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16/6(ページ1/1)の商品
The Knot: Complete Words For Music Collected Stories & Journals by Michael Gira (paperback edition)
Cat: 1005690 Rel: 01 Mar 24
 
Journals, stories, and songs span the years 1981 to present; includes visual archives and artwork dating back to 1974.
Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Paperback; 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Paperback has bookplate signed by M Gira.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira
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 4 in stock $35.54
Rhizomes by Aho Ssan
Cat: 970445 Rel: 26 Jan 24
 
160-page book containing 13 QR codes to download Rhizomes
Notes: 160 Pages Book (Boodk/Auduio Combination sold as "Merch Item"), containing 13 QR codes to download 13 songs.

Aho Ssan debuts on Other People with second solo album and book 'Rhizomes' featuring Nicolas Jaar, Moor Mother, Angel Bat Dawid, clipping., Blackhaine and more.

Paris based composer Aho Ssan, the artist moniker of Niamke Desire, presents his new full-length 'Rhizomes' on the Other People label following his debut LP 'Simulacrum' (2020) and collaborative record 'Limen' (2022) with fellow musician KMRU.

'Rhizomes' draws inspiration from a concept coined and developed between Gilles Deleuze and Felix Guatarri. The idea of an ever evolving structural model, constantly in motion and spreading out in all directions at once. It has no beginning and no end, but always remains in a middle, through which it grows and overflows.

"The root thought is the one that kills everything around itself while the rhizome is the root that stretches out to meet other roots," Desire explains considering the works of French writer Edouard Glissant who addresses questions of identity, crossbreeding of cultures and its evolution.

Much like the name it borrows, Aho Ssan's 'Rhizomes' is a multimedia project that embarks on a myriad of disparate, unique musical and artistic partnerships. This piece adapts this concept to explore the influence of sound materials on creation, the appropriation of a sound object, and the collaborative nature of a composition that responds to modernity.

"Rhizome represents an underground stem system that fosters connections between various organisms and allows them to flourish collectively. It's an album that celebrates collaboration and brings together a diverse group of talented artists," Desire continues.

Aho Ssan collaborated with a comprehensive cast of artists to create a musical rhizome including Nyokabi Kariuki, Josefa Ntjam, Blackhaine, Nicolas Jaar, Resina, R?n C?p ?uoi, Richie Culver, clipping., Lafawndah, 9T Antiope, James Ginzburg, Exzald S, Valentina Magaletti, Moor Mother, Angel Bat Dawid and Mondkopf. Cooperation and community are at the root of this project and the lens through which all the compositions can be understood through.

Aho Ssan will present 'Rhizomes' AV show together with visual artist Sevi Iko Domochevsky at Berlin Atonal 2023. 'Rhizomes' received a Honorary Mention at Prix Ars Electronica 2023 Digital Music

In conjunction with the album, 'Rhizomes' comes complete with a set of illustrations by Kim Grano in a book release. The drawings become a hybrid language, each an emotional response to the musical half. The book contains an extended version of the album with 3 additional songs and 2 longer versions of the album songs. It also includes a sample pack by Aho Ssan and a collection of solo tracks by Elliot Blaise, KMRU, Lamin Fofana, Brodinski & Se?bastien Forrester, Valence Drake, 9T Antiope, Exzald S and Valentina Magaletti. The extended version package is only accessible through the QR codes in the book.
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 1 in stock $31.81
Public Disturbance by Teppei Miki
Cat: 981461 Rel: 22 Feb 24
 
A bunch of helter-skelter shots of underground punk/hardcore
Notes: Teppei Miki Photobook "Public Disturbance"

A bunch of helter-skelter shots of underground punk/hardcore!

Teppei Miki, a photographer who has been photographing punk/hardcore bands in Tokyo, has published his first photo book "Public Disturbance"!

A5 size, 248 pages.

Bands appeared in the photobook include:

Gauze / Black And White / Doraid / Firestarter / Framtid / G.a.t.e.s / Nightmare / Skizophrenia / Slight Slappers / The Last Survivors / Accidente / Annihilation Time / Hank Wood And The Hammerheads / Haram / Krimewatch / L.o.t.i.o.n. / Mdc / Screaming Mad George / Sheer Mag / The Vertigos / And More.
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 1 in stock $32.36
Northern Soul 1993-1996 by Elaine Constantine
Cat: 987224 Rel: 13 Feb 24
 
36-page staple bound book
Notes: "It was Saturday night, the year was 1993, and I had recently moved to London to try to push my photography career along when I went down to the 100 club where they play rare American 60's and 70's soul music.

I had been on that scene up until a few years before and was curious to see where it had gone in the meantime, so I took my camera along with me. Going down those stairs into that dark basement, seeing those shadowy figures moving energetically in sync with each other made me hesitant.

The scene had gone further underground, the crowd older, little new blood, the records more obscure and the attitude on the dancefloor was as fierce as ever. Could I really take pictures in this place? As I suspected, the blast from my first flash altered the atmosphere. I braved it to shoot a few more from different angles but things felt worse with each blinding shot.

The relief I felt when I heard the familiar opening bars of 'This Won't Change' by Lester Tipton. A fast, raw, jerky, but tender sound. I pushed the camera bag under a chair and got lost in the shadows until morning.

I very soon became a regular again, travelling to different venues around the country but I'd often wait till morning when the lights came on before taking any pictures. Mostly though I went to dance and enjoy the music with friends, leaving my camera at home."

Elaine Constantine 2023

Pictures were taken in varied venues including the Manchester's Ritz, London's 100 club and in a lad called Steve's kitchen, plus other places too numerous to remember.

36 pages
Printed in England
Staple bound
14cm x 20cm
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 1 in stock $11.66
Let The Music Play: How R&B Fell In Love With 80s Synths by Steven Vass
Cat: 991983 Rel: 23 Jan 24
 
Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan
Notes: Let the Music Play: How R&B Fell in Love with 80s Synths is the overlooked story of how R&B, disco and funk were transformed by the explosion of music tech in the era of ghetto blasters and Ronald Reagan. It traces how pioneers like Stevie Wonder and Herbie Hancock inspired a new generation of black musicians and producers to reinvent music with a whole new set of rules.

From superstars like Prince and Sade to production geniuses like Kashif and Jam & Lewis, it tells the fascinating stories of the artists involved and how they made some of the best-loved records of the era - creating a blueprint for music today.
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 1 in stock $15.90
Kirk Brandon: Confessions Lyrics & Nostalgia by Iman Kakai-Lazell
Cat: 878695 Rel: 07 Mar 24
 
The 5th book in a series of custom made, books by Persian artist, Iman Kakai-Lazell - featuring icons of Arts & Entertainment in a way never-before seen
Notes: This is the 5th in a series of custom made, books by Persian artist, Iman Kakai-Lazell - featuring icons of Arts & Entertainment in a way never-before seen.

Working closely with each artists, the books feature, collages, never seen before photos, manipulated with original lyrics & confessions.

Each release is extremely limited and will never be repressed.

From the author:

"In these series of confessions, lines and lyrics desires come through in a form of dreams, events and more. The individual is able to express themselves in a way they haven't been able to. And more importantly for me to add my interpretation to each piece. I hope you love reading these as much as I have creating them... No 4. I present... Kirk Brandon"

Kirk Brandon started his music career in 1978, in Clapham, London with the formation of punk group The Pack.

The Pack consisted of Brandon, Scottish-born drummer Rab Fae Beith, Simon and Jon Werner on guitars.

Brandon then formed post punk/new wave band Theatre of Hate in 1980 recruiting Stan Stammers on Bass, Nigel Preston on Drums & Billy Duffy on Guitar and John 'Boy' Lennard on sax. Theatre of Hate disbanded in 1983. Brandon and Stammers were then joined by Lascelles James on saxophone and Chris Bell on drums to form Spear of Destiny. The new band adopted a more melodic and less aggressive sound, distancing themselves from post-punk and moving a little more towards mainstream pop. While continuing to explore the political ideas that he wrote about in Theatre of Hate, Brandon's lyrics for Spear of Destiny dealt more frequently with the classic pop themes of love and romance.

In 2003, Brandon did a solo tour as support to The Alarm on their 'Poppyfields' tour.

In later years he performed in the punk supergroup Dead Men Walking, with an ever-changing line up which has featured - Dave Ruffy (The Ruts), Billy Duffy (The Cult), Mike Peters (The Alarm) Captin Sensible ( The Damned), Pete Whylie (Wah), Glen Matlock (Sex Pistols), Mick Jones & Topper Headon (The Clash) Duff McKagan (Guns & Runs) Lemmy (Motorhead), Mike Scott (The Waterboys), Ian McNabb (The Icicle Works) & Roddy Frame ( Aztec Camera), amongst many others.

Brandon has also reformed Spear Of Destiny in 2007 and 2008. Brandon continues to tour with both Spear of Destiny and Theatre of Hate, as well as a revamped Dead Men Walking, and solo acoustic shows.

Iman Kakai-Lazell was born in Iran and moved to London, England at an early age. She studied at Chelsea College of Arts, specialising in Public Art.

Iman has had many exhibitions in New York & London, with a yearly solo residence at The Baltic in Borough - 2010-2016. She now resides in Arnside, Cumbria.
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 1 in stock $23.87
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