MIDI converters & accessories

Notes: The Amazing Machines Volcano interface will turn your KORG Volca into a neat MIDI Sequencer, it will also enable you to record Parameter Automation directly from your KORG Volca to your External MIDI Sequencer or DAW!

Notes: The audiowerkstatt din2midi2din has a MIDI- and a DIN-sync-output and on both outputs a clock-signal - sent at the same time.

With a button you can select, if the clock-signal present at the DIN-sync- or the MIDI-input is used. A LED indicates the selected input.

The device operates as a standard in "Sync24"-mode (24 clock pulses per quarter note). By holding the button when switching on, the device is started in "Sync48"-mode (48 clock pulses per quarter note).

Notes: You push the button and the audiowerkstatt din-restarter starts or stops the following sequencer at the beginning of the next bar (4/4-stroke only) in perfect timing.

If the sequencer is running, it will be stopped at the next bar and if the sequencer is standing, it is started at the next bar.

The device operates as a standard in "Sync24"-mode (24 clock pulses per quarter note). By holding the button when switching on, the device is started in "Sync48"-mode (48 clock pulses per quarter note).

Notes: The Audiowerkstatt trigger2midi2trigger v2 has all functions of the classic version 1, but comes in a powder-coated steel-enclosure and stores its settings.

If used as trigger-clock-to-MIDI-clock-converter or MIDI-clock-to-trigger-clock-converter, there is always a MIDI-clock-signal (incl. start/stop) sent at the "midi out"-jack. At the tip of the "clock"-phone-jack, an analog trigger-clock-signal (v-trigger: 0v/5v, s-trigger "open"/"closed") is sent. The tip of the "start/stop"-phone-jack is 5v while the masterclock is running and 0v while the masterclock is paused for v-trigger and "closed" while the masterclock is running and "open" while the masterclock is paused, if s-trigger is used.

A clock-source can be connected to the "midi in"-jack or to the ring of the "clock"- and "start/stop"-phone-jack.

Normal insert-cables can be used to connect the analog inputs/outputs. If only the analog outputs are used, normal phone-jack-cables (mono or stereo) can be used.

The following parameters can be adjusted:

1. Clock-source (MIDI-clock or analog trigger-clock).
2. Trigger-type of the analog input (s-trigger or v-trigger).
3. Trigger-type of the analog output (s-trigger or v-trigger).
4. Clock-divider of the incoming analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
5. Clock-divider of the outgoing analog trigger-clock (1/4, 1/8. 1/16 or 1/32).
6. Pulse-length of the outgoing analog trigger-clock (adjustable in 6 steps, the pulse-length is calculated dependent on clock-divider and clock-frequency).

In addition to the clock-signal, start-/stop-signals from the masterclock are detected and processed, but it is also possible to send start-/stop-signals manual.

The settings for the analog output (trigger.type out, clock.divider out and pulse.length) can be changed without losing synchronisation, while the masterclock is running.

The Audiowerkstatt trigger2midi2trigger v2 can also be used as a tool for analog-trigger-signals, if it isn't used as a converter.

The following uses are possible:

a) "S-trigger" to "V-trigger" converter
b) "V-trigger" to "S-trigger" converter
c) Analog clock-divider
d) Analog clock-multiplier
e) Gate to trigger converter
f) Trigger to gate converter with adjustable gate-length

Power: 9-12V AC or DC (polarity doesn't matter)
Dimensions: 112 mm x 72 mm x 48 mm
Weight: 290g

Notes: Digital Audio to Analogue Audio Converter
A simple USB powered unit that converts digital optical or Coaxial audio signals to analog RCA and 3.5mm headphone jack outputs. Easy to install and operate, this handy little device is ideal for use with games consoles, LED TV's, projectors and Blu-Ray players that have no RCA or 3.5mm headphone output.

The box for this item contains :

DAC Converter
USB power lead (1M)

Input connections: Optical (Toslink), Coaxial
Output connections: RCA (L/R), 3.5mm
Power : input - DC/5V (micro USB)
Dimensions: 62 x 45 x 20mm
Weight: 65g

Notes: RCC 2U Rack Ears give you all of the control and convenience of the MRCC - MIDI Router Control Center in your standard 19" rack! MRCC is 2U.

Requires an MRCC, sold separately.

Order the MRCC 2U Rack Ears for delivery with MRCC when ordered from Conductivelabs.com shop.

Orders ship from Conductive Labs' Hong Kong based fulfillment warehouse.

Includes: Left and Right 2U Rack Ears
Ears are made of powder coated steel
Remove the Desktop endcaps and use the same screws to attach the Rack Ears

Additional information
Weight: 0.096 kg
Dimensions: 10 × 8 × 4 cm

Notes: The ideal MIDI routing solution for those with large hardware setups, the MRCC 880 simplifies MIDI setup over a range of DIN, USB and 3.5mm TRS connections, including preset storage and advanced options like filtering and merging.

Supplier's Notes:
Essential MIDI patch bay features give you exactly the connectivity you require. Slim, beautiful, and easy to configure without a PC, the MRCC 880 gets you quickly setup and productive

MRCC 880 - MIDI Router Flexibility, Configuration Without a PC

The MRCC 880, with dedicated per port routing buttons, makes routing MIDI connections super quick! Simply select an input, then pick which outputs to route to. MIDI merging is automatic. Status and activity are displayed on per-port LED indicators. More advanced features such as Filtering, Channel Split, Panic and MIDI monitoring are configured with dedicated buttons. When your performance setup is complete, save it for recall later. All without needing a PC for configuration.

Essential Features for Your MIDI Studio

When you need the matrix MIDI patching of a MIDI Router, or you have outgrown a MIDI thru box or 1×1 USB MIDI interface, the MRCC 880 is what you are looking for. It has just the right number of inputs and outputs for a small desktop or live jamming rig:

4x 5-pin DIN inputs, plus a shared 3.5mm MIDI TRS
4x 5-pin DIN outputs, plus a shared 3.5mm MIDI TRS thru
4x USB MIDI virtual Inputs and Outputs
It's killer for DAW-less jamming, but of course you can use it in the studio as a USB MIDI interface for your PC, Mac, or tablet. It's great for playing stand-alone soft synths, or connect it to your DAW and plug-in instruments. With the dedicated routing buttons, you can choose which inputs get routed to which output(s) at any time.

Specifications

Requirements

Power:

USB 2.0, 5V DC, 80mA, USB type B connector

USB Power Supply not included. Power from your PC or other host port, or for use without a PC, power with a USB charger or USB battery

USB MIDI Interface:
Works with PCs, Mac, Tablets and most other USB hosts that support a USB MIDI Class Compliant device.

Firmware Updates:
Requires a Windows PC, macOS or other computing device that supports USB mass storage mode.

Limited Warranty

Conductive Labs LLC provides a limited warranty for 1 year (or the minimum required by law in your country) to the original purchaser with proof of date of purchase. In case of failure due to defects in material or workmanship, for the duration of the warranty period, Conductive Labs will repair or replace the device at their discretion. If a replacement is not available, it may be replaced with a device of similar functionality.

MIDI I/O
Ports:

4x 5-Pin DIN, and 1x 3.5mm TRS (Type A) optically isolated Inputs.1
4x 5-Pin DIN, and 1x 3.5mm TRS (Type A) thru Outputs. Traditional 5V MIDI spec for maximum compatibility with vintage gear.
1x USB 2.0 Type B device port for computer connection with 4x USB MIDI virtual inputs and outputs.
1 First input pair, choose one of the 2 jacks; 5-pin DIN or 3.5mm MIDI type A
*Unlike MRCC MIDI Router Control Center, MRCC 880 is not expandable, or compatible with MRCC expansion modules such as Remote 7 or XpandR.

Features:
Save/Load
4x Save slots
1x Init (clears settings)

Filters (per input):
MIDI Clock
Stop/Start/Continue messages

Panic button:
Sends MIDI "All Notes Off" to routed ports.

Channel Split:
Select an input and the channels will be split sequentially to the 4 DIN outputs.
For example, when Chan Split enabled for Input 1:
Output port 1 will send MIDI channels 1, 5, 9 and 13.
Output 2 channels 2, 6, 10, 14.
Output 3 channels 3, 7, 11, 15.
Output 4 channels 4, 8, 12, 16.

The MRCC 880 MIDI Monitor button to optionally indicate MIDI activity on port LEDs.
The MIDI Merging is automatic. Just select the same output from a different input.
This product also has a Dedicated Power Switch.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


The ideal MIDI routing solution for those with large hardware setups, the MRCC 880 simplifies MIDI setup over a range of DIN, USB and 3.5mm TRS connections, including preset storage and advanced options like filtering and merging.

Supplier's Notes:
Essential MIDI patch bay features give you exactly the connectivity you require. Slim, beautiful, and easy to configure without a PC, the MRCC 880 gets you quickly setup and productive

MRCC 880 - MIDI Router Flexibility, Configuration Without a PC

The MRCC 880, with dedicated per port routing buttons, makes routing MIDI connections super quick! Simply select an input, then pick which outputs to route to. MIDI merging is automatic. Status and activity are displayed on per-port LED indicators. More advanced features such as Filtering, Channel Split, Panic and MIDI monitoring are configured with dedicated buttons. When your performance setup is complete, save it for recall later. All without needing a PC for configuration.

Essential Features for Your MIDI Studio

When you need the matrix MIDI patching of a MIDI Router, or you have outgrown a MIDI thru box or 1×1 USB MIDI interface, the MRCC 880 is what you are looking for. It has just the right number of inputs and outputs for a small desktop or live jamming rig:

4x 5-pin DIN inputs, plus a shared 3.5mm MIDI TRS
4x 5-pin DIN outputs, plus a shared 3.5mm MIDI TRS thru
4x USB MIDI virtual Inputs and Outputs
It's killer for DAW-less jamming, but of course you can use it in the studio as a USB MIDI interface for your PC, Mac, or tablet. It's great for playing stand-alone soft synths, or connect it to your DAW and plug-in instruments. With the dedicated routing buttons, you can choose which inputs get routed to which output(s) at any time.

Specifications

Requirements

Power:

USB 2.0, 5V DC, 80mA, USB type B connector

USB Power Supply not included. Power from your PC or other host port, or for use without a PC, power with a USB charger or USB battery

USB MIDI Interface:
Works with PCs, Mac, Tablets and most other USB hosts that support a USB MIDI Class Compliant device.

Firmware Updates:
Requires a Windows PC, macOS or other computing device that supports USB mass storage mode.

Limited Warranty

Conductive Labs LLC provides a limited warranty for 1 year (or the minimum required by law in your country) to the original purchaser with proof of date of purchase. In case of failure due to defects in material or workmanship, for the duration of the warranty period, Conductive Labs will repair or replace the device at their discretion. If a replacement is not available, it may be replaced with a device of similar functionality.

MIDI I/O
Ports:

4x 5-Pin DIN, and 1x 3.5mm TRS (Type A) optically isolated Inputs.1
4x 5-Pin DIN, and 1x 3.5mm TRS (Type A) thru Outputs. Traditional 5V MIDI spec for maximum compatibility with vintage gear.
1x USB 2.0 Type B device port for computer connection with 4x USB MIDI virtual inputs and outputs.
1 First input pair, choose one of the 2 jacks; 5-pin DIN or 3.5mm MIDI type A
*Unlike MRCC MIDI Router Control Center, MRCC 880 is not expandable, or compatible with MRCC expansion modules such as Remote 7 or XpandR.

Features:
Save/Load
4x Save slots
1x Init (clears settings)

Filters (per input):
MIDI Clock
Stop/Start/Continue messages

Panic button:
Sends MIDI "All Notes Off" to routed ports.

Channel Split:
Select an input and the channels will be split sequentially to the 4 DIN outputs.
For example, when Chan Split enabled for Input 1:
Output port 1 will send MIDI channels 1, 5, 9 and 13.
Output 2 channels 2, 6, 10, 14.
Output 3 channels 3, 7, 11, 15.
Output 4 channels 4, 8, 12, 16.

The MRCC 880 MIDI Monitor button to optionally indicate MIDI activity on port LEDs.
The MIDI Merging is automatic. Just select the same output from a different input.
This product also has a Dedicated Power Switch.

Notes: Serious control power with this unique MIDI router. A total of 11 MIDI inputs and 17 outputs plus two thru ports allows you to connect a wealth of MIDI gear, filter, map, merge and route with huge flexibility.

Supplier's Notes:
Following on from the NDLR, an innovative Multi-part Polyphonic Arpeggiator, Conductive Labs have set out to reinvent the MIDI Router. Why? Because there's nothing like it!

It's super deluxe: featuring one button routing for each physical input and output, RGB LEDs, and OLED graphical display, everything can be easily setup without a PC. Unlike devices with front and rear facing connectors, MRCC's vertical ports are designed to have the smallest footprint, saving your desk space for more synths!

Massive MIDI I/O: 11 inputs and 17 outputs, including 5 PIN DINs, 3.5MM MIDI jacks in both flavours, 4 USB host ports, and a USB client (PC, Mac or tablet) connection with 12 MIDI ports. With automatic merging, MIDI master clock with CV clock out, filtering and MIDI effects, and MIDI message monitoring.

Expand and extend your outputs up to 50' away with the MRCC Remote 7. Need even more? Connect 2 MRCC's together with a single cable for remote routing up to 32' (10m) apart. MRCC is Rack mountable too, with the available 2U Rack Ears.

User Centered Design
All MIDI cables plug vertically into the top panel which frees up valuable table space. The top panel graphics connect each button-jack pair so you know exactly which device you are routing or filtering.

Routing MIDI paths and configuring MIDI filters is easy with the full colour LEDs and the one button per input / one button per output front panel layout.

Modern Connectivity
11 inputs and 17 outputs, including 5 PIN DINs, 3.5MM MIDI jacks (in both type A and type B flavours), 4 USB host ports (with 4 virtual USB MIDI input ports each), and a USB client (PC) connection with 12 virtual USB MIDI ports. Everything you could want for connecting MIDI gear in your studio.

Advanced Functionality
For more advanced tasks use the graphical interface on the sharp colour OLED display. Using the tabs and folders style UI with the cursor buttons and encoder makes navigation simple. Once the MRCC is configured, save it to memory for recall later. All this with no confusing PC app.

Expandable
The optional MRCC Remote provides a convenient, clean solution for getting MIDI outputs to a remote location, such as into a 19" rack or to your keyboard stand. The Remote is connected to MRCC with a single shielded Ethernet cable, eliminating a bundle of long MIDI cables.
If you need even more ports, connect two MRCCs together!

Accessories
Expand the MRCC with the MRCC Remote 7. It adds 5x routable 5 pin DIN connectors, with 2 shared 3.5MM TRS (in both A and B flavours). It comes with a 10 meter (32') Ethernet cable to get MIDI outputs to where you need them, without a bunch of long MIDI cables.

Rack mount the MRCC with 2U Rack Ears. These strong, powder coated steel rack ears mount the MRCC in a standard 19-inch rack.

*Accessories sold separately.

THE HARDWARE
Requirements:

International AC/DC power supply included
Input: 100~240V AC
Output: 5.25V DC, 3A USB-PD type C connector
USB Host ports only for USB MIDI class compliant devices, or USB PC keyboard for entering labels
MIDI input devices and sound modules that meet MIDI standards, including MPE (MIDI Polyphonic Expression) devices are supported
Personal Computer (running Windows, OSX or Linux) for firmware updates.
Physical Layout:

Dims: 15.5" x 3.5" x 1.9"
28 routing buttons, plus remote routing button and stand-by button
Colour OLED Screen
Encoder and navigation buttons
Power switch
Recessed firmware update button
Physical Input/Output:

5x MIDI 5-Pin DIN Inputs
2 jack selectable 3.5MM TRS MIDI (type A and B) input (shared with 1x 5 pin DIN), choose 1 of the 3
2 jack selectable 3.5MM TRS MIDI input (MIDI type A and B) choose 1 of the 2
All MIDI Inputs are optically isolated, and traditional 5V MIDI spec Outputs
4x USB 2.0 USB MIDI Host ports (4 virtual ports per In and 1 per Out)
1x USB Device port for connecting to a PC or tablet. With 12 individually routable USB MIDI virtual I/O ports (16 channels per port = 192 channels in and out).
10x MIDI 5-Pin DIN Outputs
4x 3.5MM TRS (2x type A and 2x type B, thru) can be used simultaneously
1x Clock Out 3.5MM jack (use a mono (TS) cable)
1x RJ45 for optional MRCC Remote 7 or MRCC to MRCC connection (not Ethernet)
Limited Warranty:

MRCC comes with a limited warranty to the original owner for 1 year (or the minimum time required by law in your country) from the time you received it.

The MicroSD card and accessories have a 90 day limited warranty.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Serious control power with this unique MIDI router. A total of 11 MIDI inputs and 17 outputs plus two thru ports allows you to connect a wealth of MIDI gear, filter, map, merge and route with huge flexibility.

Supplier's Notes:
Following on from the NDLR, an innovative Multi-part Polyphonic Arpeggiator, Conductive Labs have set out to reinvent the MIDI Router. Why? Because there's nothing like it!

It's super deluxe: featuring one button routing for each physical input and output, RGB LEDs, and OLED graphical display, everything can be easily setup without a PC. Unlike devices with front and rear facing connectors, MRCC's vertical ports are designed to have the smallest footprint, saving your desk space for more synths!

Massive MIDI I/O: 11 inputs and 17 outputs, including 5 PIN DINs, 3.5MM MIDI jacks in both flavours, 4 USB host ports, and a USB client (PC, Mac or tablet) connection with 12 MIDI ports. With automatic merging, MIDI master clock with CV clock out, filtering and MIDI effects, and MIDI message monitoring.

Expand and extend your outputs up to 50' away with the MRCC Remote 7. Need even more? Connect 2 MRCC's together with a single cable for remote routing up to 32' (10m) apart. MRCC is Rack mountable too, with the available 2U Rack Ears.

User Centered Design
All MIDI cables plug vertically into the top panel which frees up valuable table space. The top panel graphics connect each button-jack pair so you know exactly which device you are routing or filtering.

Routing MIDI paths and configuring MIDI filters is easy with the full colour LEDs and the one button per input / one button per output front panel layout.

Modern Connectivity
11 inputs and 17 outputs, including 5 PIN DINs, 3.5MM MIDI jacks (in both type A and type B flavours), 4 USB host ports (with 4 virtual USB MIDI input ports each), and a USB client (PC) connection with 12 virtual USB MIDI ports. Everything you could want for connecting MIDI gear in your studio.

Advanced Functionality
For more advanced tasks use the graphical interface on the sharp colour OLED display. Using the tabs and folders style UI with the cursor buttons and encoder makes navigation simple. Once the MRCC is configured, save it to memory for recall later. All this with no confusing PC app.

Expandable
The optional MRCC Remote provides a convenient, clean solution for getting MIDI outputs to a remote location, such as into a 19" rack or to your keyboard stand. The Remote is connected to MRCC with a single shielded Ethernet cable, eliminating a bundle of long MIDI cables.
If you need even more ports, connect two MRCCs together!

Accessories
Expand the MRCC with the MRCC Remote 7. It adds 5x routable 5 pin DIN connectors, with 2 shared 3.5MM TRS (in both A and B flavours). It comes with a 10 meter (32') Ethernet cable to get MIDI outputs to where you need them, without a bunch of long MIDI cables.

Rack mount the MRCC with 2U Rack Ears. These strong, powder coated steel rack ears mount the MRCC in a standard 19-inch rack.

*Accessories sold separately.

THE HARDWARE
Requirements:

International AC/DC power supply included
Input: 100~240V AC
Output: 5.25V DC, 3A USB-PD type C connector
USB Host ports only for USB MIDI class compliant devices, or USB PC keyboard for entering labels
MIDI input devices and sound modules that meet MIDI standards, including MPE (MIDI Polyphonic Expression) devices are supported
Personal Computer (running Windows, OSX or Linux) for firmware updates.
Physical Layout:

Dims: 15.5" x 3.5" x 1.9"
28 routing buttons, plus remote routing button and stand-by button
Colour OLED Screen
Encoder and navigation buttons
Power switch
Recessed firmware update button
Physical Input/Output:

5x MIDI 5-Pin DIN Inputs
2 jack selectable 3.5MM TRS MIDI (type A and B) input (shared with 1x 5 pin DIN), choose 1 of the 3
2 jack selectable 3.5MM TRS MIDI input (MIDI type A and B) choose 1 of the 2
All MIDI Inputs are optically isolated, and traditional 5V MIDI spec Outputs
4x USB 2.0 USB MIDI Host ports (4 virtual ports per In and 1 per Out)
1x USB Device port for connecting to a PC or tablet. With 12 individually routable USB MIDI virtual I/O ports (16 channels per port = 192 channels in and out).
10x MIDI 5-Pin DIN Outputs
4x 3.5MM TRS (2x type A and 2x type B, thru) can be used simultaneously
1x Clock Out 3.5MM jack (use a mono (TS) cable)
1x RJ45 for optional MRCC Remote 7 or MRCC to MRCC connection (not Ethernet)
Limited Warranty:

MRCC comes with a limited warranty to the original owner for 1 year (or the minimum time required by law in your country) from the time you received it.

The MicroSD card and accessories have a 90 day limited warranty.

Notes: Cleanly and conveniently extend the MRCC's MIDI outputs with the Remote 7! Adds five routable 5 Pin DINs, plus two shared 3.5MM TRS MIDI jacks (one MIDI TRS standard type A, and one type B) over a shielded Ethernet cable. A 10-metre (32 ft.) Ethernet cable is included and automatically added to your order.

This requires the MRCC, which is sold separately. Only one Remote 7 can be connected to an MRCC. If you are connecting 2 MRCC together, you will need a custom RJ45 splitter (coming soon) to use the Remote 7. See the forum for details.

Order the MRCC Remote 7 for delivery with MRCC when ordered from Conductivelabs.com shop.

The orders ship from Conductive Labs' Hong Kong based fulfillment warehouse partner.

Included with the Remote 7 is a 10 meter (32') Ethernet cable* to connect Remote 7 to MRCC.

*If you want to use your own Ethernet cable, it must have shielded connectors that are connected to each other via a drain wire in the cable. CAT6a (or better) Ethernet cables with shielded connectors (metal shrouds over the connectors) are typically connected in this way.

The connections from the RJ45 on MRCC to the Remote 7 are MIDI, and those signals are not actively repeated. In theory you should subtract the length of the Ethernet cable from the max length coming out of the Remote 7. That is, if you have a 30' Ethernet cable from MRCC to Remote 7, subtract 30 from 50 for the max cable length from a Remote 7 output. In practice, when using good quality MIDI cables you can probably use a 50' cable to the Remote 7, and 6' MIDI cables from the Remote 7 to your gear. YMMV.

The 2 TRS jacks on the Remote 7 are hard wired to 2 of the 5 pin DINs. When using the shared DIN and TRS output at the same time, the voltage will be lowered, kind of like using a headphone splitter. A maximum 6 foot TRS cable length is advised, though the MIDI.ORG does not specify a TRS to TRS cable, only a TRS to MIDI adapter with a maximum 6" length. There have been no noticeable problems using short (36") dollar store TRS cables.

Like MRCC outputs 7-12, Remote 7 outputs do not currently pass SysEx data.

Additional information
Weight: 0.192 kg
Dimensions: 14 × 9 × 4 cm

Notes: MRCC XpandR 4×1 - a DIN Expander for MRCC and USB MIDI Interface

A DIN Expander for MRCC
A USB MIDI Interface
A stand-alone MIDI Merger

Need More MIDI Inputs?

When MRCC's 6 routable DIN and TRS inputs just aren't enough, the MRCC XpandR 4×1 adds 4x DIN Inputs (and a shared 3.5mm TRS), and 1x DIN Output (plus 3.5mm TRS thru).

Up to four XpandRs can be attached to the MRCC's USB host ports. Inputs and the Output are routed the same way as MRCC's USB host MIDI virtual ports. So it's quick and easy to route XpandR's ports; it's like they were built-in to MRCC.

The XpandR is also a 4x Input, 1x Output USB class compliant MIDI interface for your PC, Mac, tablet, or what have you.

Or, use the Mode button to switch XpandR to a stand-alone 4 into 1 USB powered MIDI merger. In MIDI merger mode, the USB connector is only used to power the XpandR.

A two-colour indicator shows Power, Merge mode, MIDI Input and MIDI Output activity.

The MRCC XpandR 4×1 comes housed in a robust and beautiful anodized aluminium enclosure with hand-silk screened user interface, like the MRCC. A USB cable and User Guide are included.

Specifications

Requirements

Power:

USB 2.0, 5V DC, 40mA, USB type B connector

USB Power Supply not included. Power from MRCC USB Host port, your PC or other device host port, or for use without a PC, power with a USB charger or USB battery

USB MIDI Interface:
Works with PCs, Mac, Tablets and most other USB hosts that support a USB MIDI Class Compliant device.

Firmware Updates:
Requires a Windows PC, macOS, Linux or other computing device that supports USB mass storage mode.

Limited Warranty

Conductive Labs LLC provides a limited warranty of 1 year (or the minimum required by law in your country) to the original purchaser with proof of date of purchase. In case of failure due to defects in material or workmanship, for the duration of the warranty period, Conductive Labs will repair or replace the device at their discretion. If a replacement is not available, it may be replaced with a device of similar functionality.

MIDI I/O

Ports:

4x 5-Pin DIN, and 1x 3.5mm TRS (Type A) optically isolated Inputs.1
1x 5-Pin DIN, and 1x 3.5mm TRS (Type A) thru Output. Traditional 5V MIDI spec for maximum compatibility with vintage gear.
1x USB 2.0 Type B device port for computer connection with 4x USB MIDI virtual Inputs and 1x Output.
1 First input pair, choose one of the 2 jacks; 5-pin DIN or 3.5mm MIDI TRS Type A.

Remote 7 vs XpandR 4×1

Q: What's the difference in I/O between MRCC Remote 7 and MRCC XpandR 4×1?
A: The MRCC Remote 7 adds 5 additional routable outputs to MRCC. These outputs are already built into MRCC. One Remote 7 per MRCC.
XpandR adds 4x DIN inputs, and one DIN output at the expense of an MRCC USB MIDI host port. Up to four XpandR's per MRCC, using MRCC's available USB host ports.

Q: How far away can Remote 7 and XpandR be from MRCC?
A: The Remote 7 comes with a 10M (33 foot) long Ethernet cable. The maximum cable length is about 50 feet (using short MIDI cables).
The XpandR comes with a 2M (6 foot) USB cable. The max supported USB cable length for USB 2.0 is 5M (16.5) feet.

Q: How is each device routed?
A: Remote 7 is routed with the MRCC "remote routing" button. Hold the remote routing button, then select the outputs to route to.
XpandR is routed using the MRCC USB host routing buttons. Select one of the four inputs, then select outputs.
Remote 7 is great for getting MIDI outputs to where you need them. And XpandR is best when you need more MIDI DIN inputs, with the additional utility of a MIDI interface and MIDI merger. Feel free to use both!

Notes: MSY2 is an interface that converts the MIDI realtime events Clock, Start and Stop into the corresponding signals Clock and Start/Stop of the SYNC standard. This standard was used e.g. in the Roland devices TB303 bass line or TR808 rhythm composer.

MSY2 is equipped with 2 SYNC DIN sockets (switched in parallel), a Clock miniature jack socket (3.5mm), MIDI-in and MIDI-Thru. SYNC-CLOCK is a periodic signal (0/+5V) representing the tempo. SYNC-START/STOP is a signal that indicates one of the 2 possible states: START = +5V, STOP = 0V. The Clock pin of the SYNC standard is additionally available from a miniature jack socket e.g. for synchronizing the arpeggio input of an analog synthesizer with MIDI.

MSY2 enables the 1:1 conversion of MIDI CLOCK into SYNC CLOCK (i.e. 1 MIDI clock triggers 1 SYNC clock pulse), as well as the reduction of the tempo by dividing the incoming MIDI clock frequency by an integer factor. The factor can be set to any value between 1 and 16 with a DIP switch at the bottom of the MSY2. This corresponds to 96...6 ppm or 24...1,5 ppq (ppm = pulses per measure / ppq = pulses per quarter note). Factor 1 corresponds to the 1:1 conversion. In this case the pulse width of the clock output is fixed to about 4 milliseconds. 16 is the maximum of frequency reduction, i.e. after 16 MIDI clocks 1 SYNC clock appears. For all dividing factors beyond 1 the pulsewidth of the clock signal corresponds to the selected dividing factor.

With two other switches the Start/Stop polarity and the Clock polarity can be changed for special applications not following the SYNC standard.

Notes: Erica Synths MIDI thru box is professional quality, no latency, one MIDI In to 8 MIDI Through splitter in rigid aluminium case. It allows to connect up to 8 instruments to your sequencer or master keyboard and control them simultaneously without undesired delays and interference.

Notes: Sync all your sequencers with ease and control the BPM - that's what we designed the midiclock for!

It's an ultra-stable hardware MIDI-Masterclock generator & has a great knob to give you full control over the tempo of your performances.

The midiclock generates incredibly accurate MIDI Clock messages.

It has two DIN MIDI outputs to connect to your gear. The clock signal can be distributed to more than two slaves by using MIDI Thru and you can start and stop everything with a single button.

Simply attach all devices that have MIDI Clock slave capabilities: Sequencers, synthesizers, drummachines and software like 'Live' from Ableton.

How to actually set the current BPM depends on the operating mode:

While using 'Live' mode, the BPM change immediately by turning the knob. You can use this mode if you want to make smooth tempo changes in your performance and are aware, that every turn of the knob changes the BPM.

In the 'Normal' mode, the changed value must be confirmed with a single click of the knob. This mode is perfect if you want to set your tempo once and simply need a stable clock signal. Accidental turning of the knob doesn't affect your BPM.

Notes: Professional Sync:
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.

Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.

Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.

USB Add-On
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Professional Sync:
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.

Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.

Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.

USB Add-On
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Professional Sync:
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.

Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.

Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.

USB Add-On
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.

Notes: ***B-STOCK: Item refurbished, box damaged but in perfect working order.***


Professional Sync:
The multiclock solves your sync issues in the studio and on stage once and for all.
Synchronisation of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter.
Moreover, you can use it as a standalone generator or hook it up to follow other MIDI, DIN or analog master clocks.

Shift & Shuffle:
To compensate for any time lag of connected gear, you can shift each output channel individually and in realtime back and forth relative to the master clock.
The shift range is completely configurable and has a maximum of i400ms, the resolution is 20us.
If you have set your machines up to be on the spot, start playing with shuffle. Again, individually for each channel and in realtime.

Midi, Din, Modular & LFO:
Each channel can be set to either emit MIDI Clock, DIN sync (sync24) or analog clock.
Analog clock signals are configurable in polarity, start/reset behaviour and feature a flexible clock divider. An analog LFO is available with various waveforms and a range of 0-5V.
If you got them configured, channel settings can always be named and saved as a preset for later recall. Just in case you have a lot of gear.

USB Add-On
If you want, you can have your multiclock with an extra class-compliant USB Midi Add-On.
This enables you to send any MIDI commands from a DAW to your connected slaves while syncing to audio clock.
There is one virtual MIDI output for each channel and all commands are priority-merged with the accurate clock.

Notes: The continuation of the ultra-precise E-RM Multiclock, from one of its co-inventors. Rock solid clock generation to sync your hardware, DAW and other software.

Supplier's Notes:
Professionally sync all your electronic Instruments and Software.

Any clock input

The multiclock can be the main clock generator or synced to external MIDI, DIN sync and Analogue clocks. Synchronization of the multiclock to a DAW relies on a sample accurate audio clock, which allows for rock solid sync signals.

Custom outputs

The multiclock has four outputs. Each channel can be set to either emit MIDI, DIN sync or analogue clock. Analogue clock signals are configurable in polarity and start/reset behavior and individual clock dividers are available.

Shift & shuffle

To compensate for any time lag of your connected gear, you can shift each of the four output channels individually and in realtime back and forth relative to the reference clock. If you then have found the sweet spot, you can add a bit of shuffle.

MIDI router

To become the central connection hub of your setup, a powerful MIDI Router is available. It allows you to route and merge other MIDI data from four USB MIDI ports and the onboard MIDI In with the accurate clock signals.

Professional DAW integration

VST, AU & AAX plugins
Synchronization of the multiclock to a DAW relies on a sample accurate audio clock stream, which in consequence guarantees absolutely tight clock signals with i1 sample of jitter. No drifting involved, everything on the grid. VST, AU and AAX plugins for all major DAWs are provided, or you create your own sync loop with our sample.

Plenty of modular features

Clocks, Dividers, Triggers and LFO

You can configure the modular clock output mode in every possible way: choose the polarities of the signals, select the start or reset behaviour for each channel individually and set clock dividers. There is also an analogue LFO available with various waveforms and optional frequency quantization to connect to the Eurorack world.

Sync your (vintage) gear...

MIDI, DIN Sync & Tape

Sync all your drummachines, grooveboxes, sequencers, arpeggiators and effects with a stable MIDI Clock or DIN sync/sync24 signal. But also your tape machine can be back in the game: simply record a 24ppq loop of our sync sample to one track, connect the tape machine to the multiclock Audio In and be in sync!

+/-1 Sample Jitter with Audio Sync at 48kHz
+/-300ms Shift Range
+/-100ms Initial Offset
30-300 BPM Tempo Range
1 x 24ppq Audio Sync Input
1 x MIDI / DIN Input
4 x MIDI / DIN / Modular Output
1 x 0-5V Analog LFO Output
4 x USB MIDI Output
1 x USB MIDI Input
Realtime Shift and Shuffle
Individual Start & Stop Configurable Clock Dividers
Integrated Reference Clock
Flexible MIDI Router & Remote

Notes: The KMI MIDI Expander enables you to use KMI gear such as SoftStep, 12 Step and QuNeo to control your MIDI hardware devices with 5-pin MIDI DIN connectors.

Plug in your MIDI devices to the KMI MIDI Expander and you're ready to send and receive MIDI data with or without a computer.

Notes: Receives MIDI clock and stop/start data and converts them to DIN-Sync (Sync-24). Also converts DIN-Sync back to MIDI.

High quality Kenton MIDI MIDI to DIN-Sync converter box with opto-isolated MIDI In plus MIDI Out, Sync In & Sync Out sockets. Powered from a multi-region mains adaptor (wall wart) so you can fit and forget. Can also be powered from a USB socket (although not a USB product)

Notes: This converter has 16 GPI inputs (general purpose interface) arranged on 2 x 9 pin D sockets. It can output MIDI messages as notes, controllers (CCs) or program changes. The references to MIDI note numbers also applies to controller numbers or program numbers if that is the output mode currently in use.

Notes: The GPMX-16 has 16 GPI (general purpose interface) inputs and 16 GPI outputs arranged on four 9 pin D connectors. D sockets for inputs and D plugs for outputs. It can receive and output MIDI messages as Notes, Controllers (CCs) or Program Changes. In the following description references to MIDI note numbers also applies to Controller Numbers or Program Numbers if that is the input or output mode currently in use.

Display: 3 x 7 segment LED display
Power: 9V DC - 200mA max - 2.1mm locking connector - mains adaptor supplied
Dimensions: 190 x 110 x 46 mm (including feet)
Weight: 800 gms including power supply
MIDI: In, Out1 & Out2 (out1 & out2 give the same data out)
Inputs: 16 GPI - 8 on each of 2 x 9 pin D sockets - pin 9 common ground
Outputs: 16 GPI - 8 on each of 2 x 9 pin D plugs - pin 9 common
Power Supply: Switch mode multi-region type with locking connector supplied with unit.

Notes: Mainly intended as a MIDI volume level indicator where high visibility is needed, the LD2 displays the level both numerically 0 - 127, and on a 20 segment bargraph.

The LD2 isn't restricted to displaying volume only however, it can easily be re-configured to display the data value sent by any controller on any MIDI channel. Factory default is controller #7 (MIDI volume) on MIDI channel #1.

Notes: The LNDR is a master and slave pair that allows MIDI to be sent accurately in both directions at the same time, across distances of over 500m (1640 feet) using a standard Cat5 cable. This is over 33 times the distance achievable using standard MIDI cables. The Master unit is mains powered using the included PSU.

Comes with multi-region power supply

Notes: The Kenton Merge 4 can merge the data from up to 4 separate MIDI sources (e.g. Master keyboards or controllers) into a single MIDI data stream which appears at both of the MIDI out sockets. It features 4 opto-isolated MIDI inputs and 2 MIDI outputs.

The Kenton Merge 4 is powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-region power supply

Notes: Merges the data from up to eight separate MIDI sources (e.g. master keyboards, controllers, computers etc.) into a single MIDI data stream which appears at both the MIDI out sockets. Merges all MIDI data including MIDI Clock, MIDI time code and SysEx (see the manual for merging rules). Can also be configured as two completely independent 4 into 1 mergers with the simple press of a recessed button (see manual for details).

- 8 opto-isolated MIDI Ins
- 2 MIDI Outs

Comes with mult-regional power supply

Notes: Your USB device is plugged into the MIDI USB Host mk3 instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).

The MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.

Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.

Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.

Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.

The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.

The attached USB MIDI device MUST be 'Class Compliant'.

The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.

Attractively finished in brushed aluminium with black screen print

Dimensions: 110mm x 55mm x 32mm

Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.

It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.

Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.

If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.

Power

It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.

Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.

If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.

The following Yamaha keyboards ar known to be class compliant and therefore should work OK:

PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255

The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:

Korg Microkey 61
Korg Microkey 49
Korg Microkey 37

Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).

This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Your USB device is plugged into the MIDI USB Host mk3 instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI setup, just like a Pro-Solo. It has a USB Host port (USB A type socket), a MIDI In and a MIDI Out (both 5 pin DIN).

The MIDI USB Host mk3 now has additional features. In addition to the standard operating mode, there are now two further modes.

Standard mode (LED Green):
MIDI data received at the MIDI In socket is sent to the USB device and MID data from the USB device is sent to the MIDI Out socket.

Merge 1 mode (LED Amber):
MIDI IN does not go to USB device but instead is merged with MIDI data coming from the USB device which is then sent to the MIDI Out socket.

Merge 2 mode (LED Red):
MIDI IN data is sent to the USB device & is also merged with MIDI data from the USB device which is then sent to the MIDI Out socket.

The modes are selected sequentially by pressing the recessed push button - the LED colour indicating which mode is current.

The attached USB MIDI device MUST be 'Class Compliant'.

The MIDI USB HOST is powered by a regulated 5V mains adaptor (supplied), and can supply up to 1 Amp of buss power to the attached USB device. This product is supplied with a multi-region power supply suitable for use in most countries.

Attractively finished in brushed aluminium with black screen print

Dimensions: 110mm x 55mm x 32mm

Connecting
You can connect one "Class Compliant" USB device directly into the MIDI USB Host. If your host has the latest firmware already installed then you can plug in a powered USB hub and up to four USB devices can then be connected. Earlier MIDI USB Host mkIIs can be updated with a free download which is available from the support section of our website. Serial numbers N6-2421 already have the hub compatible firmware. Serial numbers N3-0541and upward can be updated.

It is recommended that you attach your USB device to the MIDI USB Host before applying power. Then plug-in and power the power adaptor. The active LED should be lit up. If you apply power with nothing plugged into the MIDI USB Host, the Active LED will flash steadily; this is to indicate that it is waiting for a suitable device to be attached. If it is still flashing when you have attached your device, then it is possible that your device is not class compliant, however you could try turning off the power and start again.

Some USB MIDI devices have two modes of operation and can be set to operate in Class Compliant mode even if this is not the default. The Class Compliant mode might be called "generic driver", the other mode may be called something like "advanced driver". Consult the device manual to see if the mode can be set for Class Compliant.

If you unplug then re-plug the USB cable while it is powered the device might reconnect, but it is not certain.

Power

It is essential to use only the supplied 5V regulated power adaptor. Applying a voltage higher than 5V to the MIDI USB Host will probably not damage the MIDI USB Host itself, but it could damage any attached USB device as the 5V is passed on to the attached USB device for buss power. There is protection circuitry inside the MIDI USB Host to protect against reverse polarity and over-voltage, but these should be treated as a last resort and are not guaranteed to prevent damage to an attached USB device in the event of over-voltage as the USB buss voltage could rise to 6.5V before being clamped.

Care should be taken to ensure that power adaptors for other pieces of equipment are not accidentally plugged into the MIDI USB Host.

If the input voltage rises above 6.5 volts then power will be shut off. The LED will go out and the unit will not operate again until power has been removed for at least 60 seconds. This allows time for the thermal fuse to reset.

The following Yamaha keyboards ar known to be class compliant and therefore should work OK:

PSR-E353, PSR-E443
PSR-S670, PSR-S770, PSR-S970, PSR-A3000, TYROS-5
NP-12, NP-32
DGX-650, DGX-660
P-105, P-115, P-255

The following keyboards are known to incorporate a USB hub and therefore will only work with firmware v2005 or later (s/n N6-2421 and above) for the MIDI USB Host:

Korg Microkey 61
Korg Microkey 49
Korg Microkey 37

Power: 90mA, USB mini-B socket - leaving 910 mA available for the attached USB device
Dimensions: 110 x 55 x 32 mm
Weight: 100g (excluding power supply)
MIDI: 1x IN, 1x OUT - both 5 pin DIN
Power Supply: 5V DC / 1 Amp regulated - (never use an unregulated supply as unregulated supplies typically give a higher output voltage than shown).

This product is supplied with a multi-region power supply which is suitable for use in the UK, EU, US/Canada and AUS/NZ.

Notes: - CV & Gate inputs on 3.5mm mono jack sockets
- A to D conversion for main CV input is 16 bit high quality ADC
- V/octave, Hz/V or 1.2V/oct modes selectable
- Gate type can be selected as Gate or S-trig
- Aux1 & 2 inputs on 3.5mm mono jack (continuously variable or switch selectable)
- Auxes can select controller number
- Auto tune feature makes setup easy
- MIDI Out on 5 pin DIN socket
- Non-volatile memory EEPROM (no back-up battery required)
- 32 bit ARM processor

Comes with multi-regional power supply

Notes: ***B-STOCK: Original box water damaged, product is in different packaging but in perfect working order***


- CV & Gate inputs on 3.5mm mono jack sockets
- A to D conversion for main CV input is 16 bit high quality ADC
- V/octave, Hz/V or 1.2V/oct modes selectable
- Gate type can be selected as Gate or S-trig
- Aux1 & 2 inputs on 3.5mm mono jack (continuously variable or switch selectable)
- Auxes can select controller number
- Auto tune feature makes setup easy
- MIDI Out on 5 pin DIN socket
- Non-volatile memory EEPROM (no back-up battery required)
- 32 bit ARM processor

PLEASE NOTE: Comes with UK 3-pin power supply

Notes: The Kenton Pro-DCB brings instant MIDI to those much-loved instruments, the Juno-60 and Jupiter-8 (must have an existing DCB 14 pin). Just plug in and go.

As well as offering control of notes (and program change on Jupiter-8), the interface also has output sockets for filter control and arpeggio clocking. In addition, it boasts a built-in programmable LFO and works both ways (ie. it's bi-directional), so your Juno can be used as a master keyboard if required. We think that you'll find this the most comprehensive MIDI-DCB converter available today, and it's fast too.

2 x 3.5mm mono jack to 1/4" mono jack leads for Clock and VCF are included as well as the selected DCB lead.

*Supplied with UK 3-pin power adapter

Notes: For controlling pre-MIDI drum machines

Designed primarily with the Roland TR-808 / TR-606 and the EDP Wasp / Gnat in mind, the PRO-KADI can, in fact, be used to trigger many drum machines and other devices.

Cheaper than a retrofit and just as effective, it can be used with the TR-808, TR-606, CR78, CR8000, Wasp and many, many more. Most drum machines do need a small modification to run with this interface.

Kenton can supply and/or fit sockets kits to interface your drum machine with the PRO-KADI. Kits are available for the TR-808, TR-606, CR-78 and CR-8000. The Pro-KADI can also be used to trigger the voices of the Simmons SDS-V and SDS-7 however you will need to make your own breakout cable for this.

This multi-mode MIDI trigger unit is highly configurable and capable of driving up to 13 outputs.

Hundreds of other control applications exist, such as lighting control, robotics and ignition of small explosives for theatre productions. Please email us if you have a specificic MIDI control project.

Signal leads are sold separately.

Multi-region power supply included

Notes: For controlling pre-MIDI drum machines

Designed primarily with the Roland TR-808 / TR-606 and the EDP Wasp / Gnat in mind, the PRO-KADI can, in fact, be used to trigger many drum machines and other devices.

Cheaper than a retrofit and just as effective, it can be used with the TR-808, TR-606, CR78, CR8000, Wasp and many, many more. Most drum machines do need a small modification to run with this interface.

Kenton can supply and/or fit sockets kits to interface your drum machine with the PRO-KADI. Kits are available for the TR-808, TR-606, CR-78 and CR-8000. The Pro-KADI can also be used to trigger the voices of the Simmons SDS-V and SDS-7 however you will need to make your own breakout cable for this.

This multi-mode MIDI trigger unit is highly configurable and capable of driving up to 13 outputs.

Hundreds of other control applications exist, such as lighting control, robotics and ignition of small explosives for theatre productions. Please email us if you have a specificic MIDI control project.

Signal leads are sold separately.

Comes with a multi-regional power supply

Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 25 MIDI THRU sockets. These can then be connected to the MIDI INs of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-regional power supply

Notes: Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 12 MIDI THRU sockets. These can then be connected to the MIDI IN of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Receives MIDI data from a single MIDI OUT (e.g. sequencer or master keyboard) and produces identical copies at the 12 MIDI THRU sockets. These can then be connected to the MIDI IN of sound modules or other devices which require MIDI signals sent to them.

High quality Kenton MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. Powered from a mains adapter so you can fit and forget.

Notes: The Kenton Thru-5 is a high quality MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. It is powered from a mains adaptor (wall wart) so you can fit and forget.

Comes with multi-region power supply

Notes: ***B-STOCK: Box opened, product in perfect working order***


The Kenton Thru-5 is a high quality MIDI Thru box with opto-isolated MIDI In and separate drive for each MIDI Out. It is powered from a mains adaptor (wall wart) so you can fit and forget.

PLEASE NOTE: Comes with UK 3-pin power supply

Notes: This is Kenton's USB version of their popular Solo MIDI to CV converter, so you need one less interface when connecting your analog synths to MIDI.

Notes: The Beat Converter can be programmed to send out a Note or Control Change message on the beat in response to MIDI Clock messages. This enables devices that only allow their tap tempo function to be controlled by a Note or Control Change message to be synchronized to devices that send MIDI Clock.

The Beat Converter is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). For a complete description of the programming options, see the Beat Converter Operating Instructions (.pdf file). Once programmed, settings are retained even after power is removed. The Beat Converter can be reprogrammed with new settings as often as needed.

The Beat Converter is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information).

Notes: The Beat Indicator contains an ultra bright LED that can be programmed to flash on the beat in response to MIDI Clock messages. An invaluable tool for enabling drummers or live musicians to keep time with MIDI sequences during breaks or intros. The flash can be advanced or delayed by up to 128 ms from the actual beat, and the brightness of the flash is programmable. The Beat Indicator can also be programmed to flash in response to a Note or Control Change message.

The Beat Indicator is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). For a complete description of the programming options, see the Beat Indicator Operating Instructions (.pdf file). Once programmed, settings are retained even after power is removed. The Beat Indicator can be reprogrammed with new settings as often as needed.

The Beat Indicator is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). It is recommended that no more than one Beat Indicator be powered from a single MIDI Out or Thru, if other MIDI Solutions products are required in series with the Beat Indicator a MIDI Solutions Power Adapter is recommended.

Notes: * Note that Yamaha has discontinued the BC3A, however we will continue to produce this product in the near term for customers that have previously purchased the BC3A.

The MIDI Solutions Breath Controller is a breath to MIDI converter for use with the Yamaha BC3A Breath Controller (TM). The Breath Controller accepts the BC3A as input and generates continuous MIDI data corresponding to the amount of breath pressure applied to it. The Breath Controller will also accept older Yamaha BC2 units.

The Breath Controller can be programmed to send:

Aftertouch

Pitch Bend

Control Change

System Exclusive

The Breath Controller has a MIDI Echo parameter that is selectable on/off.

Another unique feature of the Breath Controller is its ability to add a variable amount of curvature to the response of the applied pressure of the BC3A. This allows you to correct for a nonlinear response, or to add greater response at one end of the breath range compared to the other.

The Breath Controller is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). Once programmed, its settings are retained even after power is removed. The Breath Controller can be reprogrammed with new settings as often as needed. The Breath Controller's factory default settings are for it to send CC #7 (volume) on MIDI channel 1, with the Echo parameter set to ON.

The Breath Controller is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

weight: 4.1 oz.
dimensions: 4-3/16" x 2-3/16" x 1-3/32"

Notes: The MIDI Solutions Dual Footswitch Controller provides a 1/4" stereo phone jack input for connection to an external dual footswitch or two contact closures which can be used to trigger MIDI events. Triggered MIDI events are merged with incoming MIDI messages and sent to the MIDI output of the Dual Footswitch Controller.

Triggered event types are programmable and include:
Note
Control Change
Pitch Bend
Program Change
Start/Stop
System Exclusive

Other functions include:
Program Change INC/DEC
Rechannelize
Transpose
Tap Tempo
Note-on Filter

MIDI Echo and Footswitch Toggle parameters are selectable on/off.

The Polarity of each footswitch can be determined automatically on power-up, or can be programmed to normally-open or normally-closed. It's also possible for the Dual Footswitch Controller to send out the state of its footswitches immediately on power-up rather than waiting for each to be depressed.

The Dual Footswitch Controller is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). This is easily done with the MIDI Solutions Programming Tools software. Once programmed, its settings are retained even after power is removed. The Dual Footswitch Controller can be reprogrammed with new settings as often as needed.

The Dual Footswitch Controller is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: If you need to map, filter, and process MIDI events in specific ways, the MIDI Solutions Event Processor may be exactly the solution you are looking for. The Event Processor offers 10 settings, each of which can be programmed with a unique MIDI processing function (for 32 settings see the Event Processor Plus). By combining these settings the Event Processor becomes an extremely powerful tool capable of processing MIDI events in almost any way imaginable. You can map MIDI events or ranges of MIDI events to other MIDI events, filter MIDI events or ranges of MIDI events, trigger MIDI events, toggle between MIDI events, sequence through MIDI events, scale or crossfade MIDI messages, transpose notes, scale velocities, map to and from System Exclusive, NRPN, Bank Select messages, store incoming values in variables for later use... the Event Processor is like a swiss army knife of MIDI processing products, an indispensable tool in any MIDI musician's arsenal.

The Event Processor works by comparing each incoming MIDI event with each of its 10 settings. When an incoming MIDI event matches a setting, the event is processed according to that setting. By combining different settings for different incoming events, the Event Processor becomes an extremely powerful tool capable of achieving a wide range of MIDI-processing functions.

Following is a list of the Event Processor's functions, but better yet download the Event Processor Programming Tools software and read the Guide to the Event Processor and Event Processor Plus by Bruce Wahler of Ashby Solutions. The Programming Tools software is free for download, quick to install, and contains lots of example files that demonstrate the many applications of the Event Processor. And the Guide to the Event Processor and Event Processor Plus is a comprehensive guide that makes it easy to understand everything these amazing products are capable of!

Filter MIDI Events

Map MIDI Events

Trigger MIDI Events

Cycle Through a Sequence of MIDI Events

Turn Settings On and Off

Store Incoming Values in Variables

The Event Processor is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). This is easily done with the Event Processor Programming Tools software. Once programmed, the Event Processor's settings are retained even after power is removed. The Event Processor can be reprogrammed with new settings as often as needed.

The Event Processor is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

weight: 3.8 oz.
dimensions: 4-3/16" x 2-3/16" x 1-3/32"

Notes: The MIDI Solutions Event Processor Plus offers all of the functionality of the MIDI Solutions Event Processor, with 32 settings instead of the Event Processor's 10, and 8 variable storage locations instead of the Event Processor's 2. Each of the Event Processor Plus's 32 settings can be programmed with a unique MIDI processing function. By combining these settings the Event Processor Plus becomes an extremely powerful tool capable of processing MIDI events in almost any way imaginable. You can map MIDI events or ranges of MIDI events to other MIDI events, filter MIDI events or ranges of MIDI events, trigger MIDI events, toggle between MIDI events, sequence through MIDI events, scale or crossfade MIDI messages, transpose notes, scale velocities, map to and from System Exclusive, NRPN, Bank Select messages, store incoming values in variables for later use... the Event Processor is like a swiss army knife of MIDI processing products, an indispensable tool in any MIDI musician's arsenal.

The Event Processor Plus works by comparing each incoming MIDI event with each of its 32 settings. When an incoming MIDI event matches a setting, the event is processed according to that setting. By combining different settings for different incoming events, the Event Processor Plus becomes an extremely powerful tool capable of achieving virtually any combination of MIDI-processing functions.

Following is a list of the Event Processor Plus's functions, but better yet download the Event Processor Plus Programming Tools software and read the Guide to the Event Processor and Event Processor Plus by Bruce Wahler of Ashby Solutions. The Programming Tools software is free for download, quick to install, and contains lots of example files that demonstrate the many applications of the Event Processor Plus. And the Guide to the Event Processor and Event Processor Plus is a comprehensive guide that makes it easy to understand everything these amazing products are capable of!

Filter MIDI Events

Map MIDI Events

Trigger MIDI Events

Cycle Through a Sequence of MIDI Events

Turn Settings On and Off

Store Incoming Values in Variables


The Event Processor Plus is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). This is easily done with the Event Processor Plus Programming Tools software. Once programmed, the Event Processor Plus's settings are retained even after power is removed. The Event Processor Plus can be reprogrammed with new settings as often as needed.

The Event Processor Plus is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

weight: 3.8 oz.
dimensions: 4-3/16" x 2-3/16" x 1-3/32"

Notes: The MIDI Solutions F8 8 input MIDI Footswitch Controller provides eight 1/4" phone jack inputs for connection to footswitches or contact closures which can be used to trigger MIDI events. Triggered MIDI events are merged with incoming MIDI messages and sent to the MIDI output of the F8.

Triggered event types are programmable and include:

Note

Control Change

Pitch Bend

Program Change

Start/Stop

System Exclusive

Other functions include:

Program Change INC/DEC

Rechannelize

Transpose

Tap Tempo

Note-on Filter


MIDI Echo and Footswitch Toggle parameters are selectable on/off.

The Polarity of each footswitch can be determined automatically on power-up, or can be programmed to normally-open or normally-closed. It's also possible for the F8 to send out the state of its footswitches immediately on power-up rather than waiting for each to be depressed.

The F8 is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). This can be done easily with the Programming Tools software for the F8 and R8. One of our customers has also developed a Programming Tools application for Mac OS X, we do not provide support for this application but it is available here: www.crfmw.be/MS

Once programmed, the F8's settings are retained even after power is removed. The F8 can be reprogrammed with new settings as often as needed.

The F8 is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

weight: 4.2 lbs.
dimensions: 19" x 6.5" x 1.75"

Notes: The MIDI Solutions Footswitch Controller provides a 1/4" phone jack input for connection to a footswitch or contact closure which can be used to trigger MIDI events (for eight footswitch inputs in a single rack space unit, see the MIDI Solutions F8). Triggered MIDI events are merged with incoming MIDI messages and sent to the MIDI output of the Footswitch Controller.

Triggered event types are programmable and include: Note, Control Change, Pitch Bend, Program Change, Start/Stop, System Exclusive

Other functions include: Program Change INC/DEC, Rechannelize, Transpose, Tap Tempo, Note-on Filter

MIDI Echo and Footswitch Toggle parameters are selectable on/off.

The Polarity of the footswitch can be determined automatically on power-up, or programmed to normally-open or normally-closed.

The Footswitch Controller is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). This can be done easily with the Processors Programming Tools software. Once programmed, its settings are retained even after power is removed. The Footswitch Controller can be reprogrammed with new settings as often as needed.

The Footswitch Controller is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The MIDI Solutions Footswitch Controller provides a 1/4" phone jack input for connection to a footswitch or contact closure which can be used to trigger MIDI events (for eight footswitch inputs in a single rack space unit, see the MIDI Solutions F8). Triggered MIDI events are merged with incoming MIDI messages and sent to the MIDI output of the Footswitch Controller.

Triggered event types are programmable and include: Note, Control Change, Pitch Bend, Program Change, Start/Stop, System Exclusive

Other functions include: Program Change INC/DEC, Rechannelize, Transpose, Tap Tempo, Note-on Filter

MIDI Echo and Footswitch Toggle parameters are selectable on/off.

The Polarity of the footswitch can be determined automatically on power-up, or programmed to normally-open or normally-closed.

The Footswitch Controller is programmed by sending it MIDI System Exclusive messages (see FAQs - Programming). This can be done easily with the Processors Programming Tools software. Once programmed, its settings are retained even after power is removed. The Footswitch Controller can be reprogrammed with new settings as often as needed.

The Footswitch Controller is MIDI-powered, and requires no batteries or power supply to operate with most MIDI products (see FAQs - Power and FAQs - LED for more information). A MIDI indicator LED lights up when the product is powered and flashes when MIDI data passes through it.