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Coming Soon: Studio Equipment

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Studio Equipment

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51100/730(ページ2/15)の商品
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FORTHCOMING
Behringer 994 Multiples Module
Cat: 772832
 
multiples module
Notes: Enter the Behringer 994 MULTIPLES Module. An authentic reproduction of the circuitry from the Modular 55 Series used by the world's most famous pop, rock and jazz musicians. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The dual 4-socket multiples of the 994 MUTLIPLES allows you to split CV or audio signals to multiple destinations. Now, one signal can control several modules.

Installing the 994 MULTIPLES is simple as it was designed to fit into a standard Eurorack case. This allows for the 994 MULTIPLES to be mixed with other synth modules for a truly unique set up.
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coming soon $33.28
FORTHCOMING
EMW Noise Station Module (black faceplate)
Cat: 775430
 
noise station module
Notes: The NOISE STATION module is the definitive source of noises and filters to serve as the basis for creating percussion and noise related sounds. In its Generator section it has 7 independent noise sources with various tones and spectral distributions. In its analog Filters section there's 4 fixed filters and 2 variable filters. These filters alters the spectral distribution in many ways, allowing for the creation of very exclusive and powerful noise tones.

Eurorack (3U) form factor - 18 HP width
Power consumption: +12V [39mA] / -12V [17mA]
Weight: 195g
Depth: 50mm
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MRP:$193.50 SAVE 22%
coming soon $151.89
FORTHCOMING
ADDAC System ADDAC812VU Module (black faceplate)
Cat: 776439
 
metering module
Notes: Stereo/dual VU metering module with buffered thru outputs for each channel.

An additional switch turns the beautiful lamps behind the VU meters off, in case your rack is running low on power!

A couple trimmers on the back of the module allows the user to define the VU range of each channel independently.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 3.5 cm

Electrical:
. Max current with lamps on: +100mA/-10mA
. Max current with lamps off: +10mA/-10mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$139.82
coming soon $135.24
FORTHCOMING
Behringer 904B VC High Pass Filter Module
Cat: 772804
 
filter module
Notes: Enter the Behringer 904B VOTLAGE CONTROLLED HIGH PASS FILTER Module. A vintage-sounding authentic reproduction of the circuitry from the Modular 55 & 35 Series used by the world's most famous pop, rock and jazz musicians for their shows. Now, musicians can build their very own, unique, synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match specific modules to create your personal, unique synth to complement the music you play or go all out and fill a room, from floor to ceiling, with modules that'll fulfill any synth geek's wildest dream.

The 904B VOLTAGE CONTROLLED HIGH PASS FILTER allows you to attenuate low frequencies and accentuate higher ones in a signal. With the Fixed Control Voltage knob, also known as a cutoff frequency, determines the frequencies attenuated below a certain point. Switch the Frequency Range between Low (4 Hz to 20 kHz) or High (10Hz to 50 kHz) to select what frequencies the Fixed Control Voltage affects. You can use the 904B to let you cut through a mix for some searing lead tones or pair it with the Behringer 904A VOLTAGE CONTRLLED LOW PASS FILTER and be prepared to hear some very interesting sounds.

Audio in and out connectors are available on the 904B that let you process an incoming signal before sending it to another module via a 3.5 mm TS cable. You can also use the Control Inputs to connect voltage signals from other modules to affect the cutoff frequency. Use this module to add distinct tweaks to your patches so you can create more unique sounds.

Installing the 904B VOLTAGE CONTROLLED HIGH PASS FILTER is simple as it was designed to fit into a standard Eurorack case. Just connect the power cables to the power supply and screw in the module using the included screws. This allows for the 904B VOLTAGE CONTROLLED HIGH PASS FILTER to be mixed with other synth modules for a truly unique set up.
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coming soon $104.03
FORTHCOMING
Presonus Quantum 2626 Thunderbolt 3 Audio & MIDI Interface (B-STOCK)
Cat: 777617
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


PreSonus Quantum 2626 is the fastest and best-sounding interface on the planet, thanks to the jaw-dropping speed of Thunderbolt 3, 8 front-mounted premium PreSonus XMAX analog mic preamps, and pristine ADA converters.

The PreSonus Quantum Thunderbolt Audio Interface is a 26x32 thunderbolt 2 ultra-low-latency audio interface. The Quantum Thunderbolt Audio Interface includes two combo mic/line/instrument inputs and six combo mic/line inputs, with each mic input featuring a digital-controlled XMAX preamp. The versatile design allows you to daisy-chain multiple units to expand your I/O up to 96 in and out connections. The PreSonus Quantum features a wide range of analog and digital connectivity making it one of the most comprehensive high-end interfaces on the market. The interface also operates up to 192kHz for ultra-high-definition mixing and recording.

With a barely measurable round-trip latency of less than 1 ms*, it's no wonder Sound on Sound magazine dubbed Quantum-series Thunderbolt audio interfaces the "fastest audio interfaces on the planet". Superb high-definition digital conversion and the ultra-transparent analog XMAX mic preamp design mean that your audio will always sound its bestiwhether you're recording with or without your favorite plug-ins engaged in real-time.

Every design decision during Quantum 2626 audio interface's engineering was made with one goal in mind: blazing-fast speed without any sonic compromise. The Quantum-series proprietary Thunderbolt driver was written from the ground up to deliver ultra-low-latency performance while maximizing efficiency. Cutting-edge 24-bit, 192 kHz converters with 115 dB of dynamic range and superior low-jitter clocking- coupled with our ultra-transparent, pure analog XMAX preamps- result in superb audio quality with the lowest round-trip latency of any audio interface available (< 1 ms).

Audiophile-grade digital converters, low-jitter clocking, and transparent preamps add up to a superior recording and listening experience. The Quantum 2626 audio interface operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. And our lauded XMAX Class A analog microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings.

Impressive speed combined with stunning sound quality means that the Quantum Thunderbolt audio interface is an ideal recording solution for any size of studio. Need more mic preamps? Connect the PreSonus DigiMax DP88 to your Quantum interface's ADAT/dual S/MUX ports. Once synced, the DigiMax DP88 preamps can be remotely controlled via Studio One or UC Surface. Want to insert your favorite gear? The Quantum 2626 features two direct preamp outputs with dedicated returns, so you can insert your favorite analog compressor and your favorite plug-ins with ease.

While compatible with any macOS or Windows recording application, the Quantum 2626 ships as a complete recording studio with Studio One Artist music production software included. Easy to learn, Studio One enables you to compose, record, and produce without getting distracted by the tools. Need a new loop or sample for your latest production? Studio One lets you shop, audition, and purchase new content right from your production environment- including powerful extensions for Studio One like the Presence XT Expansion packs and the PreSonus Channel Strip Collection.

Industry-leading speed and pristine audio quality combined with jaw-dropping expandability are the hallmarks of the Quantum interface design. Record and monitor from your favorite DAW with any plug-in engaged. Insert your favorite outboard analog gear with ease. Regardless of your studio's size, Quantum audio interfaces will streamline your recording process- you'll make better music, faster.
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coming soon $492.02
FORTHCOMING
Noise Engineering Desmodus Versio dsp Reverb & FX Platform Module
coming soon TBA
FORTHCOMING
Apogee Symphony Desktop Audio Interface
Cat: 762366 Rel: 31 Aug 20
 
audio interface
Notes: Symphony Desktop for Mac and Windows packs the legendary sound quality of Apogee's rack-mount Symphony I/O Mk II into an elegant and inspiring 10x14 audio interface that sits on your desk and fits in your bag. With Symphony Desktop, musicians and producers are empowered to record, overdub and mix with the music industry's most respected AD/DA converters and mic preamps.

By combining superior performance, with new features like mic preamp emulation, the Apogee Channel FX plugin and ultra low latency recording with hardware DSP and Apogee native FX plugins, Symphony Desktop will amplify your creativity in your studio or on the go and give your recordings the Apogee sound quality Advantage.

Symphony Desktop not only delivers the music industry's most sought after and respected sound quality with its Symphony I/O Mk II pedigree, it offers the inspiring and elegant usability of the iconic Apogee Duet and Quartet.

Apogee FX Plugins included with Symphony Desktop:

Symphony EQ - Native and hardware versions
Symphony Compressor - Native and hardware versions
Symphony Reverb - Native version

Mic Preamp Emulations included with Symphony Desktop:

British Solid State - Class A console sound - Inspired by the Marinar "Round can" input transformer and discrete transistor design of the Class A Neve 1066 mic preamp.
American Tube - Lush, 50s Tone - This emulation offers the lush, larger-than-life sounds of the 50s era Ampex 601 preamp, carefully restored and modded for lower noise and greater dynamic range.

In the Box:

Symphony Desktop
12V DC power supply
USB Type C to A cable
USB Type C to C cable
Quick start guide
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MRP:$1,621.67 SAVE 17%
coming soon $1,351.39
FORTHCOMING
ADDAC System ADDAC207 Intuitive Quantizer Module (red faceplate)
Notes: 4 Voices of Quantization with a 10 octave range.

Menu Reaction Time can be adjusted and saved.

User definable Scales- any scale is possible.

Simple Intuitive menu with settings such as:
User definable NOTES Intervals for Chord generation
Quantization types: Above, Below, Ignore
Definable Gate Out Length
Octave Offsets
Keyboard Mode (using Buttons as triggers)
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MRP:$343.31
coming soon $330.81
FORTHCOMING
ADDAC System ADDAC603 VC Triple Bandpass Filter Module (black faceplate)
Cat: 776351
 
triple bandpass filter module
Notes: The ADDAC603 VC Triple Bandpass Filter provides three channels of bandpass filters, fantastic for sculpting complex sounds. Each of the channels feature a gain/distortion control with switch to select between x3 or x100 gain, which can cause the input signals to distort, adding another layer of harmonic interest.

The inputs are cascaded together to allow for one source to be filtered three different ways - or each filter can be used independently. The three filters also feature controls for frequency, which sets the cutoff point; width, which sets the width of the band that is being filtered; feedback, which at high settings causes the filter to self-oscillate, and level control, which sets the amplitude of the output. Frequency, bandwidth, and output level each have CV inputs with attenuverters.

A switch sets whether the filter is 24 dB or 12dB per octave. There are individual outputs with phase switch, plus a mix output and dry/wet output with adjustable control for mix balance. This module provides a wide variety of filtering options to add complex tonal shaping to your rack.

Tech Specs:

22HP
3.5 cm deep
250mA +12V
250mA -12V

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MRP:$387.00
coming soon $373.47
FORTHCOMING
ADDAC System ADDAC806 Bluetooth Audio Module (red faceplate)
Notes: This small module will allow you to send wireless audio signals from any bluetooth compatible device straight to your modular.

Mechanical:
. Format: Eurorack
. Width: 4 HP
. Depth: 4.5 cm

Electrical:
. Max current: 75mA on each rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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coming soon TBA
FORTHCOMING
Behringer 995 Attenuators Module
Cat: 772930
 
attenuators module
Notes: Enter the Behringer 995 ATTENUATORS. An authentic reproduction of the circuitry from the Modular 55 and 15 series attenuators used by the world's most famous pop, rock and jazz musicians. Now you can build your very own, unique synthesizer that can fit in a standard Eurorack case for a very affordable price. Mix and match with specific modules to customize your synth and complement the genre of music you play or go all out and have a room filled from floor to ceiling with modules that'll fulfill any synth geek's wildest dreams.

The 995 features three separate attenuators each with their own independent inputs and outputs. The attenuators can be used to adjust the level of the input signal passively from - 8 to unity gain and accept both audio and CV signals. Connecting a single signal to the first input will allow it to pass to all 3 outputs for up to 3 variable outputs of a single signal source. Introducing a signal into the subsequent outputs will break the chain from the previous input. For example, if you have a signal in input 2, then this will feed into input 3 leaving input 1 to feed out of output 1.

Installing the 995 is simple as it was designed to fit into a standard Eurorack case. This allows for the 995 to be mixed with other synth modules for a truly unique set up.
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coming soon $57.21
FORTHCOMING
Behringer Podcastudio 2 USB Bundle with USB Audio Interface
Cat: 772939
 
podcasting bundle
Notes: The PODCASTUDIO 2 USB bundle has everything you need to make high-quality podcasts, produce your own music and home recordings - plus it works seamlessly with your PC or Mac* computer! All the software you'll need is provided- a XENYX 302USB mixer with built in USB/audio interface, XM8500 microphone, HPM1000 headphones and much more - you'll be up and running in mere moments, right out-of-the-box!

No matter what your audio mixing needs, the XENYX 302USB provides the performance and features that can take your talent to the next level. With its professional sound quality, 5 Inputs with the legendary XENYX mic preamp, built-in USB/audio interface, plus rugged reliability - the XENYX 302USB is ideal for both your live gigs and recording sessions.

The XM8500 dynamic microphone is a performing/home recording enthusiast's dream come true! This professional-quality microphone is designed to capture your sound with outstanding sensitivity and accuracy. With its cardioid pickup pattern for excellent sound source separation and feedback rejection, this ultra-wide frequency response mic is an excellent choice for any performing or recording scenario - and it's rugged enough to go the distance! With its integrated shock mount system, mic stand adapter, spherical wind and pop filter, all in an impact-resistant carrying case - the XM8500 just may be the only microphone you'll ever need.

HPM1000 headphones provide everything you need for comfortable listening. The oval-shaped ear cups contain high-resolution capsules that deliver every nuance of your sound. Featuring a single-sided cord that resists tangling; an ultra-comfortable headband; and a 1/4" adapter for the 1/8" connector, HPM1000 phones are compatible with everything from your smartphone - to your mixing console.

Because you'll want to take full advantage of your XENYX 302USB's recording and podcasting potential, all the software you'll need for audio recording, editing and even podcasting is included - all free of charge and downloadable from behringer.com. You'll be ready to go live on your PC or Mac right out of the box. A free download of more than 150 virtual instruments and FX plug-ins is provided - turning your computer into a powerful home-based or mobile recording studio from input to output.

This amazing PODCASTUDIO 2 USB setup includes a: professional 5-input XENYX 302USB mixer with the studio-grade XENYX Mic Preamp; pair of high-quality HPM1000 headphones; great-sounding XM8500 dynamic mic - and all the cables and recording/podcasting software you'll ever need.
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coming soon $94.67
FORTHCOMING
2hp Comp Module (black faceplate)
2hp
Cat: 766649
 
compressor module
Notes: Compressor with side chain functionality.
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MRP:$153.55 SAVE 17%
coming soon $127.95
FORTHCOMING
Soma Laboratory Ether V2 Anti Radio
Soma Laboratory Ether V2 Anti Radio (field recording tool)
Cat: 781128 Rel: 18 Sep 20
 
radio receiver
Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.
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MRP:$161.04 SAVE 21%
coming soon $127.95
FORTHCOMING
Soma Laboratory Lyra-8 Organismic Analogue Synthesiser (white)
Cat: 781122 Rel: 18 Sep 20
 
analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$720.33 SAVE 14%
coming soon $621.07
FORTHCOMING
Division 6 Business Card Sequencer V2
Cat: 777968 Rel: 06 Jul 20
 
business card sequencer
Notes: The Division 6 packs a lot of sequencer into a tiny package! This 16-step circuit can work as a sequencer or as a handheld keyboard.

Specifications:
Power In: 7-15VDC, tip positive through a 3.5mm jack. Find a voltage source on your synth to power it if you can! A 9V battery or AC adapter will work too.

Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)
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MRP:$103.62 SAVE 19%
coming soon $84.25
FORTHCOMING
Happy Nerding 3x VCA Module (black faceplate)
Cat: 777914 Rel: 31 Aug 20
 
VCA module
Notes: 3xVCA offers three high class amplifier circuits with linear characteristic. Thanks to AC / DC compatibility, a very low noise floor and basically no distortion, the module is not only a great partner for control voltages, but audio material as well. Besides a signal input and output, each VCA has its own CV input. The dual potentiometers regulate levels and bipolar CV attenuation values of all amplifiers. Using these rather unusual, yet very practical components, it was possible to equip the 3x VCA with a front panel that is only 6 HP wide. Switches allow the user to feed the results of one amplifier to the output of the next amplifier, so we can get 1+2, 2+3, and 1+2+3 outputs mix. Two-colored LEDs visualize CV and output signals.

60 mA +12V
60 mA -12V
35 mm Depth
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MRP:$177.27 SAVE 19%
coming soon $143.57
FORTHCOMING
EMW 300 Desktop Synthesiser
Cat: 775817
 
desktop synthesiser
Notes: The EML-300 was released as a controller or an expansion for the EML-200. It carries an aditional oscillator and have very interesting features that vastly expands the sound creation and controlling of the model 200. Although the original EML-300 has not been designed as a stand-alone instrument, it can do a pretty good job in several situations..
The good news is that our EMW-300 received an extra strenght that allows it to be a more atractive machine in many cases, thats because we implemented an automatic trigger to the Voltage Generator that turns this module on a 16-steps analog sequencer.
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MRP:$1,134.80 SAVE 19%
coming soon $924.85
FORTHCOMING
ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate)
Notes: This module is a powerful rhythm generation machine- it features 4 voices of gate outputs (including inverted outputs for logic NOT sequences) where each voice can have independent lengths, all configurable with direct knobs anc cv inputs.

Perfect for precise polyrhythmic patterns and all sorts of non-linear sequencing.

The module works by 6 different rhythm generation "algorithms / principles":
Euclidean (equal distribution)
Golomb Rulers (inequal distribution)
Probabilistic (predictable distribution)
Game Of Life (organic progression)
Footwork'n (inducted error progression)
Pong (voltage controlled Pong game)

Plus a 4 channel Gate Sequencer Mode with up to 32 steps and 16 storable presets.

Add ADDAC402B Expansion for full I/O Midi control plus access to a powerful midi interface, with:
Midi Sync
5 cv to midi channels (notes and/or cc)
4 midi to gate channels
All panel controls (knobs, switches and push buttons) as cc controls.

All fully configurable with a midi learn feature for easier configuration.

MECHANICAL:
Format: Eurorack
Width: 20 HP
Depth: 5.5 cm

CONTROL VOLTAGE I/O:
CV inputs: 0 to +10v

ELECTRICAL:
Max current: 150mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$471.90
coming soon $456.70
FORTHCOMING
ADDAC System ADDAC213A Eurorack Bridge Module (black faceplate)
Notes: A pair of ADDAC213As acts as a simple one-cable bridge between different cases. By itself the ADDAC213As can send/receive 8 CV or audio signals between your cases, but can be expanded to bridge two cases for up to 24 signals at the same time.

Use a pair of ADDAC213As to send & receive 8 CV or audio signals between distant points in your case, between two separate cases, or between your case and a friend's case. Less clatter, less spaghetti, faster connection! There's nothing better than being able to connect that controller skiff with just one cable to your main system. At a gig, in the studio, when jamming with a friend, give yourself a gift by grabbing a pair of ADDAC213As.The modules can be installed in normal position or a 180 degree position to fit any need and any case design.

Each ADDAC213A module can be connected through a ribbon cable connection on its backside with up to two ADDAC213Bs. Each ADDAC213B module added expands the channels options of the ADDAC213A by adding 8 more channels. With two 2 ADDAC213Bs connected to each ADDAC213A module, you'll have a total of 24 channels going between your cases with a simple one-cable bridge. Between the ADDAC213A pair and the ADDAC213B, your cases never looked so elegantly connected together!

The ADDAC213As are always sold as a pair of 2 modules and an included ribbon cable.

Each module can be installed in normal position or at 180 degrees.

Mechanical:
. Format: Eurorack
. Width: 6 HP
. Depth: 2.4 cm

Electrical:
Passive / Does not draw current
Ribbon Cable: 50cm or 100cm ribbon cable
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MRP:$102.37
coming soon $98.82
FORTHCOMING
ADDAC System ADDAC106 T-Noiseworks Module (black faceplate)
Notes: This is the last module in Addac System's T-Networks series, a straight forward 4 voice module with frequency and decay controls for each of the voices. As the name already unveils , a noise source has been added, and 2 different circuits have been created, that explore the timbre of a t-network when used to filter noise.

There are 2 different circuits in this module, voices 1 to 3 have a pre-vca t-network filter while in voice 4 the t-networks filter applied post-vca.

At each voice input there's a switch which sets which type of input to use, this signal will be used to control an internal VCA hence why the type of setting defined here is important:
1. Trigger - Any incoming CV will be converted into a 1ms trigger as soon as it crosses it's fixed threshold.
2. Mute - This disconnects then incoming signal effectivelly muting the voice.

3. Envelopes - This can be used with CV sources as well as Gate sources and simply follows the input signal.

This incoming signal will then be processed by a slew circuit which adds a decay factor allowing the user to set the "Tail" of each voice.

Trigger mode is mostly dedicated for percussive sounds while the Envelope mode is open to any external enve- lope control and able to control noise swooshes, swirls, crackles and pops simply out of t-networks filtered noise.

Audio inputs are also welcomed to be used as a Trigger/Envelope input.

Diferences between voices:
The first 3 voices also feature a Timbre selector switch: Hat/Snare
In Snare mode all frequencies coming from the t-networks filter pass thru to the output .
In Hat mode it adds a High Pass circuit which removes the mid/bottom frequencies (characteristic of the snare strike) creating a higher spectrum output which is closer to a Hat timbre.
All of these 3 voices are also differently tuned from each other to offer more timbrical options.

Voice 4 is closer to a typical t-networks circuit but this time peculiar one where the noise is gated by the vca and then sent through the t-networks filter.

Hat and Snare are terms used very looselly here, they are timbrical references and do not in any shape or form try to effectivelly replicate the complex timbres of a real world Hat or Snare.
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MRP:$172.28
coming soon $165.40
FORTHCOMING
Happy Nerding 3x Stereo Mixer Module (black faceplate)
Cat: 777909 Rel: 31 Aug 20
 
stereo mixer module
Notes: 3x Stereo Mixer is a high quality 3 channel stereo mixer with manual volume controls. Total mix Left and Right outputs available on separate jacks, plus L&R stereo jack can be used to route the mix via single stereo cable or drive the headphones. Channels 1 and 2 can be muted with the relative switches. Left and Right led indicators available for all three channels.

All left channel inputs normalled to be used as mono inputs.

Several 3x Stereo Mixer modules can be chained together via connections on the back side. This connection is possible with other Happy Nerding stereo modules too. At the moment PanMix Jr and 3x Stereo Mixer can be connected in both ways. Also their stereo outputs can be internally sent to the Isolator module. Or stereo signal can be received from OUT and latest revision of PanMix.

50 mA +12V
50 mA - 12V
35 mm Depth
6 HP wide
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MRP:$116.10 SAVE 17%
coming soon $96.75
FORTHCOMING
Mukatsuku Branded Wooden Storage Box/45 Crate (holds up to 125 x 7'' records) Version #2
Notes: Mukatsuku branded Custom UK Made MDF wooden box for 7 inch records with wood branded name plates. Will hold up to 125 records (up to 125 45s in plain paper sleeves /100 in card sleeves) .Fixed together with high strength resin adhesive using 40mm screws & 25mm pins.





The internal/external - (approximate) dimensions are :
341/365mm length
198/222mm width
192/205mm height
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coming soon $38.49
FORTHCOMING
Behringer Pro-1 Analog Synthesiser
Cat: 781519 Rel: 27 Jul 20
 
analog synthesiser
Notes: The Behringer Pro-1 is a clone of the popular retro classic Sequential Circuits Pro-One which was once conceived to be a monophonic Prophet-5. Those who know and love recordings of Depeche Mode and Yazoo, will enjoy recognizing a lot of those sounds with the Pro-1.

The two assertive oscillators, each based on a CEM3340 chip, have sawtooth and square waveforms, an octave switch, fine tuning and pulse width control. Oscillator A can be synchronized to oscillator B, the second tone generator is additionally equipped with the triangle waveform and can be switched to low mode as well as decoupled from the pitch control. Both VCOs are brought together in the mixer, where the noise generator is also located, which can be replaced by an external signal. The beautiful basic sound is processed with a characterful 24dB lowpass filter, also known as Curtis VCF. It behaves similar to a Moog filter, but due to the IC CEM3320 it sounds different than the transistor cascade. The two crisp ADSR envelopes are assigned to the filter and VCA. An LFO with three waveforms is connected to the targets via the modulation bus. The special features of this instrument include the waveforms that can be activated simultaneously in both oscillators and in the LFO.

The modulations are assigned on the left side of the control panel. The filter envelope, oscillator B and the LFO, each with their own attenuator, are available in parallel as sources. These are assigned to the targets frequency oscillator A+B, pulse width oscillator A+B and cutoff directly or via the modulation wheel (or midi controller). Wild oscillator drifts, sync sounds, sirens, FM for filter and/or oscillator A as well as pulse width modulation are possible if used with care. If you turn everything up at once, it gets really wild! The modulation bus is the hottest feature of the Pro-1 next to the sound.

The ingeniously simple sequencer provides access to two patterns, each of which can be up to 40 steps long; pauses can also be programmed. The notes are played via a connected MIDI keyboard. After the input, the patterns can be transposed with the keyboard. The Arpeggiator primarily offers the playback modes Up and Up&Down, but can also be integrated into the pattern. Synchronization to other equipment is done via the analog clock input or MIDI/USB.
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coming soon $327.69
FORTHCOMING
Behringer CB100 Condenser Gooseneck Microphone
Cat: 772994
 
condenser gooseneck microphone
Notes: CB 100 is a very directional microphone, best at isolating from other nearby instruments on stage. You chose the right mic for your instrument to ensure the greatest sound which blocks out the bleed from other sound sources.

The placement of the mics can make a huge difference on the character of the sound you create. You have chosen the right instrument mic with flexible and stable gooseneck, now all you need do is to place the mic in the sweet spot for the best harmonics and enjoy the music you make.

CB 100 is the most versatile microphone which allows you to mic up every instrument- you won't ever need another microphone for miking up.
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coming soon $37.44
FORTHCOMING
Doepfer A-183-4 Quad Level Shifter Module
Cat: 765895 Rel: 31 Jul 20
 
level shifter module
Notes: Module A-183-4 is a fourfold level shifter. A level shifter is required if the level of a digital control signal has to be increased or decreased. A typical application is the conversion of a gate, trigger or clock signal with +5V voltage level (tolerance range +2...+5V) to +12 voltage level. The output voltage level can be set by means of a jumper to +12V or +5V. The factory setting is +12V. But it can be changed to convert also a higher to a lower level (e.g. +12V to +5V). But this application is required rarely. The output level setting by means of the jumper is global, i.e. it is valid for all four units and cannot be set individually for each unit. The four output signals are displayed by means of LEDs.

The outputs and inputs of the four sub-units are normalled via the switching contacts of the input sockets, i.e. the output signal of the upper unit is used as input signal of the unit below provided that no patch cable is inserted into the input socket of the lower unit. That way the module can be used also as clock/trigger/gate buffer or buffered multiple for digital signals. For this the signal that has to be buffered is connected to input 1. The buffered (and possible level shifted) signal appears then at all four outputs.
Voltage thresholds for the input voltages:
voltages below +0,8 V are treated as "low"
voltages above +3 V are treated as "high"

Typical applications:

Converting the levels of digital control signals (e.g. gate, trigger, clock) to another voltage level (+12V or +5V)
buffering and duplicating digital control signals (e.g. gate, trigger, clock)

Important note: the module cannot be used for analog signals.
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MRP:$67.41 SAVE 17%
coming soon $56.17
FORTHCOMING
Nous Klaer Audio White With Embroidered Multicolour Logo (extra large)
Notes: Nous'klaer white logo T-shirt with multicolour embroidery. Comes in 100% combed organic cotton, 190g heavy weight jersey by Earth Positive. Size XL.
Read more
coming soon $27.04
FORTHCOMING
Nux NBP-5 Melvin Lee Davis Bass Preamp & DI Pedal
NUX
Cat: 778736 Rel: 31 Aug 20
 
preamp + DI pedal
MRP:$198.50 SAVE 39%
coming soon $120.67
FORTHCOMING
Nux Optima Air Acoustic Simulator & IR Loader Pedal
NUX
Cat: 778748 Rel: 31 Aug 20
 
acoustic guitar simulator/IR loader pedal
Notes: The Optima Air pedal is a programmable digital modelling acoustic guitar simulator for electric players. Plug in your electric guitar and morph it into any of 15 internal acoustic guitar models at will. An Impulse Response (IR) loader enables you to capture the tone profile of your favourite acoustic guitar and store it as a model that can be played from your electric guitar. To enhance the acoustic tone, the Optima Air is furnished with a foot-switchable studio quality preamp with 3-band EQ and a digital reverb section to generate ambience. The Optima Air also has an audio streaming USB interface providing, which can be used as a recording device and the USB can be used for remote editing via software which is downloadable for PC or Mac computer. Inputs and outputs include standard jack in and out, a D.I. XLR output, send/return effects loop, headphone output and aux line input for a myriad of connection possibilities. Optima Air is the acoustic guitar in a pedal for electric players either on stage or in the studio.

Power supply: 9Vdc, 500mA, negative centre (not supplied)
Sampling format: 24-bit, 48-kHz
Internal programmes: 15 models, 9 preset patches
DI output: XLR
USB computer interface: Micro USB port

The box for this item contains :

Optima Air pedal
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MRP:$198.50 SAVE 17%
coming soon $165.41
FORTHCOMING
ACL Mini MIDI USB MIDI To CV Converter Module
Cat: 776679 Rel: 31 Jul 20
 
MIDI to CV converter module
Notes: The ACL MINI MIDI is a USB MIDI to CV convertor module in a small module.

It uses MIDI CLOCK, START/STOP, one selectable MIDI Controller and a monophonic MIDI Note to be converted to Eurorack compatible CV, GATE and clock signals.

It can be used as USB MIDI to CV interface by connecting to your computer via the USB B port. A Class Compliant USB MIDI device can be connected to the USB A port.
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MRP:$335.82 SAVE 17%
coming soon $279.84
FORTHCOMING
ADDAC System ADDAC611 Gotharman's VC Tube Filter Module (black faceplate)
Notes: This module was developed upon the Tubaz Filter which was released in 2014 by Gotharman but is currently no longer in production. We loved the original module so much that we officially licensed it's circuit and expanded it to feature several new functionalities.

Here's a paragraph from Gotharman regarding the original design:
"I designed it with the purpose of adding crunch, edge and distortion to my eurorack system. It is not an ideal bandpass filter, that cuts off all frequencies above and below the center frequency.
Because of its high drive, there are, in most cases, some bleedthrough of the harmonics, that should have been cut off. You might consider calling it a "Band Add" filter. The main purpose of it, was to add edge, not to be a perfect bandpass filter."

While everything he mentions is still true we believe he was being modest, It's a dirty, gritty, growling and whining monster which promises you some of the most peculiar filter sounds you'll ever hear.
However do not classify it as a "weird" distortion unit just yet because besides this hairy character it can be easily tamed (using lower volume levels) and then, with some care and intention from the user, it will transforrm itself showing it's feline purrrrr and cuddle sweet and caring, or like any good mut, showing up at night all happy, wet and dirty from a full dog's day and will lay down at your feet while wiggling it's tail howling as yawning just happy to be back home.

As such, standard volume principles do not quite apply to these units, the Audio Levels will go up to x2 amplification, Drive will go up to x11 and master outs go up to x2. The combination of these will cover all diferent qualities it can present. Overall sound can be distorted pre-Tube (raising input levels), in Tube (raising drive) or post-Tube (raising Out levels).
Higher Inputs and Drive will always be gritty, lower Inputs and Drive volumes together with higher Output levels will make the overall behaviour more mellow and closer to what a typical filter would behave like.

No standard expectations should be considered when acquiring these units, all of the tubes were built in the 70's and were bought from various sources, we always kept the premise that no tube was a bad tube (unless not really workinng) so due to each specific characteristics no module will sound exactly the same, making each unit particularly unique. This uniqueness will be particularly evident on their resonance/self-oscilating timbre as well as in their own microphonic qualities.

Regarding power and current draw, the module is designed using a low power tube, so it won't starve your eurorack power supply.

Tech Specs:
12HP
3.5cm deep
90mA +12V
60mA -12V
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MRP:$343.31
coming soon $331.86
FORTHCOMING
Soma Laboratory Lyra-8 Organismic Analogue Synthessier (black)
Cat: 781120 Rel: 18 Sep 20
 
analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$720.33 SAVE 14%
coming soon $621.07
FORTHCOMING
EMW MIDI Thru 4 Module (black faceplate)
Notes: The EMW MIDI Thru-4 was designed to help users with multiple MIDI modules. It lets you take 4 copies of a MIDI signal that can used with any of our EMW MIDI-enabled oscillators.

Eurorack (3U) form factor - 8 HP width
Power consumption: +12V [10mA] / -12V [0mA]
Weight: 69g
Depth: 50mm
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MRP:$99.87 SAVE 20%
coming soon $80.11
FORTHCOMING
ADDAC System ADDAC301 Floor Control Module (red faceplate)
Cat: 776281
 
floor control module
Notes: While ADDAC were working on the new VC Stompboxes several expression pedals were tested and it became clear that most often, while playing a modular system, your hands are busy.
It's also normal to have an expression pedal lying around somewhere, so ADDAC have brought these back, cleaned up the dust and put them to good use.
This module allows the connection of any standard expression and sustain pedal.

The expression pedal action can be fine-tuned with Range and Offset knobs.
Range defines the voltage range (-10v, +10v).
Offset transposes the range by (-5v, +5v).
Two leds, plus and minus, monitor the CV Output
Positive and inverted output jacks.
The sustain pedal action will generate a gate signal on the gate output.
One led monitors this output.
The module also features a bus board +5v Adaptor, this will be able to provide +5v to any bus board.
This feature can be removed through a jumper on the back of the module.

Specs:
. Width: 4 HP
. Depth: 4 cm
. Max current: 20mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$74.90
coming soon $72.82
FORTHCOMING
ADDAC System ADDAC506 VC Stochastic Function Generator Module (black faceplate)
Notes: Inspired and officially licensed from Teia's Stochastic Function Generator which was introduced in 2013 but is no longer available. This earlier version served as an inspiration, but with a completely rebuilt and reprogrammed mcu to a fully featured 4 voice 2 stage envelope and slew generator.

This new module + expansion is ADDAC System's take on a different envelope/slew generator. It's a fully featured Quad Analogue Core Envelope Generator and Slew Processor with digital control which also incorporates built in random generators to control the Rise and Fall times.

Covering the full range from short sharp notes to long slow sweeps of up to 6 minutes. Together with the random generators it excels when used for drone soundscapes.

Used as a Slew Processor the random generators act as dynamic modulation sources affecting the rise and fall slew speed.

Fully featured outputs act as encouragement to self-patching creating interdependent envelopes acting in sync.

width: 20HP
200mA +12V
150mA -12v

ADDAC506B:
width: 2HP
10mA +12V
10mA -12v

CV OUTPUT RANGE:
Each channel CV output range can be set with the [Amplitude] and [Offset] attenuverters.
Amplitude can be set to a maximum of 10v peak to peak(pp), ex 0 to +10v or -5v to +5v.
Offset can as a maximum range of 20v peak to peak and allows to offset the CV to i10v.
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MRP:$364.53
coming soon $352.66
FORTHCOMING
ADDAC System ADDAC702 Dual VC Filter Module (black faceplate)
Notes: Here's our first Voltage-Controlled Variable Filter, inspired by the original MS-20 filter.

This module features:

Two independent filters, a High-Pass and a Low-Pass with dedicated audio inputs and outputs.

Besides individual outputs the HP and LP are also sent to a voltage-controlled Mix between the HP and LP filters.

Both Cutoff and Resonance are voltage-controlled with dedicated cv attenuator pots.

Switch for selecting between normal cutoff behaviour and an adjustable Smooth circuit to simulate a vactrol behaviour for cutoff control.

Switch for setting filters Filters in Parallel (independent) or Series (HP > LP).

Inspired by the Oscar synthesizer we added a Coupling switch to tie the HP Cutoff control to the LP Cutoff control, in this case the LP cutoff controls act as an offset from HP setting.

Three position switch selects different resonance clipping paths: diodes / no clipping / leds.

Both filters features a post Distortion/Fuzz circuit that adds extra harmonics adds an even deeper growl or extra gritiness to it.

All audio outputs (HP, Mix, LP) feature a switch for choosing phase output, allowing additive or subtractive mixes.

Three Leds monitor the amplitude of the three outputs (HP, Mix, LP).
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MRP:$396.99
coming soon $383.87
FORTHCOMING
ADDAC System ADDAC701.REV2 VCO Module (black faceplate)
Notes: This is our new VCO, we discontinued our ADDAC701 VCO a few years back and since we've been wanting to release a more stable version with better pitch tracking increasing pitch reliability further minimizing the detuning issues of analog VCO's.

For this new revision we chose to use the modern version of the CEM3340 ic from CoolAudio and add the triagle to sine circuitry of our previous VCO. This new version is extremelly stable over 7 octaves.

We also added a new Mix section which allows mixing of all waveforms controlled by 3 knobs SIN/TRI, MIX and SAW/RECT.

Tech Specs:
8HP
3.5 cm deep
60mA +12V
60mA -12V
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MRP:$172.28
coming soon $166.45
FORTHCOMING
ADDAC System ADDAC703 Discrete Mixer Module (black faceplate)
Notes: Here's the second module of ADDAC System's 700's Heritage Series.

Inspired by Moog CP3 mixer, this is a totally discrete analog mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 3 cm

Electrical:
. Max current: 60mA.
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
.black screws
.black fibre washers
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MRP:$193.50
coming soon $187.25
FORTHCOMING
Happy Nerding PanMix Six Channel Mixer Module (black faceplate)
Cat: 777904 Rel: 31 Aug 20
 
mixer module
Notes: PanMix is a 6 channel mixer with manual/CV panning and volume controls.

6 channel mixer with manual panning and volume for each 6 channels with dual concentric knobs;
Each channel has bipolar CV knob with a switch to have this CV applied to either amplitude or panning.
Total volume knob (L+R);
Headphone output;
10 segments led indicators for L and R channels;
High quality parts for lowest noise and distortions.
Equal power pan law (3dB)
Exponential CV response for amplitude
Linear CV response for pan
Inputs 3 and 6 have mono/stereo switch on the modules backside. Thus each of these inputs can be optionally set to either stereo or mono operation. For stereo mode standard 3.5 mm TRS plug should be used. So the user can set the module to:

6 mono inputs
5 mono inputs plus 1 stereo
4 mono inputs plus 2 stereo
The latest revision of PanMix has a stereo send connector available on the back side, allowing PanMix total output to be internally sent to other Happy Nerding stereo modules. At the moment Isolator, PanMix Jr and 3xStereo Mixer can internally receive this stereo signal.

200 mA +12V
200 mA - 12V
35 mm Depth
16 HP wide
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MRP:$420.71 SAVE 19%
coming soon $341.23
FORTHCOMING
Division 6 Dual Mini Sequencer V2 Module (black faceplate)
Cat: 777964 Rel: 06 Jul 20
 
sequencer module
Notes: The Division 6 Dual Mini Sequencer gives you two handy little sequencers behind one Eurorack panel. Why would you need more than one sequencer? Why would you need mini sequencers?

More sequencers = more steps
Use one for playing notes and the other for transposing those notes
Can be used as a clock divider
Run in parallel for multiple CVs / triggers
Each one gives you the standard CV and gate out, plus an ACC out (Accent? Accessory?) Use it to open up a filter, enable a glide, trigger a drum, or whatever you can think of.

The two sequencers will run completely independently, or you can daisy-chain them using the XP IN/OUT jacks to create sequences of any length.

Each sequencer has its own internal clock to get you up and running in a hurry, but you can connect an external clock if you need greater control of tempo or want to sync with other devices.

The module stores your latest sequence even when the power has been removed (plus some other ones in v2!).

While this kit is designed to give you a Eurorack module, the PCB patterns for the jacks also have holes that will accept Johnson/Cinch-style banana jacks. There are also standoff holes on the main PCB, so you can mount them behind your own custom panel.

This module has lots of LEDs and is very shiny, but only two of them are ever on at a time which keeps it from loading down your power supply.

Inputs:
CLK IN (External clock input)
XP IN (Expansion input; Starts sequencer back at step 1. Use for daisy-chaining multiple units)

Outputs:
XP OUT (Sends pulse when sequencer goes past last step. Use for daisy-chaining multiple units)
CV OUT
GATE OUT
ACC OUT (Can be programmed on or off in each sequence step)

Power supply: +12VDC (reverse-polarity protected!).
Power supply (Optional): +15VDC
Current draw: 30ma (+12V) / 0ma (-12V) / 0ma (+5)
Width: 18HP
Depth: 0.83in / 21mm
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MRP:$239.69 SAVE 19%
coming soon $193.49
FORTHCOMING
Limaflo Motomouth Formant Filter Module (black faceplate, fully assembled)
Cat: 777997 Rel: 06 Jul 20
 
filter module
Notes: Motomouth is an analogue 3-Band, Sedra + Espinoza Bandpass Filter (DABP) with resonant frequencies that are tuned to the same resonant frequencies found in the human mouth and nose cavities, and these can be varied, independently, to form different 'mouth shapes,' to emulate vowels such as A, E, I, O and U. Motomouth can emulate 16 vowels and 'morph' or 'glide' between each vowel using a single Control Voltage input (1V/Oct), and a Gate to 'snap' to each vowel when required.

Two of the bands (F1 and F2) are used to form the mouth cavity, and the third band (F3) is used to form the nasal cavity, which is reasonably static. Varying F3 makes little significant difference 'in the mix,' but having it is important.

The single Control Voltage is decoded to control F1 and F2 independently, because the frequency bands for each vowel are not proportional to each other over the vowel range. So Motomouth has learned how to 'speak,' so to speak, but it still needs to learn more, and that's where you come in.

Specifications:
Module width: 12HP
Module depth: 42mm
Power draw:
+12V: 80mA
-12V: 4mA
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MRP:$269.65 SAVE 19%
coming soon $218.46
FORTHCOMING
Happy Nerding 2x SAM Dual Stereo Attenuator Mixer Module (black faceplate)
Cat: 777908 Rel: 31 Aug 20
 
dual stereo attenuator-mixer
Notes: 2xSAM is 4 HP Dual Stereo Attenuator-Mixer

Several 2xSAMs can be chained together or with other HN stereo modules via sockets on the back side.

2xSAM's total mix stereo output can be internally sent to the Isolator, PanMix Jr, 3xStereo Mixer, or can be received from OUT, PanMix, PanMix Jr, 3xStereo Mixer, or another 2xSAM.

If jumpers are not installed (placed on one pin only by default) the max gain is 1x. When the jumper is properly placed on both pins - the gain is 5x. There are four inputs thus four jumpers. Each jumper is relevant to its channel.

27 mA +12V
27 mA - 12V
35 mm Depth
4 HP wide
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MRP:$106.11 SAVE 17%
coming soon $88.42
FORTHCOMING
Happy Nerding 3x MIA Six Channel Attenuverting Mixer Offset Scale Polariser Module (black faceplate)
Cat: 777911 Rel: 31 Aug 20
 
attenuverting mixer/offset/scale/polarizer module
Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer.

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide
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MRP:$116.10 SAVE 17%
coming soon $96.75
FORTHCOMING
2hp Pitch Module (black faceplate)
2hp
Cat: 766655
 
pitch shifter module
Notes: Time domain pitch shifter with flutter control.
Read more
MRP:$137.32 SAVE 17%
coming soon $114.44
FORTHCOMING
Erica Synths Fusion System II Synthesiser (UK plug)
Cat: 780750 Rel: 16 Sep 20
MRP:$2,921.26 SAVE 19%
coming soon $2,366.75
FORTHCOMING
Nous Klaer Audio White T-shirt With Embroidered Multicolour Logo (large)
Notes: Nous'klaer white logo T-shirt with multicolour embroidery. Comes in 100% combed organic cotton, 190g heavy weight jersey by Earth Positive. Size L.
Read more
coming soon $27.04
FORTHCOMING
Frequency Central Stasis Leak DSP Effects Module
Cat: 782283 Rel: 25 Sep 20
MRP:$209.73 SAVE 23%
coming soon $162.28
FORTHCOMING
Tangerine Dream Solace Package (limited edition)
Cat: 777107
 
facemask bundle package
Notes: Content: 2 face masks, 1 high-quality poster of the Barbican TD Exhibition, 1 fridge magnet showing Edgar Froese.

Material: Cotton satin, breathable, hand-made, with elastic earloops, washable at 60 degrees Celsius.
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coming soon $26.34
FORTHCOMING
Sound Machines BI1 Brainterface (Desktop)
Sound Machines BI1 Brainterface (Desktop) (brainwave to synthesiser interface module)
Cat: 777372 Rel: 31 Jul 20
 
brainwave to synthesiser interface module
Notes: Soundmachines BI1brainterface is an exploration and performance tool for musician, producers, actors, body performers and coreographers who wants to connect their mental and emotional sphere directly with the performance.

The BI1 doesn't require the use of a computer, and brings immediacy and easy of operation in this upcoming technology.

By stressing the capabilities of the Neurosky MindWave Mobile headset, the BI1brainterface is developed to connect your mental status to your gear, in the most easy and open way possible.

Whenever you have an analog modular synthesizer or a MIDI sound generator, you can influence on sounds, sequences, timbres and drive the performance with an added controller, the most sophisticated: you.

Attention and Meditation are the most 'robust' and repeatable variables that you can count on. But also the EEG power spectrum bands (Alpha, Beta, Gamma, Delta and Theta) are available to control other eight sound/light/video characteristics. As a bonus, the toolbox has a variable threshold to generate a 'trigger' based on your facial muscular activities (i.e. blinking or grin).

In the studio or in a live environment, weared by a dancer or an actor on stage, or just use it to relax yourself and raise your self-consciousness about focus, relax and meditation.

Bio feedback is another field of operation for the BI1brainterface, reaching applications such as the several described above and more.
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MRP:$560.53 SAVE 19%
coming soon $456.70
FORTHCOMING
Sound Machines UL1 Uloop Module (black edition)
Cat: 777324 Rel: 31 Jul 20
 
sampler/looper module
Notes: A small, gritty, fun performance sampler and looper.

At 4hp it's the new 'utility' module!

Here is a diminitive 4hp module that could bring you lots of fun and creative momentum. A simple sampler and looper that behave well with your modular and give back to you a lo-fi sampling experience!

Both Manual and CV/trigger modes are possible. You can control the sample and playback frequency, trigger the recording or the playback and and there's also a 'beatrepeat' mode.
Read more
MRP:$143.57 SAVE 16%
coming soon $120.67
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