Review: Yam Who?'s Midnight Riot is back with another volume of funky, party starting edits, so come and get your fix. Aashton's "Pride" samples the diva vocals of you know who on this smooth and soulful number. Peza's "Black Gold" is pure classic disco, reminiscent of Salsoul, possibly? Fabiolous Barker's "The Paradise" has that retro and Balearic vibe that fans of labels like Love On The Rocks and Efficient Space will certainly dig. "The Jam" by Rayko is a re-edit of you guessed it: Technotronic's "Pump Up The Jam".
Review: In recent years, Daniel Baldelli's original productions have tended towards the funkier end of the cosmic disco spectrum. That's certainly what you get here, as the Afro-cosmic pioneer once again joins forces with regular studio partner Marco Dionigi. Of course, there are nod to the chugging, arpeggio-heavy world of Italo-disco - see the Balearic disco dreaminess of "Irradia" and cosmic funk-rock shuffle of "Slightly Mad" - but even these mind-altering journeys come blessed with crackling funk guitars and tasty Clavinet sounds. Our picks are opener "Rusty", a bassline-driven, funk-fuelled Idjut Boys style dub disco number, and the pleasingly percussive, flash-fried funk of "Start The Engine".
BT (Brenda Taylor) - "You Can't Have Your Cake & Eat It Too" (Greg Wilson edit) (9:08)
Forrrce - "Keep On Dubbin'" (Greg Wilson edit) (5:17)
Raw Silk - "Do It To The Music" (Greg Wilson edit) (6:37)
Shirley Lites - "Heat You Up" (Melt Down mix - Greg Wilson edit) (7:19)
Review: ***B-STOCK: Box damaged, product unused & in perfect condition***
- Creasing to corner of sleeve
West End's double-pack re-edit series continues, with long-standing UK electrofunk hero and scalpel rework specialist Greg Wilson sharing a quartet of revisions. There are airings for two of Wilson's most sought-after scalpel works from the "Credit To The Edit" series - superb versions of Brenda Taylor's "You Can't Have Your Cake and Eat It Too" and Raw Silk's "Do It To The Music" - as well as a couple of previously heard rearrangements that are on-point as per usual. Wilson first adds even more mind-altering delays and low-slung dub disco flavour to Forrrce's "Keep On Dubbin'", before superbly stretching out the mostly instrumental "Melt Down Mix" of Shirley Lites' synth-laden peak-time classic "Heat You Up".
FSQ - "Shaking My Damn Head" (feat Dolette McDonald) (4:47)
Perdu - "Cece" (6:32)
South Beach Recycling - "Bongo Man" (5:00)
Review: Midnight Riot's recently-released Riot In Lagos compilation paid tribute - in some style, we should add - to the enduring influence of African music on contemporary dance culture. This sampler 12" gathers together four of the most sought-after cuts from the digital-only set. Drop Out Orchestra kick things off with the fuzzy guitars, glistening solos, relentless handclaps and bongo-heavy drum rhythms of Candido tribute "Jin Go La", before FSQ deftly fuse Afro-disco and electrofunk on dancefloor stomper "Shaking My Damn Head". On the flip you'll find the breezy, Balearic-influenced Afro-disco fluidity of Perdu's "Cece", and the sun-kissed juju business of South Beach Recycling's fabulous "Bongo Man".
Review: In 1977, Libyan musician Ahmed Fakroun flew to Milan to record some new material. The results were showcased on a pair of 7" singles, the most sought-after of which is being given the reissue treatment by Italy's Groovin label. The real winner here is "Nisyan", an Arabic interpretation of blue-eyed soul that fixes a baggy, sun-kissed sensibility, ear-catching Moog solos and a killer groove. "La Ya-Hob" is, if anything, even baggier and dreamier, with Fakroun delivering touchy-feely vocals over exotic, Middle Eastern synthesizer lines and a rolling, soft touch jazz-funk groove. Both cuts are equally breezy and jaunty, lingering in the memory for hours after each rotation.
Review: Earlier in the year, Italian reissue specialists offered up a tidy reissue of Ahmed Fakrun's "Nisyan", a sought-after chunk of Arabic blue-eyed soul that originally appeared as a seven-inch single in 1977. Here they offer up a new edition of its predecessor, which the Lebanese musician recording during the same recording sessions in Milan. With its flanged guitars, lolloping reggae-funk swing, spacey synths and warm bass, "Auidny" is particularly inspired, though the West Coast AOR-influenced warmth of flipside "Njoo El Leyl" is arguably equally as addictive. Both are superb, though, so it's great that Groovin' has slung them out again.
Let's Not Start A Fight (Let's Get Down Tonight) (4:40)
Do Me Like That (4:37)
Review: Star Creature continues to thrill and inspire with each successive seven-inch single. The label's latest comes from debutants Family of Geniuses, a seven-piece boogie band from Chicago who back heritage influences with brilliant new songs. You'll find a perfect example on the A-side, where "Let's Not Start a Fight" - a sweet, perfectly-pitched boogie club cut that sounds to us like Escort making original electrofunk - sparkles from start to finish. Over on the flipside they doff a cap to the label's roots, offering up a brilliant cover of E Live's "Do Me Like That", the 2015 bomb that helped put Star Creature on the map.
Hooked On Your Love (John Morales unreleased edit) (8:13)
Review: Serious Philly boogie business: In 1979 the Aleem brothers teamed up with serial hit maker Leroy Burgess for this outstanding bass slapping floor burner. Listen closely and you'll hear a young Luther Vandross on backing vocals as the twins bounce off each other with their signature high ranges. Meanwhile on the B we have a previously unreleased edit from one of the most vital, direction shaping remixers of the time; John Morales. Expect nothing but 8 minutes of pure disco bliss. We're hooked on this!
Review: There was a time when original copies of Fantasy Life's sought-after 1985 Italo-disco gem "Over & Over" were changing hands for several hundred pounds online. While prices have come down a bit over the years, it remains a rare and hard-to-find delight. Happily, Dark Entries has saved us all a few bob by serving up this licensed reissue. The original version really captures the charming essence of Italo disco, matching chugging, motorized arpeggio synth-bass with cheery (some would say cheesy) synth-pop melodies and a catchy, impassioned vocal. Turn to the flipside for the dub style instrumental, which reminded us a little of some of Bobby O's early productions for the Pet Shop Boys (who were, fittingly, huge Italo-disco fans at the time).
Step Into My Life (John Morales M&M main mix) (9:58)
The Two Of Us (Al Kent vocal) (11:01)
The Two Of Us (dub) (10:59)
Review: Daniel Maunick and David Brinkworth's second Far Out Monster Disco Orchestra album, Black Sun, was something of a rip-roaring, sun-soaked treat: a wholehearted tribute to Brazilian disco and jazz-funk that wowed us on its release a couple of months back. This 12" sees two of the album's standout moments get the remix treatment. Veteran New York disco-mixer John Morales handles side A, brilliantly extending and rearranging the brilliant "Step Into My Life" with the help of a few dub delays and a healthy dose of reverb. Al Kent goes all Balearic disco on side B, turning in a near 120-minute, pitched-down revision of the gorgeous "Two of Us", before dubbing out the same track in a similarly dreamy fashion.
Vendetta (feat Arthur Verocai - Al Kent main mix) (9:27)
Vendetta (Al Kent dub mix) (7:59)
Review: Far Out Monster Disco Orchestra are in safe hands right here as serial editor and connoisseur Al Kent takes the parts of one of their 2014 album highlights "Vendetta" and revisions them into a hypnotic dancefloor trip. Where the original is loose and prone to steamy Latin string histrionics, Al's edits restrain the emotion a little and let it leaks out much more gradually over an enticing weave of percussion. Whether it's the vocal or dub version, both are guaranteed to take your floor to new places.
Where Do We Go From Here? (Andres alt remix) (7:02)
Where Do We Go From Here? (LTJ Xperience remix) (8:40)
Review: The past six years have seen Far Out call on the great and the good to rework material by the Dave Brinkworth and Daniel Maunick-led ensemble, Far Out Monster Disco Orchestra with John Morales, Mark E, Theo Parrish, Marcellus Pittman, Dego and DJ Spinna among the contributors. La Vida man Andres is pulling ahead of the competition in terms of appearances on the series, having contributed two remixes in the space of a year. He's back for a third time with an alternate mix to "Where Do We Go From Here" alongside LTJ Experience man Luca Trevisi. Whilst the Andres mix of the track that featured on a 12" earlier this year was an exercise in chopped simplicity, there is a touch more complexity to this alternate take which shows off his ear for warming musicality. The LTJ take is super deep and super good!
Review: Faze Action last teamed up with Zeke Manyika, formerly of 80s funksters Orange Juice, for the effervescent "Mangwana" back in 2016. Now they're back in collaboration for more classically rooted house music with a deeply infectious African twist. "Kubatana" is punchy where it counts, but it's a light and springy proto house burner first and foremost, with Manyika's vocal sounding as smooth as silk in the middle of the mix. "Hapana" is equally rich in musicality and personality, albeit on a more simmering, meditative tip. On the B side, "Kubatana" gets reworked by Rudy Midnight Machine and Paradise, who turn in distinct versions without losing the overall 80s aesthetic that powers the release.
Review: Eagle-eyed readers may have spotted a number of other 12" singles bearing remixes of this track. According to Gerd Janson, it's because he got a bit overexcited when commissioning club-friendly revisions of the cut, an "outsider pop" gem that will be featured on Feater's forthcoming album "Socialo Blanco". It would be fair to say that the mixes featured here are suitably big. Pepe Bradock handles the A-side, wrapping dubbed-out synth stabs, watery melodies and fireside-hot bass around a skittish, techno-tempo rhythm track. It's one of the French producer's most accessible and peak-time ready revisions for some time. On the reverse, Ricardo Villalobos offers up a suitably percussive, off-kilter minimal techno take that makes great use of short vocal and guitar sounds lifted from Feater's Balearic-minded original mix.
Review: Pleasure Unit is doing a damn fine job building up a catalogue of discoid deviance from the likes of Skatebard, Lunar Concept and Loose Change, and now it's the turn of debutant project Field Of Dreams to lay down some 80s-tinged grooves for the smoother kind of dancefloor. "Pourquoi" features Queenie, and it shows off the individual heritage the two producers in Field Of Dreams have (one was in 90s chart toppers D:ream no less), all plush chords and slinky grooves with an alluring French vocal thread coursing through the middle. "Draw The Line" is a more synth-rich affair that leans towards the moodier end of acid-tinged disco, and then "Line Drawn" drifts out into Balearic boogie of a dubby nature, providing plenty of variation for the warm up or melt down dancefloor.
Review: Hot Digits head honcho Fingerman now launches Wax Digits, bringing his killer re-edits to the vinyl format and inaugurates the series in great fashion by recruiting some homeboys and Aussie legends alike, such as DJ HMC under his Late Nite Tuff Guy guise; he edits the Malcolm McLaren classic on "My Buffalo Girl" for modern dancefloors. Perth drum and bass legend Greg Packer it seems has turned his deft hand to disco re-edits of late and "Another Night" is a great one of The Peech Boys classic on West End Records. Five Valleys collective Situation do pretty sweet remix of a certain Diano Ross classic on "Thru The Mirror.
First Choice - "Dr Love" (Late Nite Tuff Guy Hypnotizin' Groove) (5:33)
Double Exposure - "Everyman" (Late Nite Tuff Guy rework) (5:31)
First Choice - "Love Having You Around" (Late Nite Tuff Guy rework) (6:37)
Review: There's a whole load of Salsoul goodness that we often miss or skip, whether due to unavailability of reissues or simply because there's just simply too much of it, but this RSD 2018 release of Late Nite Tuff Guy Reworks hits the spot in all sorts of ways! The master edit-junkie and version freak steps up with three reworks of some pretty classic classics, namely First Choice's "Dr Love", Double Exposure's "Everyman" and, finally, First Choice's "Love Having You Around". House-tinged edits for you to VIBE to!
Review: The Voodoo Funk label returns with a 12" maxi single of sublime spaced out disco funk from Nigerian group First Planet which concludes their excellent Lagos Disco Inferno series. Lead by the inimitable bass playing and vocals of Willy Nfor, First Planet released just the one self titled album together back in 1980 for the Zanidisco label and two of it's highlights have been licensed for this Voodoo Funk platter. If you known Nfor for his previous band the Mighty Flames, you'll notice the decidedly more disco edge to First Planet (whose whole aesthetic was a subtle nod to Parliament) and both "Top Of The World" and "I Want To Thank You Baby" are high grade slabs of harmony heavy afro funk with neat little p funk undertones.
I Want Magic (Dimitri From Paris vs Cotonete 12" version) (7:15)
I Want Magic (Dimitri From Paris vs Cotonete 12" dubstrumental) (7:14)
Review: "I Want Magic" is a welcome return to action from Jalapeno's premier soul sister, Izo FitzRoy, an artist whose 2017 debut album "Skyline" brilliantly joined the dots between classic soul, rhythm and blues and gospel. This time round she has her eyes firmly focused on the dancefloor, as producer Dimitri From Paris and backing band Cotonete (whose recent LP 'Super-vilains' is well worth a listen) join forces to cast a serious disco spell. "I Want Magic" is a revivalist disco jam per excellence; a tweak on the classic Chic sound with Cotonete adding a few sneaky solos and quality jazz-funk touches here and there. Of the two versions, it's the vocal mix (side A) that hits home hardest, thanks in no small part to a stunning lead vocal from FitzRoy that celebrates the giddy goodness of dancing like you're ten years old. Expect to hear it a lot at festivals throughout the summer.
Review: Last year, obscure 1980s soul singer Garfield Fleming returned to action with a mini-album of tracks co-produced by modern boogie maestro Simon Tappenden AKA Ourra. Here we get a chance to savour once again his 1981 debut single, the much-sampled "Don't Send Me Away". It's something of a "groove"-era boogie classic, all told, with Fleming's superb lead vocal rising above sweeping orchestration and a chunky groove. It also boasts a seriously good breakdown in which Garfield's repetitive chorus vocals ride a stripped-back but percussive groove. Turn to the flip for the solid original B-side "You Got Dat Right", a jaunty slab of disco powered by honky tonk style pianos and a superb "walking" bassline.
Review: After releases for Discos Capablanca and Moon Glyth, Minneapolis collective Food Pyramid align with Especial for a remix EP based around "Oh Mercy", a track from their 2012 album Mango Sunrise. Apparently a long term favourite of label boss Stuart Leath, the warped breakbeat jam-fusion of the original is ripe for reinvention and gets the remix treatment from Especial in-house team Apophenia, Inhalt and Jamie Paton. It's the full on italo pumper remix from San Francisco's Inhalt that really impresses too, with Especial right to compare it to Timmy Regisford classic remix of "Rules To Survive" by NOIA.
Review: The Foster Jackson Group are one of those forgotten but highly coveted one-hit disco wonders that exist in the bottomless pit that is often classed simply as 'soul'. All that aside, these people made an incredible 12" back in 1979 that has been going for serious bucks on the second-hand market, but thankfully the prodigious P&P Records have saved the day yet again. "Feel The Spirit" is a devilish, inimitable disco jingle that is split between the more percussion ridden "Long Disco Version", and a more contained, more floor-focussed "Disco Version" They both contain that instantly addictive dose of piano, though. Check it out, you'll know what we mean...
Review: Franz Scala was last spotted on Boredllo A Parigi back in 2016 - he makes the move to Bahnsteig 23 for this bold record of synth pop, early electro and much more besides. "Anacondas" has a cheery tone, all sunny synth lines and a laid back boogie rhythm section, while "Thai City" is more like a scratchy beat track for DJs to get clever with. "Shadow Dancer" is one of the record's stand out moments - a muscular pop burner for all 80s romancers to get emotional and funky to. "Rascals" finishes the EP off with some seriously tough drums and some body-popping electro styles that should go down a storm on the floor.
Review: There is something about good 7"s that makes them seem extra special, and this is a prime example from City Baby Records: a double a-side of timeless grooves that are disco tinged exquisites from start to finish. The outfit behind them is Freaky, a soul gang from Minneapolis who apparently hide away deep in Tokyo's underground disco scene. "Running" is a delicate affair with neat bass riffs and happy chords that make for dreamy listening. "Sailin" is slower and more deep cut, with tooting leads and the sort of carefree vocals that will melt anyone's heart.
Review: Night Shift Records owner Javi Frias is, like many in the nu-disco scene, something of a label-hopper. Previously, he's served up re-edits for the likes of Midnight Riot, Giant Cuts and Street Edits; here, he brings his scalpel magic to nascent imprint Neon Finger. A-side "Feel Your Soul" is a bouncy and attractive affair, with Frias beefing up and teasing out a classic disco-funk groove before unleashing rousing horn lines, swirling strings and celebratory vocal passages. Flip for "Loving You", a more gentle and groovy, saucer-eyed rework that swings impressively, despite the presence of solid new house percussion beneath the original beats.
Review: The fourth installment on Madrid based Night Shift Records is served by label boss Javi Frias, offering a couple of top notch disco edits. 'Just Give It Up' is the A side track, a obscure late 80s boogie track with a house feel that has been retouched and extended to get the maximun pleasure on the dance floor. On the B side you can find 'Come On And Take Me', a disco funk mover with a killer groove, nice vocals and tight synths that surely will make you scream for more.
Review: One of 2016's finest funk stories was, without question, when AOTN suddenly dropped this incredible unreleased album by criminally slept-on Jacksonville troupe Fruit. A stunning piece of work, even by Fryer's standards it was a coup-de-grace. Now two of the album's finest, funkiest, sweatiest jams are available on limited 45. Instant floor burners, just like the rest of the album, before the tracks are over you'll feel you and your floor have known them forever.
Review: The love of all things Soviet and disco has been established by French/German duo Fulgeance and Scientist for several years now, having reached a peak last year with their album The Soviet Tape on First Word. Now they return with their own edit series on brand new label Excursions. With eyes squared fully on the floor, each obscurity is given some serious groove muscle for the floor... Charaunitsy's soulful croons and yearning horns are given an additional kick/snare swing, Latvia's Mirdza gets a deliciously camp turbo charge while Ukraine's Tatyana Kochergina gets a full-on Philly treatment with lavish strings and a bassline that won't say nyet.
Review: Peculiarly, Fasaan offshoot Chalice has lain dormant since the label's first release appeared in stores back in 2014. Happily its Swedish parent label has decided to pull out all the stops for this comeback 12", gathering together six tracks from artists based across Europe and beyond. At six tracks deep there's not enough space to go into detail about every track, but suffice to say they're all loose, warm, quirky and generally lo-fi in feel. Highlights include the dreamy analogue synth-funk of Ruf Dug's "Cassette Boogie", the poignant, emotion-rich synth-wave warmth of Fahcrur Riaz Hazbullah's "Muriam", the clicking beats and intergalactic synth flourishes of "Heina" by Ruutu Pois and the frankly foreboding loose-house creepiness of "II Y A" by Dublin's Compassion Crew.
Review: Italy's Funclab are bursting onto the scene with this terrific introduction to their kinda groove with House Al Dente - their first self-produced release. A collection of producers, DJs, promoters, and electronic music enthusiasts alike, they hail out of Milan and their main three sound designers have produced a track each. First up is Ayce Bio with the funked-up and sexy house of "Jazz Affair", Borbo with the lo-slung and jazzy disco on "Your Ex" and finally Turenne with the dusted-down and smooth deep vibe of "1000" Punti".
The Funk District - "An Evening With El Diablo" (6:31)
Matt Hughes - "Get Down" (5:50)
Cody Currie - "Aquarian Girl" (5:17)
The Owl - "Funky Feelin" (4:12)
ED Wizard & Disco Double Dee - "Slippin" (4:22)
Review: More good value goodness from the Editorial label, one of the few re-edit focused outfits that manage to retain a high level of consistency. The Funk District kicks things off with a fine re-arrangement of an organ and electric piano-focused chunk of sweaty dancefloor soul ("An Evening With El Diablo"), before Matt Hughes gets busy with some elastic slap bass on flash-fried disco-funk revision "Get Down". Elsewhere, Label regulars Ed Wizard & Disco Double Dee dip the tempo on the slow and seductive "Slippin", the Owl stomps his way through the P-funk style heaviness of "Funky Feelin" and Cody Currie offers up a hazy sample-house cut rich in jazzy flourishes and warm electric piano chords.
Review: Masterworks Music mastermind 80's Child unleashes the third volume of his Masterworks compilations. This is a two-part vinyl release with the first part featuring The Funk District hailing from Cancun, who kicks off the A side with "The Funky Joint". He gets a good ol' time shuffle going before handing it over to Parisian Oldchap for a proper low-slung boogie in the form of "To The Top". On the flip, Godfather of the western Australian dance scene Dr. Packer gets down with a wicked edit on the late night sexiness of "Your Big Chance" and fellow Mexican Hotmood goes out on a high note with smokin' hot vocal number "Raw Dance".
Review: This colourful EP marks the debut of Funky Espresso, an Italian duo with a background in both DJing and live performance. Their dancefloor nous and instrumental skills hit home from the word go, when title track "Born For The Night" serves up a quirky and hugely entertaining mix of Afrobeat and eccentric lounge music. Sneaky disco edit crew Creative Source supply the scalpel work on the duo's loose and low-slung cover of Carole King's "Corazon" (though we're guessing they were paying tribute to LTG Exchange's superior later version), while "La Disco Francaise" joins the dots between Daft Punk's work with Nile Rogers and dreamy piano house. Finally, Je T'Adore is a sleazy Italo-disco treat.
Review: Best just keep coming with the Italo heat, once again tapping into that golden year of 1984. Funky Family was a one-shot studio project that left a much-vaunted record in its wake. The visionary nature of "Funk Is On" is impossible to ignore - from the noirish mood to the physical thrust of the arpeggios, the diva vocals and tough 4/4 groove, this is house music in all but name. Whether you want the vocal cut or the instrumental, Best have you covered - either is going to set the dancefloor alight.
Review: Its feelgood, summertime disco house on the Feel This Way EP, by Belarusian DJ and producer from Grodno and reminiscent of DJ Sneak or Nick Holder's disco cut ups from the mid-nineties. There's some sure fire goodness for sunny day parties on the A side: From the hands in the air vibe of the title track, to the soulful funk groove of "Party Train". On the flip, things get a bit techier on "Acid Indie Club" which much like the name suggests has a warped synth lead that soon gives way to some wicked, big band disco style brass sounds. They leave the best 'til last on "Sundown" though, which you could imagine being played at exactly that time at one awesome beach party to remember.
Gari Romalis & Lello Di Franco - "Luv Game" (6:53)
Review: In tribute to Record Store Day, the Diggin Disco Deep crew has put together what could be its tastiest 12" yet. Pressed on squeaky clean white vinyl, volume five in the series boasts cuts from some of the edit scene's best-loved talents. Lipski kicks things off with the blissfully wavy loops and languid Balearic house grooves of "Magical Luv", before the Silver Rider hits the mark via the softly spun nu-disco goodness of "Madness". On the flip you'll find EP highlight "When She Moves, I'm Moved" by Folamour, a sax-laden shuffle through deep house/disco fusion that sneakily pays tribute to a wedding party favourite, and the head-in-the-clouds deep house bump of Gari Romalis and Lello di Franco's "Luv Game".
Everything That Shines Ain't Gold (part one & two) (6:12)
Everything That Shines Ain't Gold (Floating Points edit) (4:38)
Review: You'll be unsurprised to learn that the latest reissue on Floating Points' Melodies imprint is of a record that is fiendishly hard to find. Collectors have long regarded "Everything That Shines Ain't Gold", a sumptuous funk-soul workout full of bold Hammond organ lines and jazzy guitar licks, as something of a "Holy Grail", so it's fantastic see the track getting a worthy reissue. For this edition, you'll find the full version (originally cut into two parts to fit on a 7") on side A, with a fresh Floating Points re-edit on the flip. His revision is naturally tastefully done, rolling with the sweetest instrumental passages before breaking into Moore's superb vocal.
Lenny Fontana, Tension - "A Place Called Heaven" (Joey Negro dub Groove) (6:58)
Jay Denes, Ada Dyer - "You Make Me Whole" (Joey Negro Rhodes dub) (5:17)
Julian Sanza - "To Love" (5:16)
Frankie Knuckles, Satoshi Tomiie, Andrea Mendez - "Bring Me Love" (Eventual dub) (6:56)
Review: Some serious no-nonsense house grooves for all true-school DJs to cop, dug out from the annals of club music history. Things kick off good and proper with Joey Negro's insanely powerful "Dub Groove" mix of Lenny Fontana's "A Place Called Heaven". Negro's on the buttons once again with the classic, pumping "Rhodes Dub" of "You Make Me Whole" by Jay Denes and Ada Dyer. On the flip, Julian Sanza drops the squelchy boogie inflected "To Love" before the record ends on a serious bang with the dream team of Frankie Knuckles, Satoshi Tomiie and Andrea Mendez's "Bring Me Love (Eventual Dub)". This is as actual house as actual house can get - the real deal, crystalised in four evergreen gems pressed on one handy record.
Painel De Controle - "Relax" (extended Waxist version) (5:54)
Rabo De Saia - "Ripa Na Xulipa" (Charles Maurice extended version) (5:28)
Famks - "Labirinto" (Nick The Record extended version) (6:17)
Review: France's Favorite label dabbles in all things funky and disco-flavoured, and this time they've decided to go with a Brazilian edge on their latest 12". Painel De Controle begins with a Waxist mix of "Relax", a chilled-out boogie monster with sultry vocals, while "Ripa Na Xulipa" by Rabo De Saia is more uplifting and heavy on the disco strings. Finally, Nick The Record rewires "Labirinto" by Famks into a subtly electro-fied boogie nugget. Nice!
Review: Ms Cardini presents four more fabulous excursions in indie dance music, courtesy of her always reliable house of Correspondant. Following up the first volume which had some highly valued contributions courtesy of Khidja and Jonathan Kusuma, the second edition features hot Tel Aviv duo Red Axes with the dark disco odyssey of "Earth Core" and Fort Romeau's surprising appearance on the A side. The flip showcases the fresh sound of Colli Alban firstly. His track "Walking In The Night" is a real highlight, where he serves up some darkwave slo-mo trance. Finally label staple Javi Redondo impresses as always on the dreamy and hypnotising groove of "Heroin" channelling the majestic vibe of fellow Cologne label Kompakt.
Review: If you're looking for a great selection of house and disco club cuts, you can't beat Z Records "Attack The Dancefloor" Series. The latest volume begins with the revivalist disco brilliance of label founder Dave Lee AKA Joey Negro's remix of Delia Renee's "You're Gonna Want Me Back", before moving on to the slightly more house-centric modern disco vibes of Dr Packer's superb revision of vintage Dave Lee production (as Foreal People) "Shake". Over on side B, Grant Nelson offers up a filter-sporting disco-house revision of Z Factor classic "Gotta Keep Pushin", before Lee dons the Joey Negro alias one more time to wrap ear-catching church organ solos around a gospel-influenced house groove on an excellent remix of Four80East and CeCe Peniston's "Are You Ready?".
Review: Four years deep into its disco, beatdown and edit adventures, Smokecloud's status is nigh-on impeccable. Here we find them uniting four of their most creative craftsmen for four straight-up dancefloor pacifiers. Highlights include the sludgy slo-mo Edwin Starr on acid flavoured "Caught Up" and the Diana Ross homage that is the sun-skanked reggae party jam "CC Tribute" by VinylAddicted & SMQ. Instant smiles.
Review: The latest missive from Fingerman's Wax Digits imprint - the occasional vinyl offshoot of the digital-only Hot Digits label - is something of an all-star affair. It features contributions from some of the best-known talents in the contemporary re-edit scene, with solid results. Fingerman and Slync kick things off with "Saft Junk", a cheery, Chic style slab of summer disco goodness, before Hotmood takes aim at "Fake D.Js" via bumpin' grooves, fluttering flutes and swirling orchestration. Andy Buchan's "Dope D'Man" is a slap-bass-sporting nu-disco jam that joins the dots between King Bee's "Back By Dope Demand" and the original disco record it sampled, while "Turn It Loose" is a relaxed shuffle through laid back and loved-up funk grooves.
Review: Katastrofa EP is an Ex-Yu Edits release which transforms forgotten gems from the former Yugoslavia. Russian Valique and Serbian veteran selector Funky Junkie are behind this project. Opener "Katastrofa" offers a delicious blend of heavy, synth-laden '80s boogie, punchy afrobeat horns and bold, chant-a-long vocals, while the slower, more chugging "Frka" is an Adriatic delight - all lazy, sun-kissed synths, sugary-sweet vocals and sloppy kisses. As for closer "Yugoslavia" , it sounds like a disco-house anthem in waiting, as the duo adds bumpin' beats to a rising, horn-heavy chunk of starlight disco.
Review: Ever since its' initial 1983 release, Ahmed Fakroun's debut album, Mots D'Amour has been considered something of a global fusion classic by Balearic-minded record collectors. Initially released by legendary label Celluloid - home to some genuinely genre-bending electro, post-punk and experimental World Music - the well regarded full-length saw the Libyan singer/songwriter/musician blend traditional Arabic instrumentation and vocal harmonies with the distinctive shimmer of synthesizers, and typically Western pop production. 33 years on, the album has lost none of its' potency, with the breezy, English language track "Love Words", Talking Heads-ish "Soleil Soleil" and cheery "Kalimat Hob" standing out.
Review: Far Out Monster Disco Orchestra, Daniel Maunick and David Brinkworth's whole-hearted tribute to 1970s Brazilian disco, last showcased its celebratory, sun-kissed wares way back in 2014 via an eponymous debut album that's still capable of setting the pulse racing. Black Sun, the outfit's second album, contains another superb selection of authentically played and produced disco songs and instrumentals. Check, for example, the blissful jazz guitars and heavy "walking" bass of "The Two of Us", the richly orchestrated and horn-heavy "Step Into My Life" and the spine-tingling, piano-fired breeziness of "Flying High", whose seductive female vocals are smothered in just the right amount of reverb.
Review: Cosmic-minded Brazilians get busy with Razor N Tape for Record Store Day with an artistically presented eight track collection of native edits and originals. Charming from the off-beat funk of "7 8 E 1", we're soon hammered by the steady stamps of "Botoque", massaged by the come-to-bed soul of "Formula 1" and whipped into a shamanistic frenzy by the percussion-fuelled "E Um Barato". Complete with a cheeky little 7" brother - that features the acid slapping Latin club smasher "Margarida" and the ghetto-busting funk of "Blaus" - these are the type of packages RSD was invented for. Party time.
Review: Brothers Simon and Robin Lee have long excelled at the album format, delivering occasional sets that ripple with impressive musicality, sinewy strings, cozy downtempo moods and upbeat dancefloor moments. Body of One, their fourth full length (their first dropped on Nuphonic back in 1997), continues this trend, offering a compelling trip through the pair's myriad influences. After opening with a sweaty post-punk thumper ("Prisoner of Your Love"), we're variously treated to Italo-influenced vintage house ("Magic Touch"), rubbery disco-funk ("Freak For Your Love"), Arthur Russell-influenced tropical downtempo pop ("Caruso's Monkey House"), dreamy Balearica ("Floating World") and string-laden gorgeousness. As for the title track, it sounds like So-era Peter Gabriel.
Tony Antoniou - "Send In The Night" (instrumental mix)
Spats - "Hot Summer Madness"
Banzai - "Runaway"
Review: For the latest volume in their crate-digging disco series, Under The Influence, Z Records has turned to long-serving British brothers Simon and Robin Lee AKA Faze Action. In keeping with the series' dusty-fingered ethos, there's plenty of brilliant rarities to set the pulse racing - see the smooth '80s boogie of Leston Paul's "All Nite Tonight", the sublime Afro-disco brilliance of Bebe Manga, the up-tempo hustle of Oscar Perry's "Body Movements" and the South American disco swirl of Don Lurio's "Ruba Ruba" - as well as a smattering of obscure versions of classic dancefloor hits (check Michele Claire's version of "In The Bush"). You'll also find a smattering of killer Faze Action edits, too, with their version of Midway's "Set It Out" and Mikki's freestyle-era boogie ham "Dance Lover" standing out.