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Effects pedals

There are thousands of effects pedals on offer, with something to suit every budget and every sound. Effects pedals – sometimes called stomp boxes or FX – were originally targeted at guitar players, but now there are options for everyone, including pedals designed specifically for bass guitars, synths and vocals. Old-school effects pedals were typically simple analogue effects like distortion, overdrive, fuzz, wah and flangers. Modern pedals might also include digital processing, unlocking complex reverbs, delays, loopers and modulation effects like chorus. Electronic producers should look out for pedals which can handle line-level signals, making it easier to hook up synthesisers, modular synths, drum machines, samplers and other pro studio equipment. Some pedals even offer stereo inputs and outputs, meaning you can use them on true stereo signals. Whether you’re looking for a cheap, high-quality distortion or a boutique multi-effects unit, there’s something for everyone.
Effects pedals
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150/361(ページ1/8)の商品
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Wampler Ratsbane Distortion Effects Pedal
Cat: 810252 Rel: 03 Mar 21
 
Distortion pedal
Notes: Based on a famous circuit from a classic "Rodent-based" 1980's high gain distortion pedal
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MRP:$174.60 SAVE 10%
 1 in stock $156.73
Eventide MicroPitch Delay Dual Pitch-Shifters Effects Pedal
Cat: 817596 Rel: 14 Apr 21
 
Delay pedal
Notes: Eventide's legendary MicroPitch effect, as found in the H910 and H949 Harmonizers, packaged into a compact pedal format, suitable for guitar, bass, synth and other line level signals.

Supplier's Notes:
Savor the secret sauce simmered into countless hit records with the MicroPitch Delay Pedal. By utilizing subtle pitch shifts to create a rich stereo spread, MicroPitch Delay makes anything you cook up sonically delectable. This pedal is the key ingredient for serving up flavorful tone: Instantly harness soaring leads that jump out of the mix, add distinct lushness to a compelling clean passage and get your fill of vibey modulation that's sure to sweeten any pot with the push of a button.

Sample a bite of the newly baked up Positive and Negative Envelope modulation sources and you'll be sure to come back for seconds; and major and minor thirds. MicroPitch Delay adds unparalleled dimension to any source; it's not just a guitar pedal.

Use it to thicken vocals, keyboards, drums, strings, brass, winds and more.

What's the recipe for the MicroPitch Delay pedal? It's a unique flavor profile of dual pitch-shifters with fine-resolution de-tuning and modulation combined with delay in a delicious red package. The pedal is the latest incarnation of a legendary effect that originated in the H910 and H949 Harmonizers, and later popularized with the H3000. It can be utilized for chorusing and savoury repeating delays. It's a creative sonic design tool. It's effective whether used subtlety as a thickening tone-enhancer or dialed to the extremes for special effects. The simplicity of the pedal's ability to make things sound bigger is what makes it so tasty! With the MicroPitch Delay pedal, you can easily harness the power of this iconic Eventide effect that helped shape musical history.

The MicroPitch Delay algorithm has been a mainstay of audio production and musical performance since it was first introduced within the legendary H910 and H949 effects processors. Its subsequent appearance in the H3000 Harmonizerr further popularized the effect and cemented its place in musical history as a quintessential studio tool. Now players can harness the power of this iconic Eventide effect with the MicroPitch Delay pedal, which offers a unique combination of dual pitch-shifters with fine-resolution de-tuning, delay and modulation - including new positive envelope and negative envelope modulation sources. Its distinctive architecture yields a wide breadth of sonic applications ranging from subtle tone thickening to creating a rich stereo spread to a host of creative sound design special effects. The rugged, gig-ready red MicroPitch Delay pedal is not just for guitars the pedal brings unparalleled dimension to any source from vocals to keyboards to drums, strings, brass and winds.

Users can choose from dozens of Eventide presets to load via MIDI, which are also accessible in the preset list on the Eventide Device Manager (EDM - a Windows or Mac OS X application for software updates, system settings and creating/saving presets).

The pedal can store up to 127 presets in memory, with five presets loaded at a player's feet for access from a latching/momentary dual-action Active Footswitch with a Catch-up mode to help players dial in their sound when toggling between presets/parameters. A single Aux switch can be deployed to Tap Tempo, or a triple Aux switch can be used for easy preset changing (up/down/load). The MicroPitch Delay Pedal offers multiple Bypass options: Buffered, Relay, DSP+FX or Kill dry. MIDI capability is available over TRS (for use with a MIDI to TRS cable or converter box) or USB. The rear-panel Guitar/Line Level switch allows level-matching with guitars, synths, FX loops or DAW interfaces. Any combination of MicroPitch Delay parameters can be mapped to an Expression pedal.
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Eventide UltraTap Multi-Tap Delay Effects Pedal
Cat: 817960 Rel: 14 Apr 21
 
Delay effects pedal
Notes: Multi-tap delays go next-level with Eventide's incredible heritage distilled into this compact pedal format. Line level options allow you to process synths, drums, guitars and just about any other signal.

Supplier's Notes:
A Multiverse of Tone UltraTap is a unique multi-tap effect pedal capable of rhythmic delays, glitchy reverbs, huge pad-like volume swells, and extraordinary modulation.

It's the perfect tool for staccato leads, swelling chords, and other evolving effects - everything from reversed reverbs to the sound of ripping it up in the Grand Canyon!

Think of UltraTap as the mother of all Echoplexes and you won't be too far off.

That's basically how it operates but with the flexibility to add as many 'tape heads' as you want and expressively control their positions and levels.

UltraTap's controls make possible new and unexpected effects. The controls that you would expect in a multi-tap delay pedaliNumber of Taps, Delay and Feedback- are just the basics.

Controls for Spread, Slurm, and Chop open up a new world of possibilities.

Effect Features:

"Slurm" An exclusive and innovative control that smears/slurs taps together to create truly unique reverbs and choruses.

"Chop" and "Spd/Rise/Rel" combine to allow unusual and expressive modulation of the taps based on LFO shapes or the audio's envelope.

"Feedback" unlocks further tone shaping capability.

"Taps" selects up to 64 taps to create simple repeats or morph delays into chorus and reverb.

"Spread" controls the 'distance' between' taps. With the knob centered, the taps are equally spaced, turn clockwise and the later taps are bunched together, counterclockwise and the early taps are bunched together. Use this control to dial in the perfect rhythmic space between taps.

Onboard LFOs and envelopes to chop the sound source into stuttered rhythms.

"Tap Footswitch" allows you to set the tempo of the taps.

Connectors:

Input: 1/4" TRS / Mono = Tip, Stereo = Tip & Ring
Out 1: 1/4" TS Mono / Mono Output
Out 2: 1/4" TS Mono / Stereo Output
EXP: 1/4" TRS / Expression pedal, Aux Switch or MIDI I/O
Mono/Stereo Switch: Sets Input to Mono (Tip) or Stereo (Tip + Ring)
Guitar/Line Level Switch: Optimizes internal gain structure
Mini USB: Software updates, MIDI I/O
DC Input Jack: 5.5mm / 2.1mm plug / Center Negative (-)

Analog I/O:

Input Impedance: 700k ohms Mono, 990k ohms Stereo
Max Input, Guitar: +8dBu
Max Input, Line: +14dBu
Output Impedance: 220 ohms
Recommended Load Impedance: 10k ohms

Specifications:

Power: 9V DC @ 200mA / Center Negative (-)
Dimensions (product): 4" W x 4.25" D x 1.68" H / 102 mm x 108 mm x 43 mm
Weight (product): 1.06 lb / 0.48 kg
Dimensions (package): 7.7" W x 4.75" D x 2.8" H / 178 mm x 121 mm x 71 mm
Weight (package): 1.68 lb / .77 kg
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MRP:$278.74 SAVE 20%
 1 in stock $223.81
Source Audio Nemesis Delay Multi-Engine Stereo Delay Effects Pedal
Cat: 819480 Rel: 06 Apr 21
 
Delay effects pedal.
Notes: The Nemesis Delay is the culmination of three years of intense research, listening, and engineering. The mission was to create a compact, powerful, and easy-to-use delay pedal with unrivaled tone, flexibility, and style. Nemesis offers 26 distinct effect engines ranging from vintage tape and analog delays to highly advanced pitch-shifting, reverse, filter modulating, and rhythmic delays. It also features 128 presets, multiple delay taps, a hold function, tap tempo, full MIDI control, deep editing functionality with the Neuro Mobile App, and much more.

Nemesis captures the full spectrum of delay effects, starting with a comprehensive collection of meticulously crafted vintage delay tones. The Source Audio engineering team spent over a year studying numerous iconic and sought after tape and bucket brigade delay units with a staunch dedication to identifying their every nuance and idiosyncrasy. The Nemesis's Tape, Noise Tape and Slapback delays capture all the characteristic flutter, warmth, and color that give vintage tape delay machines like the Echoplex and Space Echo their classic charm. The Analog delay engine beautifully achieves the resonant peaks combined with high and low frequency decay that typifies classic bucket brigade delay pedals. The pedal's Digital delay manufactures pristine, high definition repeats with or without filtering effects for a classic rack-system tone.

At the opposite side of the spectrum, you'll find an advanced collection of sophisticated and specialized delay effects. The Shifter delay generates perfect polyphonic pitch intervals with repeats jumping to either an octave (up or down), major or minor third, 4th, or 5th. Sweeper applies modulating filter effects to repeats for a unique delay/wah hybrid tone. Backwards effects like Helix and Reverse provide a perfect blend of chaos and control with multi-tap reverse patterns and angelic pitch shifting effects. A Rhythmic delay features an engaging and musical collection of non-standard multi-tap delay patterns.

The 12 engines included on the face of the Nemesis represent a perfect cross section of delay effects, from classic essentials to the highly progressive. But don't stop there, we strongly recommend connecting your Nemesis to the Neuro Mobile App or Neuro Desktop Editor and checking out the 14 additional delay engines not accessible with the effect selector knob. Click the links below for deep-dive videos on some of these bonus delay effects, plus a closer look at the original 12.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 200mA
USB port - Connects to Mac or Windows PC for MIDI control of firmware updates.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2 in./5.1cm (including knobs)
Wieght: 1 lb./0.45 kg.
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MRP:$303.98 SAVE 10%
 1 in stock $272.64
Source Audio Ventris Dual Reverb Stereo Dual DSP Reverb Effects Pedal
Cat: 819484 Rel: 06 Apr 21
 
Reverb effects pedal
Notes: Not just another reverb pedal. The Ventris's party trick comes from its dual stereo reverb engines, allowing for smooth switching between presets. Top quality 56-bit processing and 14 different modes.

Supplier's Notes:
Create rich, spacious reverberations with the Ventris Dual Reverb. The Ventris features 14 meticulously crafted reverb engines built on two completely independent 56-bit signal processors, essentially housing a matching pair of high-powered, stereo reverb pedals in a single box. The pedal's dual DSP architecture provides massive processing muscle, adjustable preset spillover time, and advanced dual reverb effects. Step into a vast realm of ambient space.

The supremely intelligent Ventris Dual Reverb features two completely independent 56-bit reverb processors, essentially housing a matching pair of high-powered reverb pedals in a single box. The Ventris's powerful dual processing architecture gives the pedal some serious advantages including massive processing muscle, adjustable preset spillover time, and the ability to create dual reverb effects.

The power to combine two reverb engines truly expands the pedal's ambient possibilities. Run dual reverb effects in a parallel or cascading signal path, or split your reverbs and send a different effect to each of the pedal's two Outputs.

Massive Processing Power: Dual processing eliminates bloated all-in-one reverb programs. Instead of being forced to allocate 5% of the processing power to something vital and complex like the True Spring reverb, we can now dedicate 100% of the processor, opening the door to a new frontier of realism and sonic exploration.

True Spillover: Seamless "spillover" from one preset to the next is an enormous advantage in live situations. Switch from one reverb preset to another without abruptly cutting off the trail of the previous effect. And, the dual reverb engines make it possible to program (with the Neuro Desktop Editor) the decay rate of the first reverb trail.

Source Audio's two man engineering team of Bob Chidlaw and Jesse Remignanti took extreme care in crafting the Ventris Reverb's exceptionally spacious tones, covering all the bases from beautifully natural reverberations to haunting "unnatural" tones. The Ventris Dual Reverb includes 12 onboard reverb engines as well as an ever-expanding collection of reverb effects available via the Neuro Mobile App or Neuro Desktop Editor. Click the boxes below for details on each engine.

The True Spring engine is the perfect example of the Source Audio engineering team taking full advantage of the Ventris Dual Reverb's immense processing might. True Spring flawlessly captures all the subtleties and idiosyncrasies of classic spring reverb equipped amplifiers, including the characteristic "drip" associated with the vintage effect. Spring reverb simulation was a major challenge, requiring a deep understanding of the physical characteristics of reverb springs, advanced experience in sound design, and exceptional processing power. Chief Scientist Bob Chidlaw drew upon all his knowledge and experience in the creation of the True Spring engine, from his days as head engineer at Kurzweil to the creation of Source Audio's Soundblox 2 Dimension Reverb. The result is a supremely natural sounding reverb effect.

Includes 9v DC power supply (400mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption i 280mA
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2 in./5.1cm (including knobs)
Weight: 1 lb./0.45 kg.
Maximum Input Level: +6.54 dBV = 8.76 dBu = 2.12 V RMS = 6.0 V p-p
Full Scale Output Level: +6.54 dBV = 8.76 dBu = 2.12 V RMS = 6.0 V p-p
Input Impedance: 1 MegaOhm (1 M?)
Output Impedance: 600 Ohm (600 ?)
110 dB DNR Audio Path
24-bit Audio Conversion
56-bit Digital Data Path
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MRP:$451.24 SAVE 12%
 1 in stock $398.68
Source Audio Collider Setreo Delay & Reverb Stereo Dual Reverb & Delay Effects Pedal
Cat: 819487 Rel: 14 Apr 21
 
Delay and reverb effects pedal
Notes: The best delay and reverb programs from the Nemesis Delay and Ventris Dual Reverb are combined to create a potent, versatile new pedal. Create soundscapes and ambiences from vintage effects to modern experimentalism.

Supplier's Notes:
Design complex soundscapes in seconds with the Collider Delay+Reverb. Source hand-picked 12 standout delay and reverb effects from the award winning Nemesis Delay and Ventris Dual Reverb, and put them together in one compact housing with massive power and dead simple control. The Collider's intuitive control surface makes it easy to mix-and-match any two-engine combination of delay and reverb. Dual footswitches provide individual Engage/Bypass control over each effect, making it a perfect choice for live performance.

The Collider offers an exceptional collection of rich, spacious tones, including realistic reproductions of vintage Analog, Tape, and Oil Can Delays, classic models of Spring and Plate Reverb, natural replications of large and small acoustic spaces, and an intriguing and highly musical selection of "unnatural" tones including a tripped-out Reverse Delay and an other-worldly Shimmer Reverb.

Collider takes supremely high-end delay and reverb effects and offers them in a sleek and powerful design with massive processing muscle and clean functionality. The Collider features two completely independent 56-bit signal processors, essentially housing a high-powered reverb AND a high-powered delay pedal in a single box. This means that it is possible to create magnificent tones with any two-effect combination of delay/reverb, delay/delay, or reverb/reverb.

This extremely versatile pedal offers a long list of useful features, including analog dry through, stereo inputs and outputs, the option of true or buffered bypass, 8 user presets (or 128 with MIDI), full MIDI functionality, delay tap tempo, reverb hold (a.k.a. "freeze"), external expression capabilities, external preset switching capabilities and extra editing and signal routing options via the Neuro Desktop and Mobile App Editors.

The sound engineering team of Bob Chidlaw and Jesse Remignanti were relentless in their pursuit of perfection with each and every one of the Collider's delay and reverb effects. Whether it's beautifully capturing every minute detail of vintage units or bringing exceptional depth and richness to the contemporary effects, the Collider delivers excellence.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 300mA
USB port i Connects to Mac or Windows PC for MIDI control of firmware updates.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 4.5 in./11.4cm x H: 2 in./5.1cm (including knobs)
Weight: 1 lb./0.45 kg.
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 1 in stock $367.09
Dreadbox Komorebi Flanger & Chorus Effects Pedal
Cat: 809385 Rel: 26 Feb 21
 
Chorus & flanger effects pedal
Notes: Huge chorus-flanger. Take your music to infinity. The fully analogue Dreadbox Komorebi Chorus-Flanger Pedal gives you a huge array of sound design possibilities. This powerful pedal can add some serious impact to your sound.

It doesn't matter if you're playing bass, guitar, synths, or even if you want to hook it up to your modular Eurorack system. The Komorebi is ready to go. Sprinkling its beautiful effects over anything it touches.

From a slight pinch of flange to add some movement to your bass lines, or a lengthy chorus effect to treat your pads and chords to a final touch of space-age wideness. It's a guitar pedal but not as you know. Komorebi works with everything.

Current draw: 100mA
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 1 in stock $161.23
Electro-Harmonix Pitch Fork+ Polyphonic Pitch Shifter & Harmony Effects Pedal
Cat: 791774 Rel: 02 Oct 20
 
Pitch shifter & harmony effects pedal
Notes: The Pitch Forkr+ features two independent pitch shifting engines with full control over each. Both will transpose your pitch up or down over a +/- three octave range and detune +/-99 cents. With rock solid tracking, an organic, musical tone and extensive control, it's your ultimate harmonizer.

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MRP:$241.92 SAVE 21%
 2 in stock $191.40
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Empress Effects Compressor MKII Effects Pedal (blue)
Cat: 798994 Rel: 27 Nov 20
 
Bass compressor effectspedal
Notes: When the original Compressor was released back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Now, based on users' valuable feedback, everything great about the original Compressor has been taken and made even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, Empress have now added a 'tilt' tone eq control, and a selectable sidechain high pass filter built into the Compressor's detection circuit.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 20Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"
Length 4.8"
Width 2.6"
Weight 1lbs
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MRP:$314.50 SAVE 17%
 1 in stock $261.91
Empress Effects Bass Compressor Effects Pedal
Cat: 799007 Rel: 27 Nov 20
 
Bass compressor effects pedal
Notes: When Empress released the original Compressor back in 2011, it quickly became a favourite among guitar and bass players alike who were searching for something more than the typical oversimplified controls found on most compressor pedals. Although our original Compressor sounded great on bass (and still does!) we set out to do even better.

On top of the full range of features and controls normally only seen in high end studio equipment, such as input and gain reduction metering, independent attack and release controls, a mix knob for parallel compression, and an external sidechain insert, we've now added a fully variable sidechain high pass filter, and a two position 'tone + colour' circuit which adds gentle tone sculpting and harmonic distortion, giving your bass some delicious character.

Specifications:
Input Impedance 1M
Output Impedance 2.2k
Frequency Response (-3dB) 10Hz - 20kHz
Distortion less than 0.1%
Noise -101dB
Power Input Voltage 9 - 18 V DC (Negative tip)
Power Input Connector 2.1mm barrel connector (Negative tip)
Power Consumption ~ 100mA
Enclosure Material Die Cast Aluminum
Input connector 1/4" Jack
Output connector 1/4" Jack
Height (Enclosure only) 1.5"
Height (including controls) 2.5"


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MRP:$314.50 SAVE 17%
 2 in stock $261.91
Electro-Harmonix Intelligent Harmony Machine Digital Harmonizer & Pitch Shifter Effects Pedal
Cat: 852828 Rel: 19 Nov 21
 
Digital harmonizer & pitch shifter effects pedal
Notes: Instantly create matching harmonies to what you play.

The EHX Intelligent Harmony Machine instantly creates matching harmonies to what you play. It's like having one - or even two - guitarists jamming with you at the same time and always in perfect sync. The Intelligent Harmony Machine opens a door to the music of great multi-lead guitar bands and multi-part harmonized solos. Plus, its ability to apply harmonies ranging from simple to sophisticated will totally transform what you play. Of course, it also boasts EHX's renowned impeccable tracking and genuine musical tone.

Select your key and the Intelligent Harmony Machines will generate single note, diatonic harmonies* with a huge range of choices that includes both two- and three-part harmonies. Here are your choices:

1: 6th Down
2: Perfect 4th Down
3: 3rd Down
4: 3rd Up
5: Perfect 4th Up
6: Perfect 5th Up
7: 6th Up
8: 7th Up
9: 3rd Up + 5th Up
10: 3rd Up + 7th Up
11: Perfect 5th Up + Octave Up

These sound so cool that EHX have included them as extra options for the multi-harmony parts (selections 9, 10 and 11) to give you even more choices:

9 optional: 4th Down + 3rd Up
10 optional: 3rd Up + 6th Up
11 optional: Octave Down + 5th Up
9 optional: 6th Down + 4th Down
10 optional: 3rd Down + 3rd Up
11 optional: Octave Down + 4th Down
The Intelligent Harmony Machine also performs perfect polyphonic pitch shifts so the pitch shifts you dial up are applied to chords as well as single notes. We've even included a Major/Minor switch so you can select whether 2nds and 3rds will be major or minor. Here are the interval selections that are available:

1: Doubler
2: Perfect 4th Down
3: 3rd Down (minor on major)
4: 3rd Up (minor or major)
5: Perfect 4th Up
6: Perfect 5th Up
7: 2nd Down (minor or major)
8: 2nd Up (minor or major)
9: Octave Down
10: Octave Up
11: Perfect 5th Up + Octave Up

The Intelligent Harmony Machine's Moment Mode lets you instantly change pitch by simply depressing the pedal's footswitch. The pitch shift is engaged as long as you hold down the F/S. There's also an option so you can apply a user-set sweep time between dry and effect. Choose instant pitch changes or control the time it takes for the Intelligent Harmony Machine to sweep up and down between the set interval and the dry signal!

EHX Founder, Mike Matthews said: "We designed the Intelligent Harmony Machine for the player who craves maximum power, but in a minimal footprint. You'll dig its sweet, musical tone and spotless tracking!"

*Diatonic harmony means notes within a specific key that relate to each other.

Compact harmony generating, pitch-shifting powerhouse
Impeccable tracking and superb musical tone
Two distinct modes: Intelligent Harmony and Polyphonic.
Intelligent Harmony Mode generates diatonic harmonies in a set key based on the single notes you play. Key Selector and #/- switches provide access to all 12 keys.
In Polyphonic Override Mode you can play single notes and chords. The IHM's 11-position Interval Selector switch lets you select the harmony.
In Momentary Mode the effect is only active when the footswitch is depressed. Choose from instant shifts or set the time it takes the signal to sweep up and down.
Mix control sets the mix between your dry and shifted signals. Dry output adds signal routing and control options and flexibility
Comes equipped with an EHX 9 Volt power supply, can also run on 9 Volt battery

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included (optional 9V battery not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 26mA
Year Released: 2021
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MRP:$258.75 SAVE 20%
 1 in stock $208.26
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Pigtronix GateKeeper Micro High Speed Noise Gate Effects Pedal
Cat: 853410 Rel: 21 Dec 21
 
High speed noise gate effects pedal
Notes: Gatekeeper is a lightning fast, studio-quality noise gate that locks out unwanted noise from any rig. Featuring Threshold and Release knobs, Gatekeeper provides 100% attenuation with unprecedented response time and utilizes ultra high-speed J-FET circuitry to completely eliminate hum, hiss, buzz and any other intrusive non-musical sounds from your signal path. Its wide range Threshold control combines with exceptional headroom to deliver smooth transient response previously available only in rackmount, studio-oriented noise gate processors. The addition of the Release knob allows the user to control how long it takes gate to slam closed.

Knob-by-knob

Threshold: Sets the dynamic at which the noise gate activates.
Release: Sets the release time of the noise gate.

Designed for all rigs

Mercilessly cutting out any and all sounds you don't want to hear at the very instant you stop playing, the Gatekeeper was designed with even the most high-gain rigs in mind. Crank the volume without fear of the annoying 60-cycle hum or white noise.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 10M
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs
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MRP:$114.65 SAVE 16%
 1 in stock $96.76
Pigtronix Moon Pool Micro Analogue Phase Shifter & Tremolo Effects Pedal
Cat: 853581 Rel: 21 Dec 21
 
An analogue phase shifter and tremolo pedal with independent speed controls.
Notes: Moon Pool is an analog phase shifter and tremolo with independent speed controls featuring the ability to change the rate of one or both of the effects in either direction, corresponding to how hard you play. The 4-stage, VCA-based phaser and variable bias tremolo found in the Moon Pool can each be run as standalone effects or they can be combined in series for a mesmerizing mashup of modulators. A global Depth knob determines overall wetness, while a Sensitivity knob allows you to dial in the responsiveness of these changes to accommodate different playing styles and colors. Runs on standard 9VDC.

Knob-by-knob

Phase Speed: Sets the rate of modulation for the phaser.
Trem Speed: Sets the rate of modulation for the tremolo.
Depth: Sets the intensity of both the phaser and tremolo.
Sens.: Determines how much signal is required to change the speed of both phaser and trem when dynamics processing is turned on.

Trem / Phase (Three-Way Toggle): Up = trem engaged, Center = both engaged, Down = phaser engaged

Phaser Dyn. (Three-Way Toggle): Up = phaser speed increases in response to playing dynamic, Middle = no change, Down = decreases

Trem Dyn. (Three-Way Toggle): Up = trem speed increases in response to playing dynamic, Middle = no change, Down = decreases

Dynamically-responsive, wide-range dual LFOs

Moon Pool features a pair of LFOs that can be independently modulated by the amplitude of your playing. Engaging the dynamics switches enables these LFOs to travel well beyond normal limits, creating wild FM tones at maximum speed and gradually evolving textures when slowed way down. Equal parts out-of-this-world and inherently musical.

Get lost in the slosh

Sometimes, you gotta kick off your moon boots, slip into a moon pool, pour yourself a moon juice, and get lost in the slosh.

Specifications

Electronics

Voltage: 9VDC
Current draw: 100mA
Input impedance: 2.2M
Output impedance: 150ohms

Body

Length: 1.5"
Width: 3.75"
Height: 1.75"
Weight: 0.5 lbs
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MRP:$167.24 SAVE 19%
 1 in stock $135.67
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Pigtronix Infinity 3 Dual Stereo Looper Effects Pedal
Cat: 853595 Rel: 29 Mar 22
 
A deluxe stereo double looper pedal with MIDI.
Notes: Infinity 3 is the world's most musical looping pedal. Simple to operate, yet tremendously powerful and flexible, the Infinity 3 guarantees latency-free looping. This state-of-the-art platform provides instantaneous record, playback, dub, undo and redo, on two stereo loop pairs that can be played in series or parallel as well as synchronized and cue'd for automatic playback. On top of superior speed and a unique, performance-friendly feature set, Infinity 3 sounds downright incredible thanks to its discrete analogue limiter stages, transparent analogue pass-through and 24 bit HD recording engine with variable sample rate that can be incremented in semi-tones over two octaves. With approximately 3 hours of recording time on up to 50 loop pairs, the Infinity 3 was designed to inspire compositional depth and engaging performances. Comprehensive MIDI control and intelligent MIDI clock jitter correction provide the ability to link the Infinity 3 to a DAW, Drum Machine or other effects pedals. Infinity 3 is the ultimate tool for writing, rehearsing and performing every style of music.

Button-by-button

Red/Green - A key corresponding to centre buttons. When any button is red, the feature written above the button is active. When green, the feature below is active.
Sync/Multi - Sync options for Loop 1 and 2. Red for a synced 1:1 ratio, Green for Multi (press and hold to set how many times longer Loop 2 is than Loop 1).
Parallel/Series - Playback options for Loop 1 and 2. Red for Parallel playback, where Loops 1 and 2 can be played on top of each other. Green for Series, for verse/chorus-style looping. Push and hold to access expression pedal functions menu.
Stereo/Split - Input options. Red for standard looping, where all inputs record to each loop. Green for Split, where each input is assigned to its own Loop. Push and hold for Remote Switch pitch interval menu.
Arm/All - Command options. Red for Arm, where only the armed loop receives stop/play commands. Green for All, where both loops receive stop/play commands. Push and hold for loop aging menu.
Cue/Fade - Red for Cue, where actions occur at the loop boundary once triggered. Green for Fade, where Loop audio fades until end of current cycle once stopped. Push and hold to access menu to set number of cycles over which Loop audio fades. Off for instant stop.
24kHz/48kHz - Fidelity/sample rate options. Infinity 3 automatically records at 48kHz. Use this button to change the rate at which you record, or use it after recording a loop to change the speed, and therefore pitch, of your recorded audio. Standard options are 12, 24, and 48 kHz, resulting in octave jumps. Push and hold to access the LED menu to toggle through sample rates based on musical intervals.

Instantaneous commands and hi-fi sound
Utilizing state-of-the-art technology to achieve previously unheard audio fidelity out of a foot pedal looper, Infinity 3 was designed to offer the most musical experience possible. Commands are instantaneous- meaning what you put in is exactly what you get out. Jam-packed with features, Infinity 3 allows for every looping possibility, including MIDI-sync options, stereo split inputs, and extra features via the Pigtronix Universal Remote.

Set your course
An unassuming-looking but infinitely complex world of looping the likes of which we have never seen. It may be mind-bending at first, but it's definitely habitable once you give it a chance.

Specifications

Electronics

Voltage: 18VDC
Current draw: 200mA
Input impedance: 1M
Output impedance: 150 ohms

Body

Length: 5"
Width: 7.4"
Height: 2.4"
Weight: 1.2lbs
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EarthQuaker Devices Hizumitas Fuzz Effects Pedal
Cat: 849689 Rel: 22 Nov 21
 
A faithful recreation of Wata’s go-to distortion pedal, the Elk BM Sustainar.
Notes: Hizumitas was designed for the one and only Wata from the legendary experimental band Boris, one of the heaviest bands ever to come out of Japan. The trio of guitar sorceress Wata, drummer and vocalist Atsuo, and double-neck bassist, guitarist and vocalist Takeshi has almost 100 releases filled with genre and brain-melting music.

In their nearly three decades together, Boris has infused doom, hardcore, thrash, noise-core, ambient, free improv, drone, psychedelia, and more into their extensive discography. Boris is also known for their unique collaborations with mutually adventurous artists, including American Doom mongers Sunn O))), noise legends Merzbow, Keiji Haino, and Ian Astbury of The Cult.

Wata, always seen and heard on stage wielding her black Les Paul Custom, mixes killer riffs with searing, fluid, or jaggedly melodic leads and controlled walls of feedback, often with help from an EBow. It's a connection of chaos and melody that has enchanted Boris fans worldwide and influenced many bands that have followed in their considerable wake. Simply stated, no other band sounds like Boris, and no other guitarist rocks like Wata.

But with EQD's Hizumitas fuzz on your pedalboard, you can carve out your own singular, mega-heavy tone.

Hizumitas is a faithful recreation of Wata's go-to distortion pedal, the Elk BM Sustainar. The Elk is a Japanese variant of the very well-known "Triangle" BMP. The designers at EQD tried several vintage BMP's during development, found that each pedal was wildly different and realized that to truly capture the magic they needed the original. Wata graciously sent her beloved pedal halfway around the world, and EQD discovered that it had something special the others didn't have: heavy saturation with a gritty edge and massive bottom while maintaining a clear and dynamic tone with enough mids and top end to cut through any sludge. The studious wizards at EQD have built all of those characteristics into the Hizumitas.
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MRP:$163.03 SAVE 12%
 2 in stock $144.09
Red Panda Lab Particle 2 Delay & Pitch Shifting Effects Pedal
Cat: 856458 Rel: 18 Jul 22
 
A granular delay & pitch shifting effects pedal.
Notes: Particle is a granular delay / pitch shifting pedal. It chops your signal into small grains and then rearranges, shifts, and mangles it, using the techniques of granular synthesis in real time. Results range from radical pitch and delay modulation to shimmering repeats to time stretching, stutter, and glitch sounds.

Five delay and three pitch modes give intuitive control over random delays, bubbling textures, time stretching, and rhythmic glitches. Take a unique approach beyond conventional delay, pitch, flanging, and chorus sounds. Freeze notes with adjustable threshold for stutter, punch in, or drone-line effects. Lock multiple parameters to tap tempo or MIDI sync with independent note divisions for intricate rhythms. Access all parameters via MIDI, tablet, or "modeless" front-panel operation for full control over granular processing.

The Particle 2 is performance friendly, with controls spaced for real-time tweaking and designed so you can explore new sonic territory while remaining in control. Use the assignable expression pedal or DIY-friendly remote switch for hands-free control. The Particle 2 is pedalboard-friendly with all jacks on top. With full MIDI control, stereo input/output, and +8 dBu maximum input level, it is also at home in modular setups or the studio.

Size: 3.05" x 4.75" x 2.5"
Input impedance: 1 MO
Output impedance:< 1 kO
Power: 9 VDC, center negative
Current:250 mA

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Red Panda Lab Context 2 Reverb Effects Pedal
Cat: 856599 Rel: 18 Jul 22
 
A reverb pedal inspired by 1980’s rack mount reverbs.
Notes: The Context is a reverb pedal inspired by 1980's rack mount reverbs. It has 8 algorithms, including room, hall, cathedral, gated reverb, reverse reverb, plate, spring, and a granular reverb. Each algorithm features separate high and low frequency damping controls, pre-delay, modulation, dynamics (duck/expand), and infinite hold. In addition, delay is always available, along with tremolo in spring mode.

The modulation knob changes the amount and character of the internal reverb modulation, specific to each algorithm. It gives you a mix of different modulation types from 1980's and early 90's reverbs, including chorus modulation, random modulation that keeps the pitch stable, and deep modulated reverbs. Holding down the shift button adjusts the modulation rate.

Reverse reverb fades in louder and brighter over time, giving the impression of playing backwards. Modulation adds a wash of normal reverb.

The spring reverb was designed using the techniques and algorithms that were used in 1980's reverbs, but with enough DSP power to drip and feel like a spring tank. You can adjust the length of the decay, high and low frequency damping. The modulation is tremolo with adjustable intensity and speed.

Grain mode is a granular reverb inspired by the Ursa Major SST-282 Space Station. The SST-282 was released in 1978 and used multiple delay taps with modulation to create reverb effects. The Context can create ghostly reverb effects, slowly sweeping resonances, and at higher modulation settings is a multi-voice granular processor that creates clouds of detuned sound fragments for entirely new reverb sounds.

When the shift button is held down, the top row of knobs adjust delay parameters. The low and high damping knobs adjust dynamics for ducking reverb or an expander for more reverb on louder notes, with adjustable threshold and recovery time. Holding down the foot switches gives you two different types of infinite sustain.

One preset available on the left footswitch, 4 using a remote footswitch, and 127 via MIDI. The expression pedal can be assigned to any combination of parameters. We also have a web-based editor for tweaking and managing your presets.

Algorithms

ROOM - fast buildup, good for thickening sounds
HALL - slower buildup with longer initial delay
CATH(edral) - emulates a large, reflective space
GATE(d) - gated reverb with non-linear decay
REV(erse) - reverse reverb
PLATE - bright, dense studio plate reverb
SPRING - spring reverb
GRAIN - granular reverb

Controls

BLEND - wet/dry blend (to 100% wet)
PRE - predelay
DECAY - reverb decay
HI - high-frequency damping
LO - low-frequency damping
MOD - modulation amount and character

Controls (shift)

BAL - reverb/delay balance
DELAY - delay time
FDBK - delay feedback
v-o-^ - dynamics ducking/off/expander and recovery time
/\-_-_ - dynamics threshold
RATE - modulation rate

Designed and assembled in USA. The Context 2 requires a 9 V 250 mA center negative power supply (not included).

New in version 2

The Room, Hall, Cathedral, Gated, and Plate reverb algorithms are updated versions of the Context version 1 reverbs, but now delay is available in all modes. They also have separate low and high damping controls with more range, modulation, dynamics, and infinite hold. The update also adds stereo input/output, TRS and USB MIDI, fully assignable expression pedal.

Size:3.05" x 4.75" x 2.5"
Input impedance: 1 MO
Output impedance:< 1 kO
Bypass: Analog buffered
Power:9 VDC, center negative
Current:250 mA
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Red Panda Lab Raster 2 Delay Effects Pedal
Cat: 856612 Rel: 16 Sep 22
 
A digital delay with a pitch and frequency shifter integrated into the feedback loop.
Notes: The Raster is a digital delay with a pitch and frequency shifter integrated into the feedback loop. Forward or reverse delay can be shifted once or have continuously shifted repeats. It delivers a wide range of sounds including modulated and harmonized delays, reverse delays, chorus, arpeggios, infinite descents, chaotic self-oscillation, and continuously evolving soundscapes.

The core of the Raster is a clean delay with up to 1600 milliseconds of delay time. Three delay ranges allow you to precisely dial in resonant feedback sounds and instantly change delay time with rhythmic shifts. The feedback control has infinite repeats at 3 o'clock and chaotic, textured feedback loops at higher levels. Knob responses are carefully tuned for exploration of self-oscillation and feedback on the verge of blowing up. A tone control sweeps from dark analog-style repeats to digital clarity and emphasizes the attack at higher settings. The left and right delay times can be set as a ratio, so a single knob changes both in sync. The two delay channels can be arranged in series, parallel or ping pong.

Pitch shifting repeats up or down in semitone steps creates tempo-synced arpeggios and alien organ sounds. The detune setting can dial in micro pitch shifts and chorused repeats. The left and right channels can be shifted by the same amount, a ratio, or opposite directions. At subtle settings, repeats evolve in a way that sounds natural, but different from analog delays.

Beyond pitch shifting, a combination phase/frequency shifter creates subtle evolving repeats, dissonant harmonies, and barber pole flanging. It can be pushed to extremes for ring modulation and inharmonic shifted delays that distort and break apart.

The Raster's modulation section has seven waveforms that can be assigned to delay time, pitch shift, or effect level (for tremolo). There are two random waveforms for glitchy pitch jumps, wow and flutter, and broken tape deck effects. Envelope and inverse envelope enable dynamic flanging and pitch bent delays. Stereo controls adjust the modulation amount and phase between channels, for subtle shifts or swirling psychedelic washes.

Capable of extreme sonic mayhem, the Raster can also be used with restraint to add unique character to your sound.

The Raster 2 is performance friendly, with 6 knobs and 9 switches. The original Raster was praised for its knob response and immediacy, and the Raster 2 maintains that simplicity while adding flexible modulation and extensive stereo functionality. Alternate knob settings are related to the primary knob function, labeled, and off at the center position. Both footswitches can be latching or momentary, for instant pitch jumps or quick blasts of echo. The bypass switch can also mute the output in bypass while always listening, to catch, repeat, and manipulate what you just played.

While designing the Raster 2, we wanted to enable as many classic rack mount digital delay tricks as possible while keeping the fast and intuitive control that made the original Raster so fun to use. Instead of multiple modes with generic knob names, all of the parameters are always available, so you can mix and match different effects and explore new sounds in between.

Size: 3.05" x 4.75" x 2.5"
Input impedance: 1 MO
Output impedance: < 1 kO
Bypass: analogue buffered
Power: 9 VDC, center negative
Current: 250 mA
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Red Panda Lab Tensor Pitch Shifter & Time Stretcher Effects Pedal
Red Panda Lab Tensor Pitch Shifter & Time Stretcher Effects Pedal (tape stop pitch shifter/time stretcher effects pedal)
Cat: 856617 Rel: 18 Jul 22
 
A pitch shifter & time stretcher peal that gives you live reverse and tape stop effects
Notes: Mess with time and space in real time with this impressive pitch-shifter and time-stretcher. Reverse and tape stop effects, looping, randomisation and much more, with optional expression and MIDI control.

Supplier's Notes:
The Tensor gives you live reverse and tape stop effects, pitch shifting, time stretching and hold functions that you can combine in creative ways. Slow down, speed up and rewind in real time. Stretch or compress time with no pitch change. Loop, overdub, and randomly slice phrases up to 9.4 seconds (4.7 seconds in stereo).

Intelligent randomization adapts to the knob settings. The results range from occasional CD skips, stutters, and rhythmic repeats to random slicing and erratic pitch shifts. Both foot switches have momentary and latching modes to inject pitch jumps, glitches, or instantly rewind what you just played.

The Tensor is in a pedalboard-friendly enclosure with all jacks on top. All controls are immediately accessible with well-spaced knobs for live tweaking, and USB MIDI for recording and sequencing.

Listen to music written around the Tensor: Tensor Tracks on bandcamp

New in firmware version 1.1:

Loop sampler functions (retrigger / stop / one shot) via MIDI or remote switch
31 presets via MIDI or remote switch
Expression pedal assignable to any knobs
Improved MIDI scaling for speed, time, and pitch
Kill dry mode (always mutes dry signal)

Size:3.05" x 4.75" x 2.5"
Input impedance:1 MO
Output impedance:< 1 kO
Bypass:Analogue buffered
Power:9V DC, center negative
Current:250 mA
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Neunaber Audio Immerse MKII Reverberator Effects Pedal (black)
Cat: 856949 Rel: 19 Jan 22
 
Eight Stellar Stereo Reverbs - Zero Learning Curve
Notes: Second-gen Immerse offers true studio-quality stereo reverb in a compact pedal format. Eight high-quality algorithms with simple, user-friendly controls and top quality sound. Lush.

Supplier's Notes:
The Immerse Mk II raises the bar with eight rich stereo reverbs in one easy to use pedal. No user manual required. Experience studio-quality tone that can be used with instruments of all stripes.

Five controls:

Effect Select
Mix, from 100% dry to 100% wet
Reverb Depth
Tone / Echo Time / Hold Time (depending on effect)
Pre-Delay / Modulation / Blend (depending on effect)

Specifications:

Electrical

Input level: instrument / consumer line level
Input impedance: > 1 MO
Gain: unity
Frequency response: 20 Hz - 20 kHz
Total harmonic distortion: < 0.005%
Signal-to-noise ratio: > 107 dBA

Power

Input: 9-12 V DC, 80 mA
Connector: center-negative, 5.5 mm OD x 2.1 mm ID

Physical
Dimensions: 2.9" x 4.6" x 2.0" / 73 mm x 117 mm x 51 mm
Weight: 8.84 oz / 251 g
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MRP:$303.98 SAVE 18%
 1 in stock $250.27
Electro-Harmonix Nano Q-Tron Envelope Filter Effects Pedal
Cat: 857444 Rel: 16 Dec 21
 
A compact version of the classic Micro Q-Tron Envelope Controlled Filter known for its organic, analogue sound and expressivity.
Notes: Excellent value from this simple but effective envelope filter pedal. User-friendly controls help you quickly dial in a tone with three different filter modes. Sounds as good on synth as it does on guitar or bass.

Supplier's Notes:
Envelope controlled filter is an effect type that ventures beyond the mainstream yet is equally at home in a wide range of genres and equally effective on guitar, bass, keys, horns and more. Electro-Harmonix is a pioneer in this effect category and has been making envelope controlled filter pedals since the 1970s! The Nano Q-Tron springboards off that deep heritage.

Here's how it works: The Nano Q-Tron responds to the user's playing style and dynamics. The volume of the input signal it receives (also called the envelope) controls the cutoff or center frequency of a swept filter. This allows the Nano Q-Tron to create tone-altering effects ranging from subtle to dynamic, auto-wah to ultra-funky. It's all about how you play and it's super interactive.

Specifications

Circuit: Analog
Bypass: True Bypass
Audio: Mono
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 10mA
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Pigtronix Gamma Drive Overdrive & Distortion Effects Pedal
Pigtronix Gamma Drive Overdrive & Distortion Effects Pedal (overdrive effects pedal with 2-band EQ)
Cat: 858219 Rel: 21 Dec 21
 
A germanium-enhanced overdrive with active Treble and Bass EQ controls.
Notes: Gamma Drive is a germanium-enhanced overdrive with active Treble and Bass EQ controls. Achieving articulate, touch-sensitive performance characteristics via a unique mixture of germanium, LED and silicon diodes arranged to produce asymmetrical clipping, Gamma Drive offers overdrive rich in 2nd order harmonics, which creates sweet, blooming tone. Offering a range of overdrive from sparkling clean boost to a raging distortion, Gamma Drive was designed for versatile playing across a wide variety of musical genres.

KNOB-BY-KNOB
Gain: Sets the amount of distortion
Volume: Sets the output level
Treble: Boosts or cuts high frequencies centered at 2kHz
Bass: Boosts or cuts low frequencies centered at 80Hz.

TOUCH-SENSITIVE ANALOG DRIVE
Gamma Drive's unique mixture of clipping diodes allow for touch-sensitive response, where natural saturation breaks up further as the player digs in. With the addition of a 2-band EQ, players can dial in Gamma Drive with precision, resulting in a lively, amp-responsive tone.

RIPPING THROUGH THE UNIVERSE
Listen - how do you think Marvin has the time to explore the infinite depths of the cosmos and bring back all these wild discoveries? He kicks it into Gamma Drive, c'mahhhn.

MODEL GAMMA DRIVE
MODEL NAME: Gamma Drive
SKU: GDR
FUNCTION: Overdrive with 2-band EQ
CATEGORY 1: Overdrive
CATEGORY 2: Distortion

EXPRESSION

BYPASS: True Bypass

ELECTRONICS
VOLTAGE: 9VDC
CURRENT DRAW: 100mA
INPUT IMPEDANCE: 10M
OUTPUT IMPEDANCE:150ohms

BODY
LENGTH (IN): 1.5
WIDTH (IN): 3.75
HEIGHT (IN): 1.75
WEIGHT (LBS): 0.5
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Wampler Pantheon Dual Overdrive Deluxe Effects Pedal
Cat: 858545 Rel: 05 Jan 22
 
Deluxe edition of the Wampler Pantheon dual overdrive pedal
Notes: The classic Pantheon pedal gets even better with this Deluxe version. Two independent overdrive circuits give you classic Blues Breaker-style tone plus modern boutique sounds.

Supplier's Notes:
The now legendary Wampler Pantheon provided a unique interpretation of the classic "Blues Breaker" style stomp box, by capturing all the tonal nuance of the original, but with added flexibility and style. In doing so, it found its way onto thousands of pedalboards across the world. Enter the new Pantheon Deluxe - a dual overdrive pedal that takes this evolution several steps further by offering a flexible design with two completely independent Pantheon circuits, one voiced as a classic blues breaker and one with a more modern boutique sound. This palace of tone delivers a staggering 200 combinations of gain settings, featuring dual Inputs and Outputs, and for the first time ever, Wampler have added MIDI channel switching to one of their gain pedals.

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel. Independent side mounted Voicing and Gain Level switches allow you to further shape your tone to perfection.

DOUBLE UP

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel.

ALWAYS THE RIGHT FIT

Each Channel of the Pantheon Deluxe Dual Overdrive feature independent Gain, Level, Treble, and Bass controls to enhance the shaping of your tone. The Baxandall-style active Bass control is neutral at noon but boasts an extremely powerful sweep as you move through the range. A single global Presence control simultaneously alters each channel to add just the right amount of top-end chime to suit different guitars and amplifiers - perfect for when playing live or when in the studio.

MAXIMUM CONNECTIVITY

With the addition of MIDI In and Out, you can now also switch the analog channels of each circuit on and off with a MIDI switcher - saving you valuable hardware loops on your loop switcher. With dual analog inputs and outputs, you can split both channels in a loop switcher, insert pedals between each side, or run in stereo.

BUILT FOR FOREVER

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Pantheon Overdrive. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds its forever home on your pedalboard, so we built it to last that long.

TECHNICAL DETAILS

Built in the U.S.A
Dual Independent drive channels using Brian Wampler's classic Pantheon circuits; Channel 1 Classic Blues Breaker voicing, Channel 2 Modern Boutique voicing.
Independent Volume, Gain, Treble and Bass controls for both channels, global Presence control, front mounted Channel Order Switch, side mounted independent Gain Level and Voicing switches, MIDI In and Out (3.5mm TRS) and 2 sets of input and output jacks.
Top-mounted jacks make pedalboard placement effortless
Power draw: 55mA
9-18V power jack: DC supply only, do not exceed 18V DC, battery Included.
Includes Wampler's limited 5-year warranty
5" x 4.5" x 1.5" (88.9mm x 114.3mm x 38.1mm) - height excludes knobs and switches
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Mooer Audio Preamp Model X2 Digital Preamp Effects Pedal
Cat: 858837 Rel: 01 Apr 22
 
Digital preamp effects pedal with a host of new features that make it easy to customize your digital preamp and cab setup
Notes: The new Preamp Model X comes loaded with a host of new features that make it easy to customize your digital preamp and cab setup. Featuring 3 global cab sim files, support for third-party impulse response files, and 14 preset slots, each with two different channel settings to customize, the Model X offers plenty of space to prepare for long gigs or the freedom to explore and save different tonal combinations.

Where the Preamp Model X excels compared to previous Mooer preamp pedals is in the user interface and digital editor software. The expanded footswitch layout of the X2 gives users two settings to choose from: one for preset scrolling and one for A/B channel switching. This allows users to quickly cycle through presets at just a tap of the foot. The editor software is free and can be downloaded from Mooer's website (www.mooeraudio.com) and allows users the comfort of a desktop interface when customizing and tweaking presets, loading third-party impulse response files, or updating the Model X2's firmware.

The Preamp Model X has been specifically designed to be compatible with files created using Mooer's MNRS sampling technology. Simply download these files from Mooer Studio (www.mooerstudio.com) and load them into your Model X2 using the editor software. The Model X2 is also compatible with Mooer's GIR/GNR cab sim files as well as other major third-party impulse response filetypes.

Specifications:

Input: 1*1/4" Monoaural jack (Impedance value: 1M ohms)

Output: 1*1/4" Monoaural jack (Impedance value: 510 ohms)

Num. of Preset Slot: 14

Num. of Factory Amp Model: 28 (Can be replaced by imported GNR file)

Num. of Factory Cab Sim: 3 (Global cab sim, can be replaced by imported GIR/IR file)

IR Spec: 44.1kHz/24bit/1024points

Power supply: 9V DV center negative (Please ensure the voltage value of power supply is not more than 9V, ensure the polarity is correct.)

Current Draw: 300mA

Weight: 0.334kg

Dimensions: 75mm(D)*115mm(W)*33mm(H)

Accessories: Owner's manual, USB TYPE-C to TYPE-A cable; DC 9V power supply, sticker.
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Dreadbox Lethargy 8-Stage Phase Shifter Effects Pedal
Cat: 823149 Rel: 12 May 21
 
8-stage phase shifter effects pedal
Notes: Designed to play nicely with guitars and synths alike, this OTA-based mono phase shifter excels at warm, characterful modulation. Three Eurorack-compatible patch points add creative options.

Supplier's Notes:
Lethargy derives from the greek word for forgetfulness, "Lethe". It is a state of being drowsy and dull. The feeling of having little energy or of being unable or unwilling to do anything.

Dreadbox LETHARGY is an OTA based Phase Shifter effect pedal suitable for fretted instruments and synthesizers, with eurorack patch compatibility.

100 mm wide
140 mm high
90 mA / 9 V DC / Negative Center

SPECIFICATIONS:

Circuit: Analog

Bypass: CMOS

Audio: Mono

Inputs / Outputs:
IN/OUT : TS Unbalanced 6.4mm jack
Manual / Rate / LFO Out : 3.5mm mini jack

Power Supply: 9VDC BOSS style center pin negative 2.1mm (NOT INCLUDED)

Dimensions (cm): 14 x 10 x 5.6

Current Draw: 90mA
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 1 in stock $156.88
Snazzy FX Wow & Flutter Delay Effects Pedal
Cat: 704147 Rel: 28 Sep 18
 
Delay effects pedal
Notes: In the age of digital recording people often reminisce about the golden days of analog tape and the warmth of those spinning tape reels. Many people have spent a lot of money trying to re-create those classic tape like qualities in pieces of hardware.

Dan Snazelle of SNAZZY FX missed something else about tape - the sound that would come out of the stereo on those days when the tape got stuck in the machine, dying a slow and melodic death. He also missed the magic of playing a favorite recording through an old cassette boom-box that had so much warble it was hard to tell what song he was listening to. So Dan decided to design a device that, when pushed to its limits, would sound like the tape was spinning out of control. But he also wanted to make sure the box could take that sound and make it more musical, and, at times, more subtle too.

THE WOW AND FLUTTER can bring you into this warbly world and far, far, beyond.

You might be thinking, what am I going to do with a busted tape machine? Well, that's where things really get interesting - because this box can be used in many, many ways. Depending how hard you hit the Threshold and Warp controls, you can dial the malfunction back to where it creates subtle vibrato, or with shorter delays you can achieve pleasing chorus or pseudo flange-like effects. Turn the Warp up a bit more and you can get far-out pitch shifting, rubber band delays, and plastic portamentos. Turn the Warp up to max and what you'll hear is just plain insanity.

THE WOW AND FLUTTER is an incredibly versatile device. It is certain to add an extremely unique texture to your playing or your productions. Run stems or mixes through it to add an out-of-this-world quality. Thicken up synth parts in an instant or use it on vocals to add mystery. With your guitar you will be amazed at how many different colors can be achieved with just this one box.
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Snazzy FX Tracer City Analogue Modulation Effects Pedal
Cat: 704150 Rel: 28 Sep 18
 
Analogue multi-mode resonant filter effects pedal
MRP:$299.77 SAVE 31%
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Electro-Harmonix Nano Pulsar Variable Shape Stereo Tremolo Effects Pedal
Cat: 869216 Rel: 22 Mar 22
 
Tremolo effects pedal.
Notes: The Nano Pulsar takes tremolo beyond the ordinary and mundane. Equipped with a collection of tremolo-modulating waveforms and the option of operating in Triangle or Square Wave modes, the Nano Pulsar is a tremolo/panner treasure chest. In mono, it's simply amazing, or, connect it in stereo to create shifting waves of sound that surround you and fill your space with weaving, pulsating energy.

For all its power, the Nano Pulsar's layout is intuitive and using it is easy. There's often a perceived volume drop with tremolo when the effect is engaged so we've included a Volume control. It allows a player to fine-tune their output level when the effect is on, and is a very useful addition.

The Nano Pulsar's Depth knob adjusts the amount of tremolo applied to the signal. Past maximum (around 1 o'clock) the modulation becomes asymmetric and warps the audio signal between positive and negative phase. This creates a unique style of tremolo which sounds great alone or can be used in combination with other effects like the Oceans 11's Shimmer patch to produce compelling synth-like sounds and textures.

The Rate knob provides a full range of speed adjustments for the tremolo or pan effect, and when you start to max out the Rate and Depth controls you enter ring modulation territory for a surreal sonic joyride!

Unlock a world of advanced sound shaping and control. Create tremolo and panning effects that go from sublimely beautiful to downright shocking. The compact Nano Pulsar will be your do-it-all, go to pedal for all things tremolo and panning.

Specifications

Circuit: Analogue
Bypass: Buffered Bypass
Audio: Stereo Out
Power Supply: 9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 30mA
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Nu-X Amp Academy Amplifier Modelling Effects Pedal
Nu-X Amp Academy Amplifier Modelling Effects Pedal (amplifier modelling effects pedal)
Cat: 871117 Rel: 14 Apr 22
 
The Amp Academy is a complete valve amp modelling rig in a compact stomp box format.
Notes: Amp Academy Pedal

The Amp Academy is a complete valve amp modelling rig in a compact stomp box format. 3 storable scenes with 2 channels, selectable from 6 separate classic amplifier models. Each patch has Gain, Master and Boost for overdriven tones and 3-band EQ + Presence control. As with a real professional tube amp, there is an effects loop and internal rever effect. The addition of a noise gate helps to keep everything silent when no notes are played. Balanced or unbalanced outputs give flexible options for live performances via FRFR speakers, mixing console, or even for direct recording. All settings are fully editable via USB using the proprietary Amp Academy software and even self-made or third party IRs can be loaded for custom amp modelling. Next time you are carrying your heavy valve amplifier around, consider this incredibly flexible and pocket-sized alternative.

Power supply: 9Vdc, 100mA (min) pin-negative (not included)
Controls: Gain, Master, Boost, NR, Bass, Middle, Treble, Presence
Connections: Guitar in/out (6.3mm), Loop (6.3mm TRS), Aux (3.5mm), DI (XLR)
Dimensions: 115 x 105 x 58mm
Weight: 440g
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Hungry Robot The Collective Complex Fuzz Pedal
Cat: 872177 Rel: 05 May 23
 
The Collective is an over-designed, complex fuzz pedal, a true desert island fuzz designed to please the most ardent fuzz connoisseur.
Notes: The Collective is a brand new fuzz pedal designed by Hungry Robot. The Collective is an over-designed, complex fuzz pedal, a true desert island fuzz designed to please the most ardent fuzz connoisseur. The Collective covers a lot of ground with plenty of external controls as well as over a DOZEN internal parameters to narrow down that perfect fuzz tone. The Collective is a pedal that requires and encourages exploration. The Collective has three fuzz circuits in one box. On top of that there is a 2-band State Variable Filter and a chatotic feedback loop.

Starting at the top of the pedal, the "Conventional" knob is a traditional sounding fuzz. This is meant to balance out the more chaotic fuzz tones and provides a bread-and-butter sound when you need it. The "Low Spectrum" and "High Spectrum" knobs are part of an active State-Variable Filter, similar to the one found on The Lumen. The "Synthetic" knob is a logic based CMOS fuzz that can be described using the words, velcro-ey, synth-ey, gate-ey, and glitch-ey. The "Pristine" knob allows you to blend in your clean signal when you need a bit of pureness to balance out the crazier sounds. On the left is the "Overload" knob. This controls the amount of signal let back through an internal feedback loop. The output of the fuzz is fed back into the input causing self-oscillation and some gnarly textures. Underneath the knob is a dedicated momentary footswitch to activate the feedback loop or you can latch the feedback loop ON by flipping the toggle switch up. On the right is the "Submerge" knob. This is a monophonic sub-octave fuzz. Similar to the "Synthetic" fuzz, this is also CMOS-based, so similar gated, unstable tones. The "Submerge" also has a dedicated momentary footswitch to add in the sub-octave with its own toggle switch that can latch the sub-octave.

Controls

Conventional: Adjusts the volume of the Conventional Fuzz
Synthetic: Adjusts the volume of the Synthetic Fuzz
Pristine: Adjusts the volume of the clean signal.
Overload: Controls how much feedback is looped back into front end when Overload is active.
Latching Toggle Next to Overload: Latches the Overload effect ON when up. When down, the effect is bypassed.
Footswitch Below Overload: Momentary control of Overload effect. Does the opposite of what the Toggle Mode is set to.
Submerge: Amount of Submerge, monophonic sub-octave is sent to the output.
Latching Toggle to Submerge: Latches the Submerge effect ON when up. When down, the effect is bypassed.
Footswitch Below Submerge: Momentary control of Submerge effect. Does the opposite of what the Toggle Mode is set to.
Middle Footswitch: Master Bypass

Technical specifications:

Current Draw: 97 mA
Dimensions: 5.7" x 4.7"
Powering: 9V DC - Negative Center - 2.1mm Barrel
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Tags: Fuzz pedal
MRP:$2,220.42 SAVE 90%
 1 in stock $219.82
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KMA Machines Wurm 2 High-Gain Distortion Effects Pedal
Cat: 869373 Rel: 19 Apr 22
 
High-gain distortion effects pedal
Notes: With our WURM Distortion pedal, KMA Machines brought you a highly regarded, yet unabashed sonic love letter to the legendary filthy 'doom and gloom' distortion sound of the original Boss HM2 MIJ pedal, taking it much further and pushing the envelope of how destructive it could be.

Adorned in an iconic black and orange colour-scheme reminiscent of its inspiration, WURM 2 takes the essential ingredients of KMA's now classic pedal, adding the ability to switch between EQ settings right on the front of the pedal. In addition, we squeezed it into a smaller and more pedal board friendly enclosure with top mounted jacks, improved the electronics and enhanced it with relay-based silent switching, all helping to make WURM 2 a more flexible metal-distortion pedal than ever before.

Main Features:

High-Gain Metal Distortion pedal
Modern take of the classic and now sought-after original Boss HM2 MIJ
Wide range of metal-distortion tones from chainsaw, to plain evil and gritty
Highly configurable 4-band active EQ
3 distinct types of EQ frequency controls to tailor your tone now accessible on the front
Compact enclosure with top-mounted jacks will fit into any setup
True Bypass, with silent relay-based soft switching

Specifications:

Product Type:
High-Gain Distortion with Active 4-Band EQ

Bypass Type:
True Bypass

Power Supply Requirements:
9 V DC - Centre (-) negative 2.1mm

Current Draw (max):
>60 mA

Product Dimensions / Weight:
H: 60 mm / 2.36 inch
W: 74 mm / 2.91 inch
D: 128 mm / 5.04 inch
Weight: 350 g / 12.35 ounces

Calling a pedal legendary or a cult classic is often stretching the truth, but when it comes to the Boss HM-2 MIJ it's absolutely on the money. From its beyond brutal and grinding distortion tones, bands like Dismember and Entombed birthed Swedish chainsaw metal. While WURM 2 absolutely nails that death-metal sound, its thick walls of gain and sustain is not all about that genre the pedal is also adept for so many other styles, from Shoegaze to Prog Rock. To give you an idea, famous players like David Gilmour, Prince, Johnny Marr, Belinda Butcher, Lee Ranaldo, Daron Malakian and more have all made their mark with this style of distortion.

The TERROR control dials in all the malice and the evil distortion sounds you are searching for. Crank it up and feel the tremors of the WURM 2 under your feet, tremors that would even frighten the wits out of a young Chuck Norris!

EQ Section
Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from.
These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.

EQ Style
For the WURM pedal, we developed our own EQ stack and added an internal EQ STYLE switch to help you carve out additional tonal variations. In WURM 2, this is now on the front of the pedal to make it easier to access and for even more tonal options on-the-fly. Selecting HM-II mode will get you that classic 'chainsaw' High-Mids character.
However, in KMA mode the EQ is a little more tonally balanced, less peaky and a bit wider in response. If balanced and less peaky sounds too boring for you, select BOTH to fatten and double up the tone stacking, letting you ramp up the LOWS and the H-MIDS and rip that Swedish forest completely to shreds!
With all of this extra tone shaping, the pedal can sometimes begin to feedback at extreme settings. So, if this proves too much and to help tame that high-frequency content, we added a new internal control to smoothen things out. By flipping the dip-switch to activate the input filter, this will help to tame the high frequencies when absolutely everything is maxed out.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, >60mA current draw)
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MRP:$177.76 SAVE 12%
 3 in stock $157.06
Crazy Tube Circuits Memphis Real Pitch Shifting Vibrato/Vibe Effects Pedal
Cat: 873662 Rel: 03 May 22
 
Pitch-shifting amp-like vibrato pedal featuring all-analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit
Notes: Memphis Vibrato was designed as the "small brother" of Crazy Tube Circuits' Killer V- this was born out of high demand for a true pitch shifting amp-like vibrato pedal, without the drive section.

It features all analogue LFO and true-to-the-original-amp 2-stage pitch shifting circuit powered from an internal voltage multiplier for high headroom and improved dynamic response. A clean period correct preamp with up to 20db boost takes you back to the late 50s / early 60s.

With the intensity and speed knobs you can add a subtle shimmer , or a pronounced 3D acoustic image and musical feel with ear- pleasing vibrato effect for instant classic Lonnie Mack / Robert Ward sounds!

ALL WET - DRY / WET toggle switch selects between 100% modulated signal or places the dry unmodulated signal in parallel with the modulated signal. The latter setup was found in some of the original amps through "stereo" inputs and yields whirling phaser / vibe sounds.
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KMA Machines Queequeg 2 Sub Generator Effects Pedal
Cat: 870760 Rel: 07 Apr 22
 
Sub Octave Generator
Notes: Queequeg 2

Sub Generator

Reawaken The Depths Below

KMA Machines released the original Queequeg in 2016. The pedal was our take on how simple and effective an analogue monophonic suboctave device could be.

Time doesn't stand still and so with Queequeg 2, KMA's aim was not only to update the device with a more striking appearance, but also add an additional sub-octave and the ability to switch and mix between them. With a small footprint, the updated pedal also has top mounted jacks and relay based soft switching for the modern age. Queequeg 2's super, easy-to-use and ultra-fast tracking sub-octaver works equally well on guitar, bass and synth, so these classic earth-shakingly awesome tones can find their way to any setup out there.

"Releasing the harpoon from his grasp, Queequeg gazed into the depths of the bleak waters that stretched down endlessly beneath him. Mindful to the aim of his adversary, the giant whale plunged further and further into the darkness of the abyss. This subaqueous dominion would forever be his rightful place. Queequeg 2- look deep down and believe."

Thickening up your tone slightly, blasting out faux bass-synth resonances or even filling in for a missing bass sound are just some of Queequeg 2's specialties. The pedal's super quick tracking benefits from KMA's custom all-analogue circuit design, giving you very organic and smooth suboctave tones.

Dead simple to operate, this tonally deep submergence vehicle offers three sub-octave settings to choose from. These allow you to turn your guitar into a filthy bass guitar with ground shaking lows, alternatively adding extra depth to basses and mono synths alike. The toggle switch lets you select between either the first octave (-I), the second (-II) or mix both together (-I/-II) which gives you a thunderously massive wall of sound, it even changes colour depending on the mode.

With its one knob MIX control, you are able to dial in just the right blend of the generated octaves and your clean signal. From completely clean on the left, to 100% suboctave action on the right and all with different sonic blends in between, you're sure to find your mighty vessel of tone.

Beware - don't let your lows be dragged under! Queequeg 2 draws the line right here and ends your hunt for an easy-to-set and great-sounding all-analogue and thundering sub-sonic beast!
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MRP:$135.69 SAVE 12%
 1 in stock $119.88
J Rockett Audio Design El Hombre Texas Blues Overdrive Effcets Pedal
Cat: 875078 Rel: 13 May 22
 
Based on the classic tones of bearded Texas legend Billy Gibbons (ZZ Top), El Hombre is the ideal overdrive for those feeling the blues or ready to rock all night.
Notes: Based on the classic tones of bearded Texas legend Billy Gibbons (ZZ Top), El Hombre is the ideal overdrive for those feeling the blues or ready to rock all night. Capturing the nuances and touch sensitivity of an amplifier, El Hombre can go from mild to wild with the turn of the gain knob showing its versatility with each guitar plugged into it. From added harmonics to chewy sag El Hombre has it all. The El Hombre is simple in format but complex in its abilities. The tone section is highly effective allowing you to alter the drive style simply by adjusting the "Bite" control. When you bring the bite control up (Clockwise) it becomes more aggressive, turn it down (counterclockwise) making it smoother and more reminiscent of Dumble tones.
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KMA Machines Fuzzly Bear 2 Silicon Fuzz Pedal
Cat: 875353 Rel: 03 May 22
 
With Fuzzly Bear 2, KMA Machines put this now classic re-imagined fuzz into a modern, more pedal board friendly enclosure with top mounted jacks, enhanced it with relay-based silent switching and improved electronics.
Notes: Fuzzly Bear 2 - Unleash the Beast, again

"Through the untamed wilderness of the forest strives a grizzly monster, its glistening eyes peeking through the undergrowth. Endowed with razor sharp claws and bone-crushing teeth, this beast will rip through any intruder that dares to trespass into its domain. A thundering, sizzling roar distortedly echoes through the woodland. It's here! It's time to face the Fuzzly Bear!"

In 2013, KMA Machines' first ever production pedal was inspired by an old, obscure and highly underrated fuzz box from the 1970s - the Jordan Bosstone. The original Bosstone wasn't even a pedal, it was a device you plugged directly into your guitar, which brought a host of problems. Hence, KMA Machines greatly refined the circuit for the original Fuzzly Bear, to get the essence of that old-school sound, but giving it some modern twists by sorting out the low end and adding a Bias control, to help players explore lots of new tonal capabilities of this long-forgotten box of dirty tricks.

With Fuzzly Bear 2, KMA Machines put this now classic re-imagined fuzz into a modern, more pedal board friendly enclosure with top mounted jacks, enhanced it with relay-based silent switching and improved electronics.

Back in the day, the main reason why the Jordan Boss Tone did not conquer the world of effects was actually due to its massive lack of bass. However, its core fuzz sounds could be truly heavenly with tones ranging from a purring overdrive, to downright vile and aggressive fuzz assaults. But when you awoke it, dug in and found 'that' tone, boy was it good and not at all harsh and gritty, like so many other fuzz designs at the time could be.

When designing and modifying the circuit, all the fuzzy goodness was kepy, but KMA Machines brought back the essential low end and gave some more tonal control, all to make this new take take fit more modern styles without compromising the core sound and simplicity.

The GAIN knob delivers a whole range of different fuzz shapes. Back it off to get a dirty chunky overdriven tone, turn it up to give the FUZZLY BEAR 2 a thick and thicker coat of fur. Set the gain fully clockwise and magic will happen! The pedal's smooth, warm and cosy decay turns into a starved and gated fuzz sound that almost gives a ghost octave, pseudo trumpety kinda vibe - perfect for classic tunes of yesteryear.

Fuzzly Bear 2 SKIN/MEAT control adjusts the bias of the circuit. Think of it as the claws of the beast. You can dial in a sharp drive tone that only brazes the skin, a thick and meaty wall of fuzzy fur that can rip right through the intruder's flesh and anything in between.

Don't confuse this pedal with a cute brown bear cub - this is the Fuzzly Bear 2 and it will maul your face off!
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 1 in stock $147.25
Dreadbox Disorder Analogue Oscillating Filter Fuzz Effects Pedal
Cat: 877002 Rel: 09 May 22
 
Analogue oscillating filter fuzz effects pedal
Notes: Part of Dreadbox's impressive effects line-up, the Disorder is a rowdy fuzzbox crossed with a self-oscillating filter, serving up some pleasingly nasty tones. An envelope follower with CV output adds versatility.

Supplier's Notes:
The disturbance in physical or mental health or functions. It could be defined as a set of problems, which result in causing significant difficulty, distress, impairment and/or suffering in a person's daily life.

Dreadbox Disorder is a very aggressive fuzz pedal with a twist. It is equipped with a self-oscillating filter, that allows you to produce oscillating fuzz sounds.

Additionally it has a low pass and high pass filter, that makes it suitable for guitar and bass as well. Finally an envelope follower is also present, allowing you to create wah-wah sounds.

Specifications

Circuit: Analogue
Bypass: CMOS
Audio: Mono
Inputs / Outputs
IN/OUT: TS Unbalanced 6.4mm jack
Power Supply: 9VDC BOSS style center pin negative 2.1mm (Not included)
Dimensions (cm): 14 x 10 x 5.6
Current Draw: 50mA

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Source Audio Atlas Compressor Advanced Stereo Compressor Effects Pedal
Cat: 877407 Rel: 19 May 22
 
Compressor effects pedal.
Notes: Atlas Compressor

The Atlas Compressor offers a comprehensive collection of compression circuits that perfectly capture the tone and feel of the industry's most sought-after compressors. Straight out of the box, Atlas delivers six different styles of compression, ranging from classic stompbox compressors like the now-discontinued Diamond Optical Compressor to high-end rack units such as the snappy 1176 compressor and the smooth and gentle LA2A optical compressor. Atlas also features advanced dual-band compression, which provides an independent set of controls for both the high and low frequencies. Each compression engine has onboard controls for Threshold, Ratio, Attack, Release, Output, Tone, and Blend, allowing for fine-tuned control over the compact One Series hardware.

A History Lesson in Compression

The Atlas is packed with so many different types of compression that it could serve as a tour guide through the history of compressor equipment. First stop: classic stompbox squashers such as the legendary the Dan Armstrong Orange Squeezer and the excellent (but discontinued) Diamond Compressor. Next stop: universal and ubiquitous studio rack gear like the smooth and gentle LA2A optical compressor and the ultra-responsive 1176 FET compressor. Finally, we're taking you to all-out nerd territory with Peak, RMS, VCA, and Dual compression, and an onboard Expander circuit... the Atlas has it all and does it well.

Optical Rack

The Optical Rack compressor engine is based on the legendary LA2A studio opto compressors from the early 60s. Optical compression controls its output level with light. Increasing the incoming audio level in the original units caused an electro luminescent panel to shine brighter. A photo resistor monitors that light panel and decreased the audio output level, as the panel got brighter. The result is a very smooth and gentle attack that imparts a full-bodied and natural sound on guitar, bass, or vocal. This compressor sounds great with clean strummed or arpeggiated guitar lines as well as acoustic guitars.

Studio 76
The Studio 76 compressor is based on the 1176 studio rack compressors of the late 60s and early 70s. This solid state FET compressor is known for its full body and super-fast attack. All of the attack times in 1176 compressors clock in at less than a millisecond. Studio 76 is a great compressor for fast and aggressive country pickin' (think Johnny Hiland), slap bass, slide guitar and much more.

Cubic Zirconia

The Cubic Zirconia was inspired by opto compressors that use an LED in place of the LA2A's electro luminescent panel. This technology is usually what you find inside effects pedals. Using an LED as an optical compressor's light source creates faster attack and release times, which generate artifacts that tend to make the compression sound a bit dirtier. This is a great sound for playing tight and funky riffs on the guitar.

Studio snap

A very aggressive and modern sounding compressor. It's based on hard-knee, VCA feed forward type compressor. It uses two compressors in parallel to handle both RMS level controls ("Root Mean Square" compression means that the compressor will react according to the "average loudness") AND the peaks. The combination of these two compression approaches gives STUDIO SNAP its character.

Dual band

The Atlas has two independent compressors that can be routed in a number of different ways. They can run in Series Mode (one running into another). They can also run in Parallel Mode and be mixed together with a Crossfade control. The Dual Band compressor runs in Band Split Mode, which is a version of parallel routing where one compressor controls only the higher frequencies (everything above 333Hz) and the other controls the lower frequencies (everything below 333Hz). With the Dual Band Compressor the high frequencies release faster than the lower frequencies, so as you sustain a chord the low frequencies remain compressed while the second compressor releases the high frequencies. The result is a beautiful blooming effect that accentuates high harmonics. This is a great compressor for slow ringing chords or lead lines with long sustained notes.

Includes 9v DC power supply (300mA / Negative Tip)
Includes 1/8" to 1/4" cable for Neuro Mobile App connection.
Power Consumption - 165mA
USB port - Connects to Mac or Windows PC for firmware updates and the forthcoming in-depth effects editing software.
Brushed anodized aluminum housing.
Dimensions: L: 4.5 in./11.4cm x W: 2.75 in./7cm x H: 2 in./5.1cm (including knobs)
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 2 in stock $229.29
Nu-X Duo Time Dual Delay Engine Effects Pedal
Cat: 827056 Rel: 23 Jun 21
 
Digital delay pedal with dual simultaneous delays, each with independent time and repeat settings
Notes: Super-versatile dual digital delay in this all-round echo powerhouse. Analog, Tape, Digital, Modulation Delay and Verb modes give you all the options you need, plus a 40-second looper function for good measure.

Supplier's Notes:
Duo Time is a digital delay pedal with dual simultaneous delays, each with independent time and repeat settings. A choice of five very different sounding delay models include Analog, Tape, Digital, Modulation Delay and a unique shimmering Verb delay. A choice of fully independent stereo or mono signal paths are possible, with an option to process a mono input to separate stereo outputs with different delay settings. Controlled via an on/off foot switch and a Tap Tempo foot switch, which also functions as a toggle for the OLED display when held. Add to this versatility a full 40 second looper function and you may never need another delay pedal in your rig except this one.

Specifications:

Power supply: 9Vdc, 300mA (min) pin-negative (not included)
Controls: Level, Model, Parameter, Time 1+2, Repeat 1+2
Modes: Analog, Tape, Digital, Modulation, Verb
Delay time (seconds): Up to 1.8 seconds
Dimensions: 115 x 105 x 58mm
Weight: 440g

The box for this item contains :

Duo Time dual delay modeler pedal
Instruction manual
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MRP:$167.24 SAVE 30%
 1 in stock $116.74
NU-X MG-30 Versatile Modeler Multi-Effects Pedal
Cat: 827063 Rel: 23 Jun 21
 
Muti-effects pedal.
Notes: MG-30 is the flagship modelling effect processor in the NuX range. Dual high speed processing offers accurate modelling of 30 different amplifier options, including bias tweaking for an extra dimension of response adjustment, all using the proprietary NuX TSAC-HD algorithm. Impulse response programming presents a choice of 8 guitar cabinets, 8 bass cabinets, 8 microphones in 3 different axis positions and even 3 acoustic guitar emulation profiles. Once the main guitar tone is programmed, there are 8 effects blocks which can be assigned to different positions in the signal chain, including WAH, CMP, GATE, EFX, EQ, MOD, DLY & RVB. An expression pedal covers wah and swell effects amongst other possibilities. Each has modes and/or parameters which can be adjusted and saved within the patch as needed. Real-time editing uses rotary encoders and switches, making for a natural and organic process and all prameters and graphics are displayed on a vibrant 4" colour display. Add to this a fully functioning USB audio interface, phrase looper, PC/Mac editor/librarian/updater, aux input, effects loop, drum machine and NMP-2 footswitch control and the MG-30 covers practically all bases. This unit provides all the processing power and audio quality that could be asked from any professional guitar processor at a fraction of the price of its component features.

Specifications:

Power supply: 9Vdc, 400mA pin-negative (adaptor included)
Inputs: 6.3mm jack (guitar), 3.5mm jack (aux input)
Outputs: 2 x 6.3mm jack (L/mono + R) to amp or mixer
Sends: returns: 6.3mm jack send (1k ohm) & return (220k ohm)
Headphone output: 3.5mm stereo jack
USB port: USB type-C for audio interface, PC/Mac editing & updating
Remote control connection: EXP1 TRS 6.3mm jack
Sampling format: 48kHz, 32-bit
Frequency response: 20Hz - 20kHz (i1dB)
Input impedance: 1M ohm
Output impedance: 1k ohm
Dynamic range: 110dB
Dimensions: 313 x 166 x 54mm
Weight: 1.5kg

The box for this item contains :

MG-30 multi-effects modeler pedal
1 x 9Vdc power adaptor (UK)
1 x NMP-2 dual footswitch (173.352UK)
1 x patch cable
1 x USB cable
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MRP:$346.05 SAVE 33%
 2 in stock $233.49
Solid Gold FX EM-III Multi-Head Octave Echo Effects Pedal
Cat: 826282 Rel: 20 May 21
 
Multi-head tape-style oscillating delay pedal, with octave
Notes: SolidGoldFX EM-III- Compact Delay Powerhouse

Welcome to the new SolidGoldFX EM-III Multi-Head Octave Echo; the smallest, most powerful and by far the most versatile SolidGoldFX delay pedal to date.

Building on SGFX's Electroman Delay legacy, the EM-III manages to both echo the past, present and future. With EM-III's wide-ranging yet ultra-intuitive control set, warm analogue-voiced echoes, precise and modern delay, as well as experimental and futuristic sound designs, are all just a single stomp away.

At your feet (or fingers) you have a multi-head tape style echo, with the ability to add in a signal an octave lower to the primary delay head. This can result in dancing, rhythmic delays with body and gravitas, as well as bold washy soundscapes. These two core features are controlled via a single mini-toggle. Flick it left to select between 1, 2 or 3 delay heads or flick it right to toggle the octave effect on and off. From there, just set your Delay Level, Repeats and Time via the knobs or tap in your preferred tempo via the soft-click tap tempo switch and let the good echo times roll.

The EM-III also sports delay modulation introduced via the Flutter control. Keep it at centre position for no modulation. Dial it left for a slow and dreamy chorus-like modulation or right for a faster vibrato, letting you create lush oceanic movement, tape-style crinkles, eerie tension and beautiful dissonance.

The colour knob allows you to engage both high-pass and low-pass filtering. Dead-centre you have a pristine full-frequency digital delay.

Dial it to the left and you cut the highs, creating warm, murky analogue-esque repeats. Dial it to the right and you suck out the lows for crisp and bright tape-style repeats or super thin lo-fi delays.

EM-III also brings interactive warp and glitch features to the tonal table by pressing and holding either Tap, Bypass or both at the same time. Hold Tap to increase the repeats until self-oscillation, creating a swelling wall of sound. Hold Bypass to replicate the sound of a tape motor on the fritz and a tape reel snapping, or hold both for glorious noise seances that will act as the perfect song/set closer.

Additional features include soft-touch, relay based, true bypass switching with the option of buffered trails, top jacks and up to a full second of delay time.

Designed to inspire and evoke emotion, EM-III can sound as pretty and cheerful or as dark and macabre as you wish.

Tune up, plug in and immerse yourself in the EM-III experience.
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MRP:$198.80 SAVE 14%
 1 in stock $170.13
Mooer Audio Groove Loop X2 Stereo Looper & Drum Machine Effects Pedal
Cat: 847894 Rel: 10 Jan 22
 
Stereo looper & drum machine pedal.
Notes: Excellent value from this smart little pedal, combining a looper with a built-in drum machine. Pick a rhythm backing, dial in a tempo and then improvise over the top to build up loops and grooves.

Supplier's Notes:
The Groove Loop X2 aims to serve as the ultimate looper and drum machine combo pedal whether in the practice room or on stage. The X2 looper features a whopping 14 save slots that can store loops of up to 10 minutes in length in each slot. Looper controls are familiar and flexible with the ability to toggle count-in mode on/off and an automatic mode that detects and begins the looper once an instrument signal is detected. Time Stretch functionality is also included to allow users to alter the speed of playback without affecting the original pitch.

On the drum machine, the Groove Loop packs in a huge variety of drum grooves separated by 11 different genres, each with 11 different variations that can be easily selected with the included GENRE and PATTERN knobs. Drum machine tempo can be set manually by Tap Tempo or when used in combination with the Looper, tempo will be automatically detected while playing.

The X2 edition of the Groove Loop also adds many requested features such as split stereo inputs and outputs. Looper and Drum machine can also be split to two different outputs for added flexibility. A justify function is included to make sure your drum groove and loop is perfectly in sync and free editor software cand be downloaded from mooeraudio.com and connected to the Groove Loop for easier editing of stored tracks.

Specifications:
Input: 2*1/4'' mono audio input jack (Impedance value 1M ohms)
Output: 2*1/4" mono audio output jack (Impedance value 510 ohms)
EXT CTRL: 1/8" stereo audio jack
Saving slots: 14
Total recording time: 140 minutes (Stereo audio)
Export audio file format: MP3/WAV/FLAC/APE
Sample rate/Sample depth: 44.1 kHz/24bit
Import audio file format: MP3/WAV/FLAC/APE
Export audio file format: WA
Power requirements: 9V 300mA (Center negative). Original power supply is recommended to avoid unexpected noise.
Dimensions: 75mm(D)x115mm(W)x33mm(H)
Weight: 0.334kg
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MRP:$168.29 SAVE 16%
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Eventide TriceraChorus Chorus Effects Pedal
Cat: 848982 Rel: 06 Oct 21
 
Chorus effects pedal
Notes: Effects masters Eventide serve up a lush bucket brigade chorus inspired by the analogue classics of the 70s and 80s. Three chorus voices plus MicroPitch detuning for stereo width and complexity.

Supplier's Notes:
Short Description: Stereo Bucket Brigade-style Tri-Chorus with Psychedelic Swirl; Eventide's lushest chorus ever! Product copy: Deep Modulation & Dreamy Textures

Inspired by the classic Tri-choruses and stompbox choruses of the 1970s and early 1980s, the TriceraChorus pedal pairs rich Bucket Brigade-style chorusing with Eventide's legendary MicroPitch detuning for a lushness that rivals the jungles of the late Cretaceous Period. TriceraChorus features three chorus voices and three unique chorus effects which can be used to create a wide stereo spread with pulsing waves of modulation. The innovative "Swirl" footswitch adds psychedelic flanging, phasing and Univibe-style tones. It has never been easier to dial in syrupy smooth deep modulation on guitar, bass, synths, strings, vocals and more.

Deep Modulation & Dreamy Textures

TriceraChorus has three chorus voices: Left, Center, and Right, which can be detuned to add even more depth. A three-phase LFO modulates the delay times for these voices, producing a dazzling movement across the stereo field. The combination of the three modulated delays creates a huge wash of chorus reminiscent of that big, dreamy '80s sound.

A Trifecta of Tone

Like the mighty three-horned Dino, TriceraChorus is a powerhouse of chorus offering three effect types complemented by detuning and Swirl. For a quintessential vintage chorus sound, set TriceraChorus to "Chorus" mode. If you need something with more complexity and movement, "Chorale" produces lush, heavenly choruses inspired by classic rackmount Tri-chorus units. For a more warbly, pulsing effect, try "Vibrato." Add detune for subtle pitch shifting sweetness. Engage the "Swirl" footswitch to get lost in a whirlpool of kaleidoscopic sound.
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MRP:$278.74 SAVE 20%
 1 in stock $223.84
Electro Harmonix Nano Deluxe Memory Man Delay Effects Pedal
Electro Harmonix Nano Deluxe Memory Man Delay Effects Pedal (analogue delay/chorus/vibrato effects pedal)
Cat: 850305 Rel: 09 Nov 21
 
Compact version of the classic Deluxe Memory Man featuring gorgeous bucket-brigade delay and modulation.
Notes: The legendary Memory Man legacy continues with this compact take on the Deluxe model. Classic bucket brigade delay sounds with new modulation controls including rate and depth.

Supplier's Notes:
No one does analogue delay and modulation like Electro-Harmonix and the Nano Deluxe Memory Man delivers the unmistakably lush delay, chorus and vibrato of the benchmark large-format Deluxe Memory Man in a compact, pedalboard ready chassis.

The Nano Deluxe Memory Man delivers EHX's signature analog delay, chorus and vibrato plus some updates we've added including both Rate and Depth knobs for enhanced modulation control. It features a maximum delay time of 550mS, an internal user-accessible switch to turn delay tails on or off, true bypass switching when the tails feature is off and it comes equipped with a standard 9Volt power supply. For over 44 years the Deluxe Memory Man has been the gold standard for analog delay and modulation. Now it's available in an ultra-compact package!

Specifications:

Circuit: Analog
Bypass: Selectable True Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 4.5 x 2.75 x 2.1
Current Draw: 150mA
Year Released: 2021
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MRP:$228.25 SAVE 21%
 1 in stock $180.91
Nu-X Analog Delay Reissue Series Delay Effects Pedal
Cat: 812816 Rel: 05 Feb 21
 
Delay pedal
Notes: NuX Reissue Analog Delay Pedal

Reissue series vintage delay pedal for guitar or bass. The delay effect records the guitar input and plays it back as multiple repeats, creating an echo effect. Vintage style analog circuitry uses BBD chips to deliver a warm tone, reminiscent of many classic guitar tracks from the 1980's and offers a less harsh and clinical tone than many modern digital delay units. A perfect introduction for newcomers to the delay effect or even for the experienced analog purists.

Pure analog "bucket-brigade" circuitry
True bypass hardware switching
Delay Time, Repeat & Blend controls

The box for this item contains :

Reissue series analog delay pedal
9V PP3 battery

Specifications:

Battery: 9V PP3 (supplied)
Power supply: Optional 9Vdc 300mA regulated (not supplied)
Controls: Delay Time, Repeat, Blend & foot switch
Input impedance: 1M Ohms
Output impedance: 10k Ohms
Dimensions: 121 x 77 x 48mm
Weight230g
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 1 in stock $49.18
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Nu-X Recto Distortion Reissue Series Effects Pedal
Cat: 812817 Rel: 05 Feb 21
 
Distortion pedal
Notes: NuX Reissue Recto Distortion Pedal

Reissue series high gain distortion pedal for guitar or bass. The Recto Distortion simulates a hard driven US voiced tube amplifier with a tight bass response for heavy metal and grunge guitar styles. All analog circuitry ensures a pure signal path and 2-band EQ helps to tailor the frequency response as needed. Powerful tones for heavy riff and barre chord driven rock.

Pure analog amplifier simulation
True bypass hardware switching
Gain, Master & 2-band EQ controls

The box for this item contains :

Reissue series recto distortion pedal
9V PP3 battery

Specifications:

Battery: 9V PP3 (supplied)
Power supply: Optional 9Vdc 300mA regulated (not supplied)
Controls: Gain, Master, Bass, Treble & foot switch
Input impedance: 1M Ohms
Output impedance: 10k Ohms
Dimensions: 121 x 77 x 48mm
Weight: 230g
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MRP:$45.23 SAVE 26%
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Nu-X Plexi Crunch Reissue Series Distortion Effects Pedal
Cat: 812827 Rel: 23 Jun 21
 
Distortion pedal
Notes: NuX Reissue Series Plexi Crunch Pedal

Reissue series amp simulator pedal for guitar or bass. The Plexi Crunch provides a high gain distortion based on a hot-rodded British valve amplifier for classic crunch and heavy power chords. All analog circuitry ensures a pure signal path and both Tone and Presence controls closely mimic the same tone sculpting controls found on these classic amplifiers. Classic stack sounds for rock and metal guitar styles.

Pure analog amplifier simulation
True bypass hardware switching
Preamp, Master, Tone & Presence controls

The box for this item contains :

Reissue series plexi crunch pedal
9V PP3 battery

Specifications:

Battery: 9V PP3 (supplied)
Power supply: Optional 9Vdc 300mA regulated (not supplied)
Controls: Preamp, Master, Tone, Presence & foot switch
Input impedance: 1M Ohms
Output impedance: 10k Ohms
Dimensions: 121 x 77 x 48mm
Weight: 230g
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MRP:$47.33 SAVE 14%
 2 in stock $40.49
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Eventide TriceraChorus Chorus Effects Pedal
Cat: 861584 Rel: 06 Oct 21
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Effects masters Eventide serve up a lush bucket brigade chorus inspired by the analogue classics of the 70s and 80s. Three chorus voices plus MicroPitch detuning for stereo width and complexity.

Supplier's Notes:
Short Description: Stereo Bucket Brigade-style Tri-Chorus with Psychedelic Swirl; Eventide's lushest chorus ever! Product copy: Deep Modulation & Dreamy Textures

Inspired by the classic Tri-choruses and stompbox choruses of the 1970s and early 1980s, the TriceraChorus pedal pairs rich Bucket Brigade-style chorusing with Eventide's legendary MicroPitch detuning for a lushness that rivals the jungles of the late Cretaceous Period. TriceraChorus features three chorus voices and three unique chorus effects which can be used to create a wide stereo spread with pulsing waves of modulation. The innovative "Swirl" footswitch adds psychedelic flanging, phasing and Univibe-style tones. It has never been easier to dial in syrupy smooth deep modulation on guitar, bass, synths, strings, vocals and more.

Deep Modulation & Dreamy Textures

TriceraChorus has three chorus voices: Left, Center, and Right, which can be detuned to add even more depth. A three-phase LFO modulates the delay times for these voices, producing a dazzling movement across the stereo field. The combination of the three modulated delays creates a huge wash of chorus reminiscent of that big, dreamy '80s sound.

A Trifecta of Tone

Like the mighty three-horned Dino, TriceraChorus is a powerhouse of chorus offering three effect types complemented by detuning and Swirl. For a quintessential vintage chorus sound, set TriceraChorus to "Chorus" mode. If you need something with more complexity and movement, "Chorale" produces lush, heavenly choruses inspired by classic rackmount Tri-chorus units. For a more warbly, pulsing effect, try "Vibrato." Add detune for subtle pitch shifting sweetness. Engage the "Swirl" footswitch to get lost in a whirlpool of kaleidoscopic sound.
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 1 in stock $277.34
Death By Audio Germanium Filter True Vintage Germanium Distortion Effects Pedal (black)
Cat: 861973 Rel: 21 Feb 22
 
True Vintage Germanium Distortion
Notes: The Germanium Filter is Death By Audio's love letter to sticking a pencil in your speaker.

Start with a console-style drive circuit, add in a dash of obsolete germanium transistors and finish it off with a super intense DBA-style filter - BLAMO! You've got a sound heavy enough to crush on and sharp enough to slice a tomato.

The Filter control is extremely unconventional - it'll take you from bottomless, sub-woofered out lows to super searing and brittle highs, with a universe of tone in between. The Germanium Filter will help you find the sweet spot for your instrument in any situation - at a show, in the studio, or even stranded on the side of the highway after your tour van catches fire - hey, it happens!

The Gain knob starts with a dirty boost that then spans through saturated drive, spitting distortion, and a blistering fuzz tone. Get ready for your sound to be cranked up to infinity-and-a-half and captured on tape by the most incredible recording engineer you've ever heard - only there's no engineer and no studio. Just you, your guitar, your amp and the Germanium Filter.

Controls

Filter: Controls the frequency response of the pedal, featuring huge low end, scooped mids, and sharp, piercing highs.

Gain: Sweeps from mild overdrive to blasted-out fuzz. Very interactive with your guitar's volume control.

Volume (internal): Controls the overall output level of the pedal.

Specifications

Dimensions: 5" x 2.5" x 2.25" (including hardware).

Weight: 10.6 oz

Power: 9V (runs on standard 2.1mm negative center 9V adapter or included 9V battery).

Current Draw: 5 mA.
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MRP:$251.39 SAVE 13%
 1 in stock $219.84
Walrus Audio Mako Series M1 High-Fidelity Modulation Effects Pedal
Cat: 862065 Rel: 22 Feb 22
 
The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibe, Rotary, and Filter.
Notes: All the modulation effects you could dream of in a compact pedal. Chorus, Phaser, Tremolo, Vibe, Rotary and Filter programs give you plenty of sonic options with nice tweakability and superb sound quality.

Supplier's Notes:
The M1 is a powerful multi-function modulation machine with six customized, studio-quality programs: Chorus, Phaser, Tremolo, Vibe, Rotary, and Filter. Each program has a wealth of options to tune, tweak, customize and then save to one of nine onboard presets. A sound explorers delight, the M1 features a dedicated lo-fi knob allowing you to mix various lo-fi parameters to every program. Add subtle movement and texture to float under your playing or make a massive statement with a thick swirling chorus to choppy panning tremolo. Write your sonic story in any style and genre with the M1 High-Fidelity Modulation Machine.

Programs

Chorus - Find subtle chorus to be vibrant and lush tri-chorus that will instantly teleport you to the 80s. Type I is a traditional chorus great for tight smooth chorus tones. Type II adds a second chorus with an offset rate and depth. Thanks to the constructive interface, it has a more dramatic character caused by essentially running two chorus pedals in series. Type III finds its roots in the classic tri-chorus effect running three chorus units in parallel for a lush multi-dimensional chorus.
X knob controls Lag to set the maximum allowed amount of pitch detuning.

Phaser -Classic 70s phaser sounds we all know and love, with added features that you wouldn't expect. Similar to the Lillian, Type I is a 2-Stage Phaser that produces a single notch to the classic mild phaser. Type II is a 4-Stage model producing 2 notches for a stronger effect. Type III is a phaser modeled after the unique tuning and LFO shape found in a Uni-Vibe.

X knob introduces Feedback for a more dramatic phaser effect.

Tremolo - This program emulates a tremolo with three algorithms containing all the bells, whistles, and even a cherry on top. Type I is excellent for traditional sounds similar to optical and bias tremolos that raise and lower the entire frequency range - similar to the Monument in standard mode. Type II is a warm and cozy harmonic tremolo - similar to the Monument in harmonic mode. This unique sound is formed by raising and lowering your high and low frequencies opposite each other. Type III offers several predefined patterns for rhythmic sequenced pulsing tremolo. X knob manipulates the phase of the left and right volume modulation for a wide stereo panning effect. Shape and Symmetry in Type III (pattern Trem) select the pattern group and patterns within each group.

Vibrato - Make good parts great with detuned, warbly, and vintage sounds that harken back to the 60s. Type I focuses on traditional vibrato sounds like those found in Julia and Julianna's "V" mode. Old record players inspire type II with classic RPM's on the rate knob and some noise character you'd find in your dad's old dusty Speedwagon LPs. The rate knob can select 33rpm, 45rpm, and 78rpm speeds in this mode. Type III is our take on the wow and flutter pitch characters found in old tape players. Warm and charming with a hint of nostalgia. X knob manipulates the phase of the pitch modulation when connected with stereo outs in Type I and Type II and controls the amount of "flutter" modulation applied in Type III.

Rotary - Because you can't fit a Leslie speaker on your pedalboard, type I aims for that traditional watery sound of a well-oiled Leslie speaker. Type II only spins the horn but still plays the sound out of the drum. Type III only spins the drum but still plays sound from the horn. X knob controls the drive of the horn.

Filter - Add tone-shaping movement to your signal with different modulated filters. Type I is a lowpass filter good for modulated darker tones. Type II is a highpass filter used to creatively modulate your low frequencies. Type III is a bandpass filter forming a sliding "window" of frequencies. Drive the filter frequency with the main LFO or do things like set the depth to zero and turn up the LO-FI envelope control to drive the filter frequency with your playing dynamics.

X knob controls filter resonance, bringing a more aggressive sound to the selected filter.

Tone controls the filter's center frequency or starting frequency where the modulation is applied.

Specs:

The M1 comes in a dark blue finish with red, orange, cream, gold, green, purple and blue ink.
The enclosure's exact size with knobs is 4.9" x 2.52" x 2.64". Power requirements are 9VDC (300mA minimum).
The use of an isolated power supply is recommended for powering all Walrus Audio Pedals. Daisy chain power supplies are not recommended. Power supply not included.
USB firmware updates can be done via www.walrusaudio.io
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KMA Machines Chief Disruptor Fundamental Fuzz/Distortion Effects Pedal
Cat: 860784 Rel: 27 Jan 22
 
Fuzz/distortion pedal with switchable mid EQ/boost
Notes: Welcome to a new era of the most iconic fuzz/distortion sound the world has ever known. You know, that epically huge and super saturated tone (some might call it big and muffy) that has defined the signature sound of so many artists and countless records in the past few decades. It's arguably one of the pedals with the biggest impact on the entire industry, which has seen it modified over and over and over again. So much that you think it's all been done, right? Well, KMA Machines have a surprise for you right here!

Holding three different Gain Modes, a pre- or post-EQ Clean Blend, active Bass and Treble controls, a foot-switchable and expression-controllable parametric Mid-EQ as well as a switchable top-boost for even more raspy, grinding bite, CHIEF DISRUPTOR is the most flexible, beautifully balanced and LOUDEST muff-style pedal you'll ever hear!

Over the years, different muff drives had different levels of gain, so KMA Machines derived three major distinctive gain structures all based on what was thought to be the best versions. The Vintage Mode (VTG) will give you every shade of discrete overdrive, while the Tight Mode will give a more focused and modern tone with less bass and super crisp harmonics. Heavy Mode is the essence of what we all love about muffs. Heavy, sustaining and crazy thick fuzzy distortion, with bone-shaking lows and chewy mids. Just crank the Disruption (Gain) Control and you'll see this in action.

Tonal shaping was one of the true weak points of classic muff pedals, and this has been remedied with the Chief Distruptor. KMA Machines opened the gates to more modern tonal flexibility through the active Bass and Treble controls, which let you boost or cut highs and lows with up to 15 dB, while the parametric Mid-EQ with adjustable centre-frequency and level boost/cut allows you to fine tune the mids with extreme precision, for everything from classic scooped fuzz tones, modern mid-focused dirt tones and all the way to cocked-wah saturation.

You can take complete hands-free control of the Mid-EQ frequency via an expression-pedal. This lets you make instant tone changes on the fly, as well as unleash fast and quacky wah-like sounds or slow and enveloping phaser-like sweeps. If you feel like the filter needs to be more resonant for screaming synth-like sweeps or needs to be subtler, then you can adjust the Q of the Mid-EQ via an internal trimpot. The mids can also be turned on and off via the relay-based soft-switch, allowing you to kick in the mids for soaring solos, cutting chords or when you want to get filter freaky. Having super saturated mids and lows can sometimes result in a perceived loss of highs. To fix this, just engage the Top-Boost to give your high-mids a big push for more crunchy harmonics and bite to cut through any band mix. The Top Boost has been tweaked, but if you feel like it's either too loud or not loud enough, you can also adjust the Top Boost Level via an internal trimpot.

The gain control has been carefully balanced to achieve total control of even the slightest harmonic nuances. So, whether you're looking for low gain drive, crunchy medium gain rhythm tones, singing or saturated lead sounds or skull-crushing doom tones, the Disruption control can and will cover all of them! A lot of gain rules! But gain also means compression, and the more you compress your sound, the more your instrument will lose definition. To preserve your precious core tone the CHIEF DISRUPTOR sports a clean blend control and a toggle switch to define the insert position. Insert your dry signal before the EQ section for a more cohesive sound or place it post-EQ to keep your dry signal completely unaffected.

Last but not least, KMA Machines have implemented stacked headroom topology to keep the EQs from getting saggy when cranked, all which results in the tightest, most punchy and LOUDEST muff-style tone on the market. Go forth and empower your creative side, with tone that has true vision to inspire. If you are ready for a change in distortion history, then it's time to follow the CHIEF DISRUPTOR!
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Tags: Fuzz pedal
MRP:$188.28 SAVE 12%
 1 in stock $166.17
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