Review: There's no complex concept behind the latest four-track EP from the reliable Whiskey Disco camp, just a quartet of killer re-edits crying out for peak-time plays. Highlights wise, we're particularly enjoying the hard-spun Afro-disco grooves and well-placed dub delays of Alex Zuiev's "Afro Magic", though Alkalino's quirky opener - a thrillingly dubbed-out take on a tongue-in-cheek, left-of-centre disco treat - is also superb. Elsewhere, Love Drop sticks heavy new house beats underneath a stone cold classic (listen to the clips and you'll be able to identify the source material in seconds), while Terrence Pearce crafts a space-disco epic out of undulating Afro-disco grooves, bleeping synth melodies and some seriously cosmic effects.
Two Thou - "Group Technology" (with Alberto Collodel)
Autre - "Cosmic Roots"
Two Thou - "SOL"
Autre - "Futura"
Review: The Fields & Forest label has so far aligned itself with the stellar Russian label Udacha, featuring Dices, A5 and Cuisine Dub, but things are taking a turn into new territory with the inclusion of Autre and Two Thou with two tracks a piece on this new slab of wax. Two Thou's "Group Technology" is a snappily shaped, 80s influenced groover with some interesting timbres falling into a dynamic groove, while "SOL" shows another side to the artist with a snaking slice of jazz funk infused experimental techno. Autre's "Cosmic Roots" is a more esoteric, new age gilded slice of ambient house while "Futura" ramps up the saucy synths for a silk-tongued charmer of a warm-up jam.
Review: When it comes to exotic, off-kilter edits, you'll struggle to find a stronger series than Jonny Rock's Disco Hamam. This fifth volume is every bit as essential as its predecessors. Beards In Dust claims the A-side with "At The Dawn", a tidy revision of a druggy and "chuggy" version of a blue-eyed psychedelic funk-rock roller that comes complete with some serious sing-along sections. The heady world of Turkish music - a constant source of inspiration at the Disco Hamam HQ - comes to the fore on the B-side. Tales Of Voodoo's "Sharky" is a deliciously percussive, dancefloor-friendly fusion of Middle Eastern exoticism, funk-rock guitars and heavy disco percussion, while Esen Gunduz's "Deve Gucu" is an even sweatier, Italo Disco-era stomper that sounds like something you'd have heard in Istanbul clubs circa 1985.
Review: Yes! A brilliant induction into the Neroli annals of fame for Mr Dego and his 200 Black crew; joining the likes of Domu and Nubian Mindz in adding some classic bruk boogie perspective to Volcov's long running label. There's numerous reasons to check this triple hitting Find A Way plate, not least the title cut where Dego teams up with Akwasi and Kaidi Taiham, with the latter offering up a rare turn on vocals as opposed to manning the keys; the results are sublime and soul enriched boogie which offers a nice contrast with the deeper, rolling bump of "The Hurt". The amazing Bembe Segue turns up on "Sunshine" with Dego and crew wisely taking a step back to let her take centre stage.
Jacob F Desvarieux - "Rifyx" (Kuniyuki edit) (8:02)
Review: Endless Flight has done us all a favour by shining a light on the little-known work of French zouk maestro Jacob F Deviscaux. Here, they round of their retrospective series of "anthology" releases with another red-hot three-tracker. Side-one begins with "Rifyx", a wonderfully summery, horn-laden concoction from the musician's 1985 album Oh Madina that somehow joins the dots between jazz-funk, zouk and disco, before continuing with Deviscaux's 1982 Afro-funk/synth-boogie/electro-zouk production for vocalist Tala. Best of all, though, is Kuniyuki's stupendously celebratory flipside re-edit of "Rifyx", which turns the all-too-short original into an eight-minute slab of audio sunshine.
Review: The love of all things Soviet and disco has been established by French/German duo Fulgeance and Scientist for several years now, having reached a peak last year with their album The Soviet Tape on First Word. Now they return with their own edit series on brand new label Excursions. With eyes squared fully on the floor, each obscurity is given some serious groove muscle for the floor... Charaunitsy's soulful croons and yearning horns are given an additional kick/snare swing, Latvia's Mirdza gets a deliciously camp turbo charge while Ukraine's Tatyana Kochergina gets a full-on Philly treatment with lavish strings and a bassline that won't say nyet.
Review: Italy's Funclab are bursting onto the scene with this terrific introduction to their kinda groove with House Al Dente - their first self-produced release. A collection of producers, DJs, promoters, and electronic music enthusiasts alike, they hail out of Milan and their main three sound designers have produced a track each. First up is Ayce Bio with the funked-up and sexy house of "Jazz Affair", Borbo with the lo-slung and jazzy disco on "Your Ex" and finally Turenne with the dusted-down and smooth deep vibe of "1000" Punti".
The Funk District - "An Evening With El Diablo" (6:31)
Matt Hughes - "Get Down" (5:50)
Cody Currie - "Aquarian Girl" (5:17)
The Owl - "Funky Feelin" (4:12)
ED Wizard & Disco Double Dee - "Slippin" (4:22)
Review: More good value goodness from the Editorial label, one of the few re-edit focused outfits that manage to retain a high level of consistency. The Funk District kicks things off with a fine re-arrangement of an organ and electric piano-focused chunk of sweaty dancefloor soul ("An Evening With El Diablo"), before Matt Hughes gets busy with some elastic slap bass on flash-fried disco-funk revision "Get Down". Elsewhere, Label regulars Ed Wizard & Disco Double Dee dip the tempo on the slow and seductive "Slippin", the Owl stomps his way through the P-funk style heaviness of "Funky Feelin" and Cody Currie offers up a hazy sample-house cut rich in jazzy flourishes and warm electric piano chords.
Aurra - "Such A Feeling" (Dr Packer rework) (6:56)
Salsoul Orchestra - "Take Some Time Out" (Dr Packer rework) (6:43)
The Jammers - "Be Mine Tonight" (Dr Packer rework) (5:50)
Review: Barely a fortnight has passed since Salsoul offered up a double-pack of Dr Packer reworks of classic tracks, but the Australian producer is already onto his next batch of vintage disco and boogie remixes. He begins by subtly beefing up Loleatta Holloway's orchestrated disco classic "Hit & Run", wisely emphasizing a relaxed but bouncy disco-house groove and dubbed-out vocal section, before going dub disco crazy on a suitably spacey, low-slung take on Aurra's boogie-era jam "Such A Feeling". Record two sees him charging towards peak-time floors via fine multi-track edit of Salsoul Orchestra's "Take Some Time Out", before delivering a fine, light touch revision of the Jammers' superb, synth-heavy electrofunk classic "Be Mine Tonight".
Instant Funk - "I Got My Mind Made Up" (Late Nite Tuff Guy remix) (7:21)
Orlando Riva Sound - "Body To Body Boogie" (Late Nite Tuff Guy edit) (5:30)
The Salsoul Orchestra - "Ooh I Love It (Love Break)" (Late Nite Tuff Guy Muscle edit) (6:42)
Review: Salsoul has always been good at getting contemporary producers to reinterpret classics from its bulging catalogue, with recent years bringing fresh edits and reworks by The Reflex, Moplen, DJ Pope, Dimitri From Paris and Late Nite Tuff Guy. Here the latter returns with a second helping of tastefully tooled-up revisions. The Australian producer kicks things off with a warm and woozy hybrid disco/house take on Instant Funk's "I Got My Mind Made Up" that's quite a departure from the original mix. Over on side B, he turns in a languid and groovy, mid-tempo house version of Orlando Riva Sound's overlooked "Body To Body Boogie" before successfully revising Salsoul Orchestra's much-loved "Ooh, I Love It (Love Break)" whilst retaining most of the original vocals and instrumentation.
Review: Africa Seven's A7 edit series hits second base. Following the inaugural release from Stefano Ritteri comes JD Twitch with this almighty dancefloor suckerpunch; First up is the near-evangelistic disco boogie positivity of the 82-release "Kilowi Kilowi" from Italian / Gold Coast band M'Bamina which gets a subtle tighten and turn up from the Optimo merrymaker. Meanwhile on the B we're taken on a raw funk trip in Cameroonian cruise control as the gritty riffs and falsettos of Tala AM are celebrated in all their slinky glory before Twitch hammers up the mix with bulbous kicks and brazen rolling breakbeats. Sunnyside steamrollers; these have summer smashed all over them.
Review: Multi-track re-edits, where producers utilize the instrumental and vocal parts found on studio master tapes, are all the rage right now. While the Rephlex crew and Joey Negro are the most famous exponents of the art, Galaxy Sound Co regular Kadena has previously proved to be rather adept at it, too. Here the little-known producer channels the spirit of original disco remixer Walter Gibbons, first to provide a lolloping, groove-based revision of Instant Funk's intergalactic Salsoul classic "I Got My Mind Made Up" (side A), and then to deliver a similarly minded take on First Choice's "Let No Man Put Asunder". Like its A-side companion, it's warmer, looser and predominantly instrumental, with judicious use of key vocal passages.
Review: Random Mind State coming on strong with another concentrated dose of pure party. Kandinski gives Madonna a 1up, charging up the classic "Vogue" 909s with raw energy, George Feely follows up the corking "Apache 909" with a supreme disco uplift on "Forget About U" while Turk Turkelton flicks up the filters for a loopy slice of shoe shuffled jacks. Elsewhere Hauke drives us deeper into a hypnotic state of mine with the twinkling, filtered "Instinct Groove" before Ayer Fijen chimes us the perfect lullaby with "Sweet Dreams". Great EPs are made of these.
Review: A BBE Record Store Day special: Kon's extended floor-focused twist on Kenny Mann & The Liquid Pleasure Band's street-beating narrative "Tin Top" first appeared on Kon & Amir's 2010 "Off Track Volume 3". Never before released on 12", BBE have added both parts of the original jam: part one's story is all about the party while part two remind us how mean the streets of Brooklyn were back in 77.
Review: Premier revisitations from hot to trot Parisian love station, the ninth edition continues to dig deep into the realms of the long-lost and highly collectable. The lead track, KIC's "Don't You Want My Love", for example, now fetches triple figures. Elsewhere SPG's "Loveland" is a fly-by-night falsetto funk shakedown while 24 Karat Gold's rare "New Love" struts with stunning string stabs and an energy that flares from zero to glitterball in two bars. TCB Band's "Children Of The Future" closes the sneaky session with a sweet harmonic hot chocolate soul. Blink and you'll miss it.
Review: From Kon's forthcoming compilation on BBE entitled Kon & The Gang, this 12? sampler features two cuts taken from the LP and an exclusive remix from Boston producer and mix engineer Caserta, namely "Timeless" (Caserta mix)" a tasty serving of super deep and low slung disco goodness. A more functional edit for DJ use follows on "Timeless" (remix - Caserta mix)". On the flip Truccy (better known as Compost's Rainer Truby and Corrado Bucci) present "Closer", a gorgeous slo-mo house jam with a rolling groove fetauring all the good stuff: swirling Rhodes keys, groovy congas and hypnotic vox.
Review: The third multi-artist EP from Hot Digits' occasional vinyl series, Wax Digits, is packed to the rafters with dancefloor-focused re-edits and reworks. Labor Of Love leads the way with "Move That Thang", a fine chunk of warm and bass heavy deep house/disco fusion, before Osmose steals the show with the loopy mid-tempo disco-funk bump of "Let Harry Rock". Over on Side B, The Silver Rider impresses via the swirling disco-house hypnotism of 'Groove On Down", before experienced re-editor P-Sol pairs locked-in grooves with sun-kissed disco instrumentation and heady vocal snippets on "Sturdy Disco".
Review: In recent times Rush Hour has excelled at reissuing obscure African music of the late 1980s, often pairing the original with a previously unheard cover version or remake. They're at it again here, offering up Les Choc Stars Du Zaire and Ben Nyamabo's 1989 cut "Nakombe Nga" with an obscure Belgian new beat cover by one album wonders Teknokrat's [sic]. Les Choc Stars Du Zaire's version is wonderfully positive, joining the dots between electronic soukous, ear-catching synth-pop and sunset-friendly Balearic vibes. The Teknokrat's version is, if anything, even more loved-up, with classic late '80s house instrumentation (Frankie Knuckles style synth-strings, jaunty pianos), ghostly electronic lead lines, delay-laden vocal passages and a superb synth bassline
Gari Romalis & Lello Di Franco - "Luv Game" (6:53)
Review: In tribute to Record Store Day, the Diggin Disco Deep crew has put together what could be its tastiest 12" yet. Pressed on squeaky clean white vinyl, volume five in the series boasts cuts from some of the edit scene's best-loved talents. Lipski kicks things off with the blissfully wavy loops and languid Balearic house grooves of "Magical Luv", before the Silver Rider hits the mark via the softly spun nu-disco goodness of "Madness". On the flip you'll find EP highlight "When She Moves, I'm Moved" by Folamour, a sax-laden shuffle through deep house/disco fusion that sneakily pays tribute to a wedding party favourite, and the head-in-the-clouds deep house bump of Gari Romalis and Lello di Franco's "Luv Game".
Review: Hot of the blocks this year comes French curator imprint Unlimited Love. Drawing for rarities and oddities from artists whose repertoires are shockingly slim, this is their second EP in three months and, once again, it features a wide range of killer sounds from late 70s/early 80s. From Magnum's street kicking New York funk to the rich rare groove of Phyliss Bailey, it's a boogie odyssey through and through with sleazy guitar-twanging funk from Broken Glass and straight-up percussion-powered disco energy from Thunderbolt. Feel the love.
Review: This release features two of Harold Melvin & The Blue Notes' recordings that typify the cream of Philadelphia International and Sigma Sound studios' dominance of the dancefloor - at the absolute height of their creativity and power. They were one of the most popular groups on Gamble & Huff's label, clocking up a number of hits in the mid 1970's. "Bad Luck" spent 11 weeks on the No.1 slot on Billboard's U.S. Dance chart in 1975 and has since become one of the biggest dancefloor staples ever recorded. It gets a remix by the master Tom Moulton for added club dynamics. On the flip, we have the original full version of the classic "Don't Leave Me This Way" which is also mixed to perfection by Moulton. Both are state of the art lessons in what exhilarating dance music is all about. Fully remastered on limited edition 180 gram heavyweight vinyl.
TSOP (The Sound Of Philadelphia) (Special 12' version) (5:49)
Review: MFSB was an American studio band formed by producers of the Philadelphia International Records label. The label was founded in 1971 by Kenneth Gamble and Leon Huff in Philadelphia. This is an official 12 inch re-release of probably the most revered Paradise Garage anthem of all time. Originally released in 1973, "Love Is The Message" has sustained dancefloors across the world ever since and here Prime present the full original mix from the master himself: Tom Moulton, which is very rare, as any seasoned digger could attest to. On the flip is "T.S.O.P. (The Sound Of Philadelphia)" aka the official Soul Train theme, again using Moulton's original mix.
Review: George and Glen Miller are undoubtedly best known for their West End Records released 1982 boogie-soul classic "Touch Your Life". They released plenty of other records that flitted between soca, reggae, disco, and - in the latter stages of their career - electrofunk. "Easing", which appeared at some point at the turn of the '80s on London label Third World, remains one of their most potent releases - and, in its original form at least, formidably hard to find. This Soundway reissue wisely replicates the track list of the original release, beginning with the title track - a deliciously percussive, musically intricate chunk of peak-time disco smothered in sharp, Afro-funk style horns and George and Glen Miller's lilting reggae-soul style vocals. The flipside "Version" strips out the vocals, allowing listeners to hear in greater detail the pair's impeccable arrangements and instrumentations (particularly the fine orchestration and rich groove).
Teddy Pendergrass - "The More I Get" (John M+M Get It All mix)
Candi Staton - "Young Hearts Run Free" (John M+M Run Run Run mix)
Loletta Holloway - "Dreamin" (John M+M Not My Man extended mix)
Inner Life - "Make It Last Forever" (feat Jocelyn Brown - John M+M original Forever 12' mix)
Review: The second vinyl sampler to accompany BBE's hook-up with disco legend John Morales is just as delicious as the first, with essential takes on classics from Teddy Pendergrass, Candi Staton, Loletta Holloway and Inner Life all worth investigating. If this isn't enough for you, be sure to check the comprehensive 18 track double CD compilation, also out this week.
The Temptations - "Standing On The Top" (feat Rick James - dub beat mix) (6:38)
Rick James - "Big Time" (Big Time vocal dub) (5:28)
Commodores - "Brick House" (Brick That dub house mix) (4:04)
Review: John Morales - one half of the beyond-legendary production team M+M - finally delivers the new Club Motown series that began in 2014. The last 12" focused on divas but here we're celebrating two of the funkiest names in funk soul; Rick James and The Temptations. From the epic 11 minute reprise of "Standing On The Top" to the equally extensive shake up of "Brick House" via the brand new arrangement of "Big Time", it's another collection that only Morales could concoct. The stomping percussion-heavy into on the vocal dub of "Big Time" is impossible to sniff at too...
Review: Mukatsuku's long running "Afro Funk & Disco Gems" series has always been a reliable source of obscure, high-quality dancefloor material from the African continent. This tenth edition is another must-have - on the A-side you'll find the synth-laden, boogie-era sunshine of "Everybody Dance", one of the undisputed highlights of Peter Yamson's in-demand (and notably hard to find) "Son Of Africa" LP. With wonderful vocals, glistening guitars, lolloping drum machine beats and some stellar synth work, the track ticks all the right boxes. Over on the flip there's a chance to own Cameroon legend Tala Andre Marie's 1981 classic "Get Up Tchamassi", whose snaking sax lines, elastic slap bass and dreamy chords are nothing less than sensational.As played by The Allergies, DJ Koco, Joe Claussell,Smoov,Kalita, Faze Action,DJ Moar etc
Tecumsay Roberts - "It Makes Me Dance & Sing" (5:44)
Commy Bassey - "We Want Togetherness" (4:37)
Review: Triassic Tusk's "Screamers, Bangers & Cosmic Synths" series of crate digging comps has seen the Scottish crew showcase some seriously hot, little-known music. Mukatsuku have joined forces with the imprint to give a 12" release to two potent Afro-disco smashers that recently featured on volume two of the ongoing compilation series ,now remastered and sounding better than ever. On side A you'll find Liberian artist Tecumsay Roberts' bouncy 1979 Afro-soul/Afro-boogie number "It Makes Me Dance & Sing", where spacey Moog solos rice above a funk-influenced dancefloor groove. On the flip, the fun continues via Commy Bassey's Clav-happy, Nigerian sounding Afro-boogie roller "We Want Togetherness", a positive plea for unity that's as relevant now as it was way back in 1980.Juno copies come in an exclusive branded card sleeve with an additional obi strip not available at other retailers .As played/charted by Red Greg,Joe Claussell,Marcel Vogel, Craig Charles,Faze Action,Kalita,Cedric Woo,JKriv,Prins Thomas,Floating Points and Dom Servini so far.
Review: Having released a wonderful retrospective of the defunct Frankfurt label Brontosaurus across multiple formats last month, Permanent Vacation sneak out a little 12" shaped treat in the shape of this plate featuring tracks not featured on the Double LP edition. For the uninitiated, Brontosaurus was founded in 2006 by Thomas Sabrowsky, Phillip Lauer and Arto Mwambe's Christian BeiBwenger and is fondly remembered as the precursor to current Frankfurt institution Live At Robert Johnson. These addendum 12" features two sought after vinyl must haves from Arto Mwambe in "Noh Ngamebo" and "BTWO" plus the slow disco chugger and Prins Thomas favourite "Ray Rider" by The Exile Missile.
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
The O'Jays - "This Time Baby" (A Tom Moulton mix) (9:52)
The Futures - "Party Time Man" (A Tom Moulton mix) (9:10)
Jean Carn - "My Love Don't Come Easy" (A Tom Moulton mix) (10:46)
The Jones Girls - "Nights Over Egypt" (A Tom Moulton mix) (9:09)
Review: Philadelphia International Records continues to dip into its bulging archives and offer up double-packs containing some of the finest 1970s remixes from remix pioneer Tom Moulton. As you'd expect, there's plenty to get the juices flowing and the heart pounding on this third volume in the series. Record one opens up with Moulton's epic version of the O'Jays' "This Time Baby", a swirling Philly Soul classic that later became a favourite of sample-loving disco-house producers and disco re-editors, and continues with his sugary but floor-friendly version of the Futures' "Party Time Man". Over on record two, Moulton's inspired extension of Jean Carn's seductive "Love Don't Come Easy" is followed by his must-have version of the Jones Girls' "Nights Over Egypt".
Rushing Through My Mind (Mang Dynasty extended version) (8:03)
Rushing Through My Mind (Mang Dynasty instrumental version) (7:00)
Rushing Through My Mind (Mang Dynasty radio edit) (3:56)
Review: Ray Mang's slick disco stable Mangled calls upon a new pair of provocateurs to lay down a sun-kissed steamer to blow away those winter blues. The agents in question are Josefin Ohrn and The Liberation, and their "Mang Dynasty" is every inch the Balearic idyll rendered in a long form discoid jam. The extended version on the A side fully floats out into gently psychedelic waters guided by Ohrn's infectious hook, "I've got you rushing through my mind." For those who just want the groove there's the instrumental mix available as well, or you can always plump for the radio edit if time is short.
Original Love - "Love Vista" (feat Clementine - Larry Heard instrumental dub) (5:39)
Shantell Sisters & Keva Band - "Ouch" (dub) (6:48)
The Joneses - "Sugar Pie Guy" (Tee Scott club dub) (6:13)
Review: The Edit & Dub Recordings label out of Tokyo is seriously impressing us as of late, with this new remix EP being the best of their material to date. That's because they have the house master, Chicago dance wizard, Larry Heard aka Mr Fingers remixing Original Love's "Love Vista" into a gorgeous house track with a sublime dub sensibility that suits it down to the bone - this is tune of the week for us and we cannot recommend it enough. However, the dub version of "Ouch" by the Shantell Sisters & Keva Band, which is actually more of a disco banger, is no less masterful in its execution and italo-leaning tendencies. Finally, Tee Scott delivers a dub of "Sugar Pie Guy" by The Joneses, a percussion-heavy boogie monster with a buzzing bassline ready to conquer the floor good and proper.
Review: Beatdown disco rework specialists Smokecloud have assembled a crack team of troops for their latest salvo into no-man's-land. Leading the charge and lobbing the first "Disco Grenade" is label chief Osmose, who contributes two tight cuts: loopy, filter-sporting disco chugger "Disco Luv" - a study in ear-pleasing, head-nodding hypnotism rich in musical positivity - and the more up-beat disco-funk thrust of flipside opener "U Promised Me", which sees him make merry with a cheery AOR disco favourite. Elsewhere, Oldchap delivers the obligatory slo-mo disco flier - think 98BPM beats, rising backing vocals, disco-rock grooves and jaunty Rhodes stabs - while The Funk District's "A Gangster Film" is a Blaxploitation-inspired bouncy disco-house treat.
The Silver Rider - "I Need U" (Osmose retouch) (5:56)
JP Source - "Justa Second" (6:41)
Hristo - "Love Me" (5:07)
Review: More Beatdown business from vinyl-only warriors Smokecloud. Osmose steps forward with the first half; "Help Me DISCOver" is a sample-savvy filtered enlightener while his edit of the Silver Rider goes for a much heavier, floor-pounding sense of insistency. Flip for twists from JP Source and Hristo. The former gets busy on a densely textured and tightly plucked guitar line while the latter takes us right down into sleazy town with an Isaac Hayes level of gravelly vocals and a sweaty guitar and organ pumped groove.
Review: A double dose of goodness here, as Whiskey Disco regulars Pontchartrain and thatmanmonkz serve up two tasty new re-edits apiece. It's the former who handles side A. He begins with the breezy, tropical-sounding disco stomp of "La Magie" - all punchy horns, classic disco bass, fizzing synth lines and glassy-eyed female vocals - before brilliantly reworking a suitably obscure disco/jazz-funk instrumental (the suitably spacey "Hey Mariposa"). Arguably even better is "Luh Me On Mi Celly", the low-slung, stretched-out dub disco revision that counts as thatmanmonkz's first contribution to the EP. His second, "Radiation Steppa", is a fizzing, synth-heavy disco-boogie number blessed with passionate male group vocals.
Review: Having previously popped up on ESP Institute, Juan Ramos teams up with Trent to form Greenvision, making their first appearance on the home of freshly squeezed discoid deviance, Cocktail D'Amore. "Surdinia" takes over the A side with a bombastic array of peak time devices in its utility belt, from bubbling acid tweaks to gluttonous monosynth leads and a chunky set of drums. "Meccanica" is no slouch either, laying down thick slabs of synthesized grease in pursuit of a different kind of party track. This is unusual, distinctive club music for those who want the crowd to stop and pay attention.
Review: We were mighty impressed by Milanese party posse Rollover's first "anything goes" edits release, which promptly came and went from stores in a matter of days earlier in the year. Happily, this follow-up is similarly impressive. Opening edit, "Boom Boom Bo", a gentle mid-tempo house tweak of a smooth, horn-sporting jazz-funk number, sets the tone, before Tagliabue impresses via the Afro-Cosmic chug and subtle Balearic tones of "Dubitalo 1976". Etna is next up, rearranging and remixing a bongo-laden tropical bubbler from the early 1980s, before headline guests SHMLSS slap on some eyeliner and turn a New Romantic gem into a sweaty chunk of rubbery dub disco goodness.
Review: To date, Rimini's Duca Bianco has put out just two 7"s, by Cherrystones and Tom Bolas specifically. Now the label widens the net with a various artists 12" that features four disco-not-disco burners for adventurous party people to shake down to like they're in 1980s New York. S&C present "Drug Of A Nation,", a raw, funky garage rock jam embellished with wild synth parts. Tom Bolas brings things to a more Afrodisco flavoured peak with a cheeky famous funk lick and killer robo vocoder. Hanoben / ADSX take things in an Italo direction with 'Dreifaltigkeit" with some incredible vocals to boot. Schmoltz sets things adrift in supreme Balearic style on "Starnight."
Review: Bottoms up! The Silver Rider and the Funk District saddle up for a two-way trip on the latest Whiskey Disco joint. Texan transdimensional traveller Silver Rider steps up for the A with a main course and a punchy side plate. "Woman" is a big War-style disco funk piece with precision spoken vocals and horns while "Hustle Up" is a stripped back wriggling bassline DJ tool guaranteed to disarm. Flip for the B to a trip into the heart of Mexico as the Funk District fires heated shots: "Imaki Ra Reo" is straight up Latin disco while "The Root Of Evil" takes us on an African International adventure for a stunning afrobeat finale.
Skyy - "Here's To You" (Moplen Boogie Down mix) (8:37)
Skyy - "Here's To You" (Moplen Boogie Down dub) (7:53)
The Salsoul Orchestra - "Ohh I Love It (Love Break)" (Moplen remix) (7:44)
Review: Plenty of the old classics can benefit from a little modern touch up, and that's the story on this latest offering from Salsoul, who once again open their vaults. Italian maestro Moplen is given free rein and turns his hand to Skyy - "Here's To You", firstly with a boogie driven rework that is all about an irresistibly knotted bassline. The dub version places even more focus on it, and on the flip The Salsoul Orchestra - "Ohh I Love It (Love Break)" gets teased out to perfection. The classic vocal is left in place while the sensuous bass, gliding hits and rousing strings will make their way deep into your affections.
Review: Emotional Rescue did the diggers another great service by gathering up the recorded material from Bordeaux synth-pop outliers Takenoko, and now they're sweetening the deal even further with this EP of wild style mixes from Dresden maverick Sneaker DJ. Picking three of the strongest tracks from the L'Amour Est Mon Arme collection, he comes up with three drastically diverse end results to suit the most adventurous selectors. The "Maquette" mix of "Lee Harvey Oswald" has a wonderfully lo-fi finish that accentuates the DIY new wave angles of Takenoko, while the "Traaans" mix of "Trans Amor Express" becomes a trippy, brittle beat excursion that should appeal to lovers of oddball 80s dub mixes. The "Dynamic" version of "John Wayne" finishes the record off in bombastic fashion, all boxy beats and powerful synth lines punching out underneath the quintessential wavey vocals.
Artificial Intelligence (Daniele Baldelli & Marco Dionigi remix) (4:53)
Artificial Intelligence (DJ Ralf remix) (9:40)
Review: Paolo Tarsi, enigmatic Italian producer of electronic and chamber music, follows up an impressive full length on Rebirth last year with "Artificial Intelligence EP" for Cattolica-based imprint Mondo Groove. Dark Italo disco on Giallo kind of vibes throughout - the EP presents three remixes of the title track by Italian pop outsider Andrea Tich, Daniele Baldelli and Marco Dionig with their slow, lo-slung and cosmic rework and DJ Ralf (founder of Laterra) who brings things to a close with a hypnotic polyrhythmic version that rides on an acidic house groove.
Ebo Taylor - "Peace On Earth" (Monsieur Scott remix) (4:55)
Pat Thomas - "We Are Coming Home" (5:51)
Pat Thomas - "We Are Coming Home" (2 Paris Septembre re-edit) (4:51)
Review: Comet's ongoing "Highlife Re-Edit" series is perfect for those who want a little contemporary pizzazz alongside their Afro-disco grooves and dancefloor-ready highlife classics. Like its predecessor, the series' latest volume boasts cuts from highlife legends Ebo Taylor and Pat Thomas. The former's punchy, breezy and trumpet-laden highlife-jazz cut "Peace On Earth" can be found on side A, alongside a dreamy Monsieur Scott version that drags the track further towards leisurely jazz-house territory. The Pat Thomas track showcased on side B is "We Are Coming Home", a righteous highlife/funk fusion effort rich in dense percussion and eyes-closed rock guitar solos. The accompanying 2 Paris Septembre Re-Edit brilliantly re-invents it as a bustling broken beat affair laden in shimmering synths and squelchy electronic bass.
Pat Thomas - "Enye Woa" (LeonxLeon Keyed Up mix) (7:20)
Ebo Taylor - "Atwer Abroba" (8:14)
Ebo Taylor - "Atwer Abroba" (Leo Nanjo remix) (5:03)
Review: Comet's "Disco Highlife" re-edit series continues with an EP that draws together original tracks and reworks from two of the Highlife scene's biggest stars: Ebo Taylor and Pat Thomas. The latter can be found on side A, with the tipsy, synth-driven highlife-boogie fusion of "Enye Woa". This is in turn re-edited by LeonxLeon, who has not only extended the original track but also added some superb new spacey synth solos. Turn to the flip for Ebo Taylor's richly percussive, Hammond-laden disco-highlife bubbler "Atwer Abroba" and Leo Nanjo's brilliant remix, which re-imagines the track as a rubbery chunk of Highlife-house drenched in dub delays.
Walter Whisenhunt Orchestra - "Love Is A Hurting Thing" (feat Gloria Ann Taylor) (7:18)
Review: Sometimes, incredibly rare and expensive records don't live up to the hype. We can safely say that Gloria Ann Taylor's "Deep Inside You"- a superb, disco-era chunk of sexually charged soul - is not one of those records. Very few original copies were pressed, which not only explains the eye-watering second-hand prices but also the numerous bootlegs that have appeared over the years. This, then, is the record's first licensed reissue. It's worth picking up, not only for the sublime title track, but also for bonus cuts "What's Your World" - a laidback, super-sweet chunk of laidback West Coast soul - and the lushly orchestrated "Love Is A Hurting Thing".
Review: A regular triple-figure fetch on the auction sites, it was only a matter of time before Henry Thomas & Rise's beautiful 80s soul doublet experienced the strong-armed justice of Fryer. Not just reissued but sourced and tracked down - this is just the start of what will hopefully be a whole load of criminally slept on and unreleased soul from Henry and his troupe. "My Dreams Are Clouded" is a verified club banger with its FM synth ripples and low-down bass bumps while "Don't Wait Too Long" is the ultimate come home record. Slinky, swooning and soaked in raw dollops of emotion - Henry Thomas is, once again, on the rise.
Feel So Good Inside (extended Waxist edit mix) (6:51)
Feel So Good Inside (4:19)
Take Me To (New York City) (4:18)
Review: The result of a diligent digging quest since he heard DJ Klas drop it many years ago, Lyonaisse editor Waxist has finally track down his own copy of Lamar's 1980 disco soul love gem and given it some serious treatment. Extending the unfettered positivity of the original by almost two minutes (with special attention paid to that immense organ solo), it lives up to its name in every possible way. For authenticity's sake he's also included the original B-side "Take Me To New York". Still standing the test of time impeccably after 35 years, one tickle from the lolloping bassline and swooning keys and your dancefloor will be hooked.
Review: Timmy Thomas, sometimes known as The Magician, frequently regarded as one of the most sampled men beyond the Brown franchise, he's been referenced by everyone from Drake to Dilla to MC Hammer. Here we find two of his most well known cuts, both taken from his 1972 album, Why Can't We Live Together. There's a wry cosmic sheen weaving and shimmering in the background of the soaking wet Afrofunk groove of "Africano" while the keys of "Why Can't We Live Together" instantly hit with a soul you've heard, felt and loved in so many contexts. Certified classic.
Review: Having taken time out to establish his Interzona13 label - a job well done, all told - Tiago Miranda returns to DJ Kaos's Jolly Jams label for the first time since 2012. Perhaps unsurprisingly, there's plenty to enjoy on The Good Times Are Killing Me, with Miranda touching on a variety of sweltering, dancefloor-friendly styles. He begins with a heavy chunk of rolling disco revivalism, the action focusing on a killer clavinet line and some tasty percussion. The second track boasts more of a Balearic piano house feel, with additional disco percussion and breakdowns to accentuate the sunny moody. As for the B-side, it's a decidedly breezier affair, with Miranda expertly combining Latin-inspired drums, chiming melodies, and a (sampled) spoken word vocal from Doors front man Jim Morrison
Review: What with their super-rare rare groove album "Synchronised" fetching four figures and some of their key singles rocking similarly big price tags, Columbus soul troupe are renowned for their sought-after wax collectables. It's not hard to hear way. Gossamer smooth with just hint of boogie on both sides, "Do You Love Me" is a yearning end-of-night smoocher that doesn't cut on the weight while "You're The One" flexes a much more upbeat groove with slap bass and keytars running off pure positivity. Only once reissued before, this Expansion excursion will be more than welcome news to many.