TIM MAIA レコード& CD

Review: Brazilian musician, singer-songwriter and businessman Tim Maia was one of a rare sort among the MPB canon; his musical chops weren't the end of his talents, as he also ran the soul, funk, psych, jazz and samba record label Seroma. The imprint through which Maia would release most of his ingenuities, Seroma saw to releases by Maia and most of his contemporaries and affiliated projects, including J. Quest, Lulu Santos, Sampa Crew and Gilberto Wanderley. But of course, the foremost motif to be funnelled through the Seroma spout has to be Maia's penchant for self-titled records, the fifth of which (his seventh album overall) hears a reissue here. As ever, Tim Maia is an eleven-track balladic dream - it wasn't the first to top the charts in his native Rio de Janeiro either - and commands a veridically vintage sound; when not taking the time to romantically serenade the listener, Maia is heard coolly riffing against wah-funk, or professing head-on collisions of samba and baiao.

Review: Brazilian funk and MPB master Tim Maia was brilliant at making music, but less good at coming up with titles for his many great albums. Plenty of them come under his own name - often suffixed by a year - and in all there were 30 albums right up to the year he died in 1998. This self-titled one Mr Bongo is now reissuing on limited apple red and brown vinyl. It packs a real punch and exudes real heat across 12 tracks that fuse his sung-spoken lyrics and funky rhythms with sunny strings and jazzy melodies. Slower songs like 'Sem Voce' are for the romancing hours while plenty of others are pure dancers.

Review: Tim Maia's 1968 debut single, "What You Want To Be", has long been a favourite of dusty-fingered Latin music enthusiasts. Original copies, though, have long been out of the price range of most DJs and collectors. Happily, Mr Bongo has struck a deal to reissue it. The title track is something of a scorching dancefloor-treat - a boogaloo-era slab of Latin funk in which Maia and chums sing in English atop a bustling rhythm track and some seriously heavy horns. B-side "These Are The Songs" is a much more relaxed and laidback, samba-soaked affair, closer in tone to early 1960s U.S soul songs of the sort regularly covered by the Beatles early in the career.