安全なお買い物

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

安全なお買い物

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

Coming Soon: Studio Equipment

ホーム  Coming Soon  

Studio Equipment

Options
150/739(ページ1/15)の商品
1  2  3  ...  15  »
FORTHCOMING
SynthRotek LPG Low Pass Gate Module (black faceplate) (fully assembled)
Notes: The LPG is a West Coast Synthesis staple! The dual Low Pass Gate creates organic percussion timbres, paving the way for sonic exploration with a Buchla/Subotnick vibe.

The LPG has two low pass gates in one module. Its unique non-linear qualities emulate percussion timbres like congas, bongos, plucks, etc. The LPG is vactrol based, which creates natural-sounding decays. When the CV input is pinged by short/fast envelopes, it results in more organic sounds like bongos. The slide pot functions in two ways: when the the CV input is not patched, it attenuates/mixes the audio signal. When the CV jack is patched, it attenuates the output level and changes the timbre of the audio signal.

Each LPG channel can be used as a VCA. VCA mode bypasses the low pass filter and resonance and doesn't color the sound of your input audio. The vactrol gives the VCA a living, breathing, non-linear response.

A number of vactrols were tested for this module, and the pre-tested NSL-7053 yielded the most positive results. The NSL-7053 has a slower response and a more exponential response curve. The VTL5C4 has a slightly faster response and a more linear response curve. Vactrols have a lot of variance, so even if you use the same vactrols for both channels, each channel may sound a little different. But the LPG will work with a number of different types/brands, including dual vactrols. In fact, each channel can be built with a different set of vactrols. (Note: VTL5C3 and VTL5C3/2 vactrols are not recommended in the LPG.)

Specifications:
Width: 4HP
Depth: 57mm
Current draw:
+12V: 45mA
-12V: 45mA
Read more
MRP:$151.48 SAVE 19%
coming soon $123.06
FORTHCOMING
Old Blood Noise Mondegreen Weird Delay Pedal
Cat: 782153 Rel: 24 Sep 20
 
Delay pedal
Notes: The Old Blood Noise Endeavors Mondegreen pedal is a digital delay hellbent on giving you something different than what you put in. It's delay. Into modulation. And it's weird.

A three-way toggle switch selects between three modes of modulated delay.
STUTTER: A delay with a percussive tremolo on the trails.
WHIRL: A modulated delay adding chorus on the wet signal.
SHEER: A delay with increasing octaves on the repeats.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
Read more
MRP:$238.57 SAVE 17%
coming soon $198.81
FORTHCOMING
EMW ADSR SH 4X Envelope Generator (black faceplate)
Cat: 775111
 
Quad EG based on the ADSR SH module
MRP:$309.26 SAVE 27%
coming soon $225.11
FORTHCOMING
Old Blood Noise Reflector V3	 Noisemaker Chorus Pedal
Cat: 782160 Rel: 24 Sep 20
 
Chorus pedal
Notes: An update on the popular modulation noisemaker pedal. Reflector V3 is a densely lush chorus coupled with three modes of modulation. This is a chorus with a bent, an ephemeral voice floating between aural dimensions.

Controls include Rate and Depth for the Chorus/Flanger/Vibrato speed, Mix for a balance between unaffected and affected signal and Modulate to add Pitch selection, Reverb wash amount or Flanger depth, depending on the mode. A three-way toggle switch allows the player to choose between Wrinkle Mode (A Vibrato-esque warble chorus with the added option of pitch selection, meaning the Modulate knob goes from one octave down to one octave up, with noon being close to pitch unity), Washed Mode (a simple lush chorus, Modulate control adds in a wash of Reverb pre Chorus effect) or Mirrors Mode (Detuned Chorus meets Flanger in which the Modulate knob controls the depth of the Flanger, while Rate corresponds to both the Flanger speed and the detuned Chorus speed).

The Reflector V3 features an expression out jack and clickless switching. The output level can be tweaked via an internal trimpot for boost, slight drop, or unity gain.

9VDC - 2.1mm negative center pin adapter.
60 mA draw.
Read more
MRP:$238.57 SAVE 17%
coming soon $198.81
FORTHCOMING
EMW Gate Delay Module (black faceplate)
Notes: The EMW GATE DELAY module can induce a delay on a gate signal. The delay amount can be adjusted using the SET and RESET knobs on the front panel. A delayed gate signal or pulse is very useful to promote the trigger of envelopes and other modules in alternative moments in a patch, creating some very interesting and unexpected effects and modulations.

Eurorack (3U) form factor - 6 HP width
Power consumption: +12V [29mA] / -12V [0mA]
Weight: 64g
Depth: 50mm
Read more
MRP:$103.51 SAVE 20%
coming soon $83.10
FORTHCOMING
EMW 10V Level Converter Module (black faceplate)
Notes: 8-cannel voltage converter

Eurorack (3U) form factor
Read more
MRP:$94.67 SAVE 20%
coming soon $75.74
FORTHCOMING
EMW Stereo Enhancer Module (black faceplate)
Cat: 775266
 
stereo enhancer module
Notes: The EMW Stereo Enhancer let’s you control the stereo width of an incoming stereo audio signal. The module contains 2 inputs (L and R), 2 outputs (L and R) as well as Input Level and Stereo Width controls.

Eurorack (3U) form factor - 6 HP width
Power consumption: +12V [6mA] / -12V [6mA]
Weight: 68g
Depth: 50mm
Read more
MRP:$107.30 SAVE 23%
coming soon $83.10
FORTHCOMING
ADDAC System ADDAC215 Dual S&H+ Module (black faceplate)
Cat: 776254
 
dual sample & holds module
Notes: This new module should not be judged by it's size, at 6hp it's packed with features.

At its core it features a noise source and two precision Sample & Holds with 0.01% of maximum deviation from the Input which allows for quantized signals to be sent through without any noticeable detuning or the typical voltage drops over time.

The Sample & Hold sections can also be used as a Track & Hold meaning it holds the incoming input while the Trigger input is ON and lets the input flow to the output when the Trigger input is OFF.
Each section also features it's own slew processor with a single control over attack and decay and an ON/OFF switch.

The noise signal is normalled to both sections inputs, meaning that without a jack plugged into the Input the sample and hold function will act upon the incoming noise signal generating random CV values.

The [Trigger A Alternate] switch allows to Link both sections so that any trigger input in Trigger A will alternate between triggering the A and B section.

Besides each section outputs there's also 4 extra outputs: Noise, Difference, Average and Sum. The Noise output is coming from the noise source, the Difference output is the subtraction of section A minus section B, the Average output is the sum of both A plus B and then divided by 2 and finally the Sum output is the sum of both A plus B sections.

MECHANICAL:
Format: Eurorack
Width: 6 HP
Depth: 4 cm

ELECTRICAL:
Max current: +50mA/-50mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
Read more
MRP:$136.33
coming soon $131.48
FORTHCOMING
ADDAC System ADDAC103 T-Networks Module (black faceplate)
Cat: 776114
 
4-voice percussion module
Notes: Inspired by Twin T-Networks circuits used in many lengendary drum machines, ADDAC system have developed a simple and straight forward 4 voice percussion module with frequency controls for each of its voices.

At each voice input there's a gate to trigger converter so any input source is possible.
Audio inputs can also be used as an input, in this case and due to the nature of the gate to trigger converter, each voice can be used as very destructive filters.

The top 2 channels feature a higher frequency range, the bottom 2 channels feature a lower frequency range.

Tech Specs:
6HP
2.5 cm deep
40mA +12V
40mA -12V
Read more
MRP:$108.56
coming soon $104.13
FORTHCOMING
ADDAC System ADDAC104 VC T-Networks Module (black faceplate)
Notes: Following the ADDAC103 T-Networks, this new module is also inspired by Twin T-Networks circuits used in many lengendary drum machines. A simple 4 voice module with frequency controls for each of the voices. This new module also features CV inputs with attenuverters for each voice Frequency. Due to the specificities of the circuit, and to keep the module at a low price, these inputs are not callibrated to 1v/octave.

At each voice input there's a gate to trigger converter so any input source is possible.
Audio inputs can also be used as an input, in this case and due to the nature of the gate to trigger converter, each voice can be used as very destructive filters.

The top 2 channels feature a higher frequency range, the bottom 2 channels feature a lower frequency range.
Read more
MRP:$174.20
coming soon $167.24
FORTHCOMING
SynthRotek VCO Analog Voltage Controlled Oscillator Module (black faceplate) (fully assembled)
Notes: The VCO is an analog voltage controlled oscillator with a wide frequency range and 8 trackable octaves. It uses the Curtis CEM3340 reissue chip, which is famous for its outstanding sound quality. This is the fully assembled version of the VCO.

Specifications:
Width: 4HP
Depth: 53mm
Power draw:
+12V: 42mA
-12V: 31mA

Includes power cable and module screws.
Read more
MRP:$151.48 SAVE 19%
coming soon $123.06
FORTHCOMING
Analogue Systems RS-100N Lowpass Module
Cat: 777029
 
low pass filter module
Notes: This low pass filter is a very good -24dB/octave Moog filter, based on the classic Moog cascade with selected, low-noise transistors. Being the successor of the RS-100, the new "S" version features several improvements regarding stability, tracking, distortion behavoiur and also the frequency range.

Two signal inputs, resonance, manually and voltage controlled cutoff frequency. Frequency range 10Hz to 35kHz with CVs applied. The transistors used in the filter cascade are low-noise and have been selected and matched in pairs to improve the frequency response over the whole frequency range. A better stability guarantees, after a one minute heating time, that the filter can be used as a clean and well tracking sine wave oscillator.
Read more
MRP:$215.85 SAVE 12%
coming soon $189.33
FORTHCOMING
EMW Stereo Attenuators Module (black faceplate)
Cat: 775776
 
attentuators module
Notes: Dual stereo attenuators

Connectors: 3.5mm

Depth: 50mm
Read more
MRP:$56.80 SAVE 19%
coming soon $46.29
FORTHCOMING
Miditech Midiface 4x4 USB MIDI Interface
Cat: 784397 Rel: 10 Oct 20
MRP:$77.00 SAVE 23%
coming soon $58.91
FORTHCOMING
Miditech Midiface 8x8 USB MIDI Interface
Cat: 784400 Rel: 10 Oct 20
MRP:$209.54 SAVE 39%
coming soon $127.28
FORTHCOMING
Miditech Guitarface II USB Audio Interface With Steinberg Cubase LE8
Cat: 784453 Rel: 10 Oct 20
MRP:$77.00 SAVE 39%
coming soon $47.32
FORTHCOMING
Miditech Audiolink III USB Audio Interface With Steinberg Cubase LE8
Cat: 784460 Rel: 10 Oct 20
MRP:$99.72 SAVE 38%
coming soon $62.07
FORTHCOMING
Miditech Pianobox Mini General MIDI Sound Module
Cat: 784467 Rel: 10 Oct 20
MRP:$132.54 SAVE 35%
coming soon $86.25
FORTHCOMING
ADDAC System ADDAC209 VC Time Compensated Glide Module (red faceplate)
Cat: 776185
 
glide/slew circuit module
Notes: This is our take on a glide/slew circuit. It introduces a time compensation for the glide/slew rate so that any interval have the same glide time.

Normal glides have a fixed speed, they take X time to go up a semitone and X*12 to go up an octave. A compensation circuit was added to detect and dynamically change the speed according to the distance needed to be made, so that in the end it'll take the same time to reach the final destination no matter if the interval is 1 semitone or 3 octaves. This compensation feature (dry/wet) can controlled by the front panel knob or by CV.

Mechanical:
. Format: Eurorack
. Width: 4 HP
. Depth: 55 mm

Electrical:
. Max current: 60mA.
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
.black screws
.black fibre washers
Read more
MRP:$97.20
coming soon $94.66
FORTHCOMING
ADDAC System ADDAC210 Open Heart Surgery Module (red faceplate)
Cat: 776186
 
development platfom module
Notes: This is a development platform optimized for the Eurorack electronic enthusiast.

Power sources:
-12V, +12V
-3/10V, +3/10V

Ships with: 1M Ribbon Cable and 55cm standoff Spacers for desktop operation, screws and nylon washers

Mechanical Specs:
Width: 36 HP
Depth: 3.5cm (i1.375 inches) with or without Arduino installed, Depth increases if using arduino shields.
Read more
MRP:$314.31
coming soon $302.94
FORTHCOMING
ADDAC System ADDAC213A Eurorack Bridge Module (black faceplate)
Notes: A pair of ADDAC213As acts as a simple one-cable bridge between different cases. By itself the ADDAC213As can send/receive 8 CV or audio signals between your cases, but can be expanded to bridge two cases for up to 24 signals at the same time.

Use a pair of ADDAC213As to send & receive 8 CV or audio signals between distant points in your case, between two separate cases, or between your case and a friend's case. Less clatter, less spaghetti, faster connection! There's nothing better than being able to connect that controller skiff with just one cable to your main system. At a gig, in the studio, when jamming with a friend, give yourself a gift by grabbing a pair of ADDAC213As.The modules can be installed in normal position or a 180 degree position to fit any need and any case design.

Each ADDAC213A module can be connected through a ribbon cable connection on its backside with up to two ADDAC213Bs. Each ADDAC213B module added expands the channels options of the ADDAC213A by adding 8 more channels. With two 2 ADDAC213Bs connected to each ADDAC213A module, you'll have a total of 24 channels going between your cases with a simple one-cable bridge. Between the ADDAC213A pair and the ADDAC213B, your cases never looked so elegantly connected together!

The ADDAC213As are always sold as a pair of 2 modules and an included ribbon cable.

Each module can be installed in normal position or at 180 degrees.

Mechanical:
. Format: Eurorack
. Width: 6 HP
. Depth: 2.4 cm

Electrical:
Passive / Does not draw current
Ribbon Cable: 50cm or 100cm ribbon cable
Read more
MRP:$103.51
coming soon $99.92
FORTHCOMING
Eurorack Hardware Modules AMIX Active Audio & CV Mixer Module (black faceplate) (fully assembled)
Notes: The AMIX module from Eurorack Hardware has three channel (active) powered mixer in 2HP for Eurorack. Great for both Audio and CV sources. Matte black panel with white graphics. Max gain of 1.
Current Draw: +12=15mA, -12=10mA, +5=0
Read more
MRP:$84.57 SAVE 19%
coming soon $68.37
FORTHCOMING
ADDAC System ADDAC106 T-Noiseworks Module (black faceplate)
Notes: This is the last module in Addac System's T-Networks series, a straight forward 4 voice module with frequency and decay controls for each of the voices. As the name already unveils , a noise source has been added, and 2 different circuits have been created, that explore the timbre of a t-network when used to filter noise.

There are 2 different circuits in this module, voices 1 to 3 have a pre-vca t-network filter while in voice 4 the t-networks filter applied post-vca.

At each voice input there's a switch which sets which type of input to use, this signal will be used to control an internal VCA hence why the type of setting defined here is important:
1. Trigger - Any incoming CV will be converted into a 1ms trigger as soon as it crosses it's fixed threshold.
2. Mute - This disconnects then incoming signal effectivelly muting the voice.

3. Envelopes - This can be used with CV sources as well as Gate sources and simply follows the input signal.

This incoming signal will then be processed by a slew circuit which adds a decay factor allowing the user to set the "Tail" of each voice.

Trigger mode is mostly dedicated for percussive sounds while the Envelope mode is open to any external enve- lope control and able to control noise swooshes, swirls, crackles and pops simply out of t-networks filtered noise.

Audio inputs are also welcomed to be used as a Trigger/Envelope input.

Diferences between voices:
The first 3 voices also feature a Timbre selector switch: Hat/Snare
In Snare mode all frequencies coming from the t-networks filter pass thru to the output .
In Hat mode it adds a High Pass circuit which removes the mid/bottom frequencies (characteristic of the snare strike) creating a higher spectrum output which is closer to a Hat timbre.
All of these 3 voices are also differently tuned from each other to offer more timbrical options.

Voice 4 is closer to a typical t-networks circuit but this time peculiar one where the noise is gated by the vca and then sent through the t-networks filter.

Hat and Snare are terms used very looselly here, they are timbrical references and do not in any shape or form try to effectivelly replicate the complex timbres of a real world Hat or Snare.
Read more
MRP:$174.20
coming soon $167.24
FORTHCOMING
Miditech Pianobox USB General MIDI Sound Module
Cat: 784470 Rel: 10 Oct 20
MRP:$155.26 SAVE 32%
coming soon $105.19
FORTHCOMING
Miditech Pianobox Pro USB General MIDI Sound Module
Cat: 784472 Rel: 10 Oct 20
MRP:$177.98 SAVE 24%
coming soon $135.70
FORTHCOMING
ADDAC System ADDAC111 Ultra .WAV Player Module (red faceplate)
Cat: 776121
 
.wav player module
Notes: The ADDAC111 ULTRA .WAV PLAYER is the long awaited upgrade to the praised ADDAC101 .WAV PLAYER.

While keeping all functions of the original, there's more dedicated controls as well as a few new functions.

For this version, Micro SD Cards were used- this decision was made in order to help the hardware construction and make it only 3cm deep.

An Expansion module, ADDAC111B, was also created to allow users to recall the first 8 files through dedicated trigger signals. This allows sequencing of files.

The Loop Size, Start Point and Sample Rate defines how the loop is played.

Loop Settings defines if sample is looping or playing only once.

File Access if it advances to the next or previous file.

The VCA section controls the overall volume of the module.

And finally the Envelope Follower generates a CV voltage related to the amplitude of the audio signal pre-VCA.
Read more
MRP:$597.07
coming soon $575.39
FORTHCOMING
ADDAC System ADDAC105 4 Voice Cluster Module (black faceplate)
Cat: 776118
 
4-voice cluster module
Notes: Following the ADDAC103 T-Networks, this new module is inspired by it's simplicity. This is a 4 voice Square Oscillator with VCA, FM switch and a slew decay for the incoming Trigger IN. All voices are then sent through a Multimode Filter.

Each voice has it's own VCA input where any input is accepted (Trigger, Gate, CV) The [DECAY] controls the slew decay applied to the incoming signal, if [DECAY] is fully anti-clockwise then it works as a Mute. The [FM ON] switches activate/deactivate the FM input coming from the previous voice: Voice 1 FM comes from voice 4, voice 2 FM comes from voice 1, and so on, so you can FM all of them in a FM loop.

All 4 voices are summed and sent through a filter with controls over [CUTOFF] with an Attenuverter for the CV input and [RESO- NANCE]. Three filter outputs are provided [LOWPASS], [BANDPASS] and [HIGHPASS]

The [EXTERNAL IN] input can be routed through a jumper on the back of the module allowing the incoming signal to go to:
the filter input for processing an external audio source.
all of the 4 voices Frequency control allowing for some experi- mental CV control over pitch of all 4 voices at the same time (due to the specificities of the circuit and to keep the module at a low price these inputs are not callibrated to 1v/octave).

Read more
MRP:$108.56
coming soon $104.13
FORTHCOMING
ADDAC System ADDAC703 Discrete Mixer Module (black faceplate)
Notes: Here's the second module of ADDAC System's 700's Heritage Series.

Inspired by Moog CP3 mixer, this is a totally discrete analog mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 3 cm

Electrical:
. Max current: 60mA.
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
.black screws
.black fibre washers
Read more
MRP:$195.66
coming soon $189.33
FORTHCOMING
Happy Nerding 6x MIX Six Channel Audio Mixer Module (silver faceplate)
Cat: 777890 Rel: 31 Aug 20
 
audio mixer module
Notes: 6xMIX is a six channel audio (AC coupled ) mixer, channels arranged in three groups with separate outputs having led indicators. Each group can be switched to mix with the subsequent group, allowing for 2-2-2, 4-2, 6 mix configurations. The module can also be used to mix two stereo channels plus separate group of two mono channels. Perfect audio performance with the lowest noise and distortion amounts.

The inner knobs control the A inputs, while the outer knobs control the B inputs.

50 mA +12V
50 mA -12V
35 mm Depth
6 HP wide
Read more
MRP:$117.39 SAVE 17%
coming soon $97.83
FORTHCOMING
ADDAC System ADDAC701.REV2 VCO Module (black faceplate)
Notes: This is our new VCO, we discontinued our ADDAC701 VCO a few years back and since we've been wanting to release a more stable version with better pitch tracking increasing pitch reliability further minimizing the detuning issues of analog VCO's.

For this new revision we chose to use the modern version of the CEM3340 ic from CoolAudio and add the triagle to sine circuitry of our previous VCO. This new version is extremelly stable over 7 octaves.

We also added a new Mix section which allows mixing of all waveforms controlled by 3 knobs SIN/TRI, MIX and SAW/RECT.

Tech Specs:
8HP
3.5 cm deep
60mA +12V
60mA -12V
Read more
MRP:$174.20
coming soon $168.30
FORTHCOMING
SynthRotek 1U Mattson Buffered Multiple Module (black faceplate)
Cat: 777875
 
buffered multiple module
Notes: The 1U Mattson Buffered Multiple is a PRECISION buffered mult that is perfect for 1V/O CV sources. A signal plugged into INPUT A will be available from all 8 OUTPUTS. Break the chain by adding a second signal into INPUT B; signal A comes out the 4 "A" outputs and signal B is available at the 4 "B" outputs.

Please note: Synthrotek's 1U products do not fit in Vermona or Intellijel cases.

Current draw: +12 18mA, -12 18mA
Width: 20HP
Depth: 32mm


Read more
MRP:$97.20 SAVE 19%
coming soon $78.88
FORTHCOMING
Happy Nerding 2x SAM Dual Stereo Attenuator Mixer Module (silver faceplate)
Cat: 777876 Rel: 31 Aug 20
 
dual stereo attenuator mixer module
Notes: 2xSAM is 4 HP Dual Stereo Attenuator-Mixer

2xSAM's total mix stereo output can be internally sent to the Isolator, PanMix Jr, 3xStereo Mixer, or can be received from OUT, PanMix, PanMix Jr, 3xStereo Mixer, or another 2xSAM.

If jumpers are not installed (placed on one pin only by default) the max gain is 1x. When the jumper is properly placed on both pins - the gain is 5x. There are four inputs thus four jumpers. Each jumper is relevant to its channel.

27 mA +12V
27 mA - 12V
35 mm Depth
4 HP wide
Read more
MRP:$97.20 SAVE 17%
coming soon $81.00
FORTHCOMING
ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate)
Cat: 776351
 
triple bandpass filter module
Notes: The ADDAC603 VC Triple Bandpass Filter provides three channels of bandpass filters, fantastic for sculpting complex sounds. Each of the channels feature a gain/distortion control with switch to select between x3 or x100 gain, which can cause the input signals to distort, adding another layer of harmonic interest.

The inputs are cascaded together to allow for one source to be filtered three different ways - or each filter can be used independently. The three filters also feature controls for frequency, which sets the cutoff point; width, which sets the width of the band that is being filtered; feedback, which at high settings causes the filter to self-oscillate, and level control, which sets the amplitude of the output. Frequency, bandwidth, and output level each have CV inputs with attenuverters.

A switch sets whether the filter is 24 dB or 12dB per octave. There are individual outputs with phase switch, plus a mix output and dry/wet output with adjustable control for mix balance. This module provides a wide variety of filtering options to add complex tonal shaping to your rack.

Tech Specs:

22HP
3.5 cm deep
250mA +12V
250mA -12V

Read more
MRP:$391.31
coming soon $377.63
FORTHCOMING
ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate)
Notes: This module is a powerful rhythm generation machine- it features 4 voices of gate outputs (including inverted outputs for logic NOT sequences) where each voice can have independent lengths, all configurable with direct knobs anc cv inputs.

Perfect for precise polyrhythmic patterns and all sorts of non-linear sequencing.

The module works by 6 different rhythm generation "algorithms / principles":
Euclidean (equal distribution)
Golomb Rulers (inequal distribution)
Probabilistic (predictable distribution)
Game Of Life (organic progression)
Footwork'n (inducted error progression)
Pong (voltage controlled Pong game)

Plus a 4 channel Gate Sequencer Mode with up to 32 steps and 16 storable presets.

Add ADDAC402B Expansion for full I/O Midi control plus access to a powerful midi interface, with:
Midi Sync
5 cv to midi channels (notes and/or cc)
4 midi to gate channels
All panel controls (knobs, switches and push buttons) as cc controls.

All fully configurable with a midi learn feature for easier configuration.

MECHANICAL:
Format: Eurorack
Width: 20 HP
Depth: 5.5 cm

CONTROL VOLTAGE I/O:
CV inputs: 0 to +10v

ELECTRICAL:
Max current: 150mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
Read more
MRP:$477.15
coming soon $461.79
FORTHCOMING
Keeley Dynatrem Multiple Waveform Tremolo Pedal
Cat: 782397 Rel: 25 Sep 20
 
Tremolo pedal
Notes: The DynaTrem Dynamic Tremolo by Keeley Engineering is an all new type of tremolo that is dynamic and responsive to your playing. Your playing controls the Rate and Depth. The harder you play, the more it responds. Play softly and it relaxes. Set the sensitivity with Rate or Depth controls and you have an unparalleled ability to be expressive with your guitar and tremolo.

Tone Trio - Three Modes
Dynamic Rate - Your playing strength controls the Rate. The harder you play, the faster it modulates! Relax and play softly and the tremolo almost stops.

Dynamic Depth - Play gently and it just barely throbs. Play aggressively and it and pulse hard and deep.

Harmonic Tremolo + Reverb Mode. Yes that phaser/vibey, soulful and sweet sound! Slippery and smooth, you won't want to gig without it. Add Reverb by adjusting the SHAPE control

Wave Table
With a spin of the SHAPE control you get 4 wave-forms: Ramp Up, Sine Wave, Ramp Down, and Square Wave.

4th Mode! All DynaTrems after serial number 300 have a hidden feature mode: Stadard Tremolo Turn the Shape knob all of the way down and it become a standard triangle wave tremolo in the Delta Rate or Delta Depth modes. Call us for a free upgrade if yours does not have this feature.

Or, when in Harmonic Tremolo Mode the Shape control is Reverb!

Other Features:
Integrated noise reduction - developed with the code to reduce noise swells common with tremolo circuit, you get the quietest effect possible.

Output Volume Control - Can be set for a boost for stand out effect.

True-Bypass - No tone loss when off

Battery Free - Any standard 9 volt, negative tip power supply will work, like a Voodoo Lab Pedal Power II. 60mA or greater.

Keeley Engineered - Decades of audio experience and design.

The DynaTrem Dynamic Tremolo features killer graphics! Looks like an old tube amp or old tube radio. Tone to match too!
Read more
MRP:$251.20 SAVE 17%
coming soon $209.33
FORTHCOMING
ADDAC System ADDAC202 Amplifiers Module (red faceplate)
Cat: 776175
 
amplifier module
Notes: A dual channel Amplifier that either boosts your signals up to 10 times the original input or attenuates it to zero.

It also features two leds per channel, to monitor your output polarity.

MECHANICAL:
Format: Eurorack
Width: 4 HP
Depth: 2.5 cm

CONTROL VOLTAGE I/O:
CV inputs: i 10v
CV outputs: i10v

ELECTRICAL:
Max current: 30mA
Compatible with +-12v and +-15v power supplies
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
Read more
MRP:$130.02
coming soon $125.17
FORTHCOMING
ADDAC System ADDAC204 VC CV Mapping Module (red faceplate)
Cat: 776178
 
CV mapping module
Notes: With the VC mapping module you'll be able to scale your voltage and also control its offset via CV.

This module provides two outputs for normal and inverted output voltages. A third output morphs between the normal and inverted outputs.

Mechanical:
. Format: Eurorack
. Width: 6 HP
. Depth: 2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: 40mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
Read more
MRP:$195.66
coming soon $188.28
FORTHCOMING
ADDAC System ADDAC402B HRG Expansion Module (red faceplate)
Cat: 776312
 
MIDI expansion module
Notes: ADDAC402B MIDI Expansion allows full I/O Midi control of ADDAC402 plus access to a powerfull midi interface, with:

Midi Sync:
Allows the module to synchronize with any external MIDI device’s Clock, including transport messages like play, stop and continue.

CV to MIDI:
5 CV inputs (Fills 1 to 4 and Assign) to MIDI Notes and/or CC messages, the Note and CC number can be independently configured via the Configuration Menu.
These CV inputs can be sent on independent MIDI Channels, for ex: Fills 1 to 4 on MIDI Channel 1 and Assign on MIDI Channel 2.

MIDI Controller:
All panel controls (9 knobs, 4 toggle switches and 11 push buttons) can be sent to MIDI Out as CC controls as any standard MIDI controller. The individual CC numbers can be configured through the Configuration Menu.

MIDI to Gate:
All 4 Gate outputs can be controlled/sequenced from an external MIDI device.
For ex: we can configure Gate 1 to be responsive to CC 1, Gate 2 to CC 2 and so on. Everytime CC 1 gets a value of 127 Gate 1 will be turned ON, if it gets a 0 value Gate 1 will be turned OFF.

MIDI Control:
All panel controls (9 knobs, 4 toggle switches and 11 push buttons) can be controlled/sequenced from MIDI CC controls. This allow full automation of the module via MIDI
The individual CC numbers can be configured through the Configuration Menu and includes a midi learn feature for easier configuration.
Also controllable via MIDI is the change of Presets and Modes.
Read more
MRP:$108.56
coming soon $105.19
FORTHCOMING
Miditech i2-Mini 32 BT Bluetooth USB MIDI Masterkeyboard
Cat: 784380 Rel: 10 Oct 20
MRP:$88.36 SAVE 33%
coming soon $58.90
FORTHCOMING
Joue reConnect MIDI Cable For Board Modular MIDI Controller
MRP:$44.18 SAVE 17%
coming soon $36.81
FORTHCOMING
Earth Quaker Devices Swiss Things Pedalboard Reconciler Pedal
Cat: 781741 Rel: 18 Sep 20
 
Pedalbord reconciiler pedal
Notes: Swiss Things combines two true-bypass Flexi-Switchr enabled effects loops, a Flexi-Switchr AB-Y box with transformer isolation between outputs, a buffered tuner output, 20dB of clean boost with adjustable gain, an expression pedal output for volume control and a quiet, high headroom output buffer into a compact pedalboard-friendly signal routing junction box that lives at the top-right corner of your pedalboard and really ties your rig together without any signal loss.

This is what you can do with it:

Use as many pedals as you'd like without tone-suck

Quickly and easily bypass or engage all of your effects with one click

Use Flexi-Switchr Technology with every pedal in your setup

Eliminate volume pedal tone-suck by using any expression pedal to control volume

Use multiple amps without phase issues, ground loops, or extra noise

Tidy up your rig, shorten cable runs, and reduce tone loss by keeping all inputs and outputs in one location

Controls:

Here's what the footswitches do:
1. Loop 1: Press this to engage Loop 1. It features Flexi-Switchr Technology and is unbuffered for use with all distortion, overdrive, and fuzz pedals, or anything else that doesn't like being buffered.

2. Loop 2: Press this to engage Loop 2. It also features Flexi-Switchr Technology and is buffered for use with time-based effects (delay, reverb, modulation, etc.).

Note: when nothing is plugged into Loop 2, it functions as a mute.

3. Boost: press this to activate the boost. It is Flexi-Switchr Technology enabled and provides up to 20dB of clean boost post-effects loops and is intended for use as an output booster.

4. A/B: selects between Output A and Output B.

Note: Output B is transformer-isolated and includes a Phase switch for use with pedals and/or amplifiers which invert phase.

5. Both: activates Output A and Output B at the same time and features Flexi-Switchr Technology

Here's what the input, output, send, return, and expression jacks are for:
6. Input: plug your instrument in here.

Note: If you have any "always-on" pedals (compressors, preamps, EQs, etc.) place them before Swiss Things' input.

7. Loop 1 Send: Plug this into the input of the first pedal in the octave/overdrive/distortion/fuzz section of your board.

8. Loop 1 Return: Plug the output of the last pedal of the octave/overdrive/distortion/fuzz section into this jack.

9. Loop 2 Send: Plug this into the input of the first pedal in the modulation section of your board.

10. Loop 2 Return: Plug the output of the last pedal of your modulation section into this jack.

11. Tuner Output: Connect this to the input of your tuner.

Note: Tuner must be always turned on. If you bypass your tuner, you may experience ground loops or hum.

12. Volume EXP: Connect any expression pedal to this output to control volume.

Note: Most volume pedals create "tone-suck" by loading the signal down and have limited travel. This solves that problem with a buffered output and allows you to use any expression pedal with the same results. The expression jack is placed after the "dirt" effects loop (Loop 1) which allows you to change volume levels without affecting gain.

13. Output A: connect this to the input of your amplifier.

14. Output B: connect this to the input of a separate amplifier to use multiple amps and/or to play in stereo.

Note: To use Swiss Things with stereo effects, they should be placed after Outputs A & B and both outputs must be selected using the Both switch.

Note: Output B is transformer-isolated and includes a Phase switch for use with pedals and/or amplifiers which invert phase.

Note: To use stereo effects after Swiss Things, do not have the Phase switch engaged otherwise the L & R inputs of your stereo effects will be out of phase.

Tech Specs:
Flexi-Switchr Technology
This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power
This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. Pedals will make extra noise if there is ripple or unclean power. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 40 mA
Input Impedance: 1 MO
Read more
MRP:$314.31 SAVE 17%
coming soon $261.91
FORTHCOMING
Joue Water Guitar Pad For Board Play Modular MIDI Controller (blue, green)
MRP:$44.18 SAVE 17%
coming soon $36.81
FORTHCOMING
Joue Water Keys Pad For Board Play Modular MIDI Controller (blue, green)
MRP:$44.18 SAVE 17%
coming soon $36.81
FORTHCOMING
Eurorack Hardware Modules ATT 2HP Triple Attenuator Eurorack Module (black faceplate) (fully assembled)
Notes: Get the most signal attenuation in the smallest 3U package possible! The ATT module features three independent IN - Attenuate - OUT circuits in one 2HP module. Works great for attenuating both audio and CV signals. Completely passive, so no current draw on your power supply.
Read more
MRP:$42.92 SAVE 17%
coming soon $35.76
FORTHCOMING
Eurorack Hardware Modules E-OR Selectable Gate Mixer Module (black faceplate) (fully assembled)
Notes: The E-OR is a passive 2HP 'selectable gate mixer,' which means that you can choose between two different gate sources, two trigger sources or BOTH using the three way switch per channel. Great for choosing between various rhythms, clocks, gates, etc. Perfect for manual fills and variation in your set! Matte black panel with white ink. The E-OR is diode protected, so combining two trigger or gate sources is what it is meant to do!
Read more
MRP:$42.92 SAVE 17%
coming soon $35.76
FORTHCOMING
SynthRotek FOLD Module (black faceplate) (fully assembled)
Cat: 778207
 
wavefolder/ring modulator module
Notes: Synthrotek's FOLD is a combination Wavefolder and Ring Modulator. The FOLD changes the shape of a waveform in order to create harmonics and find new timbres and sonic palettes. The Ring Modulator circuit mixes two waves together to make metallic, bell-like tones, big bass lines and Dalek sci-fi robotic sounds. Patch your folded wave into the ring mod (or vice versa) for sonic euphoria!

Specifications:
Module width: 4HP
Module depth: 60mm
Current draw:
+12V: 50 mA
-12V: 40 mA
+5V: 0 mA
Read more
MRP:$189.35 SAVE 35%
coming soon $123.06
FORTHCOMING
Earth Quaker Devices Disaster Transport SR Advanced Modulated Delay & Reverb Machine Pedal
Cat: 781635 Rel: 18 Sep 20
 
Reverb & modulation delay pedal
Notes: The Disaster Transport SR is a dual delay with reverb and modulation. It was designed from the ground up to create an intense wash of lo-fi swirling tape styled echo. While it may look intimidating at first glance, it's actually pretty easy to navigate. The top row of controls are for delay A and the bottom row of controls are for delay B. Delay A is a 600ms delay with modulation and delay B is a 300ms delay with reverb. Both delays can be run separately, in parallel, in series or in series/parallel. To take it one step further, there are also expression controls for the repeats on delay A as well as bleeding delay A into delay B. The switching was designed so each delay can be used individually or in tandem with both true bypass or trails.

In addition to being used as a straight delay, straight reverb, rhythmic delay, modulated delay and old school tape-style echo, the Disaster Transport SR can also be used to create a wide variety of wild sounds ranging from warped records, clanging flange, smooth chorus, echoed out squalls and various other-worldly effects that will blow your mind, man. If you are a fan of old school tape delay and crazy lo-fi sounds, you will get hours of enjoyment every time you plug into the Disaster Transport SR.

The controls for delay A and B are separated by row. The top row is for delay A and the bottom row is for delay B.

Time: Controls the delay time from about 30ms up to 600ms.

Repeats: Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation. This can also be controlled via an expression pedal. The Moog EP-2 is recommended.

Mix: Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.

Depth: Controls the intensity of the modulation, from no modulation to all out seasick pitch bends.

Rate: Controls the rate of the modulation. The LED for delay A flashes in time with the modulation to visually show where the rate is set.

Bleed: This feeds delay A into delay B, post reverb (see block diagram for visual explanation). Use this control for series or series/parallel operation to create rhythmic repeats, extra long delay time or an all out echo wash. This can also be controlled via an expression pedal. The Moog EP-2 is recommended. When using the bleed, experiment with the repeat controls on each delay line. Try using them in different settings, both together and individually, for different timing and textures.

Delay B Controls
Reverb: Controls the amount of reverb added to the input of delay B.

Mix: Level control for the wet signal. Unity is around center, anything above is boosted. Boosting this works great when using a distorted signal. Please keep in mind this is a gain control, a bit of hiss is normal when it's above unity.

Repeats: Controls how many regenerations of the signal there are. This ranges from one single repeat through an endless wash into self oscillation.

Time: Controls the delay time from about 30ms up to 300ms.

The switches for both delays switch the inputs only. The outputs are always connected. This allows you to have trails by always leaving the bypass switch engaged or to use the bypass switch as the master on/off for true bypass. Additionally, you can feed delay A in to delay B with the bleed control without having delay B switched on for a cleaner rhythmic delay.

Tech Specs:

This device takes a standard 9 volt DC power supply with a 2.1mm negative center barrel. We always recommend pedal-specific, transformer-isolated wall-wart power supplies or multiple isolated-output supplies. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise. DO NOT RUN AT HIGHER VOLTAGES!

Dimensions: 4.75 x 5.65 x 2.25 in. (121 x 144 x 57 mm) with knobs
Current Draw: 107 mA
Input Impedance: 500 kO
Output Impedance: <1 kO
Read more
MRP:$402.67 SAVE 17%
coming soon $335.56
FORTHCOMING
Old Blood Noise Signal Blender Parallel Effect Blender/Mixer/Router Pedal
Cat: 782163 Rel: 24 Sep 20
 
Effect blender/mixer/router pedal
Notes: The Signal Blender provides a number of parallel routing solutions through its use of a pair of send/returns, primary input and output, switching, and volume control.

Signal Blender can be used as a:
Parallel effect blender
3-to-1 mixer
1-to-3 splitter
Active ABY in either direction
Volume level setter

and more.

A courtesy 9V power outlet and phase correction switches for both Sends add further versatility to this box. Clever switching allows for latching or momentary on/off action.

The Signal Blender uses standard 9V center negative power, and has a current draw of 31 mA.
Read more
MRP:$150.21 SAVE 17%
coming soon $125.18
FORTHCOMING
Division 6 CEM3340 VCO Module (black faceplate)
Cat: 777957
 
VCO module
Notes: This Voltage-Controlled Oscillator is based on the Curtis CEM3340 IC.

Specifications:
Power supply: +/- 12V to 15 VDC
Power connection: Eurorack 10-pin shrouded header (Can hook wires to pin holes instead if not building for Eurorack)
Current draw: 9mA (+12V) / 6mA (-12V) / 0mA (+5)
Dimensions, main board: 50mm x 60mm
Eurorack HP: 4
Eurorack depth: 64mm
Read more
MRP:$151.48 SAVE 19%
coming soon $123.06
FORTHCOMING
Division 6 Business Card Synthesizer (fully assembled)
Cat: 777973
 
business card synthesiser
Notes: The Business Card Synthesizer is a tiny synth that can be connected to a Business Card Sequencer, other synth gear, or played by itself.

Headphones can be connected directly to the output of the synth, and there are plenty of knobs to play with, so you can easily make noises anywhere. Great for learning about synthesizers!

S&H Button: Enables Sample & Hold, which disables the external CV IN jack and uses LFO1 and LFO2 to determine oscillator pitch. LFO1 sets the sample rate (SHAPE is ignored for this), and LFO2 is the wave that gets sampled.

GATE Button: Manually turns on the gate so sound comes out of the synth. This control is momentary, but you can latch it on by tapping the S&H button while holding the GATE button down.

COARSE TUNE: Adjusts the pitch of the oscillator up or down in large increments

FINE TUNE: Adjusts the pitch of the oscillator up or down in fine increments

SHAPE: Changes the shape of the wave produced by the main oscillator (VCO). Turning this control fully CW gives you a triangle wave. Start turning it CCW takes you through sawtooth/ramp, then at about the 12:00 position you get a square wave. Continue turning it CCW and you get several higher duty cycle square waves
.
GLIDE: Adjusts the rate at which the pitch of the VCO takes to go between pitches (whether changed by the COARSE TUNE knob or CV IN). Fully CCW causes the pitch to react almost instantly, while fully CW makes it take its sweet time.

LFO 1 / LFO 2 SHAPE: Changes the shape of the waves produced by the low-frequency oscillators (LFOs). The shapes are similar to those of the VCO, except that the LFOs have sawtooth/ramp waves that go both up and down (since you can actually hear the difference at LFO rates).

LFO 1 / LFO 2 RATE: Controls how fast the LFOs go.

LFO -> VCO: Routes the two LFOs to control the pitch of the main oscillator. The 12:00 position is basically "off", and the LFOs have no effect on pitch. Start turning the control CCW and LFO1 starts changing the pitch of the VCO. Maximum effect is at about 10:00. Continuing to turn the control starts to bring in LFO2 as well. All the way CCW gives you full effect from both LFO1 and LFO2.

Turning the control CW from 12:00 does essentially the same thing, but brings in LFO2 first, then LFO1.

This might seem like kind of a weird control, but it gives you quite a bit of routing flexibility with one knob. You can have no pitch modulation, LFO1, LFO2, LFO1 with a little LFO2, or LFO2 with a little LFO1.

LFO -> VCA: Routes the two LFOs to control the amplitude of the oscillator. (See LFO -> VCO control description above for more information about how the control works.)

ATTACK: Controls how fast the audio amplitude fades in when the gate is triggered. CCW is fast and CW is slow.

DECAY: Controls how fast the audio amplitude fades out when the gate is released. CCW is fast and CW is slow.

VOLUME: Controls the overall volume of the signal coming from AUDIO OUT.

FILTER: Changes the cutoff frequency of an analog low-pass filter. Turn the knob fully CW and all frequencies (that you can hear) are let through. Start turning it CCW and the high frequencies start getting cut off, until the sound becomes muddy / muffled. Use in conjunction with the SHAPE control to get the tonal quality you are looking for.

Connections:
CV IN: Accepts a 1 volt/octave control voltage to control the pitch of the oscillator. It responds from about 0-5V, but voltages outside of this range won't cause damage. The CV input is quantized, so only valid (western scale) notes are played. This input is ignored when Sample & Hold is enabled.
GATE IN: A voltage greater than about 2.5V will turn on the gate and allow audio to come out the output of the synth.
AUDIO OUT: Connect to an amplifier or another synth. The jack has both the tip and ring connected, so you can even use stereo headphones and hear sound from both ears.
Power: Connect 7.5-15VDC to this 3.5mm TS jack to power the synthesizer. The tip is positive (don't worry, there's a protection diode in case you get it reversed). You can get power from a 9V battery, AC adapter, or you may even be able to find an output on your modular synthesizer that can provide enough current.

Specifications:
Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)
Read more
MRP:$104.77 SAVE 19%
coming soon $85.19
150/739(ページ1/15)の商品
1  2  3  ...  15  »

Filter

Coming Soon: Studio Equipment
Close