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15/5(ページ1/1)の商品
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A Soft Hiss Of This World (by Tim Ingold, Carmen Pardo & Mikel R Nieto)
Cat: 765375 Rel: 11 Jun 20
 
paperback book
Notes: The research project "A soft hiss of this world" is focused on the loss in many aspects such as the loss of language as a result of the Anthropocene through the absence of certain states and processes that occur naturally in the environment like different states of water, snow and ice. In Finnish there are more than forty terms* to refer to them and because of the loss of these states in the landscape, the loss is also displaced to the language, in this case, the Finnish.

This research project took these words as a starting point to make hundreds of hours of recordings in the Finnish landscape. The sound of snow, ice and snowflakes are the reference and the sound material of this research project. And to obtain these sounds, as well as the possible sound differences between each snowflake, special and specific microphones were developed for this very specific and fragile recording process.
This book contains texts by three authors: Tim Ingold, Carmen Pardo and Mikel R. Nieto, on the research carried out by Nieto in Finland during 2016. The text by Tim Ingold opens the book and introduces the reader to the main subjects of the research: language, landscape, sound and listening. This text is easy to read and aims to immerse us in the Finnish landscape and in the listening act to its sounds and silences. Carmen Pardo's text unfolds first, the way in which the gaze and listening of the snow constitute the experience of a disappearance, of a concentration in the void or nothingness of which A Soft Hiss of this World participates.

The third text belongs to Mikel R. Nieto and is divided into four parts. The third part is a code that reflects the loss of most of the sound recordings made during his research with more than 600 hours of recordings. This code is the only thing that could be recovered from all recordings, except the only sound recording published in physical format as a transparent Flexi-disc.

The fourth part is the result of silencing each and every word by John Cage in his "Lecture on Nothing," leaving only the punctuation marks, such as commas, periods, separators and the last sentence of the text of Cage. Every time the transparent flexi-disc is played, the player needle wears away the vinyl and making the sound of the recording disappear. Therefore, each listening destroys the sound."
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 1 in stock $19.05
Decay Object: Fiepblatter Catalogue #7 (by Jan St Werner)
Cat: 776354 Rel: 11 Jun 20
 
hand-numbered paperback book
Notes: Images, collages and renderings from the Fiepblatter visual archives 2000 - 2020. Limited to 300 copies, hand-numbered by Jan St. Werner.
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 1 in stock $15.79
Funk & Soul Covers
Funk & Soul Covers (hardback book)
Cat: 661778 Rel: 01 Jan 90
 
Hardback book featuring over 500 legendary funk & soul record covers
Notes: Following the success of Jazz Covers, this epic volume of groove assembles over 500 legendary covers from a golden era in African-American music. Psychedelia meets Black Power, sexual liberation meets social conscience and street portraiture meets fantastical cartoon in this dazzling anthology of visualized funk and soul.

Gathering both classic and rare covers, the collection celebrates each artwork's ability to capture not only a buyer's interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the sheer beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson and Prince changed the world with their unique and unforgettable sounds.

Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.
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 1 in stock $18.79
I Am Very Far: The Lyrics
Cat: 430751 Rel: 21 Jul 11
 
Hard bound lyric book containing the full scope of Sheff's vision for Okkervil River's album I Am Very Far (36 pages, hardback, black & white)
Notes: Will Sheff of Okkervil River has long been recognized for his writing: a contributor to McSweeney's, Sheff was nominated for a Grammy for his liner notes for Roky Erickson's 2010 album True Love Cast Out All Evil, The New York Times declared that, Sheff writes like a novelist.

The I Am Very Far: The Lyrics is a hard bound lyric book containing the full scope of Sheff's vision for his latest and most refined album to date, Okkervil River's I Am Very Far. The I Am Very Far: The Lyrics is meant to function as a distinct entrance point into the content of the music. More than a complement to the albums themselves, Sheff's prose weaves tales both subtle and dynamic and enriches the content of his songs. Including the lyrics for Mermaid and other songs recorded during the I Am Very Far sessions, the book is a complete work in its own right.

Limited to only 50 copies for the UK and Eire.
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 1 in stock $18.24
Spectres II: Resonances
Cat: 775760 Rel: 11 May 20
 
196 page book with thread-sewn softcover, produced by Shelter Press in French & English
Notes: To resonate: re-sonare. To sound again with the immediate implication of a doubling. Sound and its double: sent back to us, reflected by surfaces, diffracted by edges and corners. Sound amplified, swathed in an acoustics that transforms it. Sound enhanced by its passing through a certain site, a certain milieu. Sound propagated, reaching out into the distance. But to resonate is also to vibrate with sound, in unison, in synchronous oscillation. To marry with its shape, amplifying a common destiny. To join forces with it. And then again, to resonate is to remember, to evoke the past and to bring it back. Or to plunge into the spectrum of sound, to shape it around a certain frequency, to bring out sonic or electric peaks from the becoming of signals.

Resonance embraces a multitude of different meanings.

Or rather, remaining always identical, it is actualised in a wide range of different phenomena and circumstances. Such is the multitude of resonances evoked in the pages below: a multitude of occurrences, events, sensations, and feelings that intertwine and welcome one other. Everyone may have their own history, everyone may resonate in their own way, and yet we must all, in order to experience resonance at a given moment, be ready to welcome it. The welcoming of what is other, whether an abstract outside or on the contrary an incarnate otherness ready to resonate in turn, is a condition of resonance. This idea of the welcome is found throughout the texts that follow, opening up the human dimension of resonance, a dimension essential to all creativity and to any exchange, any community of mind. Which means that resonance here is also understood as being, already, an act of paying attention, i.e. a listening, an exchange.

Addressing one or other of the forms that this idea of resonating can take on (extending, evoking, reverberating, revealing, transmitting), each of the contributions brought together in this volume reveals to us a personal aspect, a fragment of the enthralling territory of sonic and musical experimentation, a territory upon which resonance may unfold. The book has been designed as a prism and as a manual. May it in turn find a unique and profound resonance in each and every reader.
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 2 in stock $17.97
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