Juno Recommends International: November 2023

Review: BBE has been shining a deserving light on Japanese jazz for a while now through this on going J Jazz: Deep Modern Jazz From Japan series. This latest triple bumper pack is sub titled The Nippon Columbia label 1968 - 1981 and is again packed with next level sounds from a range of key players. Many of them will be familiar to those with a basic knowledge of jazz but plenty won't. The likes of Nobuo Hara & His Sharps & Flats, Hozan Yamamoto go wild on 'Chakkiri-Bushi,' Takashi Mizuhashi joins forces with seminal American talent Herbie Hancock on 'Samba De Negrito' and Hiromasa Suzuki, Jiro Inagaki & His Big Soul Media make a lasting impression with the hard bop of 'By The Red Stream.'

Review: This is a new record of unearthed delights by Leon Keita, a longtime singer and multi-instrumentalist from Mali. On the eponymous 'Leon Keita', we hear Malian music fused with sensibilities from Sudan-Guinea and Burkina Faso, with modern pop and electronic influences, impeccably played in a smattering of crisp guitars, love-sung lyrics and laboured rhythms. All laid to a fresh pressing, the A-side hears three rather relaxed beauties, while the B moves into more idealistic and hedonic directions, not least the conclusive 'Dakan Sate, Korotoumi'. Brought back to our attention by Analog Africa, 'Leon Keita' serves yet another top serving and reminder of Mandingue culture, the influence of which stretches across the world; 'Dalaka' was a recent hit, making it as far as the Colombian coast.

Review: Minas' 'Num Dia Azul' is a sublime slice of private-press bossa nova meets jazzy MPB perfection. Warm and bubbling with youthful spirit, the music is simultaneously loose in swagger, yet slick and tight. The album was originally released in 1983 and reflects the great music coming out of Rio at the time, yet 'Num Dia Azul' wasn't recorded in Rio, but actually in the USA. Adding to its later obscurity, hundreds of copies were also destroyed in a house fire. They say cream always rises to the top; later in the 2010s, the word amongst collectors and DJs was spreading about this mythical under-the-radar recording.

Review: Great Cape Verdean singer Cesaria Evora was pretty prolific and put out several still well-regarded albums, from Distino Di Belita to Cafe Alantico via Vox D'amor. Many of them have been reissued recently and next up to get that treatment is Club Sodade, which finds a bunch of her tracks getting a contemporary club rework by a wide array of musicians. It comes on heavyweight red vinyl so is ready for serious DJ deployment. Carl Craig's mix of organic hand claps and fizzing techno synth intensity on his rework of 'Angola' is one of the most well-known cuts here but deep house heads will also know and love Kerri Chandler's percussive take on 'Nho Antone Escarderode.'

Review: Sonido Gallo Negro drop the cumbia anthem that no one knew they needed- a Joe Meek-esque psychedelic guacharaca-laden version of Kraftwerk's 'The Model'. Theremins and phased electric guitar jangles perfectly straddle the song's languid groove, and the uncanny, sedated nature of the original is preserved- perfect spooky season tackle. The flipside is a more upbeat psy-fi cumbia offering bound to get any self-respecting dancefloor swaying in a manner most zombified. Another indespensible release from the Sonido Gallo Negro camp!

Review: The first Latin soul collection featuring a mix of chart-topping hits and deeper cuts from the crown jewel of the mambo era Tico Records, celebrating the iconic imprint's 75th Anniversary. The 2xLP set includes 26 tracks from trailblazers Tito Puente, Ray Barretto, Joe Cuba, Celia Cruz, Eddie Palmieri, La Lupe, Willie Bobo and more. New liner notes by DJ Dean Rudland tell the story of the New York City label that launched the careers of some of the most revered names in Latin music.

Review: The popular Spanish ensemble Pyramid Blue come back, and do so in brilliantly fantastic fashion with this red-hot new 7" featuring a captivating mix of Afrofunk and Ethio Jazz. Oscar Martos is the composer and producer who heads up this group and is fresh off big collabs with Tito Ramirez. He manages to draw from modern sounds as well as classic genre tropes here and push both into all new ground with 'Lince Rojo' opening up with an enchanting lead and raw rhythms. On the B-side, 'Doctor One' brings a hint of hip hop edge to psyched-out guitars and cosmic synths.

Review: Brazilian DJ, producer and firebrand, DJ Tahira, unveils a new vinyl EP of exclusive edits and remixes here on Poeria Music. Establishing a fierce repertoire as a sample-oriented musical researcher and remixer, Tahira is renowned not only for the kind of work heard here, but also for two prior compilations in the international dance realm; Levanta Poeira and Brasil Novo. Described by its label as a "glimpse into the future soundtrack of global dancefloors", Tahira lays down a six-track slaying of remixed secret weapons, journeying through many Latin and Afro-Brazilian classic rhythms, from the Maculele basis of Baile Funk to the rhizomatic quirk that is New Zealand samba.

Review: The Brazilian composer, pianist and producer, Mario Castro Neves, and his group Samba S. A.'s self-titled album from 1967 oozes with class. It possesses that archetypal 60s bossa nova, jazz, samba sound; up there with Sergio Mendes at his finest, Tambo Trio or Milton Banana - a breezy ride that touches on easy listening at times, but still held together with a cool swagger. Biba and Thais Do Amaral's vocals are on point, with a relaxed delivery that compliments the tracks with the sublime beauty a la vocal groups such as Quarteto Em Cy. Also appearing on the record is bassist extraordinaire Novelli, who worked with Milton Nascimento, Nelson Angelo E Joyce, Airto and many of the greats of Brazilian music of the time.

Review: Florence Adooni has been called Ghana's Frafra gospel queen in the past, and with good reason. First single 'Mam Pe'ela Su'ure' arrived in 2021 to widespread acclaim, and she followed up on Philophon with 'Yinne' late last year. Now Adooni is back on the label for a collaboration with German artist Erobique, who is normally found making quirky synth disco cuts. On a visit to Max Weissenfeldt's studio in Ghana, he crossed paths with Adooni and so the lilting, sweetly sentimental 'Mam Tola' was created. The B-side of this single finds Erobique flying solo for 'Bach In Afrika', riding a swift beat from Kung Fu Andoh and flexing on the Hammond organ for an uptempo fusion which might well catch you off guard and make you dance all the same.

Review: Fela Kuti lives on! This is the 10th Anniversary reissue of the classic tribute album Red Hot & Fela, pressed on opaque banana yellow and opaque red vinyl, with proceeds benefiting the Red Hot organization. Since his death in 1997 from complications related to AIDS, Fela Kuti has grown from a West African household name and musician's musician in Europe and the Americas, to a worldwide musical icon. This album hears thirteen collaborative supergroups - made up of stars including Childish Gambino, Kronos Quartet, Spoek Mathambo, Sinkane, Tune-Yards and Baloji & L'orchestre De La Katuba - pay tribute to the Nigerian musician and activist, taking after him in style and cover. Successful, they translate the Afrobeatific sound of Kuti, Africa 70 and Egypt 80 towards an electrified present and future.

Review: Now reissued on Vampisoul comes an undeservedly obscure Fruko album from 1973, full to the brim with unrelentingly hard and heavy salsa bangers that never let up (hence the title, The Violent One). A pleasing mix of originals and covers, the album contains the anthems 'Tronco seco', sung by Wilson Saoko, and 'Nadando', a hit for Joe Arroyo. But there's a whole lot more, including hot holiday tunes and the stomping descarga 'Salsa Na' Ma'. All killer and no filler - designed to set the dancefloor ablaze!

Review: Asake doubles down for his second album in quick succession after making such an impact with his debut, Mr. Money With The Vibe. Singing in Yoruba and English alike, the Nigerian singer keeps up the exuberant energy of his first record and delivers an album to put some spring in your step. The tempo is up and the mood is summery as Asake presents his vision of the continued tradition of West African music, capitalising on the recipe which made him such a rapidly rising sensation in the first place. Bursting with ideas and hooks aplenty, this is another sure sign of Asake's ascension as one of the most prominent Nigerian artists doing it right now.

Review: Vapor is the fifth album from Sao Paulo Afro-Brazilian heavyweights Bixiga 70, breaking a four-year hiatus to bring you sizzling grooves played with an intensity which is all their own. There's a streak of 70s psych running through these full-bodied jams which splices with the rolling Afrobeat grooves and the piquant brass section - the results are as explosive as you would expect. It's worth noting the changes within the band and in the world around them since they last laid down recordings, so you can consider Vapour a re-birth of sorts for this nine-strong powerhouse.

Review: Habibi Funk does a great job of introducing or reacquainting the world with niche but rich musical scenes from all across the Arab world. This latest album takes us to the reggae sounds of Libya and specifically the work of Ibrahim Hesnawi, who is known amongst those who know as "The Father of Libyan Reggae." He draws on roots, dub and dancehall with a distinctive Arabic twist that plots a line from Tripoli to Kingston. This artist is so revered for the way he fused the those two musical worlds so effortlessly while colouring it with elements of jazz, soul and disco. An enchanting album that was first recorded more than 40 years ago.

Review: Anoushka Shankar is of course daughter of the acclaimed sitar player Ravi who was brought to global prominence through his association with The Beatles. Anoushka is just as revered in her own right and the sitar player, producer and composer is now back with a new mini-album in the form of her Forever For Now EP. It is the first of three releases which will come between tours and form an ever evolving story. Ti sone features featuring guest appearances by Nils Frahm on piano, glass harmonica, harmonium and slit drum as well as Gal Maestro on bass and Magda Giannikou on accordion.

Review: El Buho's fifth studio album may be his most personal yet. Strata draws from Robin's attempts to grapple with the tension of experiencing happiness, joy and gratitude in our daily lives with loved ones or through sharing music, while the world falls apart around us. This dynamic of trying to live in the moment and enjoy the privileged life we have, yet in the back of your mind there is an overwhelming sense of dread that the world will never be the same and, as climate change really starts to hit home, there are incredibly difficult times ahead. It is about our attempts to find a place of peace, balance and fulfillment between these powerful strata above and below us.

Review: Last year, Wonderwheel Recordings founder returned to Turntables on the Hudson with The Remix Machine, a vast digital compilation (and eight-track vinyl sampler) featuring some of the countless reworks he's completed since the 1990s. This second 12" expands on that set, serving up six more of the New York-based producer's favourite re-rubs. There's plenty to set the pulse racing throughout, from the rolling Cuban house business of his Megablast tweak ('La Isla'), and a low-slung, d&b-influenced Latin breaks take on OVEOUS & QVLN, to a suspenseful slab of psych-funk-goes house (the New Yorker's tweak of 'Yiorti' by Antois Antonio), and even some bouncy, low-tempo Balkan beats (Balkan Bump's 'Codek America'). Hot global fusion business!