Review: Helmed by The Haggis Horns saxophonist Rob Mitchell, the Abstract Orchestra is a "hip-hop big band" from Leeds that specializes in jazz-fired cover versions of classic head-nodding beats. Having first impressed with a set of J Dilla interpretations in 2017, last year they turned their attention to Madlib and MF Doom's collaborative Madvillain project. As the title suggests "Madvillain 2" picks up where its predecessor left off, offering up sumptuously orchestrated, funk-fuelled and jazz-wise takes on such familiar cuts as "Meat Grinder", "Rainbows", 'Fire In The Hole" and "Operation Lifesaver". There's a tasty bonus cut, too, in the shape of the Abstract Orchestra's remix of their collab with Dabrye and MF Doom (yes, that MF Doom), "Air".
Review: This time last year, French combo Cotonete joined forces with Brazilian singer Di Melo to deliver what became one of the sleeper hits of last summer - the Latin disco/jazz-funk fusion of "A.E.I.O.U.". Here they continue their partnership with a first collaborative full length. It's a quietly impressive outing, with Di Melo's distinctive vocals rising above cuts that variously doff a cap to sultry Brazilian disco-funk, Azymuth-esque jazz-funk, soundtrack-friendly cinematic soundscapes, Astrud Gilberto style sweetness and humid salsa-funk (standout "Kilario (2019 Version)". It's a warm, loose and hazy set that feels authentically South American despite its Parisian roots.
Climbing Up My Own Life Until I Die (feat Rob Auton)
Derashe (feat Mulatu Astatke)
Review: Famed for their New Orleans style brass band covers - most notably a riotous Prodigy medley and tasty takes on Toto's "Africa" and Blackstreet's "No Diggidy" - the Hackney Colliery Band has decided to do things differently on their latest full-length excursion. As the title suggests, "Collaborations Volume 1" sees them join forces with a dizzying array of artists from the worlds of jazz, soul, funk, Afrobeat and hip-hop. The results are uniformly excellent, with highlights including the Afro-gospel brilliance of Angelique Kidjo and Roundhouse Choir hook-up "Mm Mm", the sunrise Afro-jazz breeze of Netsanet (featuring Mulatu Astatke), and the urgent stomp of percussion-laden workout "Crushing Lactic" with Tom Rogerson.
Review: Since he's such a prolific collaborator and creator of bands, it's easy to overlook the fact that Will Holland hasn't released a solo album as Quantic for almost five years. "Atlantic Oscillations", then, is a welcome return - particularly since Tru Thoughts boss Robert Luis thinks it's Holland's "most cohesive and intricate album to date". It's certainly a strong collection, with Holland wrangling multiple styles, tempos and musical influences to create cuts that defy easy categorization. While there are downtempo moments, "Atlantic Oscillations" includes more bona-fide club cuts then he's delivered in recent years, with sun-kissed disco cut "September Blues", Cuban disco-funk workout "Atlantic Oscillations" and Afro-Latin house bumper "Motivic Retrograde" standing out.
Review: David Hanke's Renegades Of Jazz project has been relatively successfully in achieving its initial aims, namely "bringing the jazz back to the dancefloor". After a three-year hiatus Hanke and company are back with a new album, "Nevertheless" - a funk-fuelled romp through bustling breakbeats, elastic double bass, fuzzy Stax style horns, jammed out piano lines and groovy guitar riffs. Hanke has roped in a number of guest vocalists and collaborators to put their stamp on the set, with stellar contributions from rapper Donnie Numeric (the hip-hop/jazz/funk fusion of "Hot Wired"), soul singer Clair Fallows (see the punchy floor-rocker "Light Me Up") and Afrika Fuentes (check the tropical funk brilliance of "Don't Break My Love").
Review: Given that he's been rather busy with 22a's jazz house band Ruby Rushton, it's quite a surprise to discover that Tenderlonious has found time to record another solo album, his first full-length solo effort for three years. It's a deep, woozy and atmospheric affair, with the storied Peckham producer flitting between jazz-funk-fuelled deep electro ("Buffalo Gurl"), lapsed lo-fi deep house ("Hard Rain", "Casey Jr"), blunted beats ("GU22"), sparkling ambient jazz ("Low Tide"), wonky futurist synthesizer grooves ("Another State Of Consciousness"), and cuts so deep, jazzy and off-kilter that they defy definition ("Aesop Thought", where his distinctive flute playing takes centre stage).