegant usability of the iconic Apogee Duet and Quartet.

Apogee FX Plugins included with Symphony Desktop:

Symphony EQ - Native and hardware versions
Symphony Compressor - Native and hardware versions
Symphony Reverb - Native version

Mic Preamp Emulations included with Symphony Desktop:

British Solid State - Class A console sound - Inspired by the Marinar "Round can" input transformer and discrete transistor design of the Class A Neve 1066 mic preamp.
American Tube - Lush, 50s Tone - This emulation offers the lush, larger-than-life sounds of the 50s era Ampex 601 preamp, carefully restored and modded for lower noise and greater dynamic range.

In the Box:

Symphony Desktop
12V DC power supply
USB Type C to A cable
USB Type C to C cable
Quick start guide
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MRP:$1,729.49 SAVE 17%
 2 in stock $1,440.14
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quote 762366
MOTU 828es Thunderbolt & USB Audio & MIDI Interface For Mac PC & iOS
Cat: 665115 Rel: 03 Oct 17
 
28-in/32-out hybrid audio interface for studio & live sound
Notes: Renowned ESS Sabre32 Ultra DAC technology:
New in the 828es, renowned ESS Sabre32 DAC technology delivers 123dB dynamic range and the same proven, award-winning audio quality as MOTU's flagship 1248.

Ultra-low latency and renowned rock-solid performance:
Round-trip latency (RTL) performance as low as 1.6 ms at 96kHz over Thunderbolt with high-performance DAW hosts.

USB and Thunderbolt for Mac, PC and iOS:
Connects to your Mac or PC with Thunderbolt, hi-speed USB 2.0 or AVB/TSN Ethernet for up to 256 audio channels (128 in and 128 out). Class-compliant firmware and industry standard drivers work with any audio apps. Connects to iPad with a standard camera connection kit (adapter).

Cutting-edge components deliver ultra-transparent sound:
Capture your recorded material in its truest, most natural form with -108 dB THD+N, 118dB dynamic range and -128dBu EIN performance. Each mic channel has individual preamp gain, pad, 48V phantom power and digital remote control. Do you work with outboard EQs and compressors? Each 828es mic input offers a pre-converter, hard-wired send for mono or stereo mic channel outboard processing.

Control room features:
Take control of your recording sessions with the built-in talkback mic and front-panel talk button. Connect two sets of speakers and check your mixes instantly with front-panel A/B speaker select buttons.

Console-style mixing with 48 channels and 12 busses:
A full-fledged 48-input digital mixer delivers 7 stereo aux busses, 3 groups, access to 64 network inputs, and DSP effects including reverb, 4-band EQ, gate and compression. If you know your way around a large-format mixing console, you'll feel right at home. If you've ever wished to mix on a large console, the driver's seat is now yours.

Vintage processing with 32-bit float precision:
Classic reverb. Compression modelled after the legendary LA-2A compressor. EQ modelled after British analog console EQs. The 828es DSP engine delivers virtually unlimited headroom and the utmost in sound quality.

Route your audio anywhere with one-click ease:
Send any input to any output, or multiple outputs. Includes routing to and from the computer, plus any devices on the audio network.

Control everything from your laptop, tablet and smartphone:
The software that you use to control the 828es doesn't reside on your hard drive. It's a web app served from the hardware itself. This means you can control the 828es on-board DSP, mixing, device settings, and network audio routing from your favourite web browser on a laptop, tablet or smartphone connected by wire or Wi-Fi to your local area network. Use any web client on any platform - Mac, Windows, Linux, iOS, Android - as long as it shares the same network.

No computer or laptop needed:
Connect an Apple Airport or other Wi-Fi router with a standard Ethernet cable for wireless control of device settings, powerful 48-channel mixing and DSP effects.

MOTU interfaces are built to last:
Like all MOTU interfaces, the 828es aluminium alloy chassis is lightweight, yet incredibly sturdy and durable, and designed to withstand the rigors of the studio, stage, and tour bus. In a world awash with cheap plastic, the solid feeling of the 828es metal exterior in your hands is a reassuring reminder that you are holding quality engineering and construction.
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 1 in stock $1,002.98
Presonus Quantum 4848 Thunderbolt Audio Interface With Studio One Professional Software
Cat: 707836 Rel: 26 Nov 18
 
24-bit 192 kHz Thunderbolt audio interface with Studio One Professional
Notes: Complete digital integration for the analogue studio:

Designed for the needs of the recording professional, the Quantum 4848 is the perfect solution to take your analogue gear into the digital domain. Equipped with 32 inputs and outputs of DB25 line-level connectivity and pristine digital conversion with 120 dB of dynamic range, the Quantum 4848 allows you to bring vintage and boutique analogue gear into your DAW at blazingly fast speed thanks to its near-zero-latency Thunderbolt interface. 16 additional channels of ADAT Optical I/O let you tie in digital gear, and you can expand your simultaneous I/O to 192 channels. The included Studio Oner Professional DAW features Pipeline XT, allowing you to use your analogue gear as plug-ins inside your Studio One session.

The perfect companion for your patchbay:

With the Quantum 4848, your audio interface is an integrated extension of your recording environment. Rear panel DB25 line-level I/O makes connecting your Quantum 4848 to your existing analogue patchbay a breeze. With 32 channels of inputs and outputs at sample rates up to 192 kHz, you can route audio from your vintage gear and analogue recording console to your DAW and back in pristine quality, capturing every nuance of your boutique equipment. Integrating digital gear is facilitated by 16 channels of ADAT I/O. For a full complement of 48 channels of conversion, you can simply add two DigiMax DP88s via the 16 ADAT channels. A true Thunderbolt device, up to 4 Quantum 4848 interfaces can be stacked to create a 192x192 system - or combine the Quantum 4848 with Quantum and Quantum 2 interfaces to add PreSonus' recallable XMAX Class A high-headroom preamps.

Superior software integration:

Studio One Professional's Pipeline XT plug-in lets you insert hardware processors into your Studio One session with automatic latency compensation. Once inserted, Pipeline XT functions just like any other plug-in effect, allowing you to drag and drop it from one channel to the next or change the insert order. Studio One's latency management allows you to stay in the native processing domain throughout the entire production process, so you can easily mix and match your favourite plug-ins with your favourite boutique hardware processors. Furthermore, Studio One allows the Quantum 4848 to go as fast as you need-flexible dropout protection reduces the risk of audio dropouts in large, CPU-heavy songs, even at very small buffer settings.

Superior speed:

Every design decision during Quantum's engineering was made with one goal in mind: speed. Quantum sports high-speed Thunderbolt connectivity and a no-frills, direct-to-DAW architecture that was designed to transport your audio to and from your DAW with an imperceptible amount of latency. Cutting-edge 24-bit, 192 kHz converters with 120 dB of dynamic range ensures the fidelity of your audio as it moves to the digital domain.

Superior flexibility:

Some DAWs limit your I/O access when you use third-party audio interfaces. The Quantum 4848 resolves this issue by providing three Channel Profile modes that allow you to adapt the input and output channel configuration when the application you're using limits you to 32 inputs and outputs or less. Set the Quantum 4848 to use 32 analogue inputs with 16 channels of ADAT, 24 analogue inputs with 8 channels of ADAT, or 16 analogue inputs with 16 channels of ADAT to customize the assortment of analogue and digital inputs and better accommodate your needs. And if you get tired of limiting your available inputs, launch Studio One Professional to record up to 192 simultaneous inputs, mix and master your sessions all from the same software.

Superior sound:

Audiophile-grade digital converters and low-jitter clocking create a superior recording and listening experience. The Quantum audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 120 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. BNC word clock I/O and low-jitter clocking ensure the Quantum 4848 and other digital audio devices operate in tight sync for superior imaging.

Designed with the modern analogue studio in mind, the Quantum 4848 provides flexible connectivity to easily integrate into analogue patchbays, vintage consoles, and more. And with Studio One's unique Pipeline XT plug-in and performance management tools, bringing your analogue studio into the digital domain has never been easier or sounded better.
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MRP:$1,777.42 SAVE 24%
 1 in stock $1,347.28
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quote 707836
RME ADI-2 Pro FS R 2-Channel High-End AD/DA Converter With Remote Control (black edition)
RME
Cat: 795443 Rel: 14 Oct 20
 
2-channel AD/DA converter
Notes: Black version of RME's premium stereo AD/DA converter, offering exceptionally accurate conversion for mastering and critical listening applications.

Supplier's Notes:
RME's reference AD/DA converter is a host of devices all put together into one unit, with a simple and mostly automated way of using it right out of the box. A unit with the industry's biggest footprint per feature ratio, excellent tech specs, crystal clear and transparent sound signature, and two extremely powerful headphone outputs. The new ADI-2 Pro FS R Black Edition features the AK4493 chip, slightly improved specs and comes with the new extended Multi-Remote Control (MRC).

Ultra-fidelity PCM/DSD 768 kHz AD/DA Converter
As the most flexible converter available, the ADI-2 Pro offers balanced/unbalanced analog I/Os, double Extreme Power headphone outputs, SteadyClock III, 4-stage hardware input and output level control, DSP-based signal processing, external power supply operation, Class Compliant USB compatibility, sample rates up to 768 kHz as well as DSD record and Direct DSD playback (256 / 11.2 MHz).

Analog or Digital - Options Galore
The ADI-2 Pro includes two servo-balanced analog inputs on combo XLR / TRS jacks, two separate balanced and unbalanced outputs on XLR and TS, two stereo Extreme Power headphone outputs on the front, an optical SPDIF I/O that also understands ADAT, and coaxial SPDIF (RCA) and AES I/O (XLR) via an included breakout cable. This universal set of I/O options offers superior quality and flexible connectivity to those who take a no-compromise approach to audio.

The USB 2.0 port is fully Class Compliant (UAC 2) for connection with compatible iOS devices, and is also used for firmware updates. Including an external switched power supply with lockable connector, the ADI-2 Pro can be easily powered from battery, opening up mobile applications as well as galvanically isolated use cases.
As a computer interface the ADI-2 Pro offers a stereo (2 in / 2 out) and a multichannel mode (6 in / 8 out). Compatibility with Mac OS X comes right out of the box. Under Windows the ADI-2 Pro uses RME's MADIface series driver, for full WDM and ASIO compatibility and highest performance.

Perfect Sound Capture and Reproduction
Aiming for the absolute reference sound, any detail in the ADI-2 Pro is special and has its own story. The main PCB is an extraordinary 10 layer design with custom copper thickness, guaranteeing finest undisturbed sound as well as ample but separated power for the phones outputs. Internal power supply stages and precise regulators use a super-low-noise design to not degrade performance through the power rails. Selected SoundPlus operational amplifiers maintain highest SNR, lowest THD and high slew rate under all conditions. The whole analog circuit design is fully symmetrical and balanced throughout - and DC-coupled. The only capacitors in the signal path perform DC protection at the analog input sockets, and have been carefully selected to avoid any sonic impact.

The 4-channel AD-converter, supporting 786 kHz sample rate and DSD recording, is used in a dual mono design, with 3 dB improved signal to noise ratio. Two premium DACs are used for two separate stereo outputs. Internal audio processing like EQs, Crossfeed and spectral analysis, is done by a high performance DSP with 2.17 Giga FLOPS (2882 MIPS), delivering enough computing power to work even at 768 kHz sample rate.

For easy operation a high quality Sample Rate Converter has been added, switchable to the AES or SPDIF input, solving any clocking problem between those. And RME's latest SteadyClock III technology ensures perfect jitter reduction and stable clocking, no matter if internal or external clocks are used.

High Resolution Display Operation
RME have incorporated many unique features, not found on any comparable devices, like 5-band parametric EQs for fully individual phones compensation, adjustable Bass/Treble controls with quick access, a binaural crossfeed function, adjustable loudness filter, selectable AD/DA filters, four discrete I/O reference levels, auto reference level setting, auto balanced phones mode, and many more. The display is not only used to control the unit, but also shows warning and guidance messages.

Professional features such as M/S Processing, stereo width and phase reversal up to full control and storage of all settings are included, as well as RME's famous Spectral Analyzer, a 30-band biquad filtered analysis tool offering unprecedented musical visualization, perfectly complementing the high-resolution IPS display.
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MRP:$2,248.73 SAVE 26%
 1 in stock $1,662.03
RME Fireface UCX Audio & MIDI Interface
RME
Cat: 445883 Rel: 26 Jan 12
 
Hybrid 36-channel USB & FireWire audio interface
Notes: The RME Fireface UCX is a compact 36-channel, 192kHz USB and Firewire hybrid audio interface, incorporating Hammerfall X-Core technology, high-end converters and TotalMix FX effects engine.

Continuing the line of pristine quality X-Series interfaces, the Fireface UCX packs an incredible amount of technology into a half-rack unit. Featuring 18 ins and outs in total, 8 analogue i/o, 2 digitally controlled mic preamps, 2 instrument inputs, SPDIF, ADAT, Wordclock, 2 MIDI i/o all piped through FireWire 400 or USB 2.0 (USB 3 compatible) computer connections.

The Fireface UCX has impressive technical specifications, with 115dBA dynamic range on the analogue inputs and outputs; an excellent signal-to-noise ratio with very low distortion and jitter. Latency is negligable (0.4ms at 48 kHz), surpassing that of many, more expensive interfaces, making the UCX a serious recording tool for studio or stage. The mic preamps use technology from the RME Micstacy, ensuring flat response and supreme dynamic range, and can also provide automatic and intelligent level control to ensure distortion-free recording.

TotalMix allows for flexible DSP mixing and routing of all i/o's plus effects even at the highest sample rates. Every channel can have 3-band parametric EQ, adjustable HPF, dynamics, MS processing and phase reversal. A stereo auxiliary send gives access from any channel to the reverb and delay effects engine, allowing DSP-based mininal-latency monitoring effects. There are limitations to the total number of simultaneous effects depending on sample rate, but when the DSP load is too high, the Fireface UCX will use the FX-DSP automatic overload surveillance to inform you, or deactivate some DSP, ensuring the DSP engine is never overloaded.

As well as using RME's proprietry USB and Firewire drivers, the Fireface UCX can also be used standalone, or in Class Compliant Mode. This allows the unit to be used without a driver on several operating systems including (via the Camera Connection Kit) the iPad or iPad2, making these mobile platforms capable of studio quality audio recording.

http://www.youtube.com/watch?v=NbeuGVzippc
http://www.youtube.com/watch?v=YTNQAJu6Vlg&feature=player_embedded
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 1 in stock $1,670.19
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quote 445883
RME Fireface UFX II Audio & MIDI Interface
RME
Cat: 637503 Rel: 02 Mar 17
 
30-in/30-out USB audio interface featuring RME's unique direct USB recording & range of analog inputs
Notes: The unique Fireface UFX II is the premier solution to transfer analog and digital audio data directly to a computer from practically any source. Numerous unique features, well thought-out configuration dialogs, an industry-leading mixing engine and monitoring solution, professional DSP effects and class-leading analog circuits with latest digital converters put the Fireface UFX II at the very top of the range of computer-based audio interfaces.

With exceptional flexibility and compatibility, the inclusion of DURec (Direct USB Recording), and RME's famous low latency hardware and driver designs, the Fireface UFX II delivers a rich feature set that will appeal to users in both high end home studios and commercial audio production facilities. With capacity for 60 audio channels (30 input and 30 output), support for sampling frequencies upward of 192 kHz, and the flexibility provided by USB connectivity, the new Fireface UFX II is an ideal solution to a wide range of recording, mixing, and monitoring applications.

The Fireface UFX II offers excellent flexibility that enables the interface to fit seamlessly into a myriad of production environments. Analog, ADAT, AES, SPDIF, and USB 2 are all standard on the Fireface UFX II. Equally impressive is the unit's channel count: 12 analog, 16 ADAT, and 2 AES for 30 channels input and 30 channels output. Further, with support for USB 2 connectivity, the new Fireface UFX II can integrate with RME's optional ARC USB remote controller.

RME's Fireface UFX II incorporates premium AD/DA converters, optimized analog I/O circuits, as well as improved SNR and THD values to guarantee pristine, crystal clear and transparent audio. A new PAD-free mic circuit design with +18 dBu maximum input level and 75 dB gain range provides trouble-free operation for the most demanding recording environments. Further, new low impedance, high power phones outputs (2 Ohms) with +19 dBu maximum output level provide ample output power and volume on any headphones - high or low impedance.

Improved DURec (Direct USB Recording):
The Fireface UFX II also includes DURec (Direct USB Recording), which is available on the front of the interface. It now offers second generation hardware with improved USB functionality and compatibility - providing greater reliability, even with slower or multi-partitioned USB thumb drives.

ARC USB Remote Control - Plug'n Play Plus:
The ARC USB connects to your computer via USB, and talks to TotalMix FX directly. It has 15 freely assignable and illuminated buttons, one encoder wheel, and a TS jack to connect a foot switch.

The ARC USB is a USB 1.1 MIDI remote control for the Fireface UFX II. Thanks to operating as a UAC 1 class device, it is natively compatible to Windows and Mac OS X. As soon as it is present in the operating system, TotaIMix FX will automatically detect the ARC USB, and communicate with it via simple MIDI remote commands to control the UFX II.

TotalMix FX:
Since 2001, TotalMix has added unlimited routing and mixing to RME audio interfaces. Its unique capability to create as many independent submixes as output channels available, turned it into the most flexible and powerful mixer of its kind. With supported hardware, TotalMix FX includes a complete effects system, which not only adds flexibility to the recording chain, but also makes latency saddled software solutions obsolete. TotalMix FX can completely replace an external mixer, enabling the creation of multiple latency-free monitor mixes with EQ, Dynamics, Reverb and Delay for any outputs, incl. main monitors and headphone mixes for musicians.

TotalMix FX for iPad App:
TotalMix FX for iPad adds full control over hardware mixer and DSP effects for Fireface UFX+, UFX II, UFX, UCX, 802, Babyface, Babyface Pro and MADIface Pro when in Class Compliant Mode, and lets you create, store and load complete mixes directly from the iPad.
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MRP:$2,376.55 SAVE 24%
 1 in stock $1,798.50
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