Review: The tireless team at Mukatsuku are back with another of their carefully curated volumes of Original Ghanaian Highlife & Afrobeat Classics. This is another monster offering that this time focusses on two legends of the scene. ''What Is Life'' from Ebo Taylor & Uhuru Yenzu's 1980 album ''Conflict Nkru!" has next level brass and flute playing and afro rhythms driving you onwards. It has earworms a plenty and stays long in the memory. The fipside is a first ever appearance for ''Gyae Su'' from Pat Thomas - who was also on Volume 1. His version is jangly, full of licks and feel good afro grooves.
Pat Thomas - "Enye Woa" (LeonxLeon Keyed Up mix) (7:20)
Ebo Taylor - "Atwer Abroba" (8:14)
Ebo Taylor - "Atwer Abroba" (Leo Nanjo remix) (5:03)
Review: Comet's "Disco Highlife" re-edit series continues with an EP that draws together original tracks and reworks from two of the Highlife scene's biggest stars: Ebo Taylor and Pat Thomas. The latter can be found on side A, with the tipsy, synth-driven highlife-boogie fusion of "Enye Woa". This is in turn re-edited by LeonxLeon, who has not only extended the original track but also added some superb new spacey synth solos. Turn to the flip for Ebo Taylor's richly percussive, Hammond-laden disco-highlife bubbler "Atwer Abroba" and Leo Nanjo's brilliant remix, which re-imagines the track as a rubbery chunk of Highlife-house drenched in dub delays.
Ebo Taylor - "Peace On Earth" (Monsieur Scott remix) (4:55)
Pat Thomas - "We Are Coming Home" (5:51)
Pat Thomas - "We Are Coming Home" (2 Paris Septembre re-edit) (4:51)
Review: Comet's ongoing "Highlife Re-Edit" series is perfect for those who want a little contemporary pizzazz alongside their Afro-disco grooves and dancefloor-ready highlife classics. Like its predecessor, the series' latest volume boasts cuts from highlife legends Ebo Taylor and Pat Thomas. The former's punchy, breezy and trumpet-laden highlife-jazz cut "Peace On Earth" can be found on side A, alongside a dreamy Monsieur Scott version that drags the track further towards leisurely jazz-house territory. The Pat Thomas track showcased on side B is "We Are Coming Home", a righteous highlife/funk fusion effort rich in dense percussion and eyes-closed rock guitar solos. The accompanying 2 Paris Septembre Re-Edit brilliantly re-invents it as a bustling broken beat affair laden in shimmering synths and squelchy electronic bass.