Effects units

Notes: Long-awaited update of Jomox's unique take on filtering, step sequencing and effects. Touchpad programming, CV control and deep MIDI integration make the MoonWind a powerful all-rounder.

Supplier's Notes:
Almost 12 years ago, Jomox brought out the first Moonwind. Now it's about time for an improved successor with OLED display, touch pad and more buttons for instant access.

Moonwind MkII is a true analogue stereo filter with built-in step sequencer, a fantastic sounding digital FX chip, two LFOs, VCA, two ADSR envelopes and envelope follower modulation.
Fixed CV in- and outputs and 6 assignable CVs make the Moonwind Mk II a versatile choice even in eurorack environment.

Everything is storable and controllable via Midi.

You can play the Moonwind Mk II like a synth by Midi notes and play melodies on the filters if they whistle in self-resonant mode.

The sequencer is able to control cutoff, Q and resonance per step and filter and thus turns the stereo filter with analogue fed back effects into a creative instrument of its own.

The editing of sequences can also be made via touchpad:

This makes the Moonwind Mk II an easy-to-use and awesome analogue sounding engine that is playable like a synth and can be seamlessly integrated into a DAW recording system

Specifications

Two real analogue low noise multimode filters
OTA technology *
Per filter Q (narrowness) and Resonance are separately adjustable **
Per filter the shapes lowpass, highpass, bandpass and notch are assignable
The filters are connectable among each other***
Per filter there is one LFO with 64 waveforms which controls the cutoff
Per filter there is envelope amount, the envelope is created from the audio with an analogue envelope follower
2 ADSR envelopes for filter and VCA that are triggered via Midi
Inputs are Hi-Z and can amplify guitar or bass signals directly
Touchpad for intuitive editing

2 CV outputs
3 fixed CV inputs
6 programmable CV inputs with amounts
Digital effects chip with 15 algorithms
Analog FX Feedback in order to create tape delays and wave guides
Three parameters per FX algorithm
The effects programs include chorus, flanger, tremolo, reverb, delay and some more exiting programs
Eight effects programs can be reloaded by OS update later on
Built-in noise generator with metallic noise and volume control
Sequencer can record Cutoff, Q and Res separately per step and filter
Maximum 64 steps per pattern
Maximum 32 steps per bar (then max. 2 bars), bars can be dynamically set according to the number of steps per bar
Clock divider can resolve max. 32th per bar
Record/undo function to record filter trails by the rotary knobs or touchpad
Direct Touchmode can record sequences with your fingertip
Sequencer and LFOs are midi clock synchronizeable
Midi notes control the cutoff of the filters, CCs the rest of parameters
Cutoff, Q and Resonance are made as classical potentiometers
Stable metal axis potentiometers and encoders with axle bearings
256x64 px LCD display
OS is updateable via Midi

Dimensions:

Width: 318mm
Depth: 180mm
Height front: 44mm
Height back: 72mm

Weight: 1.8kg

Notes: Desktop version of Plankton's modular saturation unit. A patchable combination of analogue distortion and digital processing, combined into a versatile standalone effects unit.

Supplier's Notes:
SPICE is a modular saturation unit capable of a huge variety of sounds and colors. From subtle tube warmness to extreme fuzz distortion.

Features:

Rackable (38HP eurorack) modular desktop unit.

8 CV inputs with led level indicators.

6 main functions: Prefilter / Digital / Analog / Mixer / Envelope Follower / Feedback

Prefilter: High Pass and Low Pass filters to shape the sound before being processed. Both controllable via fader + CV input.

Digital: 12 bit Bit Crusher / Bit mute, Biswap and Bit inversion + Sample Rate reducer. Both controllable via potentiometer and CV inputs. It also offer an analogue input control with led clip indicator and a low pass filter to smooth the output signal. All the code will be Open Source

Analog: 7 analogue distortion circuits selectable with a rotary encoder + a sweet resonant state variable filter. Drive and Cutoff parameters are controllable via potentiometer and CV inputs. 2 of the circuits use the new Korg NU-TUBE.

Mixer: Dry and Wet controls to mixed the processed signal with the clean one of the input. Both controllable via fader + CV input.

Envelope Follower: A dedicated envelope follower with gain control and normal and inverted outputs to convert an incoming signal to an envelope. With its output you can control any of the CV parameters and shape the processed sound in many creative ways.

Feedback: a triple feedback section that sends the Wet input to the Prefilter, Digital and Analog sections. It's capable from a subtle resonance to a collapsed hardcore self generating tone.

Semi-modular architecture with pre-patched sections that can be restructured using patch cables. Each section (minus the feedback) can be used as an independent function from the rest.