Bass charts

Review: Four years have passed since Jessy Lanza last offered-up an album, the Jeremy Greenspan co-produced leftfield space-pop masterpiece that was "Oh No". While plenty has changed in Lanza's working life since then - she now lives in New York and improvises more with "modular and semi-modular" synthesizers - her commitment to delivering a genuinely unique take on 21st century synth-pop remains. Those versed in the work of the Junior Boys will hear the hand of regular collaborator Jeremy Greenspan in the chords, melodies and synthesizer settings, but "All The Time" is undoubtedly Lanza's vision. Combining her usual glassy-eyed vocals and ear-pleasing, often melancholic synth-pop sounds with the colourful vibrancy of future R&B and grooves that subtly reference all manner of styles (dubstep included), it's most perfect underground pop album you'll hear all year.