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Coming Soon: Studio Equipment

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Studio Equipment

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150/103(ページ1/3)の商品
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FORTHCOMING
Behringer Eurorack Go Case
Cat: 772854
 
eurorack case
Notes: The EURORACK GO was engineered specifically to protect your favorite synthesizer modules and similar 3U electronics. With 2 rows of 140 HP useable mounting space (for a total of 280 HP), the rugged aluminum chassis features 96 sliding nuts for ultra-easy positioning of your precious gear. In the studio or on the road, the EURORACK GO is the ideal way to protect your rig - wherever the gig takes you.

One of the features that separates EURORACK GO from competing products is the massive, ultra-low noise power supply. The auto-ranging universal switch-mode supply works anywhere in the world and uses 32 keyed power connectors to protect your valuable modules from accidental reverse power hookup.

Designed for rugged reliability, the all-aluminum chassis houses an adjustable support plus oversized rubber feet to provide 0-50- setup capability and ensures rock-solid stability for use on a wide range of surfaces.

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coming soon $276.60
FORTHCOMING
Malekko Varigate 4+ Module (black faceplate)
Cat: 766093
 
sequencer module
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes most features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with it's own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control.
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MRP:$333.23 SAVE 17%
coming soon $277.70
FORTHCOMING
WMD SCLPL Stereo 5-Band Digital EQ & Morphing Filter Module
Cat: 776823 Rel: 31 Aug 20
 
filter module
Notes: SCLPL (pronounced SCALPEL) is a Stereo 5-Band Digital EQ / Morphing Filter module for eurorack modular synthesizers. Use it to cut out problem frequencies on voices in your mix or to add pleasing enhancements to your stereo field.

Dual Mono and Stereo Control Schemes make it an excellent addition to any WMD Performance Mixer Setup. Add 4 SCLPL for 8 channels of EQ in 16HP. Put a 5th on the Master Bus and you have the ultimate eurorack mixing setup!

A simple user interface makes it a powerful tool for many use cases. It features 9 user-programmable preset slots that can then be "morphed" between seamlessly with CV or the Level knob in Morph Mode.

Each frequency band is set independently with the Level, Q, and Frequency knobs, and a helpful LED display aids in knowing exactly what's going on at all times.

Frequency bands include a Low Shelf, 3 Mid-Range Peaking Bands, and a High Shelf.
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coming soon $247.19
FORTHCOMING
Presonus Atom SQ Hybrid MIDI Keyboard/Pad Performance & Production Controller
Cat: 783852 Rel: 07 Oct 20
 
MIDI keyboard/pad performance & production controller
Notes: Modern musicians, performers, and producers need to move quickly from programming drums and samples to playing synth lines and back again. ATOM SQ was designed as a versatile and expressive MIDI pad controller for contemporary music production. Its unique design is optimized for both classic TR-style 16-step beat sequencing and drum pattern editing in Studio One or playing instruments and launching clips in Ableton Liveiyet its staggered and RGB-lit pad configuration is instantly familiar to anyone who's played a controller keyboard. Advanced features let you change the keyboard scale, and a built-in arpeggiator makes the ATOM SQ the most expressive controller you'll ever use. In fact, it's the best PreSonus Studio One MIDI controller available.

A complete production toolkit.
Included with ATOM SQ, Studio One Artist music production software enables you to compose, record, and produce without getting distracted by the tools or hemmed in with track limitations. Easy to learn and intuitive to use, Studio One's unique drag and drop workflow and powerful tools will let you produce faster than ever before. Also included are two carefully-curated loop libraries with custom Impact XT kits. New to version 5: Studio One Artist now lets you use your favorite third-party VST and AU plug-in effects and virtual instruments. You also now have complete support for Studio One Remote to use as a second screen or as remote Studio One control on your iPadr or Android™ tablet. And with ATOM SQ, you have the most flexible PreSonus Studio One MIDI controller available. PreSonus Sphere users now have access to a new exclusive portal loaded with custom-designed tools and curated content by featured PreSonus artists.

Ableton Live integration and more.
ATOM SQ is also unique Ableton Live controller, designed for production and live performance. You can launch clips and scenes during a performance, select devices and edit parameters, navigate tracks and scenes, control each track's volume, panning, and send levelsiplus do all your drum programming in Ableton from the ATOM SQ! Ableton Live Lite is included, so you can get to creating right away. It comes with all of Live's essential workflows, instruments and effectsieverything you need to record songs, create hands-on with your controller, take music made in your apps further and so much more.

Navigation and transport control
ATOM SQ is more than an expressive pad controlleriit also lets you navigate many aspects of Studio One without a mouse and keyboard. You've got transport controls for stop, play, record, and a dedicated Click Track toggle. You can even zoom in and out of your timeline and navigate among your tracks, all without skipping a beat.

Deep control at your fingertips
Deep integration with Studio One's Pattern Editor allows for evolving step sequences that will bring your productions to life. Insert a pattern, change its length, add new variations, and change scalesiright from the ATOM SQ. Need to make changes on the fly? ATOM SQ lets you open the Studio One Pattern Editor, select and edit steps individually, and even copy, paste, duplicate, and delete events, all using tactile controls. You'll build compositions faster than ever before using the built-in step sequencer in Studio One and ATOM SQ. It's fast and easy for anyone who knows how to program a drum machine. And you'll find experimenting to yield particularly rewarding results, because ATOM SQ can constrain your performance to the scale of your choice. No more wrong notes!

However, wherever.
ATOM SQ is highly configurable. You can freely remap instrument parameters to different hardware controls, so your rotary encoders can control everything from filter cutoff to drum tuning, for the ultimate drum programming experience. You can colorize the RGB LEDs as you please to color-code your loops and samples. ATOM SQ's LCD screen is used to display context-sensitive information, and uses a dynamic button system that changes functions depending on the task at hand. Need to add more swing to your arpeggiator or change the CC assignment of a controller? The LCD screen details functions you need, right when you need them for the job at hand.
ATOMSQ

Wherever sound takes you...
With its unique staggered-pad layout, contextual screen design, and customization tools, ATOM SQ lets you stay in the moment of creation. Its small-footprint, USB bus-powered design means you can slip it right into your bag and produce anywhere you and your laptop might happen to go, and the complete suite of integrated software lets you start creating right out of the box. Whether you're in the studio, on stage, or on the road, ATOM SQ gives you the freedom to create, wherever sound takes you.

Input:
Connection Type -USB-C- compatible USB 2.0 connection (bus-powered)

Pads, Buttons, and Knobs:

32 velocity- and pressure-sensitive, RGB LED pads

16 assignable buttons

8 endless rotary knobs

1 Assignable mult
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MRP:$290.11 SAVE 17%
coming soon $241.74
FORTHCOMING
Qu Bit Cascade Ratcheting Envelope Generator Module
Cat: 766031
 
envelope generator module
Notes: Cascade is a ratcheting envelope generator featuring burst generation, a flexible curve parameter, and two discrete level controls. Freeze allows you to lock the output voltage exactly where it is with the press of a button or a gate input. The Cascade can be transformed into several other modes, including ASR, ADSR, dual AD, and a gravity-based bouncy-ball mode.
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MRP:$260.05 SAVE 17%
coming soon $216.71
FORTHCOMING
Squarp Instruments Rample Wave System 4 Voice Sample Player & Audio Processor Module
Cat: 783294 Rel: 18 Sep 20
 
Sample player & audio processor module
Notes: Rample waves system

Eurorack 4-voice sample player & audio processor

Versatile sample machine

From percussive drum-machine kits to synth samples, breakbeats to sound FX, backing tracks to hour-long audio music, Rample can play up to 4 .wav files on independent audio outputs :

These samples are stored inside the provided SD card, and organized as kits, from A00 to Z99... allowing up to 2600 banks of 4 voices, with on-the-fly loading! The SD card is preloaded with tons of samples, and we made it very easy to import your own kits.

Thanks to the DC coupled audio outputs, it's also possible to play CV waveforms.

Effects rack

Each voice has its own "rack" of effects, and all audio effects can be enabled at the same time, allowing you to manipulate your samples in real time, from a gentle lowpass to massive destruction!

pitch - a great sounding pitch engine, based on a 6-pole interpolator, which ranges from -1 octave to +1 octave.

bits - two different bitcrushing algorithms, based on sample rate and resolution reduction. It produces distortion and warms the audio signal.

filter - a low resonance filter, DJ-style, cutting off the high frequencies or the low frequencies.

freeze - sample and loop a fraction of the played waveform, creating a glitching effect.

levels - decrease the gain or drive the signal.

It's also possible to edit 'advanced parameters' like the start point, sample length, attack/decay and run mode, and create mute groups without breaking a sweat.

Finally, thanks to the 4 CV inputs, any of the effects (or advanced parameters) can be assigned to create amazing modulations!

Multi-layer sampling

One of the key feature is the ability to "multi-sample" your kits, multiplying Rample's potential. Each voice supports up to 12 samples, can be played randomly or in a controlled fashion. It's a great way to add complexity and variations, to create organic/acoustic sounding drums, or simply to increase the number of samples per kit (up to 48).

As an example, Squarp are providing a multi-layered drum kit, with 12 different recordings of a kick, 12 different recordings of a snare, etc. Sequencing them randomly leads to a more natural drum playing.

Another kind of multi-layered acoustic drum kit is also provided, where each drum is recorded with 12 levels of velocity. Controlling the layer to be played leads to intricate, convoluted drums programming.

Of course, it's very easy to create your own multi-layered kit, and you can use this method to perform multiple synth chords, sound glitches, voices, breakbeats, ...

CV/Gate and Midi interface

Rample is designed to be the perfect rhythmic companion of your eurorack system thanks to its Gate (trig samples) and CV (modulate samples) connectivity.

You can also use it as a standalone midi machine, without using the CV/Gate connectivity: the midi in port allows you to trig & control all samples parameters + effects values at the same time. Each Rample comes with a 'stereo jack to midi DIN' and 'stereo jack to jack' adapters, easing the chaining of multiple modules in order to create an 8-voice, 12-voice, 16-voice (or more) midi drum machine!

SD card preloaded with 200+ kits from artists and sound designers, covering a large range of audio samples
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MRP:$348.92 SAVE 17%
coming soon $290.75
FORTHCOMING
Malekko Quad LFO Module (black faceplate)
Cat: 766096
 
LFO module
Notes: An LFO, or low frequency oscillator, sends control voltage out in the shape of a waveform. The Quad LFO available shapes include sine, ramp, saw, triangle and pulse and moves through these shapes using the SHAPE slider. You can send these 4 distinct LFOs directly out or to other modules for frequency modulation, VCA control, filter control, etc.

What makes this Quad LFO module different is that it also includes a 16 step automation sequencer for each channel, as well as autosave or expanded preset functions when used in conjunction with Varigate 4+ and Varigate 8+.

Multiple Quad LFOs can be controlled by one Varigate 8+ or Varigate 4+ on the same bus to instantly save/recall presets.

To create a sequence of automation for an LFO, select a channel and then hold the RECORD button and move the sliders for Frequency, Phase, Shape, Distort and Level and those slider movements will play back automatically as the Quad LFO cycles through the sequence. This sequencing feature allows for a multitude of dynamic possibilities for live performance and recording.

Set each LFO to trigger via one of the 4 individual gate inputs, or set channels 2 through 4 to follow channel 1 for quadrature and phase modulation. Change the direction of each channel of sequenced automation to Forward, Reverse, Pendulum or Random. Switch the playback speed and style between Fast, Slow or Tempo Sync. There are also inputs for both Clock and Reset.


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MRP:$359.37 SAVE 17%
coming soon $299.48
FORTHCOMING
Intellijel µMIDI 1U Module
Cat: 785361 Rel: 21 Oct 20
 
MIDI voice and clock interface
Notes: All the essentials to control and sync your rack to your computer, iPhone/iPad, or hardware MIDI device. No menu diving or configuration scripts, just two buttons. Get crazy with external modulation and sequencers, or just sync your rack's clock from your MIDI bus.

The uMIDI 1U provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, features, and compact size allows the integration of your modular system with the rest of your studio while not taking up too much space in your case.

The clock section to the left features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The right half of the uMIDI 1U gives you everything you need (like pitch, gate, trigger, velocity, mod wheel and assignable CC) to control a single voice synth via MIDI.

This module connects via ribbon cable to the uMidi JACKS 1U module or to the MIDI I/O jacks on the back of the 7U performance cases.
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MRP:$243.06 SAVE 17%
coming soon $202.54
FORTHCOMING
EMW WCS-1 Wave Composition Analog Synthesizer
Cat: 775808
 
analog synthesiser
Notes: The WCS-1 is a MIDI synthesizer module that utilizes a digital oscillator followed by all discrete analog circuits in order to produce unusual and 'fat' sounds.The exclusive wave addition resource together witha dual input.

A powerful VCF and a lightning fast VCA makes for powerful sound generation capabilities- an ideal instrument for electronic music perfection.

To make use of the WCS-1, you need a MIDI controller keyboard or anthing else with a MIDI OUT port e.g. MIDI pad controllers, bass pedals, or a computer with a MIDI connection.

The WCS-1 has a 1/4" (P-10) mono jack on the back panel in order to be connected to a sound mixer, computer audio interface, or directly to an amplifier.
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MRP:$369.82 SAVE 20%
coming soon $295.11
FORTHCOMING
Intellijel Bifold 3U Module
Cat: 785428 Rel: 22 Oct 20
MRP:$279.66 SAVE 17%
coming soon $233.04
FORTHCOMING
Division 6 Dual Mini Sequencer V2 Module (black faceplate)
Cat: 777964
 
sequencer module
Notes: The Division 6 Dual Mini Sequencer gives you two handy little sequencers behind one Eurorack panel. Why would you need more than one sequencer? Why would you need mini sequencers?

More sequencers = more steps
Use one for playing notes and the other for transposing those notes
Can be used as a clock divider
Run in parallel for multiple CVs / triggers
Each one gives you the standard CV and gate out, plus an ACC out (Accent? Accessory?) Use it to open up a filter, enable a glide, trigger a drum, or whatever you can think of.

The two sequencers will run completely independently, or you can daisy-chain them using the XP IN/OUT jacks to create sequences of any length.

Each sequencer has its own internal clock to get you up and running in a hurry, but you can connect an external clock if you need greater control of tempo or want to sync with other devices.

The module stores your latest sequence even when the power has been removed (plus some other ones in v2!).

While this kit is designed to give you a Eurorack module, the PCB patterns for the jacks also have holes that will accept Johnson/Cinch-style banana jacks. There are also standoff holes on the main PCB, so you can mount them behind your own custom panel.

This module has lots of LEDs and is very shiny, but only two of them are ever on at a time which keeps it from loading down your power supply.

Inputs:
CLK IN (External clock input)
XP IN (Expansion input; Starts sequencer back at step 1. Use for daisy-chaining multiple units)

Outputs:
XP OUT (Sends pulse when sequencer goes past last step. Use for daisy-chaining multiple units)
CV OUT
GATE OUT
ACC OUT (Can be programmed on or off in each sequence step)

Power supply: +12VDC (reverse-polarity protected!).
Power supply (Optional): +15VDC
Current draw: 30ma (+12V) / 0ma (-12V) / 0ma (+5)
Width: 18HP
Depth: 0.83in / 21mm
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MRP:$250.91 SAVE 19%
coming soon $202.54
FORTHCOMING
TC Electronic Clarity M Stereo Audio Meter
Cat: 781354
 
Stereo audio meter
Notes: Stereo and 5.1 Audio Loudness Meter with 7" High Resolution Display and USB Connection for Plug-In Metering.

The CLARITY M provides a comprehensive set of precision tools essential to the success of any audio producer. Ideally suited to stereo and 5.1 mixing, mastering and post-production, CLARITY M's 7" high-resolution LCD display provides a wealth of monitoring information at-a-glance via a single screen. Metering options include; the legendary LM6 Loudness Radar Meter; a state-of-the-art true peak meter; downmix compliance; stereo/surround correlation meters; and a RTA (Real Time Analyzer).

Source inputs come in a vast array of options including: USB for hassle-free VST*, Audio Units* and AAX* plug-in metering; 6 channels of unbalanced AES3 digital audio on 75 Ohm BNC connectors for broadcast-grade 5.1 metering; and stereo optical for maximum flexibility. CLARITY M is fully compliant with all major broadcast standards including ITU BS.1770-4, ATSC A/85, EBU R128, TR-B32 and OP-59, and is recommended for all studio environments.

CLARITY M provides a veritable toolbox of meter types to help you make the right mix and mastering decisions for truly professional recordings.

RTA
The high accuracy RTA with 1/3 octave resolution and individual band zoom provides a great overview of the spectral distribution of your mix.

True-Peak
Based on TC Electronic's highly acclaimed True-Peak Technology, the CLARITY M is your guard against otherwise unpredictable clipping.

Loudness Radar
The Loudness Radar is essential when it comes to monitoring the loudness of your mix. With the loudness history overview on the scope, the radar helps get the levels just right, while the momentary loudness in the outer ring keeps an eye on your instant loudness level.

Loudness Measures
Loudness statistics not only keep you compliant with loudness standards, they also provide crucial information on other important aspects of your mix, such as micro dynamics and macro dynamics.

Downmix Deviation
The Deviation meter is a fundamental tool to ensure your mix sounds great whether played back in 5.1, stereo or mono. This downmix compatibility meter is based on TC Electronic's Loudness Technology, and provides the best means for determining the status of your mix fold down.

Correlation
Whether you mix in 5.1 surround or stereo, the correlation meter helps identify phasing issues and other anomalies that are easy to miss when relying solely on your ears.

While CLARITY M is an exceptional hardware stand-alone desktop meter, it also interacts seamlessly with your DAW workfl ow via plug-in metering - which is available for Pro Tools, Apple Logic Pro, Nuendo, and all other major VST*, AU* or AAX* compatible DAWs. CLARITY M is quite simply the ideal integration of two worlds.

CLARITY M provides a wealth of digital connectivity. Unbalanced AES3 (coaxial) and S/P DIF are available right out of the box, and optional adapters enable you to connect standard AES/EBU with ease. Additionally, you can use the TOSLink* port for optical input and the USB connection to work seamlessly with your favorite DAW.

CLARITY M includes an integrated stand, making it perfect for any desktop. A pair of mounting holes provides compatibility with RAM-Mounts, allowing convenient attachment to a wall or ceiling. Other options include a suction cup for mounting on hard surfaces and a tough-claw mount for mic stand applications, all of which are available separately.

With its high-resolution 7" display, wealth of metering tools, flexible connectivity and seamless DAW integration, CLARITY M sets the benchmark for computer integrated metering.
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coming soon $243.93
FORTHCOMING
Limaflo Motomouth Formant Filter Module (black faceplate, fully assembled)
Notes: Motomouth is an analogue 3-Band, Sedra + Espinoza Bandpass Filter (DABP) with resonant frequencies that are tuned to the same resonant frequencies found in the human mouth and nose cavities, and these can be varied, independently, to form different 'mouth shapes,' to emulate vowels such as A, E, I, O and U. Motomouth can emulate 16 vowels and 'morph' or 'glide' between each vowel using a single Control Voltage input (1V/Oct), and a Gate to 'snap' to each vowel when required.

Two of the bands (F1 and F2) are used to form the mouth cavity, and the third band (F3) is used to form the nasal cavity, which is reasonably static. Varying F3 makes little significant difference 'in the mix,' but having it is important.

The single Control Voltage is decoded to control F1 and F2 independently, because the frequency bands for each vowel are not proportional to each other over the vowel range. So Motomouth has learned how to 'speak,' so to speak, but it still needs to learn more, and that's where you come in.

Specifications:
Module width: 12HP
Module depth: 42mm
Power draw:
+12V: 80mA
-12V: 4mA
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MRP:$282.27 SAVE 19%
coming soon $228.68
FORTHCOMING
Sensel Morph USB & Bluetooth MIDI Controller (standalone)
Cat: 785452 Rel: 22 Oct 20
 
USB & Bluetooth MIDI controller
Notes: Swap overlays to change from music, writing, gaming, and more. USB or Bluetooth means the Morph works anywhere. Experience a new level of expression with 20,000 pressure sensors at your fingertips. Whatever your passion, you can make it with Morph.

Comes with:
Sensel Morph
One overlay of your choice: Piano, Music Production, Drum Pad, Buchla Thunder (+$20=$269), Innovator's, Video Editing, Keyboard, Gaming
License to Arturia's Analog Lab Lite synthesizer software
License to Bitwig's Studio 8-Track music-creation software (when purchased with a MIDI overlay*)
USB Cable

The Sensel Morph uses Sensel's patented PressureGrid technology: a high-resolution, multi-touch, pressure sensing touch technology with a sensitivity range of 5g to 5kg and a tracking accuracy of ~0.1mm.

Compatibility: Windows, OS X, iOS, Android, Linux, Arduino (see final product image for more details on compatibility)
Dimensions: 240 mm x 169.5 mm
Active Area: 230 mm x 130 mm
Thickness: 6.75 mm
Weight: 0.4 kg
Latency: 2 ms - 8 ms (mode dependent)
Resolution: 6,502 DPI
Connectivity: USB, Bluetooth LE, and Serial
Power: USB, Rechargeable Battery
MIDI: USB Class-compliant, MIDI Polyphonic Expression (MPE), Bluetooth MIDI
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MRP:$351.53 SAVE 33%
coming soon $234.13
FORTHCOMING
Teenage Engineering Limited Edition PO Ultimate Punch Pocket Operator Bundle
Cat: 784909 Rel: 16 Oct 20
 
Pocket operator bundle
Notes: Beats from the famous PO-12 rhythm, melodic 8-bit computer-gamey chiptune sounds from PO-20 arcade, plus the PO-33 K.O! with its ability to sample the whole world around you.

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MRP:$299.26 SAVE 20%
coming soon $239.58
FORTHCOMING
Nektar Impact GXP61 USB MIDI Controller Keyboard
Nektar Impact GXP61 USB MIDI Controller Keyboard (USB MIDI controller keyboard)
Cat: 784008 Rel: 30 Sep 20
 
MIDI controller keyboard
Notes: Nektar products are synonymous with DAW integration on Mac and Windows and the Impact GX61 is no exception. The compact design is comfortable in front of a computer and delivers powerful functionality not even found on more comprehensive controllers. When inspiration strikes, the Impact GX61 delivers the control needed to capture ideas while they are fresh. Compact. Powerful. Control.

The Impact GX61 is a dynamic and expressive instrument, tailored to composition & performance with your computer music system. The no-fuss interface is a great entry into the world of Nektar controllers.

Featuring a 61-note (5 octave) keyboard, pitch-bend wheel, modulation wheel and foot switch socket. Two multi-colored octave buttons enable shifting the keyboard range up or down -3/+4 octaves with the LED colors changing to show the exact status, Impact GX are well equipped to deliver a great workflow.

Dedicated transpose buttons allow you to shift the keyboard range up to +/- 12 semi tones. The buttons can quickly be re-purposed to change the Global MIDI Channel or send Program messages. Additionally an assignable potentiometer provides control over any MIDI parameter, by default controls mixer volume.

Nektar DAW Integration for many of the most commonly used DAWs makes it easy to get going, and a pleasure to use. With Impact GX49 your controller keyboard is part of your system, giving you the creative freedom to compose, perform and play, without having to reach for your mouse constantly.

Eight buttons intended for DAW control, are at the center of the Impact GX. Essential tasks like transport activation or navigating tracks are highly repetitive and reaching for the mouse every time, can kill any seed of inspiration. Used with Nektar DAW integration, the 8 buttons extend functionality to include control over transport and a host of other important DAW functions, right from Impact GX.

The buttons can also be assigned to MIDI messages for use with any MIDI software that's not supported by Nektar DAW Integration. A primary and a secondary message can be programmed for each of 7 buttons, delivering 14 programmable options total.

Nektar DAW integration is carefully crafted to give the best experience with your Nektar hardware. It delivers the freedom to create, instead of having to reach for the mouse constantly when you are in the middle of capturing an idea.

Transport control with ability to goto and set locators, track navigation, volume control, launching windows and patch navigation is all available right from Impact GX. Check out the function overview chart below and see how the Impact GX ticks all the right boxes.

Impact GX is a MIDI controller as well as a DAW controller. If you use MIDI software that's not supported by Nektar DAW Integration, a host of options are available for you to set up MIDI control yourself.

Each of the 14 assignable MIDI buttons, the modulation wheel, foot switch and of course the big control knob, can be assigned to send out MIDI cc messages. The assignable buttons (14) can in addition be configured to send out Program message or MMC transport control. MMC (MIDI Machine Control) is often supported by DAWs that don't allow for advanced integration, so with this option Impact GX covers all the bases.

The Setup menu also enables Program messages, Bank LSB/MSB to be sent out on the fly as well as settings for selecting one of the 4 velocity curves, setting the Global MIDI Channel and assigning the transpose buttons.

As a low powered USB device, Impact GX works with all USB devices that feature a Class compliant MIDI driver. That includes all version of Windows from XP and higher, Apple OS X 10.5 and higher plus Linux (as long as a USB MIDI driver package is installed).

And if you are often on the move you can easily hook your Impact GX keyboard to an Apple iPad using the iPad's optional USB camera connection kit (optional). Of course the Impact GX is powered by the iPad so you can work away for as long as your iPad remains charged.

Bitwig 8-Track is included with every Impact LX+ so you can start producing, performing, and designing sounds like a pro from day one. Bitwig 8-Track gives you access to over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own, too. The 'Bitwig Essentials Package', a highly versatile handpicked selection of loops, clips and samples, is also included to help you get started. So put all that together and you have a powerful sketchpad for your musical ideas featuring the acclaimed workflow of Bitwig Studio.
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MRP:$261.36 SAVE 17%
coming soon $217.79
FORTHCOMING
EMW Analog Drum Synth Module (black faceplate)
Cat: 775428
 
analog drum module
Notes: The ANALOG DRUM SYNTH module from EMW is a complete percussion synthesizer that can be used to easily create deep analog sounds like bass drum, snare drum, modulated sweeps, effects, etc. Its architecture is based on the famous Korg ER-1 drum synthesizer but it was created using all analog technology for high impact and deep sounds.

Eurorack (3U) form factor - 22 HP width
Power consumption: +12V [57mA] / -12V [37mA]
Weight: 260g
Depth: 50mm
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MRP:$333.23 SAVE 19%
coming soon $268.98
FORTHCOMING
ADDAC System ADDAC705 Stinggy Filter Module (black faceplate)
Notes: The new ADDAC System filter, inspired by the original WASP Filter.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 3 cm

Electrical:
. Max current: +12V 60mA, -12V 30mA.
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
.black screws
.black fibre washers

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MRP:$246.99
coming soon $239.58
FORTHCOMING
Electro Harmonix Oceans 12 Dual Stereo Reverb Pedal (B-STOCK)
Cat: 785510
 
B-STOCK: Box damaged, product unused & in perfect condition
Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


The Oceans 11's big brother with even more reverbs and functionality. It features two simultaneous, independent, stereo reverb engines, series and parallel control for the dual reverbs, 24 presets and advanced I/O allowing for stereo in/out or mono send/return with pre and post reverb options. The pedal also includes a new Tide Control for stereo image alteration, a Lo-fi Control, an infinite attenuation control and an input jack for external expression and 3-button footswitch control.

A Tails switch provides a choice of whether the reverb effect fades out naturally or stops immediately when the pedal is switched to bypass. In most settings the pedal is also capable of producing infinite reverb which can be played over with a different reverb effect. Comes equipped with a standard EHX 9.6DC200mA power supply.

The Oceans 12's reverbs are: ROOM, SPRING, PLATE, REVERSE, ECHO, TREM, MOD, DYNA, AUTO-INF, SHIMMER, POLYPHONIC, RESONANT
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coming soon $217.79
FORTHCOMING
TC Electronic DVR250-DT Digital Vintage Reverb With Hardware Interface
Cat: 781359
 
Reverb controller
Notes: Digital Vintage Reverb with Inspiring Hardware Interface

Sound
Sample rates: 44.1, 48, 88.2, 96, 176.4, 192 kHz

Software Support
Operating systems: Mac OS X 10.13 Sierra or above, Windows 7 or above
Drivers: No additional drivers required, uses standard USB HID drivers
Plugin formats: AAX-native, Audio Units, VST2.4, VST3. 64 bit

USB Connection (DT version)
Type: USB 2.0, type micro-B

Power (DT version)

Power supply: USB bus powered
Power consumption: Max. 2.5 W

Physical (DT version)
Dimensions (HxWxD): 52 x 109 x 133 mm (2 x 4.3 x 5.2")
Weight: 0.5 kg (1.1 lbs)
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coming soon $240.66
FORTHCOMING
EMW ADSR SH 4X Envelope Generator (black faceplate)
Cat: 775111
 
Quad EG based on the ADSR SH module
MRP:$320.17 SAVE 27%
coming soon $233.04
FORTHCOMING
EMW Multiwave Digital Oscillator Module (black faceplate)
Cat: 774606
 
digital oscillator module
Notes: The MULTIWAVE DIGITAL OSCILLATOR is a MIDI controlled oscillator with 40 waveforms in the main osc. section + 8 sub-osc. waveforms. It uses a multi-algorithm structure to produce very dynamic waveforms, with CV control over many key parameters. Spreaded over the 40 internal waves there are synthesis methods like wavetable modulation, FM, wave distortion, formant shifting, timbre stretching and windowed sync. This allows the module to create a large timbral palette.
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MRP:$368.52 SAVE 19%
coming soon $297.30
FORTHCOMING
Hungry Robot The Wardenclyffe Lo-Fi Modulator Pedal
Cat: 780914 Rel: 17 Sep 20
 
Modulator pedal
Notes: The Wardenclyffe is a lo-fi ambient modulator. It emulates the magical lo-fi textures of early audio recordings.

Inspired by Nikola Tesla's Wardenclyffe Tower, the pedal attempts to capture the essence of one of the most mysterious and odd scientists of the century.

The Wardenclyffe wears many hats: it is a pitch modulator, vintage low pass, high pass filter, & ambient pad reverb.

Depending on knob positions, it can be used subtly as a vibrato, chorus, or pad reverb... or by cranking the filter, depth, and wet knobs you can get into extremely nauseating lo-fi territory.

All elements combined, it provides all the tools you need to get that beautifully broken lo-fi texture you've been dreaming of.

Knob and Switch Description
WET: Controls volume of wet signal. At full turn, this goes above unity gain.
DRY: Controls volume of dry signal. At full turn, this matches unity gain.

HP/LP: Switches between High Pass Filter (UP) and Low Pass Filter (DOWN)

FILTER: Blends between filtered signal and clean signal. Filters have a fixed cutoff frequency.
PAD: Switches on a "below-the-mix" ambient reverb that sits just at the edge of infinite sustain.

LFO/GLITCH: Selects modulation source for pitch-bending. LFO is a standard SINE wave. Glitch is a how a SINE wave acts after a few drinks.
DEPTH: Controls the depth of the pitch-bending modulation.
SPEED: Controls the speed of the pitch-bending modulation.

Switching: True-Bypass

Current Draw: 105mA

Dimensions: 4.7" x 3.7" x 1.96"

Powering: 9V DC - Negative Center - 2.1mm Barrel
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MRP:$267.89 SAVE 17%
coming soon $223.24
FORTHCOMING
Empress Effects Tape Delay Pedal
Cat: 783102 Rel: 30 Sep 20
 
Tape delay pedal
Notes: Rich, lush tape delay in an incredibly small box. 3 flavors of tape age let you choose how dark and gritty the repeats will get while filter and modulation controls allow for even more fine tuning. Tap tempos with ratio multiplier mean rhythms like dotted eights are all at your fingertips.

Now with an analog dry path, the Tape Delay is packed with features, all accessible from the advanced configuration mode. Presets can store all your settings and be recalled at the touch of a button, making switching live fast and easy.
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MRP:$346.30 SAVE 17%
coming soon $288.58
FORTHCOMING
J Rockett Dude V2	Loud Dumble Inspired Overdrive Pedal
Cat: 783208 Rel: 01 Oct 20
 
Overdrive pedal
Notes: The DUDE is designed to achieve the classic D style ODS sounds and feel. From Robben Ford to Larry Carlton to scorching gain, it is all there. The Dude v2 has a less aggressive volume control, new knobs that are easier to read and a noiseless foot switching system.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adapter and a 5.5mm x 2.1mm jack.

Analog 18mA Current Draw

True Bypass Switching
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MRP:$260.05 SAVE 17%
coming soon $216.71
FORTHCOMING
Maxon AD-9 PRO Analog Delay Nine Series Pedal
Cat: 783311 Rel: 02 Oct 20
 
Analogue delay pedal
Notes: The AD-9 Pro model improves on one of Maxon's most coveted models in order to produce the best-sounding, most reliable analog delay ever. Featuring 4 of Maxon's proprietary MC4107D bucket brigade IC's, and the world's first RMS level sensor and companding noise reduction system, the AD-9 Pro delivers 450 millseconds of the most transparent analog delay sound ever available in a stompbox format.

Offering improved headroom, the AD-9 Pro can accept any input signal and will work in an amplifier's effects loop as well as its front-end.

The AD-9 Pro also features a switchable multi-head tape echo simulator function. This feature provides interesting new delay effects such as the "Ping Pong" repeats made famous by Tape Echo units as well as ambient effects that recreate the echoes of a large concert hall with stunning accuracy.

AD-9 Pro is outfitted with mechanical true bypass switching on both wet and dry outputs by use of a 4PDT switch assuring pure, unaltered tone when bypassed.

In a world that grows more "digital" by the day, the Maxon AD-9 Pro sets a new standard of analog innovation and audio purity.

"If you want a delay pedal with rich tone and a ton of vibe get a Maxon AD-9 Pro! I love the ability to switch from single to dual head delay modes." - Devin Bronson - Guitarist with Avril Lavigne

"Maxon pedals are just simply amazing. Thanks for making pedals that just sound great, all the fucking time!" - Tyler Connolly - Theory of a Deadman

TECH TALK:
The AD-9 Pro starts with a string of low gain, low voltage op amps designed to boost the signal and shape the sound without adding distortion. Signal then passes to a THAT4315s Compander - a precision low voltage, low noise Compander IC designed to boost signal while killing any noise. This IC brings the input signal up to an ideal level and keeps it there as notes decay. This is good for signal-to- noise ratio and also gives the delay chips a clean, strong signal to work with.

The 4 x Maxon MC4107D BBD delay IC's are controlled by two clock driver IC's. The driver is running the BBDs at a very low clock rate to achieve maximum delay time. This rolls off a fair amount of high frequencies, giving the AD-9 a big, warm delay sound.

The delay circuit has a switchable tap that grabs midstream delayed signal and adds it back in with the main delay signal. This setup is very reminiscent of the multi-head feature on vintage tape echoes (Roland Space Echo, etc.).

Both the tapped and untapped signals are sent through their own sets of filtering op amps (3 apiece) which help get rid of clock noise and hiss. Then the signal is sent through another THAT4315s Compander chip and into a mixing Op Amp (where the clean signal is mixed with the delay) and out.

The AD-9 Pro features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

NOTE ON POWERING THE AD-9 Pro - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the AD-9 Pro by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Residual Noise: -100 dB or less (IHF-A)

Delay Time: 20 mSec to 450 mSec

Equivalent Input Noise: 116 dB or less (IHF-A)

Controls: Delay Time, Feedback, Delay Level

Switch: Single/Dual Mode, Effect

Operating Voltage: 9V

Power Consumption: DELAY TIME MIN 39mA/DC.9V 38mA/DC.10V

Dimensions: 74 mm (W) x 124 mm (D) x 54 mm (H)

Weight: 80 grams (including battery)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery Life: Manganese dry battery more than 2 hours 25deg C / 77deg F (Panasonic 6F22NB) Alkaline dry battery more than 8 hours 25deg C / 77deg F (Panasonic 6LR61G)
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MRP:$312.33 SAVE 17%
coming soon $260.28
FORTHCOMING
SynthRotek Quadrangle Envelope Generator Module (silver faceplate) (fully assembled)
Notes: The Quadrangle is quad cascading triggered envelope generator with bipolar output attenuversion. Each channel has voltage control over attack and decay/release, end of attack and end of cycle trigger outputs, and mode (AR, loop and AD). Each channel's EOC is normalled to the next gate input, resulting in interesting rhythmic opportunities. Channel 4 has a "stop" or "continuous looping" switch which allows either a "one shot" cascaded envelope or continuous cycling. The SUM output allows for longer and more dynamic bipolar envelopes, perfect for interesting modulation. Users also have voltage control over all of the attacks and decay/releases simultaneously when using the ALL A and ALL D/R input jacks. Massive function generation, modulation, rhythm and versatility sets the Quadrangle in a class of its own.

Specifications:
Module width: 20HP
Module depth: 15mm
Current draw:
+12V: 64mA
-12V: 44mA
Comes with power cable, 2.5mm and 3.5mm screws
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MRP:$345.00 SAVE 19%
coming soon $279.86
FORTHCOMING
EMW Dual Delay Module (black faceplate)
Cat: 775232
 
dual delay module
Notes: The EMW Dual Delay features 2 delay lines that can be controlled and used either independently or in Cross mode. In Direct mode, the two delay lines will be routed to separate outputs. In Cross mode, the feedback of the two delay lines will be crossed, creating a very interesting effect. You also have the option to use one or two audio inputs.

Eurorack (3U) form factor - 12 HP width
Power consumption: +12V [55mA] / -12V [9mA]
Weight: 164g
Depth: 50mm
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MRP:$273.12 SAVE 21%
coming soon $216.71
FORTHCOMING
EMW Phaser 12 Analogue Phase Shifter Module (black faceplate)
Notes: The EMW Phaser 12 is one of the most powerful analog phaser modules available in the eurorack platform. It sounds warm and very reminiscent of the phaser effects found in classic synthesizers. The phaser can be set in either 6 or 12 stages and the module features 2 CV inputs (with individual attenuators) as well as 2 built-in LFOs that can be used for modulation.
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MRP:$351.53 SAVE 19%
coming soon $284.23
FORTHCOMING
EMW VCO204 Analog Voltage Controlled Oscillator Module (black faceplate)
Notes: The EMW VCO 204 is an all analog voltage controlled oscillator with four waveforms (SQUARE, SAW, TRIANGLE and SINE). Its transistor core circuit guarantees a powerful sound, precise waveforms and excellent stability. The hard-sync implementation is superb and has the same sound characteristics found on the famous CEM3340 chip. It also has fine tuning control and independent inputs with level control for linear and logarithmic frequency modulation.

Eurorack (3U) form factor - 14 HP width
Power consumption: +12V [50mA] / -12V [27mA]
Connectors: 3.5mm
Weight: 179g
Depth: 50mm
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MRP:$275.73 SAVE 27%
coming soon $201.47
FORTHCOMING
J Rockett Blue Note Tour Series Subtle Overdrive Pedal
Cat: 783205 Rel: 01 Oct 20
 
Overdrive pedal
Notes: The Blue Note Tour Series is exactly what you think a small, compact version of the current production Blue Note. The Blue Note Tour Series is identical in sound to the original Blue Note, but does not offer the Hot Switch option.

The Blue Note Tour Series is designed for the touring musician with a rugged, steel enclosure and the new Speed Switch system. You can live in the jazz/blues world all day long with the Blue Note Tour Series always engaged.

The Blue Note gives you a very woodsy blues overdrive feel and can achieve more gain than a typical tube screamer (no this isn't another TS clone just using this as a reference). With the newly added Hot switch the pedal is capable of multiple tones. The Hot switch adds more gain, more volume and gooses the low mids for a thick juicy feel. The Blue note can be set to run flat in its EQ section or select the Hot position for more prominent mids. Since the Blue note can be run in either position it makes it suitable for many applications. This pedal is all about feel and really works well with any guitar/amp combination.

Dimensions: 4.00" x 2.30"

9 volt Negative tip adaptor and a 5.5mm x 2.1mm jack.

9 volt Battery

True Bypass
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MRP:$260.05 SAVE 17%
coming soon $216.71
FORTHCOMING
Old Blood Noise Fault Overdrive V2 Distortion Pedal
Cat: 782132 Rel: 24 Sep 20
 
Overdrive/distortion pedal
Notes: Tweaking the platform of their Fault overdrive/distortion, Old Blood Noise have carved out room for greater gain range, voice control, and clipping options in the Fault Version 2. The Fault remains a great overdrive with footswitchable second gain stage and three band EQ, and now excels as a clean boost and tweakable high gain distortion as well.
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MRP:$246.99 SAVE 17%
coming soon $205.82
FORTHCOMING
Old Blood Noise MAW Microphone Effects Manipulator Vocal Pedal
Cat: 782148 Rel: 24 Sep 20
 
Vocal manipulator pedal
Notes: What began as a simple request for a vocal version of an Old Blood effect spiraled into a multi-function device with 10 new effects, versatile in/out and send/return sections oriented toward any instrument you want to throw at it, and ample control over all elements. It's the new multi-tool for effects lovers on stage and in studio.
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MRP:$325.39 SAVE 17%
coming soon $271.16
FORTHCOMING
Old Blood Noise Minim Reverse Modulated Delay/Reverb Pedal
Cat: 782151 Rel: 24 Sep 20
 
Delay/reverb pedal
Notes: Looking back on an inspiring year of collaboration with Datachoir, Old Blood Noise Endeavors created Minim, a new pedal built from the foundation laid out by Rever. Inside is a newly voiced reverb with harmonic tremolo, a modulated delay with nearly infinite repeats available, and a reverse section selectable between normal speed or double speed. Sat next to the Rever, it's like a long lost sibling. Put both on your board and see how well they get along.
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MRP:$286.19 SAVE 17%
coming soon $238.49
FORTHCOMING
ADDAC System ADDAC401 Gated Envelope Follower VS2 Module (red faceplate)
Notes: With the ADDAC401 Envelope Follower you'll be able to use the volume of any sound source to control your synthesis.

This envelope follower has an interesting twist: besides outputting the volume information through a regular CV output, it also sports 8 independent gate outputs, triggered by the corresponding levels of the VU meter.

You can also control the offset on the gated outputs, either by CV or by steps through a special dedicated gate input.

Input Level and Decay controls allow you to achieve good envelope follower amplitude reaction.

Envelope Gain and Offset allows to set the envelope CV output to any desired CV range.

Monitor Leds for both the CV output and for the digital detection circuit.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 4.5 cm

Control Voltage I/O:
. CV output: i10v
. Gate input: 0 - 5v (threshold: 2.5v)
. Gate outputs: 0 - 5v

Electrical:
. Max current: 110mA +12v & 20mA on -12V
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$258.75
coming soon $250.46
FORTHCOMING
ADDAC System ADDAC206 Switching Sequencer Module (red faceplate)
Cat: 776180
 
switching sequencer module
Notes: This is a Quad Channel Switcher.

Among many other possibilities it allows to:

Turn any 4x4 step sequencer into a 16 step sequencer.
Scramble sequences with diferent clock division settings.
Route 1 audio or voltage signal to 4 diferent destinations.
Switch between 4 audio or voltage signals

MECHANICAL:
Format: Eurorack
Width: 8 HP
Depth: 3.5 cm

ELECTRICAL:
Max current: +80mA/-40mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.
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MRP:$303.18
coming soon $292.93
FORTHCOMING
Maxon AD-999 Analog Delay Vintage Series Pedal
Cat: 783426 Rel: 02 Oct 20
 
Analogue pedal
Notes: The AD999's Delay tone is pure analog heaven - rich, round and three-dimensional, it reacts to your playing and breathes life into your performance.

The AD999 is loaded with eight custom Bucket Brigade IC's for 900 milliseconds of warm, organic analog tone. These BBD's are clocked extremely low to achieve the longest delay time possible, creating a HUGE delay tone that recalls early 70's Pink Floyd with stunning accuracy.

Yet the real magic of the AD999 is in the Delay repeats - they exhibit a slightly overdriven tonality that sits perfectly behind dirty tones and adds depth and dimension to clean sounds. This distortion reacts dynamically to your pick attack, making the initial repeat pop slightly while the remaining repeats blend seamlessly with your original notes.

The repeats also feature a slight EQ spike at around 1.5 kHz, preventing them from getting muddy or non-descript. This also allows the AD999 to maintain presence in a mix without having to raise your volume.

While there are more affordable and more feature-laden Delays out there, you'd be hard-pressed to find one that sounds better than the AD999. When players wax poetic about the mojo and mystery of analog delay - THIS is what they are talking about.

TECH TALK:
A high impedance input buffer passes signal to a Compander stage that acts as a compressor/expander, bringing the input signal up to an ideal level and keeping it there as it decays. This is good for signal-to- noise ratio and also gives the delay chips a clean, strong signal to work with.

The eight x Maxon MC4107D BBD delay IC's are controlled by 2 of the 3 clock drivers in the pedal. These drivers are running the BBDs at a very low clock rate to achieve maximum delay time. This rolls off a fair amount of high frequencies, giving the AD999 its big, warm delay sound.

The delayed signal hits another Compander to level everything out and then goes to a mixer/amplifier that blends the clean and delayed signals and provides a low impedance output.

The AD999 features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Residual Noise: -95 dB (input shorted, IHF-A weighted)

Delay Time: 40 mSec 900 mSec

Control: Delay Time, Repeat, Delay Level

Switch: Normal/Effect (4PDT mechanical true bypass)

I/O: Input, Output (Mix in mono, Wet only in stereo), Dry Output

Current Consumption: 46 mA at 9VDC / 48 mA at 10VDC

Dimensions: 117 (W) x 150 (D) x 60 (H) mm

Weight: 600 Grams
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MRP:$346.30 SAVE 17%
coming soon $288.58
FORTHCOMING
SynthRotek Sequence 8 Analog 8-Step Sequencer (Eurorack version) (fully assembled)
Notes: The 'Sequence 8' analog 8-step sequencer is a traditional 8-step sequencer with some extremely handy features. It's available in 2 formats: Eurorack or 9V battery/wall wart (the kit version has a FRAC power option).
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MRP:$250.91 SAVE 19%
coming soon $203.64
FORTHCOMING
KMA Audio Machines Horizont Interdimensional Multispatial JFET Phaser Pedal
Notes: Jump into spaceship Horizont and begin your trek into star- filled galaxies, all while discovering the incredible vastness of the sounds created by this inter-dimensional multi-spatial stereo analog JFET Phaser. The unexpected is waiting for you behind the far away horizon and it will be a journey you'll never forget!

The Horizont's mission is to push way beyond the classic phasing sounds of yesteryear, and take you to uncharted phaser worlds the second you plug in. By combining lush analog JFET phasing with digitally controlled dynamics, Horizont creates a vivid and expressive modulation experience, all while providing experimental and creative features that'll kick phasing well into the 21st century.

Besides the more common phaser controls, the Horizont offers a plethora of new and exciting options for all the interstellar tone chasers out there. To greatly broaden the range of phasing tones available, KMA implemented a digital LFO with no less than eight different waveforms: Ramp Up/Down, Sine/Triangle/Square wave, a sweeping waveform, Sample & Hold and a random slope waveform going from 20s down to 40ms.

The implemented envelope generator is one of Horizont's absolute key features. It transforms your input signal into a control source to modulate the speed of the digitally controlled LFO or lets you manually phase for a resonant touch wah- like sound, depending on the state of the SWP- and SPURTCONTROL-Switch.

Set the SPURTCONTROL switch to LFO to let the SPURT knob adjust the internal phasing speed. However, by flicking the switch to ENV (Envelope) mode, it allows you to dynamically modulate the speed along the full LFO speed range, based on how loud the input source is (e.g. when you attack the strings hard). You can also combine the SPURT knob and the envelope by flicking the toggle to LFO+ENV where SPURT then sets the minimum speed. For even more control, you can even plug in an external expression pedal/CV-source (0-5V) to alter the minimum speed on-the-fly or you can use the TAP TEMPO switch (tap just twice) to set the speed to fit in with the tempo of your music.

The EXP-Mode switch also lets you choose between a manual phasing mode, controlled by an expression-pedal or an external CV source. Setting the EXP-Mode switch to the middle position will disable any external expression control.
The SWP (Sweep) switch lets you decide to use either the LFO or the envelope of your instrument signal to control the phasing.

The envelope can be set to upwards or downwards operation via the ENV switch, seeing the LFO either slowing down or speeding up, or flipping the orientation when phasing manually from lows to highs and vice versa. In conjunction with the FUEL (Sensitivity) and the DECAY controls, the envelope can be tailored perfectly to your needs.

The EMPH (Emphasis) mode from the original Astrospurt Phaser was kept, but have reworked and refined it extensively for the Horizont. The four toggle-switches determine the stage in which the phase-shifted signal is fed back into itself, while the REG (Regeneration) control sets the feedback amount. We also smoothed out the overall sound of the EMPH mode for a more pronounced, and crisp vocal-like tone. Each of the different switch variations and turn of the REG control will yield different results, seeing you discover new wild, fuzzy and noisy galaxies as you travel deeper down this sonic wormhole.

In order for you to levitate through spacetime, a stereo output has been added to the Horizont. You can switch between a standard stereo output or a panning output, via the STEREOPAN switch. Synchronized with the LFO speed, the upper cycle of the LFO sends the signal to the OUT1 and the bottom cycle to the OUT2. This is without a shadow of a doubt the most liquid and astonishing phasing experience you'll ever embark upon. But wait, there's more! Stop and take a deep breath, set the MIX control to fully clean and the Horizont is transformed into a Tremolo on-the-spot, with all the other aforementioned features.

Last but by no means least, the Horizont was equipped with an FX-Loop right in front of the phase-shifting line. This enables you to add your own secret sonic weapons to this spaceship, seeing you create your very own unique phasing sounds.The pedals' headroom was also increased drastically by boosting the internal circuit voltage to 18V, from the regular 9V input, to give the cleanest phasing possible no matter what instrument or line source you use.

But don't be fooled by all of these seemingly complex features, the Horizont is a super intuitive next generation phaser that'll see your tone take flight in seconds flat. Whether you are looking for traditional phasing sounds, experimental synthetic soundscapes or super dynamical sonic endeavours, the Horizont will have you covered to infinity and beyond.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 75mA current draw)

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MRP:$325.39 SAVE 17%
coming soon $271.16
FORTHCOMING
Izotope Spire Studio Portable Digital Multitrack Recorder
Izotope Spire Studio Portable Digital Multitrack Recorder (portable digital multitrack recorder)
Cat: 784795 Rel: 15 Oct 20
 
Multitrack recorder
Notes: Quickly capture amazing audio anywhere- A liberating recording solution combining powerful hardware with an innovative mobile app. Never lose another song idea again.

Spire Studio makes it easy to record and collaborate
The creative process can be a challenge, but it doesn't have to be. In this video, discover how easy it is to get your next song idea recorded, produced, and shared with the world, all using tools as creative as you are-iZotope Spire and plug-ins.

Why Spire Studio?

Soundcheck: your personal recording engineer
Say goodbye to distorted, quiet, or muddy-sounding recordings. When a song idea strikes, there's no need to waste time manually setting recording levels and EQ. In seconds, Spire Studio's Soundcheck intelligently detects your instrument, automatically sets input levels, and sculpts its tone to sound great in the mix.

Streamline collaboration with cloud sharing
Collaborating on a song with co-writers, bandmates, or producers has never been this easy. Instantly create and send a project link, allowing anyone to preview the song, open the project in Spire, download an .MP3 or .WAV mixdown, or even download high-quality stems to work within a DAW.

iZotope's award-winning processing meets wireless recording
Add the final touch to a song with Enhance; a mastering feature born from iZotope's award-winning Ozone technology. With the touch of a button, Enhance increases clarity and boosts loudness to get the most out of a song before it's shared out to the world.

SPIRE STUDIO FEATURES
The all-in-one recording solution

1. Intuitive control
Record with simple controls if your smartphone is out of reach

2. Soundcheck
Press once, play for 10 seconds, your levels are set

3. On-board studio mic
Worry-free mic placement with a 360- omnidirectional condenser mic

4. Headphone out
1/8" output to monitor while you record

1. 4+ hour battery life
Rechargeable battery lets you capture ideas anywhere

2. Custom preamps
Pristine clarity from industry-leading Grace Design custom preamps

3. XLR & 1/4" instrument inputs
Plug in your mics and instruments to build songs with ease

4. Phantom power
48V to power your favorite condenser mics

Quickly capture amazing audio
Record anywhere with a built-in studio mic, 2 inputs, automatic Soundcheck, and 4+ hours of battery life.

Expand ideas with layers
Layer up to 8 tracks and use the Spire app to add effects, clarity, and fullness to your sound.

Mix & share anywhere
Visually mix your tracks, export to your desktop, send to friends, and publish from within the app.

Spire Studio Specs
Weight: 1.6 lbs.

Dimensions: 4.8 x 4.4 x 3.4 inches

Inputs: 2 XLR/TS combo jacks, 48v Phantom Power

Outputs: Two headphone 1/8" outputs

Sample Rate/Bit Depth: 48 kHz/24-bit

Connection Type: Built-in Wi-Fi network

Power Supply: Universal power adapter

Battery: Internal rechargeable lithium-ion

Battery Life: 4+ hours

Supported Operating System: Android, iOS

Device Requirements
The Spire Music Recorder app and Spire Studio are compatible with 64-bit iOS devices running iOS 10 or higher, including those listed below and any newer iPad/iPhone models.

iPhone 6 or higher
iPad Air
iPad Mini 2
iPad Mini 3
iPad Mini 4
iPad Air 2
iPad Pro 9.7
iPad Pro 12.9
iPad (5th gen)
iPad Pro 2 12.9
iPad Pro 10.5
The Spire Studio Controller app for Android and Spire Studio are officially tested and supported on Samsung Galaxy S series phones from the S7 and above. At this time we are unaware of issues on any devices running Android 8.0 or higher.
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MRP:$351.53 SAVE 17%
coming soon $292.93
FORTHCOMING
Behringer EP2000 Professional 2000 Watt Stereo Power Amplifier
Cat: 781358
 
stereo power amplifier
Notes: The EP2000 has become one of the best-selling power amps in the industry. Our proprietary Accelerated Transient Response (ATR) Technology gives the EP2000 the massive power reserves needed for deep and impactful bass response, which translates into a more natural sound quality that will bring your audience to its feet - and keep them there! With an amazing 2,000-Watts of output power (2 x 1,000 Watts @ 2 Ohms; 2 x 750 Watts @ 4 Ohms; 2,000 Watts @ 4 Ohms in Bridge mode), the EP2000 is the perfect amplifier for medium- sized club gigs, mobile PA systems, church services or public spaces.

The uber-simple front panel controls of the EP2000 provides all of your amp's vital signs at a glance. After flipping the Main switch, the Power LED will light when the amp is ready for action. Each of the 2 channels feature dedicated Gain controls and Signal LEDs, that light up when a signal is present at the input, as well as Clip LEDs to indicate when input adjustments are required.

It takes huge pulses of energy (current and voltage) to propel a woofer cone fast enough to match a bass beat. That's called ATR or Accelerated Transient Response and it's the holy grail of amp designers. By carefully selecting transistors with extremely high slew rates and optimizing other proprietary parts of our circuitry, our amps react instantly to even the most demanding bass impulses. If the woofers in your PA system can keep up, your audience will hear a tighter, crisper, more natural sound.

The rear panel of every EUROPOWER EP2000 sports an array of options to help you get the most out of your amp. The built-in Clip Limiter automatically senses when the amplifier is being driven into "clipping" and momentarily reduces the input level to avoid distortion. This all happens in mere micro-seconds, making it the ideal way to ensure perfect sound all the time.

Stage vibrations, mic thumps and wind noise can cause ultra-low frequency sounds, or infrasonics - and while technically inaudible, they can be a real drain on power resources. As a solution, the EP4000 features a defeatable Low Cut Filter that eliminates frequencies below either 50 or 30 Hz (depending on your PA system's capabilities) - for better sonic performance, as well as the ultimate in loudspeaker protection. The rear panel also contains the Stereo or Bridge (mono) mode switches.

There are lots of awesome features on the outside of the EP2000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP2000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.

There are lots of awesome features on the outside of the EP2000, but this amplifier's beauty goes much more than just skin-deep. Inside you'll find industry-leading components, such as world-class Toshiba/Fairchild power transistors, and a custom-designed, high-current toroidal transformer for ultra-high transient response and further reliability. Independent DC and thermal overload protection on each channel automatically protects both the amplifier and your speakers. The exhaust fan, visible on the back panel, is the final stage of an internal back-to-front cooling system that keeps the comfortably EP2000 within its normal operating range. Finally, an impact-resistant, all-steel 2U rack-mount chassis protects your investment from the rigors of the road.
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coming soon $287.48
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Presonus AudioBox Studio Ultimate Bundle 25th Anniversary Edition Deluxe Hardware & Software Recording Collection
Notes: Everything you need to record and produce- and beyond.
Produce and record like a pro with a single-purchase bundle! The core of this package is the AudioBox USBr 96 audio/MIDI interface and award-winning Studio One recording and production software. You also get PreSonusr' best-selling Eris E3.5 Active Media Reference Monitors and HD7 headphones, allowing you to monitor your work loud and proud or quietly to yourself. Lastly, the M7 dynamic microphone is a superior all-purpose condenser mic ideal for guitar and vocalsiand we even included all the necessary cables and a desktop mic stand.

AudioBox USB 96: Simple, reliable, and portable.
The AudioBox USB 96 is the heart of the AudioBox Studio Ultimate Bundle. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.

Studio One Artist makes recording a breeze.
No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio Oner Artist lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy!

Sound you can trust. Eris 3.5
PreSonusr Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. They're compact enough to fit almost anywhere, but still offer robust I/Oiyou can connect them to nearly anything.

Capture every nuance with the M7 condenser microphone.
Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone and desktop stand. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to "warm up" a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

Hear every detail with HD7 professional headphones.
PreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions.

Make your own magic.
PreSonus audio interfaces come with everything you need to craft your own mesmerizing spells in the studio. That's why Studio One Artist is included with Presonus every audio interface.Not only that, the Studio Magic Suite of software is also included with Presonus audio interface products.
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MRP:$346.30 SAVE 17%
coming soon $288.58
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AKG Podcaster Essentials (includes AKG Lyra, AKG K371, Ableton Live 10 Lite, Berkeley online introductory recording course & interconnecting cables)
Notes: AKG Podcaster Essentials includes everything you need to get professional quality audio for your podcasts or videos, including an AKG Lyra Ultra-HD multimode USB microphone, AKG K371 professional closed-back headphones, Ableton Live 10 Lite audio production software, a free introductory recording course at Berklee Online and a full set of accessories including cables and dual headphone adapter. You'll be ready to record in minutes with tools optimized for capturing high-quality audio.

AKG Lyra USB microphone plugs into your computer to capture sound in 24-bit/192 kHz Ultra HD quality and offers pro features like intuitive capture modes and sonic enhancements that tailor your sound for any recording scenario.

AKG K371 professional closed-back headphones let you monitor your recordings live, in full fidelity, while preventing sound from bleeding into your microphone.

Ableton Live 10 Lite (Mac/PC) production software makes it easy to record, edit and arrange your podcast, from shaping the sound of your voice to building backing tracks with pre-recorded loops.

Berklee Online Recording Course This four-part course provides a broad introduction to audio production, from using microphones to recording digital audio.

For 70 years, the pros have relied on AKG products to craft music's biggest hits. Now you can bring that legendary sound quality to your podcasts with this versatile production kit that goes anywhere you go.
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MRP:$325.39 SAVE 17%
coming soon $271.16
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Miditech Midiface 16x16 USB MIDI Interface
Cat: 784414 Rel: 10 Oct 20
 
USB MIDI interface
Notes: 19" USB MIDI Interface with 16 x MIDI IN and 16 x MIDI OUT ports, works Class Compliant without driver with MAC OSX, Windows XP SP2, Windows Vista, Windows 7, 8 and 10.

The Midiface 16×16 is based on Ploytec's GM5 technology, which means extremely good timing and perfect Sys-Ex stability. When USB3.0 is used for the connection, MIDI flow is further prioritized. This ensures stable and reliable real-time performance for your DAW.
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MRP:$345.00 SAVE 28%
coming soon $249.38
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AION Modular 904B Voltage Controlled High Pass Filter Module
Notes: The AION Modular 904B High Pass filter is an Eurorack clone of the classic Moog Modular High Pass filter.
The 904B High Pass Filter attenuates frequencies below the Fixed Control Voltage(cutoff frequency) point at a rate of 24dB per octave.

The cutoff frequency is voltage controlled through the three control inputs at the bottom of the module (1v per octave).

The Fixed Controlled Voltage knob adjustes frequency over 12 octaves span (1v per octave).

The Frequency Range switch:
LOW- 4Hz to 20kHz
HIGH- 10Hz to 50kHz

Specifications:
Power: +12 60mA, -12 50mA
Depth: 40mm
Doepfer compatible.

60 mA +12V
50 mA -12V
0 mA 5V
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MRP:$330.62 SAVE 20%
coming soon $265.71
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Old Blood Noise Mondegreen Weird Delay Pedal
Cat: 782153 Rel: 24 Sep 20
 
Delay pedal
Notes: The Old Blood Noise Endeavors Mondegreen pedal is a digital delay hellbent on giving you something different than what you put in. It's delay. Into modulation. And it's weird.

A three-way toggle switch selects between three modes of modulated delay.
STUTTER: A delay with a percussive tremolo on the trails.
WHIRL: A modulated delay adding chorus on the wet signal.
SHEER: A delay with increasing octaves on the repeats.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
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MRP:$246.99 SAVE 17%
coming soon $205.82
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J Rockett Archer Versatile Overdrive & Boost Pedal
MRP:$260.05 SAVE 17%
coming soon $216.71
FORTHCOMING
Fulltone Supa-Trem Jr Amp-Style Opto Tremolo Pedal With Boost
Cat: 782881 Rel: 26 Sep 20
 
Tremolo pedal
Notes: The logical progression to the beloved Supa-Trem1 is here!

It's a much, much smaller than the ST-1 at only 3.9" wide x 4" deep, and more intelligent version of the epic Supa-Trem1. Sporting True-Bypass,Tap-Tempo, external Tap jack, Half/Double hold feature, up to 15dB boost, true Square, Sine, and the natural heartbeat-like Warble wave-forms! It also can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Don't forget, just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!

3 switchable waveforms:
Square, (modified) Sine, and (heartbeat-like) Warble wave-forms. Digital Brain (for the oscillator only) with 100% analog signal path. Unlike the ST-1, the Jr can do speeds so slow that a full cycle takes around 10 seconds, and fast speeds beyond 220bpm. The heart of the ST-1 is still there, the warm Analog Devices JFET preamp. And this pedal is so small it will fit in your pocket, and with its top-mounted jacks, will fit in any little spot on your board. Just like the ST-1, the Jr also works as an incredible clean boost with the Mix control turned down!
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MRP:$241.76 SAVE 17%
coming soon $201.47
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Empress Effects Compressor Pedal (2020 version)
Cat: 782971 Rel: 30 Sep 20
 
Compressor pedal
Notes: Compression is a tool used on pretty much every recording you will ever hear, yet this extremely useful and versatile tool is often overlooked by guitar players as part of their rig.

Other compressor pedals are often limited by oversimplified controls and heavily colored sounds. A truly transparent compressor has been created, complete with all the controls found in the studio. The result is a tool that allows for a wide range of sounds from subtly adding sustain to getting the "quack" that country players love.

A mix knob is also included, to blend in the dry signal for an even more transparent sound and a gain reduction meter so you know what the compressor is doing at all times.

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MRP:$313.63 SAVE 17%
coming soon $261.35
FORTHCOMING
Fulltone Soulbender	 60's Classic Fuzz Pedal with 3 Matched Germanium Transistors
Cat: 782873 Rel: 26 Sep 20
 
Fuzz pedal
Notes: The Soul-Bender is based on the legendary Colorsound and Vox Series III ToneBenders made by Sola-Sound/England in the late '60's that was used by Beck and Page on much of their circa 1968-70 recordings.

Equipped with 3 gain-matched germanium transistor for a FAT, searing lead tone, I also made the Tone control response and range more usable and much less shrill sounding... Full clockwise is SMOOTH sounding.

The Soul-Bender cleans up when you back-off on the guitar's volume control. This pedal has tons of tonal character and even harmonics and of course, true bypass w/ LED is included with every one.
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MRP:$241.76 SAVE 17%
coming soon $201.47
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