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FORTHCOMING
Tangible Waves AE Modular QUICKSWAP 12U 1-Row Enclosure Case
Cat: 1010907 Rel: 30 Jun 24
 
12U 1-row AE module enclosure case
Pre-orders at Juno

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est. release 30 Jun 24 $102.10
(No payment required now - pay when released)
FORTHCOMING
J Rockett Airchild Six Sixty Compressor Effects Pedal
Cat: 1008780 Rel: 30 Jun 24
 
Compressor effects pedal
Notes: The Fairchild 660 studio compressor is consistently regarded as the best compressor ever made. For years, the original Fairchild 660 and 670 (Stereo) compressors have been extensively used in studios. This inspired J. Rockett to offer that sonic signature to the guitar community at a fraction of the $30k+ price tag.

The typical guitar compressor is the "Dynacomp", which has created iconic tones throughout the history of music, especially in Country music. That said, it's widely acknowledged that there are already countless Dynacomp variants available.

"The 'typical Dynacomp circuit' tends to crush the sound more like a limiter. This characteristic has cemented its sound into certain genres of music, which some may find desirable.

The Team at J. Rockett aimed to provide a compressor that works like a studio compressor, enhancing harmonic richness and evening out transients without crushing the entire spectrum.

The Airchild Six Sixty simply makes you want to play more. It increases sustain without crushing your output, imparts richness to your overall tone, and adds feel to your playing. The target tones were the slide tones of Lowell George and the singing lead/rhythm tones of Mark Knopfler.

The Fairchild 660 Compressor was designed by Rein Narma, who had worked with Les Paul to build a recording mixer for use with Les Paul's Ampex 8-track. Les Paul asked Narma if he would build a compressor/limiter. Sherman Fairchild, who was friends with Les Paul, learned of the compressor and licensed Narma's compressor design, hiring Narma to be chief engineer at Fairchild Recording Equipment Corporation. The first 10 Fairchild 660's were built by Narma himself. The first unit was sold to Rudy Van Gelder who used it to cut lacquer masters for Blue Note Records and Vox Records. The second unit went to Olmsted Sound Studios in New York City and the third 660 built went to Mary Ford and Les Paul.

Notable users: Abbey Road Studios purchased 12 Fairchild 660s after staff engineer Peter Bown heard it during a visit to Capitol Records in America. They used it on recording sessions for the Beatles, primarily for vocals. Beginning in 1966, Geoff Emerick began using the 660 on Ringo Starr's drum tracks as well as piano and guitar tracks. As of 2014, Abbey Road still had 8 of the original 660s purchased in the 1960s.

"We put the drum sound through Fairchild 660 valve limiters and compressors. It became the sound of Revolver and Sgt Pepper really. Drums had never been heard like that before." (Geoff Emerick)

Compressors are probably the most misunderstood effect that also have incredible impact on the delivery of music. There is not a professional recording in history that does not have some sort of compression. Gain is a form of compression, even EQ is a form of compression.

A compressor is used to reduce a signal's dynamic range-that is, to reduce the difference in level between the loudest and quietest parts of an audio signal.

Compression is commonly used to attenuate loud transient peaks (e.g., when a singer suddenly belts out a high note or a guitar player digs in to a note with muscle) compression helps maintain a consistent level. Compression essentially causes distortion in a signal, in that it changes the original sound of the signal through its processing. The compressor typically achieves this by emphasizing certain harmonics based on how the compressor is hitting the incoming signal. The job of this peda;l is to make that distortion feel transparent and to use dynamics to create the best-sounding performance possible. Use your ears!

In compression, the dynamic range becomes narrower - the highest peaks and the quietest parts have fewer dB of level difference between them. In contrast, a compressor can also help support or bring to life soft notes as well. For guitar, compression helps with sustain and feel. Using compression in front of an amp with gain or a gain pedal essentially just adds more compression and is typically not very audible. A good compressor will help sustain notes without introducing noise or artifacts in an amp or pedal with gain but typically works best in a clean amp to hear the effect. You will typically hear compression on country guitar, at least as an audible full throttle effect. Most players do not utilize this sound because a squished signal limits dynamics, however, if used correctly it can increase dynamics across the board. One of the best descriptions about compression is that it is the opposite of reverb. If you think about that it is true. Compression brings the full dynamic force forward in a balanced manner where Reverb creates space and distance.
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If you also include in-stock items on your order, they’ll be charged and shipped within 24 hours as usual.
est. release 30 Jun 24 $246.49
(No payment required now - pay when released)
FORTHCOMING
SynthCat Slimline Switchable Logic Gate Module
Cat: 1009299 Rel: 30 Jun 24
 
Switchable logic gate module - 2HP
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This product is available for pre-order at Juno, for shipping on the release date. You won’t be charged until the order is despatched.

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est. release 30 Jun 24 $36.87
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FORTHCOMING
CatSynth Slimline Passive Fader Module
Cat: 1009355 Rel: 30 Jun 24
 
Passive fader module - 2HP
Notes: The Slimline Passive Fader Eurorack module is the perfect addition to your modular system. With a width of only 2HP, it offers a passive attenuation feature that allows you to precisely control and adjust the audio signal. Whether you're looking for subtle nuances or strong interventions, this module gives you the flexibility you need. Thanks to its slim design, it easily fits into any Eurorack setup and ensures efficient use of available space. Get the Slimline Passive Fader Module now and take your sound experience to the next level.
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est. release 30 Jun 24 $17.02
(No payment required now - pay when released)
FORTHCOMING
Tangible Waves AE Modular VSYSTEM-1 Synthesiser & Sequencer
Cat: 1010370 Rel: 30 Jun 24
 
Modular synthesiser & sequencer complete system
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est. release 30 Jun 24 $283.62
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FORTHCOMING
Kaona Zazou Generative Music Module
Cat: 1014976 Rel: 31 Jul 24
 
Function generator, random & sequencer module - 18HP
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est. release 31 Jul 24 $380.56
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FORTHCOMING
Tangible Waves AE Modular u2ORx4 Dual Logic OR Module
Cat: 1012331 Rel: 31 Jul 24
 
Dual logic OR module - 1U
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est. release 31 Jul 24 $27.85
(No payment required now - pay when released)
FORTHCOMING
Tangible Waves AE Modular u2SIGAMP Signal Amplifier Module
Cat: 1012338 Rel: 31 Jul 24
 
Signal amplifier module - 1U
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est. release 31 Jul 24 $27.85
(No payment required now - pay when released)
FORTHCOMING
Tangible Waves AE Modular u2VCA Dual Voltage Controlled Amplifier Module
Cat: 1012340 Rel: 31 Jul 24
 
Dual voltage controlled amplifier module - 1U
Tags: VCA module
Pre-orders at Juno

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est. release 31 Jul 24 $30.94
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FORTHCOMING
Tangible Waves AE Modular SAMPLYR Sample Player Module
Cat: 1010438 Rel: 30 Jun 24
 
Sample player module
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est. release 30 Jun 24 $118.60
(No payment required now - pay when released)
FORTHCOMING
Tangible Waves AE Modular SELECTOR Switch Module
Cat: 1010447 Rel: 30 Jun 24
 
Switch module
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est. release 30 Jun 24 $36.10
(No payment required now - pay when released)
FORTHCOMING
Tangible Waves AE Modular MASTER I/O R5 MIDI Interface Module
Cat: 1010425 Rel: 30 Jun 24
 
MIDI interface module
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est. release 30 Jun 24 $67.04
(No payment required now - pay when released)
FORTHCOMING
CatSynth Slimline Voltage Controlled Amplifier Module
Cat: 1009352 Rel: 30 Jun 24
 
Voltage controlled amplifier module - 2HP
Notes: Expand your Eurorack system with the 2HP wide VCA, which offers maximum sound control despite its minimalist size. This highly flexible Voltage Controlled Amplifier is the perfect addition to any modular setup, designed to add depth, dynamics, and nuanced expressiveness to your sounds. Whether you're a seasoned modular enthusiast or a newcomer to the world of synthetic sound shaping, this VCA will impress you with its performance and versatility.

Ultra-compact design

With a width of only 2HP, this VCA fits seamlessly into any Eurorack setup and optimizes the available space for maximum creativity.

A standout feature of this VCA is the ability to manually switch between a linear and a logarithmic characteristic. This feature allows you to fine-tune the VCA to meet the needs of your sound design, from smooth, smooth fades to dramatic, exponential changes.

Use the VCA for a wide range of applications, from simple volume control to shaping dynamic amplitude modulations. Its flexibility makes it the ideal tool for experimental sound research as well as classic synthesizer sounds.

Intuitive operation

Despite its advanced features, the VCA remains intuitive to use. Switching between characteristics is straightforward, so you can focus on experimenting with your sounds.

Perfect for any setup

Whether you're in the studio or on stage, this VCA is a must-have for anyone looking to expand their sonic palette and refine control over their sounds. Its robust construction and reliable performance make it a trustworthy partner for all musical endeavors.
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est. release 30 Jun 24 $54.92
(No payment required now - pay when released)
FORTHCOMING
Decksaver Roland SPD-SX Pro Dust Cover
Decksaver Roland SPD-SX Pro Dust Cover (sampling pad dust cover)
Cat: 1009944 Rel: 30 Jun 24
 
Dust cover designed to fit the Roland SPD-SX Pro
Pre-orders at Juno

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est. release 30 Jun 24 $44.34
(No payment required now - pay when released)
FORTHCOMING
Decksaver Behringer Flow 8 Dust Cover
Decksaver Behringer Flow 8 Dust Cover (digital studio mixer dust cover)
Cat: 1009954 Rel: 30 Jun 24
 
Dust cover designed to fit the Behringer Flow 8
Pre-orders at Juno

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est. release 30 Jun 24 $30.93
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FORTHCOMING
Decksaver Presonus Faderport 8 Dust Cover
Decksaver Presonus Faderport 8 Dust Cover (production controller dust cover)
Cat: 1009958 Rel: 30 Jun 24
 
Dust cover designed to fit the Presonus Faderport 8
Pre-orders at Juno

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est. release 30 Jun 24 $41.25
(No payment required now - pay when released)
FORTHCOMING
Decksaver Akai Professional APC64 Dust Cover
Cat: 1009638 Rel: 30 Jun 24
 
Dust cover designed to fit the Akai Professional APC64
Notes: TBC
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est. release 30 Jun 24 $44.34
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FORTHCOMING
Decksaver Native Instruments Kontrol S49 MK3 Dust Cover
Decksaver Native Instruments Kontrol S49 MK3 Dust Cover (MIDI keyboard controller dust cover)
Cat: 1009646 Rel: 30 Jun 24
 
Dust cover designed to fit the Native Instruments Kontrol S49 MK3
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est. release 30 Jun 24 $89.99
(No payment required now - pay when released)
FORTHCOMING
Decksaver Roland Gaia 2 Dust Cover
Decksaver Roland Gaia 2 Dust Cover (synthesiser dust cover)
Cat: 1009652 Rel: 30 Jun 24
 
Dust cover designed to fit the Roland Gaia 2
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est. release 30 Jun 24 $48.46
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FORTHCOMING
Decksaver Behringer Crave & Edge Dust Cover
Cat: 1009660 Rel: 30 Jun 24
 
Dust cover designed to fit the Behringer Crave & Edge
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est. release 30 Jun 24 $34.81
(No payment required now - pay when released)
FORTHCOMING
Decksaver Presonus Faderport 16 Dust Cover
Decksaver Presonus Faderport 16 Dust Cover (production controller dust cover)
Cat: 1009956 Rel: 30 Jun 24
 
Dust cover designed to fit the Presonus Faderport 16
Pre-orders at Juno

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est. release 30 Jun 24 $44.34
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