SARAH DAVACHI レコード& CD

Review: Prolific Canadian composer Sarah Davachi shows no signs of slowing down. 2019 is barely six months old and she's already offering up her second set of the year, her seventh in total since the start of 2017. This time round, the Los Angeles-based experimentalist has returned to her roots, delivering a set of two distinctive halves. The A-side "Perfumes" suite is startlingly simple in concept, with Davachi creating a dreamlike mood via sustained, slowly shifting church organ chords and gentle piano motifs. It's little short of stunning. Turn to side B and you'll be treated to an exercise in avant-garde modern classical, where slowly vibrating strings and minimalist movements slowly evolve over 21 spell binding minutes.

Review: Prolific Canadian composer Sarah Davachi shows no signs of slowing down. 2019 is barely six months old and she's already offering up her second set of the year, her seventh in total since the start of 2017. This time round, the Los Angeles-based experimentalist has returned to her roots, delivering a set of two distinctive halves. The A-side "Perfumes" suite is startlingly simple in concept, with Davachi creating a dreamlike mood via sustained, slowly shifting church organ chords and gentle piano motifs. It's little short of stunning. Turn to side B and you'll be treated to an exercise in avant-garde modern classical, where slowly vibrating strings and minimalist movements slowly evolve over 21 spell binding minutes.

Review: Prolific Canadian composer Sarah Davachi shows no signs of slowing down. 2019 is barely six months old and she's already offering up her second set of the year, her seventh in total since the start of 2017. This time round, the Los Angeles-based experimentalist has returned to her roots, delivering a set of two distinctive halves. The A-side "Perfumes" suite is startlingly simple in concept, with Davachi creating a dreamlike mood via sustained, slowly shifting church organ chords and gentle piano motifs. It's little short of stunning. Turn to side B and you'll be treated to an exercise in avant-garde modern classical, where slowly vibrating strings and minimalist movements slowly evolve over 21 spell binding minutes.