EVERSINES レコード& CD

Review: Organ-filled ambient house courtesy of a four-way collab between AP, DJ Tjizza, Eversines and Michelle, who all form parts of the UK dance music collective Picnic. Refractive acid, dreamatic plastics, stoic echoics... every possible corner of trance-inducing dance heaven is scoured on this all-encompassing EP, the highlights of which, in our humble opinions, are 'Nyxation' and 'Panther'.

Review: Rocket Science is the latest EP by the standout Netherlands techno producer Eversines. It is also the first release by the new label Jamming Is Life. This record is all about the late-night sounds. The techno is richly infused with a bit of Goa and psy-trance that adds to the mythical and tribal sound like in the example, 'Act'. Each track here prides itself on constantly evolving the sounds in motion with an upwards trajectory or energy. These are properly sequenced tracks that go somewhere and not just placed sounds on a computer. Which in turn, makes them great for the dancefloor. Unlike older Psy-trance, these tempos are right in the sweet spot for house and techno lovers alike. 'M' is one of our early favorites on this clutch piece of hedonism while the acid line in 'Jamming Is Life' is pure flashback inducing business. The Jamming is Life label is starting out strong with this one.

Review: Fresh from delivering a fantastic, club-focused album on Ninih (the robust 'Dwang'), Remco Hazewinkel AKA Eversines returns to Kalahari Oyster Cult for the first time in three years. He hits the ground running with opener 'Gaze', a moody and acid-saturated slab of nostalgic house-tempo techno full of foreboding motifs and psychedelic electronics, before wrapping winding TB-303 lines and dreamy pads around a rubbery bassline and elastic house beats on 'Fast Fall'. Over on the B-side, 'Affection Toward The Urban Environment' joins the dots between early 90s Dutch techno, Yorkshire bleep & bass and acid-flecked new beat, while 'Wavedash' is a bleep-sporting acid-electro shuffler that may well be the EP's standout moment.

Review: London-based Undersound Recordings serve up four janky, stanky new ones on their latest compilation vinyl, flaunting four tracks of deep, dubby and ploddy electro and hous. Omar Santis, Eversines, Dynamic Wave and Enrica Falqui all come to the fore. Omar's 'Quiero Bailar' sets the weirder tones on the opening track, with its new wavey jaunts and licks and slapdash feel, while Falqui's closing 'Divine Time' proving a neat counterpoint; a no more overthought exercise in wondrous, synaptic ambience.

Review: One Eye Witness is mostly known for doing reissues of treasured 90s breakbeat, techno and trance under the name Kalahari Oyster Cult but this outlet under their name is for new music. Similar to the previous, the fifth edition is a compilation with submissions from different artists around the world. Starting out the EP is the Montreal producer Priori with the very atmospheric 'Weight'. Those who follow the label, know that every release will get a bit of trance and sure enough, Eversines deliver with wicked 'Vigilance'. For the second side, the 'Bustlin' Monk' by O Fourtyfour, bounces along with a trippy, broken, electro groove. Lastly, 'J2PX' by Reflex Blue is a sick, robotic funker that we expect to get a lot of attention by those who get this record. You can always expect some excellent music from One Eye Witness.