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201212/212(ページ5/5)の商品
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FORTHCOMING
Vol 2
VARIOUS
Vol 2 (140 gram vinyl double 12")
Cat: JC 12. Rel: 16 Sep 19
Ambient/Drone
  1. Miwako Saito - "12 No Garnet"
  2. Yoshio Suzuki - "Touch Of Rain"
  3. Ayuo Takahashi - "Mizu Iro No Kagami"
  4. Toru Hatano - "Kanki"
  5. Akira - "Essence Of Beauty"
  6. Osamu Mizukami - "Flower Moon"
  7. Tomoko Yasuno - "Sur La Terra"
  8. Masanori Sasaji - "Rune"
  9. Shi-Shonen - "Harvest (Long Size)"
  10. Flat Face - "Hibi No Awa"
  11. Hiroko Kokubu - "Barcarolle"
  12. Mio Fou - "Picasso No Ao"
Review: Jazzy Couscous founder Alixkun comes back with a 2nd volume of "Kumo No Muko", 12 Japanese music gems from the 80s exploring Ambient & Synth-Pop atmospheres. It opens with Miwako Saito's "12 No Garnet", a soft, slow paced and dreamy piece of synth-pop. Following are Yoshio Suzuki's "Touch Of Rain" and Ayuo Takahashi's "Mizu Iro No Kagami", both flirting with Jazz, Ambient & New Age influences. Traces of YMO members can be found with Hosono produced Tomoko Yasuno's "Sur La Terra" & Flat Face's "Hibi No Awa", released on Sakamoto's related label. While going through more exotic vibes with Shi-Shonen's "Harvest (Long Size)", Alixkun doesn't forget more chill out ambiances: Toru Hatano's "Kanki" is a singular mind trip led by a guitar solo a la Pink Floyd. The project closes with Mio Fou's "Picasso No Ao", a moody track illustrated by a combination of acoustic guitar and solo piano.




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Played by: Manu•Archeo, BALEARIC
coming soon TBA
FORTHCOMING
Sweet Season
Sweet Season (140 gram vinyl 2xLP)
Cat: ERC 078.
Balearic/Downtempo
  1. Ramana
  2. Bohdran
  3. Amazonas
  4. Blue Castle
  5. Rain
  6. Semi-Piliated Human
  7. Drala
  8. Bendir
  9. Sweat Season
  10. Seven Heaven
  11. Silver Lining
Review: Emotional Rescue is delighted to present a collection of works by the founding father of the modern drum movement, Glen Velez. Collated from his first 3 solo albums from 1985 to 1989, Sweet Season is a snapshot in to the pioneering composing and performance of this four-time Grammy winner. Born in 1949, of Mexican American ancestry, Velez grew up in Texas before moving to New York in 1967. Playing jazz on the drums he soon gravitated to hand drums from around the world (frame drums in particular), seeking out teachers from many different musical traditions.

Among the many instruments Velez favours are the Irish bodhran, the Brazilian pandeiro, the Arabic riq, the North African bendir and the Azerbaijani ghaval. Although these instruments are similar in construction they have their own playing techniques that open new possibilities.

Sweet Season highlights this vocabulary, mixing and adapting techniques from various cultures to develop new ones. The music, often composed as cross-cultural ensembles, has a particular fondness for polyrhythms - superimposing different meters simultaneously - while incorporating Stepping Split-tone and Central Asian Overtone singing to complete the global horizons.

This new genre of contemporary drumming has been hugely influential and seen Velez work with the likes of John Cage and Steve Reich, as well as teaching his virtuosic combinations of hand movements and finger techniques to many emerging players.




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coming soon TBA
FORTHCOMING
Ha Benoapome 141 (reissue)
Cat: DE 256. Rel: 06 Sep 19
Electro
  1. Ha Benoapome 141
  2. Glasfabrik
  3. Capataz
Review: We have been working on this reissue since we began the label 10 years ago, and finally its ready to share with the world. Velodrome need no introduction to most, but for the uninitiated, they are the duo of Krishna Goineau (Electronics + Vocals) and Jordi Guber (Electronics + Programming). At age 15, Jordi played guitar in Barcelona punk band Ultimo Resorte, and formed Lineas Aereas with Frank Palomo after becoming interested in electronics. Krishna had been performing with Chrislo Haas and Beate Bartel in Liaisons Dangereuses. Krishna and Jordi met in 1979 through Jordi's brother Raul, who was in the no wave group Xeerox. The idea of collaborating came when Krishna paid a visit to the rehearsal studio that Xeerox shared with Lineas Aereas. After dissolving Liaisons Dangereuses in 1983, Krishna, who was impressed by Jordi's synthesizer skills, decided they should move to Brussels. There they formed the short lived Metropakt, releasing two songs on various compilations in 1985. Not long after, they re-named their project Velodrome and began to rehearse with greater discipline. Experimenting with the latest Roland machines, which were equipped with MIDI, was an exciting challenge for the duo. In November 1987 they recorded three songs, "Au Velodrome 141", "Glassfabrik" and "Capataz" at ICP Studios in Brussels, with additional vocals from Annemie Gers. They found a home on German label Animalized, and the songs were released in 1988 as the '?? ????????? 141' EP. The record is striking, dynamic, challenging yet accessible, with Krishna's frenzied vocals sharply contrasting with the cool, angular production. In more recent years, the release has become much sought after by fans of techno, electro, minimal synth, and avant-garde music. Each song has been remastered by George Horn at Fantasy Studios. The vinyl comes with a postcard and features the original jacket art with a photo of the rings of Saturn, echoing Krishna's words, "we slide very well through the velodrome, there are no limits, only ice.
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coming soon $12.02
FORTHCOMING
Riot EP
Riot EP (12")
Cat: USR 012. Rel: 27 Sep 19
Electro
  1. Scuffle
  2. Riot
  3. Don't Be A Slave (Consumerism mix)
  4. Assault
Review: Five years on from the release of his brilliant debut 'Watched By The Experts" album on Apartment Records, VernoN finally returns to action. While that acclaimed set explored a sleazy mix of techno, EBM and new beat, this belated follow-up features a quartet of tracks wrapped in the distinctively wild and undulating sounds of Roland's legendary TB-303 bass synthesizer. There are a couple of suitably forthright, acid house style "jack tracks" - see the superb "Assault" and the snappy alien funk of "Riot" - alongside a bustling, breakbeat-driven acid shuffler ["Don't Be a Slave (Consumerism Mix)]", with its bounding waves of wild electronics and whispered vocal samples) and a surging acid-electro workout that's so psychedelic it could probably induce hallucinations in even the most sober of listeners (standout "Scuffle").
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coming soon $11.51
FORTHCOMING
No Voo Do Urubu
Cat: KMKN 39.
International
  1. No Voo Do Urubu
  2. O Tempo E O Vento
  3. Oh ! Juliana
  4. Minha Terra Tem Palmeiras (feat Lu Oliveira)
  5. A Outra (feat Vinicius Cantuaria)
  6. Cigana (feat Mano Brown)
  7. O Tambor (feat Criolo)
  8. Snake Eyes
  9. Na Malandragem
  10. Desabrochando
Review: Second time around for Arthur Verocai's 2016 album "No Voo Do Urubu", a set that remains the veteran Brazil artist's most recent full-length excursion. It remains a superb set full of hazy, sun-kissed future classics that put a decidedly loose and languid spin on the 1970s MPB sound that he did so much to popularize. That means ear catching blends of samba, easy listening, folk, jazz-funk and smooth AOR. Highlights are plentiful throughout, from the gentle breeze of "O Tempo E O Vento" and the flute-laden, Azymuth-influenced shuffle of "No Voo Do Urubu", to the big band samba sizzle of "Mina Terra Tem Palmeiras", where Lu Oliveira adeptly delivers a memorable lead vocal.
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coming soon $34.78
FORTHCOMING
Asimov's Code
Asimov's Code (140 gram vinyl 12")
Cat: VIS 316. Rel: 21 Oct 19
Electro
  1. Clandestine Development
  2. Aegis
  3. Lambda
  4. Asimov's Code
Review: Versalife's second release for 20/20 Vision sees Dutch producer Boris Bunnik aka Conforce return with another slab of signature electro.

'Clandestine Development' serves up dark tones and melodies layered within insistent electro beats and growling bass, that sounds huge on big room systems. 'Aegis' delivers a double dose of mechanical funk, played over atmospheric strings and auditory acid delights.

On the B side 'Lamba' continues to impress with a moody laidback bass line holding the groove down over a solid rhythm & dystopian keys. Wrapping things up the title track 'Asimov's Code' plays out like war drums from space pounding away after a blissful intro of building synths.
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coming soon TBA
FORTHCOMING
Bed Of Roses
Cat: DE 261. Rel: 20 Sep 19
Coldwave/Synth
  1. Tears In 1993
  2. Bed Of Roses
  3. In The Aquarius
  4. Half Crazy
  5. Fuck A Bully
  6. They Don't Wanna Know
  7. Glory Voyage
  8. Bed Of Roses Part II
  9. Spectral
  10. Never Leave
Review: We are honored to release the debut album from Violet, the alias of Ines Borges Coutinho, Lisbon born and raised DJ, producer boss of Naive records, co-founder of Radio Quantica, and mina resident. Violet began producing music in 2012 and has released music on One Eyed Jacks, Love on the Rocks, Paraiso and Naive. Ines uses her seemingly boundless energy to amplify other artists all the while progressing her own creative practice.
'Bed of Roses' contains 10 songs made as a sort of childhood-teenage memories diary, a return to things Ines liked then and also the difficult things she's been through. The feeling behind the album is self forgiveness in an optimistic way but also in an adult way, aware of the bruises (thorns) but also of the invaluable love and life experiences (roses). The title comes from the Bon Jovi song that Ines loved as a 9-year old and doubles as an intent of positivity paired with the inescapable darkness of life. Ines says, "I wrote this music as a healing device that I hope can somehow help heal others too." All songs have been mastered by George Horn at Fantasy Studios. The jacket features an original design by Eloise Leigh that incorporates themes of self-inspection and hope mixing a teen bedroom girly vintage scrapbook aesthetic with contemporary 3D mapping techniques. Each LP contains a postcard featuring a childhood photo of Ines with notes.
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Played by: Dino Soccio
coming soon $17.39
FORTHCOMING
untitled - circa 2014
Cat: DETUND 40. Rel: 09 Sep 19
Ambient/Drone
  1. Track 1
  2. Track 2
  3. Track 3
  4. Track 4
  5. Track 5
  6. Track 6
  7. Track 7
  8. Track 8
Review: Master of ambient spaces and far out places, long-time Finnish producer Sasu Ripatti (aka Vladislav Delay) blesses us once again with another release, this from his 'Visa' period of unreleased tracks.

The first track out of the gate is a recognizable Vladislav Delay piece, but instead of gently flowing rivers of sound, instead we have a series of stiff, machine-like rhythms applied to his classic infinitely deep pads and ambient environmental sounds. It just continues to pile in more elements until becoming almost indistinguishable from his natural, organic flow. From there we move into somewhat more familiar territory but still unusually stripped down and mechanical for a Vladislav Delay joint. It's fascinating to see such an intricate songwriting process laid bare in such a way, often exposing each individual, nearly bottomless sound in isolation.

Deeper into the album, things veer into decidedly more abrasive and synthetic territory, at times becoming an almost unrecognizable artist for a moment, only to be eventually subsumed under layers of shifting ambience that could only be Sasu.

This austere minimalism makes these tracks some of the most hypnotic since the early 90s excursions, but at the same time seems to have left its organic, analog roots and melded with the harsh gridlocked modern sequencer. ~Clint Anderson
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coming soon $14.32
FORTHCOMING
Alternatif Realisme
Alternatif Realisme (140 gram vinyl LP)
Cat: ERC 079. Rel: 07 Oct 19
Balearic/Downtempo
  1. Letsam La
  2. Chaque Jour Est Un Bon Jour
  3. Soleymani Dub
  4. Sunshine Boy & The Time Keeper
  5. Chapati Train
  6. Tu Renverses Encore!
  7. Getting To Know The Moon
  8. Au Dessus De La Falaise
  9. Razaye Axel Jube Hast
  10. Vapanda's Electric Garden
  11. She Walks So Easily Across The Sky
  12. Chirine
Review: Emotional Rescue completes its trilogy exploring the music of Vox Populi with Alternatif Realisme. Highlighting the music that followed 1989's Aither (ERC030) as they transitioned from ethno-industrial roots towards a more expressive "world" sound, until the band's dislocation in 1994.

The band's development saw original members Axel Kyrou (electronics), Mitra (vocals) and Arash Khalatbari (percussion) augmented by a number of guest musicians, bringing an energy to their spontaneous recordings sessions at their studio.

The additional vocals of Dierdre Dubous is indicative of this change. Her onomatopoeia singing features heavily, invoking songs Letsam La, Chaque Jour Est Un Bon Jour and the ethereal She Walks So Easily Across The Sky.

With this, Mitra's vocals lift Chaque Jour Est Un Bon Jour, Razaye Axel Jube Hast and closing paean Chirine, showing their best. Surrounding instrumentals - often built out of long improvisational jamming - underpin. Soleymani Dub, with its Laswell dub groove is a clear stand out, while the melodics of Vapanda's Electric Garden come like a wonderful Woo outtake.

Largely unreleased, the recordings were a step outside of the changing shift towards a more digital sound. The album captures Vox Populi!, mixing their atmospheric mastery with heartfelt arias, that have familiarity but are completely unique.






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coming soon TBA
FORTHCOMING
To The People Part 2
Cat: POEM 011. Rel: 06 Sep 19
Deep House
  1. Never Give Up
  2. Seen At Night
  3. Forever Alone
  4. Rooftop
Review: The peeps behind the People Of Earth label claim that Rick Wade is on top form on their latest release. While that's undoubtedly true, the Detroiter has incredibly high standards and rarely puts out anything mediocre. The four tracks here are all deliciously deep and fluid, with the Fender Rhodes solos, meandering organ lines, warm bass and chunky beats of "Never Give Up" delivering just the right blend of instrumental goodness and dancefloor-ready weightiness. "Seen At Night" is an even deeper and hazier treat, while "Forever Alone" sees Wade wrap bongo-laden beats and eyes-closed electric piano chords around a ludicrously warm and heavy bassline. Solo-laden closing cut "Rooftop" is also superb - a proper sundown selection of the highest calibre.
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Played by: Vincent Inc
coming soon $9.20
FORTHCOMING
Gently (Baby Ford/Dazmos Mixes)
Gently (Baby Ford/Dazmos Mixes) (140 gram vinyl 12")
Cat: NICE 1001. Rel: 02 Sep 19
Deep House
  1. Gently (Baby Ford & Dazmos Backroom mix)
  2. Gently (Baby Ford & Dazmos Frontroom mix)
  3. Gently
Review: Nice 1 Records launches with a sublime slice of deep house geared towards tender moments in the dance. We Are Syd's "Gently" in its original form is a smoky downtempo cut riding on a laid back broken beat, honey-coated keys and a powerful vocal turn from accomplished singer Shea Seger. The emphasis on this record is on the two stellar mixes from Baby Ford & Dazmos, leading on the A side with the hazy, old-school groove of the "Backroom Mix". Seger's husky delivery lingers in a mellifluous bed of pads and a classic, understated drum machine funk. On the flip, the "Frontroom Mix" bring the rhythm section to the forefront, letting the undulating bassline carry the track and splashing dubbed out flourishes in the mix for a spellbinding, club-ready end result.




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coming soon TBA
FORTHCOMING
Through Worlds & Centuries
  1. Tagwell Woods - "The Bench On The Hill"
  2. Castel - "Silverline"
  3. Mihail P - "At The Worlds End"
  4. HOLOVR - "An Expanded State Of Consciousness"
Review: Distant Worlds HQ has tasked 4 sonic scientists, spaced intermittently throughout the earth, to each intercept a transmission on behalf of the electronic music community. Tagwell Woods steps up first with a mournful, melancholic but beautiful interpretation of hardware-based electronica. Castel unearths a track from the mid 90s telling of a progressive approach to acoustics. Flip over for a downtempo trip into the future past courtesy of label fave, Mihail P and HOLOVR tops this release off with an acidic excursion into an expanded state of consciousness.




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coming soon TBA
201212/212(ページ5/5)の商品
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