Review: Negentropy kicks off the summer with it's fourth release. This time courtesy of the unstoppable french groove wizard, Sweely. Fusing Jazz and Minimal House elements, Sweely will have you throwing shapes wherever the needle drops. Three tracks of high energy deep house funk, club ready and bound to do damage. Handle with caution and play it loud!
Review: The next logical step in the Chronicle catalog sidesteps the typical press-artist relationship and comes to us straight from the (un)known. A record that is as compellingly clandestine as it is forceful, it wastes no time securing a slot next to some of the most enigmatic ""Unknown Artists"" of our time, which count some of the most prestigious artists out there among them.
Upon hearing the music, identity becomes irrelevant. The typical rough and booming kicks have been replaced here with something more streamlined and tactful. A certain eerieness permeates throughout the entire body of work, gently hypnotizing us into a cadenced submission. A record for moments of phantasmal bliss within times of uncertainty.
Review: Albion Records drops its first record of the year and it's to make it's 7 years... and a bit anniversary. Celebrating with a various artists release, it's a 8-track double EP and it does not disappoint.
Review: Versalife aka Boris Bunnik is one of the most respected producers in electro, recording for many of the truly great Dutch labels including Delsin, Clone, Rush Hour and Frustrated Funk as well as cutting edge imprints like Brokntoys, Shipwreck and Transcendent. Bunnik has toured Versalife live extensively across the world, as recently featured on Boiler Room. Bunnik now presents his debut release for 20/20 Vision as the label continues it's path into the world of pure electronic music. 'Machine Life' immediately stood out as one of those rare killer club cuts that works it's way into a wide range of DJ boxes, simple but massively effective. 'M05' returns to more classic sounding Versalife electro with complex layers of synths, strings and analogue squelch all held together by a solid bass hook. On the flip side Bunnik shows off his pedigree in producing Detroit influenced string laden beautiful music with the EP rounded off by 'Axion', a heavier trip to the dark side.
Review: Robin Ball's Memory Box builds on the success of early releases with a big new outing that features two of his own tracks and one from the legendary Luke Vibert. Memory Box is a party that has hosted Derrick Carer, Trevino and A Guy Called Gerald among others, and is a place to hear proper acid house. Ball himself is a master of the genre and most often released on his own Groovepressure label, having been making music since his teens. Now his latest labour of love is once again reaffirming his status as a vital voice in the UK scene. Luke Vibert has a rich history that makes him a key part of the UK's dance counterculture over the last 30 years. His always animated music is wild and inventive and comes on greats like Mo Wax, Warp and Planet Mu. Here he offers 'X to C', a wild melange of warped synth tones, grizzled basslines & acid flashes. It will twist and turn the dance floor inside out. Robin Ball's excellent 'Gripper' is a corrugated bit of electric house music that never sits still. Pensive pads in the background are offset by a busy lead synth line and old school stabs that make it a perfectly timeless, energetic fusion of moods and grooves. Lastly, Ball serves up 'The Edge,' a brilliantly brash cut with stepping acid sequences, raw drum work and warped bass that distills decades of UK music into one essential track. These are three devastating club cuts that expertly draw on the past, present and future of acid.