Studio Microphone Preamps

Notes: The TransX two channel microphone preamplifier features a new low noise discrete transformer coupled high performance preamplification circuit. Building upon the quality and success of great sounding products like the Pro MPA II and the Pro VLA II, ART engineers set out to develop the next generation of professional microphone preamplifier to complement our tube-based preamps. The TransX sets a new standard for quality and value. Professional features and spectacular tone are what make the TransX a world-class microphone preamplifier.

Notes: Renowned for offering quality at reasonable prices, FMR are something of a cult favourite brand. The RNP is a dual mic pre-amp with superb sound plus DI and line inputs. Very hard to beat for the money.

Supplier's Notes:

What It Is

The RNP is a pair of separate micpres providing up to 66dB of gain at vanishing low distortion levels in a compact 1/3 rack format. The RNP possesses all the features you'd expect from a professional preamp: accurate signal metering,1MO input impedance DI inputs, high input level capability (up to +28dBu input), high-capacity phantom power supply, sealed relay switching for invert/phantom functions, gold-plated 12-position gain switch, TRS insert between preamp stage and output driver, +28dBu TRS-balanced outputs, 5kO differential input impedance on mic input, plus features like output muting during phantom engage/disengage and battery or AC mains operation.

How It Sounds

The RNP was designed with sonic neutrality in mind without sounding "clinical" or sterile. There's very little coloration- no unexpected frequency response peaks and valleys- across the very wide frequency response (125kHz) at every gain setting. Particularly, there's no variation in the preamp's low frequency response as a function of gain setting. Basically, what you put into the RNP you get out with very little additional effect.

How It's Done

Modern opamps- little miracles of the semiconductor age- make the design of decent-sounding preamps up to 50dB, or so, an almost trivial exercise. It's the last 10 to 15dB that really uncovers the flaws in amplifier design. The RNP's design uses a unique configuration that permits Class-A operation of a discrete transistor pair that almost completely erases the non-linear effects of Vbe and emitter bulk resistance that dog traditional preamp circuits. Additionally, special circuitry constantly measures and adjusts circuit parameters to eliminate gain-control path capacitors and avoids costly individual-trimming to achieve low-distortion, high-CMRR performance required in commercial audio settings over the life of the preamp!