Nick Bike - "Scratch Sentence / 98 Beat / Skipless / 101 Beat" (6:19)
Review: Private Stock Records serves up a treat for DJs and turntablists with a new 12" packed with beats, scratches, and skipless tracks. Four skilled DJsiBig Once, Cutso, Double A, and Nick Bikeicontribute their skills to this collection, offering a diverse range of flavours for scratching and beat juggling. Each DJ delivers a 'Scratch Sentence' and a selection of beats at various tempos, providing a versatile toolkit for creative routines. The inclusion of skipless tracks adds another dimension, allowing for seamless blends and extended mixes. With its focus on functionality and quality, this release is a must-have for any serious turntablist or DJ looking to expand their arsenal of sounds.
Double A - "Oh My God" (Double A's Mid Tempo Rewor) (3:53)
Review: The EastSide Edits label outta Canada is here to provide big moments of fun for jobbing DJs. Their first EP sold out in quick fashion because of the irresistible nature of the mash-ups it contained. Now comes a second volume, this time in the form of a couple of edits. Demiur's Jacked Payboi edit of his own take on massive rap hit 'WAP' is smoothed out into a chunky house groove with all the controversial original lyrics from Cardi B and Megan the Stallion left in place. On the flip is a big, shimmering disco epic in the form of Double A - 'Oh My God' (Double A's Mid Tempo Rework).
Not Your Legal Type Of Fella (Double A rework) (3:59)
Toss 'Em Out (Double A rework) (3:47)
Review: After the first pressing of Double A's latest project flew off the shelves, it now arrives again on limited white vinyl and delivers raw intensity with striking clarity. Balancing gritty street energy and introspective moments, it's a lo-fi triumph powered by deep basslines while unpredictable rhythms maintain a minimalist yet dynamic edge. What truly resonates is the tone: bold and brash yet underpinned by vulnerability, the music has real emotional depth and Double A's unflinching delivery showcases an artist fully at ease with his craft as he blends brash confidence with introspection.
Not Your Legal Type Of Fella (Double A rework) (3:59)
Toss 'Em Out (Double A rework) (3:47)
Review: Double A's latest project strikes with a directness that leaves little room for misinterpretation. The project teeters between raw street energy and moments of introspection, captured in lo-fi glory. Tracks pulse with deep bass, while the rhythms roll in a way that feels just right, balancing minimalism with unpredictability. What stands out most is the tone: it's brash, but there's a certain vulnerability that underpins every bar. The rapping is unflinching, revealing an artist completely comfortable in his own skin.
Review: The Mountain 45 label has been giving us some unique music that cross genres since its inception just a few years ago. Like previous editions, Double A contributes 'Super Badman Riddim' which is both catchy and clever. Featuring James Brown samples thrown in the mix takes this dub related track to the limit of fun. For the B-side, James Nasty's 'Fan Dem Off' with a peak time party song that should take the dancefloor to another level. These attention getters are ideal for being addictively fun and different. It's hard to categorise music like this, which is a sign of its originality.
Review: Jim Sharp presents his sophomore Mountain 45s release, following up the absolute banger of a debut, 'Westchester Eagle'. Coming full circle, we hear Sharp team back up with fellow producer Double A here; on the A we've got the latter's 'Iko (Never Felt This Way)', a fearless cross-section of big beat, Latin funk and sampled West African refrains, while Sharp helms up the B-side this time around, with a full-horseshoe'd rerub of an (ashamedly on our part) unknown funk delight.
Review: Double A's 'Gotta be a Sucka 4 Luv' finally hits vinyl after two years of digital anticipation. This funk and soul-infused track is an instant party starter, boasting snappy drums, a catchy bassline, and horn stabs galore. It's a dancefloor anthem with undeniable energy and groove, perfect for any occasion. On Side-2, King Most's 'Standing Out' delivers classic funk and r&b vibes with a killer male vocal and infectious beats. This fun filled vinyl pressing ensures that these digital-only gems can now spin on turntables, bringing their timeless sounds to both collectors and DJs alike. Don't miss out on these essential additions to your music collection!
Review: Mountain Records are a new funk label, pushing 45's cut with new funk tinged with a modern production sheen. Two label mainstays decorate each side of this one: for the A, Double A asks 'You Feel Alright?' We certainly do, not least thanks to the artist's heavy locking down of sampled big boom drums, funky grooves and evil laughter. The Gaff meanwhile offers up a breakbeat banger to the altar, letting up on bass for a weird, flauting finish. 7"s collectors, watch out.
Review: This 7" delivers a double dose of expertly crafted edits that pay homage to iconic sounds. Side-1 features Vitamin D's 'Roger That', a funky, Roger Troutman-inspired masterpiece. With seamless edits of classic elements from Troutman's catalogue, the track is a groove-laden tribute packed with nostalgia and dancefloor appeal.Flip to Side-2 for Double A's 'You Can't Front On That', a clever rework reminsicent of the Beastie Boys' Check Your Head era. Double A skillfully amplifies the track's raw energy, blending its gritty funk and hip-hop essence into a crisp, modern edit. Both sides showcase sharp production and an undeniable love for their source material. Hip-hop and early electro funk heads unite!
… Read more
in stock$14.34
1~9/9(ページ1/1)の商品
Options
This website uses cookies
We use cookies to personalise content and ads, to provide social media features and to analyse our traffic. We also share information about your use of our site with our social media, advertising and analytics partners who may combine it with other information that you've provided to them or that they've collected from your use of their services.