NICK CAVE & THE BAD SEEDS レコード& CD

Review: There's no fucking around with this record," says Nick Cave of his new album alongside the Bad Seeds. "When it hits, it hits. It lifts you. It moves you. I love that about it." And we do too. It makes a great return after a five-year break for the band and across its ten tunes it plays with ideas of both convention and experimentation. It is full of surprises an of course rich in emotion and the sort of mental imagery Cave has always excelled at next to offering up plenty of heartfelt narratives. Guests such as Colin Greenwood on bass and Luis Almau on nylon string guitar and acoustic guitar add extra layers to what is a fine return.

Review: Now you've stopped shouting "there's a new Nick Cave album" at everyone who walks past, comes near or might possibly be in earshot it's about time we dived into the contents of the legendary troubadour's 17th studio album. Be warned, though, what lies beneath is deep and immersive enough to drown in, and even the most effective divers wouldn't find a body. A suitably morose introduction, we think. Digressions aside, "Ghosteen" is a majestic, powerful, operatic experience that will change nobody's opinion of Cave and his band, The Bad Seeds. The works are just as innovative, poignant, graceful, melancholic, euphoric and inescapable as ever. Too many adjectives? We're making no apologies. Consider the title number, if that's not too obvious a focal point. Sparse yet grandiose, narrative driven but metaphorical, organic and earthy yet making incredible use of a theremin. Almost impossibly good, sit back and let it wash over your mind.