THE CURE レコード& CD

Review: Legendary emo indie outfit The Cure have played all over the world in their decorated careers but back in 1996 when they headed to Brazil, it was the first time they had been to the country since 1988. They were there for the 1996 edition of the Hollywood Rock Festival which they headlined in superb fashion and wowed their Latin American fans. Live Lullabies & Other Bedtime Stories is a special recording of that night that comes on nice yellow vinyl and features the likes of signature anthems like 'Boys Don't Cry,' 'Friday I'm In Love,' 'Just Like Heaven' and many more.

Review: Just when you thought you'd heard Robert Smith and The Cure every which way but bad, we discover more from their huge back catalogue. This time in the form of World War, a compilation of rare demos that takes its name for the band's seminal early single, which appears in a particular raw and unfettered, grinding version on this collection. A sound that defines the overall aesthetic. Rough and ready but packed full of energy, the huge landmark 'Boys Don't Cry' feels more intimate as a result, 'Fire In Cairo' arguably more punk, 'M' more New Romantic, and 'Heroin Face' less compromising than ever before. If all that sounds like bullshit talking, we implore you to take a listen and see what you think - the smart money is on us agreeing in the end.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Alternative rock and Goth legends The Cure were at an all-time high in popularity as they embarked on their 1993 tour across Europe. Enjoying the result of their most successful album Wish, the band was to take on their biggest world tour yet. For the previous two tours, there was no proper full recording of the band live by the group themselves. Robert Smith wanted to change that and a handful of shows were recorded to be edited together for the live albums Paris and Show. Paris shows the power of The Cure's new lineup which featured a new drummer, keyboard player and guitar player. Like most Cure concerts, the setlist is a varied mix of brand-new tracks at the time (Apart and A Letter to Elise) many classics (Figurehead, A Charlotte Sometimes and Shake Dog Shake) but then always a sprinkle of lesser-known ones like 'Dressing Up'. This edition is the 30th Anniversary release of the evergreen original.

Review: The Cure's live album 'Paris' catches the band in the summer of 1992. This tour came after a siesmic shift in the previously fairly static line up of the goth pop icons, with original frontman Robert Smith and long serving bassist Simon Gallup joined by drummer Jason Cooper, keyboardist Roger O'Donnell and guitar player Perry Bamonte for the first time, all of whom remain part of their live ensemble 30 years later. The setlist starts with their evergreen opener 'Shake Dog Shake' but this selection double vinyl captures more deep cuts - 'The Figurehead', 'One Hundred Years' and 'Apart' as examples - than hits, although the dark pop of 'Close To Me' does make an appearance close to its end.

Review: Alternative rock and Goth legends The Cure were at an all-time high in popularity as they embarked on their 1993 tour across Europe. Enjoying the result of their most successful album Wish, the band was to take on their biggest world tour yet. For the previous two tours, there was no proper full recording of the band live by the group themselves. Robert Smith wanted to change that and a handful of shows were recorded to be edited together for the live albums Paris and Show. Paris shows the power of The Cure's new lineup which featured a new drummer, keyboard player and guitar player. Like most Cure concerts, the setlist is a varied mix of brand-new tracks at the time (Apart and A Letter to Elise) many classics (Figurehead, A Charlotte Sometimes and Shake Dog Shake) but then always a sprinkle of lesser-known ones like 'Dressing Up'. This edition is the 30th Anniversary release of the evergreen original.

Review: A selection plucked from Robert Smith and co's 1984 Washington show, with a neat collection of tracks from what many would see as the band in their prime. The contrast between raw, speedy new wave anthems like 'Boy's Don't Cry' and '10:15 Saturday Night', the epic gothfest 'A Forest' and the cuter pop idiosycracities of 'The Caterpillar' show how quickly the Crawley gang evolved in their early days. Obviously, they had a long way to go after this, but many would say this is The Cure at their absolute finest.

Review: The Cure are one of those bands everyone should know, and do their best to try and see. With their roots in what was a nascent post punk sound, they quickly - like album two, quickly - turned to a darker, altogether weirder and artsier hybrid New Romantic sound before introducing clear pop sensibilities a little later. You can't help but feel they've carved out a completely unique place for themselves in the pantheons as a result. Of course, that's in retrospect and13 studio albums, 30 singles, and 30million unit sales later. But, as this collection of live recordings for broadcasting icon John Peel's BBC radio shows proves, even in their earliest incarnation there was something very different about Robert Smith and comrades. There's not a lot more that needs to be said, really. Perhaps aside from 'buy it'.