エフェクト・ペダル

Notes: ***B-STOCK: Box opened, light surface marks, product in perfect working condition ***


The classic Pantheon pedal gets even better with this Deluxe version. Two independent overdrive circuits give you classic Blues Breaker-style tone plus modern boutique sounds.

Supplier's Notes:
The now legendary Wampler Pantheon provided a unique interpretation of the classic "Blues Breaker" style stomp box, by capturing all the tonal nuance of the original, but with added flexibility and style. In doing so, it found its way onto thousands of pedalboards across the world. Enter the new Pantheon Deluxe - a dual overdrive pedal that takes this evolution several steps further by offering a flexible design with two completely independent Pantheon circuits, one voiced as a classic blues breaker and one with a more modern boutique sound. This palace of tone delivers a staggering 200 combinations of gain settings, featuring dual Inputs and Outputs, and for the first time ever, Wampler have added MIDI channel switching to one of their gain pedals.

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel. Independent side mounted Voicing and Gain Level switches allow you to further shape your tone to perfection.

DOUBLE UP

The Pantheon Deluxe lets you dial in two channels of organic creamy gain, gritty overdrive, or heavy distortion while retaining Wampler's famous ease of use and flexibility. Channel 1 delivers a classic Blues Breaker tone, Channel 2 is a recreation of the original Pantheon, a similar circuit to the Blues Breaker but with a modern boutique feel.

ALWAYS THE RIGHT FIT

Each Channel of the Pantheon Deluxe Dual Overdrive feature independent Gain, Level, Treble, and Bass controls to enhance the shaping of your tone. The Baxandall-style active Bass control is neutral at noon but boasts an extremely powerful sweep as you move through the range. A single global Presence control simultaneously alters each channel to add just the right amount of top-end chime to suit different guitars and amplifiers - perfect for when playing live or when in the studio.

MAXIMUM CONNECTIVITY

With the addition of MIDI In and Out, you can now also switch the analog channels of each circuit on and off with a MIDI switcher - saving you valuable hardware loops on your loop switcher. With dual analog inputs and outputs, you can split both channels in a loop switcher, insert pedals between each side, or run in stereo.

BUILT FOR FOREVER

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Pantheon Overdrive. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds its forever home on your pedalboard, so we built it to last that long.

TECHNICAL DETAILS

Built in the U.S.A
Dual Independent drive channels using Brian Wampler's classic Pantheon circuits; Channel 1 Classic Blues Breaker voicing, Channel 2 Modern Boutique voicing.
Independent Volume, Gain, Treble and Bass controls for both channels, global Presence control, front mounted Channel Order Switch, side mounted independent Gain Level and Voicing switches, MIDI In and Out (3.5mm TRS) and 2 sets of input and output jacks.
Top-mounted jacks make pedalboard placement effortless
Power draw: 55mA
9-18V power jack: DC supply only, do not exceed 18V DC, battery Included.
Includes Wampler's limited 5-year warranty
5" x 4.5" x 1.5" (88.9mm x 114.3mm x 38.1mm) - height excludes knobs and switches

Notes: The Faux Spring Reverb has been a staple on many players boards for many years now, and when it was discontinued a few years ago Brian Wampler received numerous requests to bring it back since then. Not being one to be content with just reissuing something, Brian decided to take all of the feedback from players he had received and give it a bit if an upgrade.

The result was the birth of the Mini Faux Spring Reverb. Following the idea of - If it's not broke, don't fix it - he just added more of what players love. More decay, more drippiness and more of that bouncy spring tone players love in the bigger Reverb tanks. Despite sounding bigger and fuller, he decided to condense it down into a mini enclosure to fit perfectly at the end if any chain to grab and go.

When the moment calls for the sound of spring reverb, you'll be glad you have this little guy. With an extended decay time, the Mini Faux Spring Reverb pedal serves up authentic tones that drip with boing (Don't you love spring reverb adjectives?) just like a great spring tank. And thanks to an easy-to-navigate control layout, you'll have your perfect tone pulled up in no time.

For years, the Wampler Faux Spring Reverb was the very best spring reverb pedal available, Brian Wampler updated it, made it smaller, made it bouncier - made it even more perfect for your rig!

There no denying the popularity and convenience of this pedal's mini design. Not only does it fit wonderfully on even the most cramped pedalboards, but it's easy to throw in the back of your open-back combo when running in the amp's effects loop.

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Mini Faux Spring Reverb. We're all tone-freaks, and we're always trying new things, but we hope this pedal finds it's forever home on your pedalboard, so we built it to last that long.

Technical Details

Built in the U.S.A.
High-grade components picked for their superior sound and response
True bypass Small profile, ideal for pedal board placement
Signal is split, core tone is unchanged through the pedal, the effect is laid on top of your tone
Volume, Depth, and Tone control allowing you full control of your reverb trail
9v power jack (no battery connector inside)
3PDT True Bypass
Includes Wampler's limited 5-year warranty
Power draw: 64.3mA (at 9v) and 69.5mA (at 12v)
1.50" x 3.50" x 1.5" (38.1mm x 88.9mm x 38.1mm) - height excludes knobs and switches

Notes: ***B-STOCK: Box opened, product in perfect working order***


Introducing Catacombs - a pedal that eliminates the compromise altogether. It packs 11 of the most popular delay and reverb sounds into one intuitive, powerful package. Whether you're after a trusty digital delay and a plate reverb or a musical shimmer and a spaced out echo - Wampler have you covered!

The team at Wampler have worked for a long time on ensuring Catacombs will become an indispensable part of your rig. You can run one of six delay and one of five reverb programs together simultaneously. Each program offers tap-tempo control and can be saved into one of the pedal's eight onboard preset locations for instant recall. Delays and reverbs can be run in Mono, Stereo, in parallel or in series. It's like having a studio's worth of delay and reverb effects right at your feet.

But it doesn't end there - the pedal also comes with a complete software version as a plugin for your DAW in AAX, AU, and VST3 format for both Mac and PC. The Catacombs plugin is FREE to all customers that register their Warranty online (plugin suite is $49.99 if purchased separately).

Legendary Delays

With six delay programs, you can feel the warmth and depth of analogue delays (ANLG), the harmonic nuances of a Bucket Brigade Device delay (BBD), or the nostalgic modulated vibe of classic artisanal tape and mechanical delays (TAPE). Feeling adventurous? The other-worldly Echo-Space Delay (SPC) awaits. The favourite Wampler Faux Tape Echo (FTE) and an accurate recreation of the classic 2290 digital delay (DIGI) also feature.

Iconic Reverbs

The Catacombs houses five finely tuned reverb programs. With just a twist of a knob, you'll discover expansive halls (HALL), a warm vintage plate (PLT), and that classic spring reverb (SPR) with plenty of "drip." The shimmer reverb (SHMR) allows a whole new layer of sonic texture, especially when paired with an expression pedal, and the intimate ambiance of the ROOM setting creates that perfect studio reverb.

Stompbox-like Control

Like the Terraform and Metaverse before it, the Catacombs is designed to be as quick to dial in as possible. Wampler replaced confusing menus and fiddly touch screens with clearly marked knobs you can adjust on the fly. Controls for Time, Feedback, Modulation, and Level (with Alt functions for each effect type) put all the essential tools right at your fingertips. Each setting offers tap-tempo control and can be easily saved into one of the pedal's eight front panel preset locations for instant recall. It's like having a studio's worth of delay effects right at your feet.

Digital Power with an Analogue Soul

The Catacombs uses a high-performance DSP engine to bring each effect to life with authentic character and gives you eight front panel preset locations where you can save and instantly recall your favourite settings. If you're looking to expand even further, you can access up to 128 presets with full MIDI control, it has configurable mono and stereo routing, a parallel or series switch, and an assignable expression pedal input to control any parameter (or multiple parameters).

Notes: How many times have you sat in front of your favorite ambient pedal and felt like you need weeks of training at NASA to use it? Knobs, switches, sliders - It's often SO hard and frustrating to find a usable tone on those things quickly - Keeping that firmly in mind, when Wampler first considered making an ambient pedal, ease of use was a top priority, right up there with top tier quality tone on par with pedals at twice the price.

How do you describe a pedal like the Wampler Ethereal? Does ambient heaven cover it? Is it the gateway between real life and the astral plane? Or is it just gorgeous? It's hard to know which phrase to use when talking about it, because they all match it perfectly - plus, of course, so easy to use you'll be getting those perfectly Ethereal tones instantly.

When designing the Ethereal these were the EXACT thoughts running through the mind of Brian Wampler. He wanted to make a delay that is as pure as you could want, with a time of up to 1s, a reverb that is thick and then have the option to mix them all up and put them together in one glorious effect that will send you away - all the way away while making it as easy to use and easy to find those perfect tones as possible.

It's been a bit of a secret, there isn't one delay lurking within the Ethereal, there are two! The first delay constantly sits there like a heartbeat, coming back at you at quarter notes, Wampler then layer another over the top - that one can be put into a triplet pattern, or a dotted 8th (so you can get that beautiful quarter + dotted 8th mix) and even a self-oscillating dotted eighth pattern that just takes you away and leads you over the edge and down the rabbit hole into perfect ambience - Things can get a little crazy when that one is selected, so you know, knock yourself out - it's there to make some incredibly strange yet beautiful sounds - See that little switch down there? Yep, that's the one, just to the right of the stomp - that's a trails button. When this is used the delay patterns and reverbs sing out after the pedal has been deactivated, so you can even control what you want to come back at you.

While you are enjoying the delay patterns, sitting underneath is that beautifully cavernous plate style reverb that is alive with character and shape, that can be brought in to exactly the right level (whether that be under your guitar, the same level - unity, or even considerably louder) to compliment the delay.

As you can imagine, this has been some feat of engineering (definitely worth waiting for) as we wanted all this to happen from a regular sized box, with the purity of tone and response you would expect from a Wampler. So, as with our other time pedals, we split the signal going in, the effected signal is then laid back on top of the original base tone, making sure that YOUR guitar sounds exactly how it does going in.

The Wampler Ethereal. Not only can it be used a stand alone reverb or delay pedal, it can be combined for you to worship, to get lost in, to even help you inspect your shoes - but most of all, it was designed to inspire.

Technical Details

Built in the U.S.A.
High grade components picked for their superior sound and response
Relay true bypass with soft switch (buffered bypass in trails mode)
Top mounted input and output jacks 9v power jack
Power draw: 64mA (at 9v) and 68mA (at 18v)
Allows for you to use reverb and two delays simultaneously
Maximum 1 second delay
Second delay can be layered on top in 3 different patterns
Relay True/Buffered Bypass
Includes Wampler's limited 5-year warranty
2.50" x 4.50" x 1.5" (63.5mm x 114.3mm x 38.1mm) - height excludes knobs and switches

Notes: When Wampler decides to jump into the multiFX market, they do it in style. 11 custom designed effects blocks, from Flanger to Phaser, Chorus to U-Vibe, Harmonic Tremolo to Envelope Filter, you know everything about it is going to be perfect.

In one incredibly small package, you can control any of the 8 presets via midi, you can assign an expression pedal to control ANY of the main five controls, you can run it in full glorious stereo or keep it in mono - you can even split that mono signal to route some effects to go before your drive pedals, or amp gain, and have the rest follow behind or in your effects loop!

When you put the Terraform into your rig, you know that not only will you get that legendary Wampler tone, but you will get the most easy to use, hugely versatile and best sounding collection of modulations you could ever want.

Each of the 11 effect blocks have been designed and realized in-house by the tone chasing freaks at Wampler. Each one has been inspired by many individual stomps, both modern and vintage, to bring you the best version of them all.

There are 8 presets to store your favorite sounds - you can recall them via the fully mappable midi, via the button on the front and even from the stomps! The expression pedal can control ANY of the 5 controls and you can even set the heel and toe point!

If you want true Stereo, you got it - You want basic mono, you got it.. You can even split that mono signal so you can put some effects in front of your drive section and the others behind, or going into the front of your amp with the rest in the effects loop. However you like to route your signal, the Terraform has you covered.

Brian Wampler's attention to detail and commitment to bringing you the best-sounding & most usable Effects Boxes on the market is nothing new. Those qualities are on full display within the Terraform. We're all tone-freaks, and we're always trying new things, but Wampler hope this pedal finds it's forever home on your pedalboard, so it was built to last that long.

Technical Details

Built in the U.S.A.
High grade components picked for their superior sound and response
Relay true bypass with soft switch (buffered bypass in trails mode)
Top mounted input and output jacks 9v power jack
Power draw: 64mA (at 9v) and 68mA (at 18v)
Allows for you to use reverb and two delays simultaneously
Maximum 1 second delay
Second delay can be layered on top in 3 different patterns
Relay True/Buffered Bypass
Includes Wampler's limited 5-year warranty
2.50" x 4.50" x 1.5" (63.5mm x 114.3mm x 38.1mm) - height excludes knobs and switches

Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.

Notes: The Singularity is basically the fuzz section from the Black Hole Symmetry which is unique in sending the signal through a JFET transistor then 3 silicon transistors to end up being destroyed!

The Singularity keeps the look and fun of the Disintegrate setting to a single output volume control and adds a 3-position toggle switch to cut the output Low-Pass filter at 3 different frequencies.

Controls

Volume: Fuzz level.
3-position switch: Low-Pass filter frequency at 1.5 kHz (BHS style), 3.3 kHz, 16 kHz.

Notes: The concept for Diamond Pedals' Boost/EQ began in the early 2000s, with a request for a 'compression-less' version of the famed Diamond Compressor - combining a clean boost circuit with the Compressor's Tilt EQ.

Nearly 20 years after the resulting original pedal's launch, we've re-imagined this idea on the same platform as the Comp/EQ. Introducing the next-generation Diamond Boost/EQ. This versatile, low-noise pedal delivers a punchy, dynamic sound that's ideal for any set-up

Taking the lively, high-fidelity gain stages of the Comp/EQ, the Boost/EQ offers plenty of punch while maintaining clarity and transparency. While the Tilt and Mid controls give you complete freedom to sculpt your tone. Need more sparkle? Dial it in with the Tilt knob. Looking for a midrange boost to cut through your solos? The Mid control has you covered. Want to make your Marshall tone a bit more Fenderesque? It's all possible with Diamond's Boost/EQ.

In addition, the Boost/EQ features a second mode that provides a low-gain overdrive - transparent, yet full of character. This makes the Boost/EQ the ultimate Swiss Army knife for your pedalboard, combining clean boost, tone shaping and overdrive, into one powerful and versatile pedal.

The Boost/EO offers 2 distinct modes of operation. The first is a clean boost mode designed to increase the output of your signal enabling you to beef-up low-output pickups, drive tube amps and dirt pedals for increased sustain and saturation or simply have your solos jump out in the mix.

Set to the OD mode, the gain structure of the pedal is modified and soft clipping diodes are added to the circuit. This provides smooth, transparent, musical distortion that ranges from just a touch of hair and harmonic overtones, to a nice low to mid gain overdrive. Depending on where your Boost/EO is placed in your signal chain, it will either deliver an increase in volume or distortion/saturation. Place it at the end of your pedal chain or in an amp's series FX loop for a volume boost. Put it in front of your drives and fuzzes for more gain and distortion.