Review: REPRESS ALERT!: Best Italy turn their impeccable reissue powers towards a surefire burner from 1984 given the stamp of approval by the likes of David Mancuso, Larry Levan and Ron Hardy back in the day. "Come Back Lover" was actually mixed down by another legendary DJ - Tony Humphries - and it shows. Even the original mix plays out with an extended, floor-focused flow that captures the creative energy at work at this epochal time for DJ culture. As ever with Best reissues, there's a plethora of alternative and dub mixes to suit any spinner's specific requirements, with the groove front and centre every time.
Review: REPRESS ALERT!: Best may be best known for jazz and disco reissues, but they're also dab hands at unearthing forgotten gems from the annals of Italian deep house too. The Countach were last seen in active service back in 1990, dropping just two singles but making sure they were bona fide classics. "Aqua Marina" has plenty of lashings of jazz funk rubbed into its loins, not least on the "Sweet Dream Version". The "Paradise Version" nudges the key of the club mixes and ramps up the reverb, and then the "Original Studio Version" switches up the mood with an organic, live band groove on this crucial 12".
Review: Scorchio: Best return in time for the summer with one of the funkiest productions Maurizio 'Sangy' Sangineto has ever conjured. Sleazy electro boogie with just the right balance of Italo and soul in the mix, "Baby Come On" was a solo expedition by Armed Gang's James Otis White Jr. who hits the juiced-up bass-led groove in consummate syrup-toned style but gives the groove all the room it needs to let loose. Spacious, sun-kissed and profoundly funky, this couldn't have landed at a better time.
Review: Best strike Italo gold once again with this Maurizio 'Sangy' Sangineto production. The original of Valery Allington's Stop has more of a pop funk feel, giving the vocalist and her backing crew stacks of space to hit the right spot but the real magic here is Maurizio's production on the special electronic version and instrumental. Aeons ahead of its time, the relentless pump and near-majestic synth work sound closer to '92 than '82. Tunnelling, hypnotic, percussive and funky, this was - and still is - the sound of the future.