Instrument Microphones

Notes: A super cardioid dynamic mic that's custom designed for great instrument reproduction! The B 906 instrument microphone is especially tailored for guitar amps, and is also excellent for percussion, horns and vocals.

The B 906 features a switchable presence filter which allows you to tailor the sound characteristics to different sound requirements and styles. The filter is adjusted via a slide switch on the microphone with different positions to boosts the presence for aggressive metal rhythm guitars or for classic rock and smooth jazz and blues sounds.

You can hang the B 906 on a guitar amp for stand-free performance. Its laterally mounted capsule has been specially developed for miking guitar amps face on and extremely close to the signal source. Due to its flat design, the B 906 is also very suitable for use with drums, since it can easily be positioned in cramped space conditions. The super cardioid pattern is great for reducing bleed in tight situations onstage, and the B 906's hum compensating coil rejects interference.

Notes: Behringer's C 2 microphones are built to capture the performance of a choir, piano or any other vocal or acoustic sound source to provide a beautiful true to life sound. Sold in perfectly matched pairs, these condenser mics are outstanding in both live and studio applications.

A condenser mic is the ideal choice for capturing vocals or acoustic instruments, either in live or recording settings. By their very nature, condenser microphones are much more sensitive than dynamic microphones, enabling them to pick up even the subtlest of signals. Thanks to their cardioid (heart shaped) pattern, Behringer's C 2 microphones pick up your source signal while rejecting off axis sounds that can ruin an otherwise perfect recording.

Another difference between condenser and dynamic mics is they contain active circuitry that requires phantom power (+48 V) for operation. You can power them from any phantom power equipped mixer.

Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold plated 3 pin XLR connector, you get the highest signal integrity.

Once connected to your system, you'll notice these twin pro caliber microphones have a 4dB boost in the 1KHz - 8KHz range. For those of you new to condenser mics, this basically means you'll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs also benefit greatly from this type of frequency response.

The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C 2 mics contain ultra low noise transformerless FET input circuitry that can handle extreme dynamics with a maximum sound pressure level of 136dB. So even if the featured performer at your next recording session or live show happens to be a revved up jet engine, this workhorse mic will not distort!

Behringer's C 2 mics also feature a low frequency rolloff switch to eliminate infrasonics (mic handling noise, sound created by creaky stages), as well as a switchable -10dB input pad to accommodate hot signals, such as a really loud vocalist or that overzealous cellist.

Notes: The C3 is an affordable, high-quality way to put this essential studio tool to work for you. It has three selectable pickup patterns: omnidirectional for capturing sound equally on all sides; cardioid for picking up your source signal while rejecting off-axis sounds; and figure-eight for capturing sound both behind and in front of the mic, but not all the way around. With its excellent transducer and gold-plated XLR output, the C3 is very neutral-sounding and truly delivers on the promise of noise-free transmission.

The C3 is built to be your go-to condenser mic for years to come. Its tough, die-cast body can withstand all the rigors of bleary-eyed late-night recording marathons. And with its rugged foam-padded carrying case, it travels in safety and style. A swivel stand mount is also included so it can be affixed to your studio's mic stands.

Notes: C4 microphones are built to capture the performance of a choir, piano or any other vocal or acoustic sound source to provide a beautiful true-to-life sound. Sold in perfectly matched pairs, these outstanding condenser mics are especially great for live applications because their non-reflective finish eliminates unwanted glare caused by stage lighting.

Every stitch of these mics is designed to deliver beautiful sound. Beginning with the gold-plated 3-pin XLR connector, you get the highest signal integrity. Once they are connected to your sound system, you'll notice these twin pro-caliber microphones have exceptional frequency response (an average boost of 4dB between 1kHz- 8kHz). For those of you who are new to condenser mics, this basically means you'll get a slightly brighter sound that will give the perfect shape to cymbals and overhead miking. Acoustic pianos and choirs will also benefit greatly from this frequency response. The cardioid pickup pattern provides unparalleled sound source separation and feedback rejection. C4 mics contain ultra low-noise, transformerless FET input circuitry that can handle extreme dynamics (from 20 Hz to 20 kHz) and has a maximum sound pressure level of 136 dB. So even if the featured performer at your next recording session or live show happens to be a revved-up jet engine, this workhorse mic will not distort! C4 mics also feature a switchable low-frequency rolloff to eliminate infrasonics (rumble, mains hum and mic handling noise), as well as a switchable -10 dB input attenuation to accommodate for hot signals, such as a really loud vocalist or overzealous cellist.

The C4 mics not only sound great, but come packed with custom stand adapters, windscreens, a stereo bar for mounting both mics in stereo alignment, and a transport case. As soon as you break them out of the box, these mics are ready to become a mind-blowing addition to your sound arsenal.

Notes: A pair of miniature cardioid condenser microphones with compact dimensions and ultra-high sensitivity. Applications include recording in stereo, overheads for drums and drop mics for chorus sections.

Notes: A slim electret condenser microphone with cardioid response pattern for accurate pickup of acoustic instruments or voices. Ideal for recording or as overheads for live performances.

*Ideal for use as a pair of overhead drum mics!

Notes: Spare MEMS microphone for iRig Acoustic Stage. Works only in association with the iRig Acoustic Stage DSP unit.

iRig Acoustic Stage uses an ultra-compact MEMS microphone to capture your acoustic's sound from the soundhole. It can be quickly slid into place in the soundhole of the instrument and easily removed with zero modification to the instrument required. This lets you use iRig Acoustic Stage on all of your acoustic steel string guitars, classical nylon strings guitars and even ukuleles or other stringed instruments with a soundhole.

Notes: The TT1 cartridge has been specially designed for recording and reproducing the sound of acoustic instruments such as stringed instruments, wood, wind, guitars and percussion, either live or in the studio.

The new, rugged TT1 Instruments mic has shown itself to be highly effective for amp micing (guitar, etc.).

(Audio samples at http://www.prodipe.com/en/products/microphones/micros-dynamiques/item/303-tt1-instruments)

Notes: The sE7 is a high-quality back-electret small diaphragm condenser microphone intended for a wide range of studio and live sound applications, from acoustic guitars to pianos to drums and beyond.

With an optimized acoustic design, discrete class-A circuitry and a transformerless output, it delivers clear, natural sound quality at all frequencies, without suffering from fizzy highs or a lack of low-frequency punch.

The discrete electronics and the switchable attenuation pad ensure a high dynamic range, with high sound pressure level (SPL) handling capability and extremely low-noise components. The switchable low-cut filter helps eliminate rumble or footfall noise, and can also compensate for an excess of bass frequencies caused by the proximity effect. This enables the sE7 to close-mic many instruments including electric guitar speaker cabinets, brass instruments and drums.

Reliable operation even in demanding on-stage applications in difficult environments is ensured by the roadworthy all-metal design, robust construction, and high-quality manufacturing standards.

High-quality condenser capsule:

The sE7's specialized capsule is designed for natural, balanced sound quality, with an ultra-thin diaphragm for excellent transient response. Its cardioid polar pattern also makes it ideal for most studio or stage applications, delivering great sound for almost any source.

The quietest pencil mic in its class:

With a very short signal path and state of the art electronics, the sE7 is the quietest microphone in its class. The transformerless design ensures pristine sound quality, reproducing instruments with excellent clarity and depth.

Switchable pre-attenuation pad:

The switchable -20dB attenuation pad prevents overloading your preamp or mixer and provides extended dynamic range, enabling close-mic techniques for even the loudest sources like brass instruments and snare drums.
Switchable low-cut filter:

The integrated 80Hz low-cut filter helps to eliminate low-frequency rumble or footfall noise, or to compensate for excessive bass (proximity effect) with close-mic techniques.

All-metal housing with gold-plated XLR connector, premium finish & accessories:

The sE7's all-metal chassis provides efficient rejection of any electrical interference and noise, and its high-quality finish ensures a great look for years to come, and the corrosion-free gold-plated XLR contacts ensure a loss-free, reliable signal connection for years and years and years and...

The sE7 also comes standard with a custom mic clip that will securely attach it to any mic stand via the included thread adapter, plus a windscreen to avoid wind noise.