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Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

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Cat: 746914 Rel: 11 Sep 19
 
Four-track audio recording for music, film, podcasting & beyond
Notes: The H4n Pro isn't just improved, it's superior in every way. With advanced X/Y microphones, incredibly natural-sounding preamps, and a super-low noise floor, you can record everything from the Indy 500 to the fluttering of a hummingbird with extraordinary realism.

Welcome to the new gold standard in field recording.

The Filmmaker's Favourite:
The H4n Pro is packed with features that make it perfect for capturing audio for film. The onboard X/Y microphones deliver spectacular stereo imaging, and two combo input jacks allow you to use your favourite microphones as well. It also includes a headphone/line out jack to easily send high-definition stereo directly to your camera.

Unmatched In Concert:
The Pro is perfect for capturing live performances. Capable of handling up to 140 dB SPL, it can record everything from ear-splitting heavy metal to bass-heavy EDM. Take a line-level stereo feed from your mixing console and capture room ambience with the X/Y microphones to put your listeners front row centre.

Podcasters and Journalists:
The H4n Pro provides the essential combination of mic'ing versatility, portability, and superior audio necessary for impactful storytelling. With support for plug-in power, you can use a lavalier to mic up your subject for podcasts or interviews. Record time-stamped WAV files to sync with video footage in post-production, or embed superior audio directly on your video in real-time through a 1/8" stereo feed.

Mobile Studio:
With overdubbing and punch-in features, as well as studio-grade instrument effects and emulators, you can create songs from start to finish. The Pro also functions as a 2-input/2-output USB audio interface for PC or Mac. Launch your favourite recording/editing software or use the included Cubase LE to start creating.

High-Performance Mic Preamps:
The Pro features the same high performance, low-noise mic preamps as our acclaimed Zoom H5 and H6 Handy Recorders, with recording and playback at resolutions up to 24-bit/96 kHz. The improved noise floor (-120 dBu EIN) captures audio at lower volumes with less noise and fewer artefacts.

Built-in Stereo Recording:
X/Y stereo recording covers a wide area while capturing sound sources in the centre with clarity and definition. The angle of its two unidirectional condenser mics can easily be changed from 90 degrees for a tightly focused stereo image to 120 degrees for a wider image simply by twisting the mic capsules.

The H4n Pro provides an onboard MS decoder for Mid-Side recording with external microphones. This allows you to adjust the width of the stereo image, making it especially useful for sound design and broadcasting.

Inputs:
The two locking combo connectors accept either XLR or 1/4" balanced/unbalanced phone cables, handling mic- and line-level signals as well as instrument-level signals. Phantom Power of +24 or +48 volts can be applied to both inputs. Plus, there's a stereo 1/8" Mic jack for external audio sources, including lavalier microphones requiring 2.5 volts of plug-in power.

Outputs:
A stereo 1/8" Line/Phone Out, with dedicated volume control, allows for headphone monitoring or connection to your DSLR, while the built-in monophonic speaker allows for quick playback reference. In addition, a USB port enables fast file transfer, firmware updates, and use as a 2-in/2-out audio interface for computers.

Form Factor:
A new rubberized, ergonomic body is perfect for use in the field or with a camera, while new locking XLR/TRS connectors ensure your mic cables stay secure. Highly portable, the H4n Pro can travel anywhere for convenient mobile recording.

What's included with the H4n Pro:

- H4n Pro Handy Recorder
- Protective case
- 2 x AA batteries
- Operation manual
- Download license for Steinberg Cubase LE and WaveLab LE software
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 1 in stock $246.44
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quote 746914
Cat: 747621 Rel: 20 Sep 19
 
8HP drum/percussion synth module
Notes: Originally inspired by audience applause, hip-hop samples, and classic drum machines, Fracture is a multi-particle percussion synthesizer that applies concepts from classic analogue clap circuits to granular synthesis methods.

It all starts from proprietary micro-samples we recorded specifically for this purpose and ends with an engine built to suit these samples.
Unlike our other percussion module, the Chimera which uses impulse rich samples as it's tonal centre, Fracture uses single impulse samples like Claps, Snaps, Ping Pong Balls, Opening a beer can, and many more. It then plays a group of similar samples back in a psuedo random order for unique hits. Density, Decay, and Tail affect tone and how "tight" your virtual clappers are to playing together.

Our goal was to design a clap percussion module covering the range from classic drum machine claps all the way to full audience applause. We ended up with a module that covers a huge range of timbres beyond claps. We hope this engine provides you with the tools to intuitively create wild percussion sounds that bring your system to life in a new way.
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 2 in stock $263.01
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quote 747621
Cat: 745109 Rel: 06 Sep 19
 
Compact yet flexible mix module - 6HP
Notes: Even with small patches with only a few modules, you usually have to combine individual signals into a single sum: You need one mixer, maybe two, and preferably as small as possible.

With Sum 42, Vermona present a compact yet versatile Eurorack mixer. You can use it as two 4-in-1 or one 8-in-1 mixers. It can process both audio signals and control voltages.

Sum 42 is an indispensable tool with a perfect size/benefit ratio.
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 1 in stock $126.32
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quote 745109
Cat: 745106 Rel: 06 Sep 19
 
Three attenuator-amplifier combinations with individual & mix outputs - 10HP
Notes: Regardless of the size of your modular system, the number of modules it contains and its intended use, there is basically only one thing at stake: level adjustments. Often the full level of a signal is too high and needs to be attenuated. Also the reverse case, that it is too low, occurs more often than you think - an amplifier is needed.

Amplinuator 3 cleverly combines both functions. The LEVEL controls attenuate input signals to zero (left stop) or boost them by a factor of two (right stop). In the centre position, the levels remain unchanged. In order to ensure sensitive settings in the centre position range, we deliberately omitted the use of a potentiometer with centre detent. Instead, the knob has a dead zone. This guarantees a reliable finding of the zero position. Each of the three channels has outputs with positive and inverted polarity.

The sum section combines all signals. Amplinuator 3 also works as a 3-in-1 mixer. It likes audio signals and control voltages equally.

Amplinuator 3 is a sophisticated helper in best Vermona quality.
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 1 in stock $135.64
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quote 745106
UDG
Cat: 747659 Rel: 13 Sep 19
 
hardcase for NI Maschine Mikro MK3 interface
Notes: A Digital DJ looking for a professional case solution for your NI Maschine Mikro MK3 interface? Then don't look further as UDG has developed a super light EVA Hardcase Protector designed for life on the road. The UDG Creator NI Maschine Mikro MK2 Hardcase Protector is constructed from durable lightweight compression moulded EVA material with a laminated Nylon exterior. The Case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the NI Maschine Mikro MK3 Interface, the Case is perfect for the travelling artists that needs to protect their equipment.
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 1 in stock $38.30
Cat: 744597 Rel: 27 Aug 19
 
6HP power supply for guitar pedals, plus two small signal splitters
Notes: Stoker Elektrek is equipped with a 2.1 mm hollow connector to supply power to effect pedals. A short adapter cable is included. The module itself draws power from the modular PSU. A look at the other technical data reveals that Stoker Elektrek is compatible with many effect pedals:

- 9V DC power supply
- Up to 750 mA
- Polarity: peak = negative / ring = positive

On top of that, Stoker Elektrek offers two mini multiples, each with one signal input and two outputs, which can also be used as a large splitter.
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 1 in stock $182.24
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quote 744597
Cat: 719686 Rel: 02 Sep 19
 
Classic wavefolder for the AE system
Notes: This module is based on a design used also by Ken Stone for his CGS system; the original circuit dates back to a publication from 1973.

Basically, the WAVEFOLDER clips and folds the incoming waveform; usually, waveforms with little overtones (like triangle or sinewaves) are used as input. In general, by the clipping and folding, the signal enriches the input signal with more overtones.
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 1 in stock $33.65
Cat: 719652 Rel: 02 Sep 19
 
4-track, 16-step trigger sequencer
Notes: TRIQ164 is a 4-track, 16-step trigger sequencer.

Four track buttons select the track to be edited; with 16 buttons each step of the track can be activated an is then displayed by an LED.

For each step in each track a "repeat" can be activated, resulting in repeated triggers within one step. The number of repeats can be selected from one to eight by the REPEAT knob. Additionally, the repeat count can be CV controlled by the REPEAT CV input.

The inputs MUTE 1/2 allow to mute the outputs 1 and 2 by an external signal (e.g. for muting a kick drum)

Each of the 16 steps has a separate trigger output for additional control for certain steps or limiting the sequence length by connecting one of the outputs to the RESET input.

Use it for any kind of rhythmical patterns, typically for triggering drum sounds or envelope generator!

No, it has no pattern load/save features; this will be part of a future, much more complex sequencer. TRIQ164 is designed as improved replacement for the STEP10.

Width: 2U
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 3 in stock $51.76
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quote 719652
Cat: 719656 Rel: 03 Sep 19
 
State variable filter
Notes: This module is a classic state variable filter.

It offers the control knobs cut-off frequency, resonance and CV attenuator; two signal inputs for different signal levels control the "drive" of the module. Compared to the wasp filter, this module has a significant self-resonance, and also a very quick response to cut-off frequency changes.

Three different outputs provide lowpass, bandpass and high-pass output.
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 1 in stock $36.23
Cat: 719650 Rel: 03 Sep 19
 
Analogue 16-step CV sequencer
Notes: The SEQ16 is a 16-step sequencer for controlling oscillator pitch and triggering envelopes.

Compared to "classic" analogue sequencers it works a bit different: Instead of setting the CV for each step independently (which means in fact "tuning" each step which can be a bit tedious), the SEQ16 has 5 knobs for pre-setting different CV's (= notes); each of the 16 step knobs selects one of these CVs, plus 0V (=base note) plus Pause (no trigger output). So some CVs have to be fine-tuned once; with the step knobs you can focus entirely on the sequence itself and you can even modify it on the fly, still remaining in tune.

An additional feature is "accent"; this can be set for each step by turning the knob fully clockwise. If a step is set to "accent", a separate trigger output is set and also a gate repeat for the regular gate output can be selected (from one to eight repeats).
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 1 in stock $85.94
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quote 719650
Cat: 719676 Rel: 02 Sep 19
 
Noise generator
Notes: Analogue & Digital Noise Module.

- The A output generates analogue noise (technically, a fluctuating voltage between about 1...4V)
- The D output generates digital noise, which is a random changing 0V / 5V

The RATE knob controls the colour of the noise, which goes from almost white noise on A output and knob fully clockwise to a rather harsh and digital sound on D output and RATE counter-clockwise.
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 1 in stock $25.88
Cat: 719655 Rel: 03 Sep 19
 
High quality stereo digital FX for AE modular
Notes: Stereo effects processing for Tangible's affordable AE modular system. Offers a total of 15 digital effect programs with CV control over three parameters each. Can run in Eurorack via an optional adaptor frame.

Supplier notes:
The MULTIFX module offers 15 different stereo audio FX programs, a wide variety from common FX like reverb and delay to unique effects like Ring Crusher or Glitch delay. Also a nice shimmer effect is onboard.

Each program has 3 parameters that can be adjusted and additionally be CV-controlled.

With a switch the sample rate can be reduced to half the normal rate, resulting in doubling the effect times (with reverb, delay...) and introducing a nice portion of aliasing.

It is based on the FV-1 DSP chip that is well-known from other FX-modules in the Eurorack world; the MULTIFX module offers the 7 factory programs of the chip plus 8 new and unique ones created by Tangible Waves.
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 1 in stock $109.75
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quote 719655
Cat: 719678 Rel: 02 Sep 19
 
Audio mixer with 4 inputs
Notes: This module consists of an audio mixer with 4 inputs and their level knobs, plus an additional 4 separate inputs that are mixed at full level (especially for mixing CV signals), and a separate output.
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 1 in stock $27.18
Cat: 719682 Rel: 02 Sep 19
 
Dual NAND, AND, XOR inverter
Notes: The LOGIC module combines two inputs by different logical rules (AND, NAND, XOR). This can be used either for operations on trigger/gate signals (let gate signals pass depending on other signals, invert them depending on the other input etc), or for audio signals, where you get ringmodulator-like sounds when feeding two different oscillator frequencies.
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 1 in stock $24.59
Cat: 719694 Rel: 02 Sep 19
 
LFO module
Notes: The LFO module generates modulation voltages mostly below the audio range; this module offers:

- PWM modulation for the Pulse out
- RATE knob for controlling the frequency
- SLOW/FAST switch for two frequency ranges; with FAST the rate can go into the lower audio range
- Triangle/Sawtooth switch; changes the waveform of the output
- PULSEWIDTH knob, this sets the pulsewidth of the according output
- Control LED for sawtooth/triangle and for pulse
- Three separate output signals: Square (even duty cycle), TRIANGLE/Sawtooth, Pulse
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 1 in stock $30.02
Cat: 719659 Rel: 02 Sep 19
 
Mono delay module
Notes: This module is a standard mono delay with the usual parameters:

- Delay time
- Feedback
- Dry/wet mix

It sounds not as clean and polished as a usual digital delay but has quite a character on its own. High feedback settings allow endless and distorting loops.

(For the techies: It is based on the well-known PT2399 chip.)
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 1 in stock $37.80
Cat: 719673 Rel: 02 Sep 19
 
Clock divider module
Notes: The BEAT DIVIDER takes a clock signal (the BUS CLK which presents the MIDI clock from the MASTER module) and divides it to musical clock dividers, selectable from 1/2... 1/32.

Additionally, a second output provides the dotted or triplet clock of the selected divider value.
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 1 in stock $27.18
Cat: 719727 Rel: 03 Sep 19
 
AE modular Eurorack adapter frame
Notes: The AE modular Eurorack adapter frame allows to integrate AE modular modules into Eurorack systems. It is basically an empty Eurorack-sized frame that can take up to 8 units of AE modules where two units are occupied by the mandatory MASTER module. Via the MASTER module the frame is powered from the Eurorack bus.

The product includes:

- The mounting frame with screws for mounting the AE modules
- The ribbon cable for Eurorack bus connection
- The bus cable
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 2 in stock $25.88
Cat: 719704 Rel: 02 Sep 19
 
Pack of 6 patch wires
Notes: A set of 6 yellow patchwires for AE modular; with a length of 10cm. The cable has a soft, flexible silicone insulation, with a gold plated pin.
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 3 in stock $4.40
Cat: 719726 Rel: 02 Sep 19
 
Blank module for AE modular - 4U
Notes: If your rack isn't filled completely with modules, use this blank module to fill the spaces.
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 1 in stock $4.92
Cat: 719663 Rel: 02 Sep 19
 
Dual audio & CV level attenuator
Notes: 2ATT/CV contains two units of a simple level attenuator for any kind of signal. You can also switch to voltage mode and get manually controllable CV on the outputs.
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 1 in stock $28.48
Cat: 719709 Rel: 02 Sep 19
 
Empty rack for AE modular, 2 x 16U
Notes: The 2-row rack for AE modular is 16 units wide with 2 rows; the MASTER module consumes 2 units so you have 30U remaining for other modules.

Via a joint kit (not included) another case of this width (either one-row or two-row) can be attached at a free angle; the bus is connected via a short connector cable between both cases.

The sides are made of red acrylic, all other parts are of wood fibre board (MDF), black painted.

Dimensions: 41.3 x 21.7 x 4.5 cm (width x depth x height)
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 1 in stock $41.41
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quote 719709
Cat: 719722 Rel: 02 Sep 19
 
Blank module for AE modular - 1U
Notes: If your rack isn't filled completely with modules, use this blank module to fill the spaces.
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 1 in stock $3.10
Cat: 719731 Rel: 12 Sep 19
 
AE modular Eurorack adapter frame
Notes: The AE modular Eurorack adapter frame allows to integrate AE modular modules into Eurorack systems. It is basically an empty Eurorack-sized frame that can take up to 16 units of AE modules where two units are occupied by the mandatory MASTER module. Via the MASTER module the frame is powered from the Eurorack bus.

The product includes:

- The mounting frame with screws for mounting the AE modules
- The ribbon cable for Eurorack bus connection
- The bus cable
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 1 in stock $35.98
Cat: 719730 Rel: 03 Sep 19
 
AE modular Eurorack adapter frame
Notes: The AE modular Eurorack adapter frame allows to integrate AE modular modules into Eurorack systems. It is basically an empty Eurorack-sized frame that can take up to 12 units of AE modules where two units are occupied by the mandatory MASTER module. Via the MASTER module the frame is powered from the Eurorack bus.

The product includes:

- The mounting frame with screws for mounting the AE modules
- The ribbon cable for Eurorack bus connection
- The bus cable
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 2 in stock $31.32
Cat: 743610 Rel: 23 Sep 19
 
Complex quad multimode filter - 20HP
Notes: The Stereo Dipole is a Quad Multi-Mode VCF featuring single, dual and quad peak filter outputs.

Designed to be clean or characterful, the Stereo Dipole is not intended on achieving any one type of sound. From clean frequency-based panning to complex phasing and formant synthesis and over-driven squelchy bass lines, Stereo Dipole offers an environment which is simple enough to use, while providing the versatility to push your sounds into unknown territory...

Comprised of two identical filter sections that can be used independently via the dedicated Resonance (RES), Primary Cutoff (FREQ) and Secondary Cutoff (SPREAD) controls as well as in tandem via the STEREO FREQ and STEREO RES controls in the centre of the module.

Both the Left and Right Channels feature Single Peak POLE and Dual Peak DIPOLE outputs.

High Pass, Low Pass and Band Pass outputs are individually selected via the switches, situated above POLE and DIPOLE.

The Dual Peak DIPOLE output can be routed either in Series or Parallel with the main POLE VCF while maintaining all possible configurations of the Selected Filter Types.

Series and Parallel combinations will provide capabilities such as 24dB/OCT HP/BP/LP, Variable Width Band Pass and Notch as well as other obscure filter combinations.

FREQ controls the Cutoff of both the Primary and Secondary VCF while SPREAD is used to Match (centre position) or Offset the Secondary Cutoff Frequency by +/-5 octaves..

DIPOLE AB is a Quad Peak Monophonic Output, sharing the same Routing and Topology combinations of the four VCF cores.

The A input (LEFT) provides Normalization into the B input (RIGHT), allowing for a stereo image to be created from any monophonic signal source. All four A/B outputs can be utilized in stereo for more complex stereo filtering applications.

Pre-Filter Input DRIVE Control on each channel will push the input signal into heavy soft-clipping and saturation; adding Harmonic Content and increased low end for the VCFs to bite into. A Sine Wave can be over-driven enough to be useful with pleasing results.

RESONANCE may be nuanced or pushed all the way into Self-Oscillation across the entire bandwidth of 20+ Octaves.

All VCF cores Track 1V/OCT and Temperature Compensated.

The Stereo Dipole can fully function as a Single, Dual and Quad Sine Wave VCO/LFO.

The Series Routing configuration allows for additional tonal oscillation capabilities via the DIPOLE and DIPOLE AB outputs.

In addition to the A, B and Stereo 1V/OCT Inputs, the SPREAD CV Inputs may also be used as direct and accurate 1V/OCT control of the Secondary Peak on each channel.

Individual and Stereo Control Voltage inputs including Attenuators for STEREO RES, RES A/B and STEREO FREQ as well as Polarizing Attenuators for each Channel's FM CV input.
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 5 in stock $388.31
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quote 743610
Cat: 743613 Rel: 23 Sep 19
 
Clean/character auto compressor & distortion - 4HP
Notes: Autodyne is a 4hp auto-compressor/distortion featuring a multi-mode side chain filter and NY style parallel compression blend control.

Ratio, Threshold and Gain are all built into a single, simple to use COMP control. Compression gets more extreme as this control is swept past centre position. Setting below centre offers more subtle/typical compression.

Autodyne Automatically Responds to Transients, will glue a mix with ease and dial in the perfect feeling of the program material you feed into it.

GAIN CONTROL to trim the final output gain or offer up some extremely brutal distortion, whichever you prefer.

Switchable Side Chain Filter is provided along with a triple slope high pass filter, in order to retain lower frequency content and unwanted over-compression by removing them from the Side Chain. Input signal is normalized into the Side Chain or an external signal may be utilized via the Side Chain Input.

Parallel Compression BLEND Control mixes the unaffected input signal with the compressed output for even further control of your sound. Compression may be bypassed simply by sweeping this control to minimum position.

Controls are simple enough to match in tandem for dual unit, stereo operation, if desired.

Audiophile grade discrete components and Burr-Brown op amps used throughout.
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 5 in stock $184.32
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quote 743613
Cat: 732823 Rel: 05 Sep 19
 
Nutube-based distortion module - 18HP
Notes: The M T2D dual triode distortion is a Nutube-based distortion module for the Eurorack format, offering two independent channels which can be patched separately for parallel processing, stereo, or multiple sources, or used in series for more complex distortion of a single source (or simply extreme distortion settings).

Spectral tilt filters before each triode stage alternately boost or cut high and low frequencies for different harmonic emphasis. These filters also affect the feedback loops, and can interact in very interesting ways with high feedback settings. The individual tube bias controls can also have a strong influence in combination with high feedback levels, in addition to more subtle shaping of the distortion when feedback levels are low.

Independent control of input level, tube bias, feedback level, and dry/wet mix is available for each channel, with CV inputs for the bias and mix controls. The CV inputs for the mix controls also have dedicated attenuators. A global plate voltage switch offers two different character options, for either smoother distortion or more severe clipping.
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 3 in stock $370.70
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quote 732823
Cat: 735296 Rel: 12 Sep 19
 
Convertible bag for transporting a KORG Monologue or notebook computer
Notes: This soft case for transporting the KORG Monologue features a convertible design that lets you change the position of the straps to use the case in two different ways: as a day pack carried on your back, or as a messenger-style shoulder bag. Internally, there is space to accommodate up to a 17-inch MacBook or a 15-inch Windows notebook computer. The bag is made of a neoprene material used in wetsuits. Lightweight, durable, and full of cushioning, the MP-MONOLOGUE will safely protect your valuable equipment.
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 2 in stock $59.53
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quote 735296
Cat: 732466 Rel: 12 Sep 19
 
Rack system for 4 Korg Volca Series units
Notes: Volca racks are all about "Volcanomics" (Volcas + Ergonomics). Up to four (2 x 2 ) Volcas can be arranged as desired, all securely in place thanks to durable aluminum framing and rubber legs.

Asymmetrical side panels enable you to flip the rack to be deeper or taller, and it is punctuated with wood ends for sturdiness and great looks.
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 2 in stock $84.90
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quote 732466
Cat: 742229 Rel: 05 Sep 19
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $270.26
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quote 742229
Cat: 742228 Rel: 05 Sep 19
 
Low pass filter, VCA & distortion with brass touchpoints - 14HP
Notes: The 100 Grit is a touch-controlled distortion unit inspired by the output section of a vintage synthesizer. Sonically it can range from subtle tone shaping to complete sonic obliteration depending on the positions of the knobs and output chosen
.
The 100 Grit consists of a low pass filter, VCA, and distortion section with 8 touch points, voltage control overdrive, resonance, and frequency, along with a plethora of feedback paths allowing it to operate as a hands-on performance instrument with or without any input.

The touchpoints enable touch-controlled resistive patching between the cv points (gain, frequency, and resonance), sensitive points in the distortion circuit, and different distortion outputs for a mix of touch-controlled audio rate modulation and crackle box-like noise freakouts.

The low pass filter is a 24dB self-oscillating transistor ladder type with a jumper selectable resonance compensation scheme allowing more bass and volume at higher resonance settings.

The VCA is an OTA based circuit, which when pushed past 75% will impart a soft distortion characteristic, turning a triangle wave into a sine before being finally driven into a square wave close to max. If the levels are kept lower it is a reasonably clean vintage-style output section.

The distortion circuit is driven by the VCA, allowing for a voltage controlled gain amount and goes from heavy to extreme, especially when the x100 gain switch is engaged or the various self-modulation/feedback paths are utilized. The circuit is loosely based on a headphone amplifier circuit cranked into instability and self-oscillation.

Each Audio and CV input is normalized to a different feedback path, allowing for wild, self-oscillating distortions and extensive tone control with no external CV applied, or full control from external sources.
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 1 in stock $264.05
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quote 742228
Samson HS5 P3 Headset Microphone (headset microphone)
Cat: 675539 Rel: 10 Sep 19
 
Headset microphone with P3 3-pin connection for wireless bodypack transmitters
Notes: The Samson HS5 headset microphone features an adjustable band and terminates to a P3 connection for use with compatible Samson transmitters. The HS5 is ideal for capturing speech for presentations, aerobics instruction and more.
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 1 in stock $37.27
Cat: 732306 Rel: 09 Sep 19
 
Stereo thru-zero state-variable VCF - 16HP
Notes: The only module named after a Swedish botanist? Possibly. Relentless synth innovator Dave Rossum pushes the boundaries again with a state-variable stereo filter offering through-zero frequency modulation. Sounds complicated. Sounds good.

Supplier notes:
Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state-variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.
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 5 in stock $392.45
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quote 732306
Cat: 746936 Rel: 19 Sep 19
 
Modern groove production tool with 3,000 built-in sounds & 80 drum kits
Notes: Produce and perform music anywhere, anytime - without clutter or complications. The MC-101 GROOVEBOX has all the high-quality sounds, sequencing, and effects of the professional MC-707, in a compact four-track version that's go-everywhere portable. Get started with an inspiring collection of ready-to-go sounds and patterns, or easily create your own. Craft a unique style by importing custom sounds and loops that sync to tempo. And you can perform with the MC-101, triggering clips and shaping your sounds with direct, hands-on control.

Pocket production studio:

The MC-101 is a professional production tool, sharing the sounds and many of the capabilities of its bigger sibling, the MC-707. And there are advantages in being small. The MC-101 is solid-yet-light and runs for about five hours on four AA batteries, so you can design sounds, create drum patterns, and compose musical phrases just about anywhere. And it's not just a scratch pad for simple ideas. You can produce fully-fledged professional tracks or create backing tracks and accompaniment for live performance.

Turn a creative spark into fire:

The MC-101 has a four-track sequencer optimized for creating today's electronic and dance-focused music. You can use the 16 RGB pads to create drum, bass, and synthesizer patterns and produce your own original music. Explore a musical playground, where you can freely combine loops and one-shots with melodic phrases including your own MIDI sequences and imported audio recordings. Compose and trigger clips, rearrange, re-sample, record automation, and more.

A portable studio full of vintage gear:

The MC-101 has the Roland sounds that have defined electronic and dance genres for over forty years. Legendary instruments like the TR-808, TR-909, JUNO-106, and SH-101 are all here, ready to replicate classic sounds or be combined, tweaked, and processed into entirely new sounds.

Expandable sounds, patterns, and phrases:

Compose from a curated collection of built-in beats, phrases, and sounds, all expertly crafted by renowned artists and sound designers. And the MC-101 is part of an expandable platform. So, when you're ready for more, or want to explore new genres and styles, you can easily change things up by adding new content.

Play your own custom audio in perfect sync:

Each track contains a powerful sample player so you can import your own custom sounds. Use your own voice, or the sound of your favourite instrument from your computer. Imported audio can sync with the MC-101's tempo or be processed with the arsenal of built-in effects and hands-on controls.

Produce tracks ready to stream or perform:

With the MC-101's wide range of pro effects, your music sounds polished and fully produced. Each track has independent effects processors with a huge number of variations. Lush chorus brings depth to pads and other synth sounds. Delays and reverbs create evocative spaces and add movement to delicate sequences. Overdrive, distortion, and amp simulation inject grit and intensity into synths, guitars, drums and more. You can also run your entire mix through master effects like filters, bit-crushers, and a master bus compressor that glues it all together with punch and clarity.

Produce and share with the world. With a single cable:

When you're ready to further develop your tracks, or share your creations with friends and fans, simply connect the MC-101 to your computer with a single USB cable. It has advanced USB audio interface capabilities and can record an entire mix or all four parts to individual tracks in your DAW. Or sample sounds from your DAW to capture backing tracks, stems, or the sound of a favourite software synth for your next live show.
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 6 in stock $454.58
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Rode RODELink Lavalier Microphone (lavalier microphone)
Cat: 742237 Rel: 06 Sep 19
 
Professional-grade lavalier mic with 3.5mm TRS locking connector
Notes: RODELink LAV is a professional-grade wearable microphone designed for use in a wide range of applications. The locking TRS connector is designed to pair perfectly with the RODELink range of wireless microphones and most recorders with a 3.5mm locking microphone input.

The RODELink LAV is perfect for anyone in need of a high-quality lavalier microphone with a rock-solid locking connector. It features a discreet 4.5mm omnidirectional microphone, which picks up sound from all directions, making it very forgiving when it comes to placement on talent.

A foam pop shield is supplied to minimise wind noise and vocal plosives (hard 'b', 't' and 'p' sounds), as well as a durable mounting clip with in-built cable management for quick and easy rigging. It also features a hard-wearing Kevlarr reinforced cable, designed to withstand the rigours of any...
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 1 in stock $71.43
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Cat: 745934 Rel: 19 Sep 19
 
Dual attack generator featuring two ASR envelopes with linear voltage curves
Notes: The Model 180 is 100% discrete transistor core dual channel A/D A/H/D function generator (envelope). A trigger or gate signal greater than 2.5v at the "trigger" input causes the output CV to linearly ramp up to its maximum value at a speed set by the "attack time" pot. Once reaching the maximum CV output (set from the factory at 5v but easily adjustable via trimmer) the module will hold at this level for a static duration set by the "note duration" pot, or will hold at its maximum level as long as the trigger input is high. This behaviour is selected with the "controlled internally" vs. "controlled by trigger length" switch. At the end of the "hold" period the CV output will ramp back down to approximately 0v at a rate set by the "decay time" pot.

Like many "west coast" function generators, the envelope cannot be retriggered until the attack phase is complete, allowing for some function as a clock divider etc. The attack, hold, and decay times can be set very fast, and the module can easily create percussive blips as well as longer drawn out envelope shapes.
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 1 in stock $403.83
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Cat: 745932 Rel: 19 Sep 19
 
Dual sine-sawtooth generator based on Model 158 from the Buchla 100 series
Notes: The Model 158 is a dual oscillator created out of an entirely discrete transistor core. It consists of two independent and identical sides each with a front panel tuning knob, a frequency modulation input and attenuator, and a knob to fade smoothly between saw and sine waves. The RED PANEL model 158 is based off of the original "A" variant of the 158 oscillator.

The 158 was one of the very first voltage controlled oscillators ever produced. As such it contains many particular quirks/rawness of this first generation of synthesis. The exponential scaling of the oscillator is far from accurate, there is no temperature compensation, quick changes in pitch produce a slewing effect, and the saw waveform only vaguely resembles a saw wave through part of its range. It is as accurate a recreation as we believe is possible with the components available today. We performed hundreds of listening tests to find suitable replacements for obsolete transistors, and hand select multiple transistors on each individual unit to ensure that they have the proper sound.
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 3 in stock $507.38
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Cat: 745929 Rel: 19 Sep 19
 
Control voltage processor - 14HP
Notes: The 156 is an accurate reproduction of the original 156, however it's accuracy also means that it's functionality is based entirely on the needs of a cohesive system designed in the mid 60's. It cannot work with negative voltages, the maximum gain is set at 1:1, and the transistor core makes it inherently nonlinear.

The 156M is a modern update of the original 156 that we feel both works within the paradigm of the original 100 series and helps to interface with modern Eurorack gear. Like the 156, the 156M consists of two independent voltage processors. Each side can mix between 2 independent control voltages. This mix can then be offset by either a positive voltage or (unlike the original) a negative voltage. The mixed and offset control voltages can then be attenuverted - which allows the user to set the gain in either a positive or negative direction and can also boost the gain to approximately 1.5x the original signal. In essence, the combination of these three facilities allow you to mix, offset, compress, expand, invert, amplify, or scale any CV source.
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 1 in stock $300.28
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Cat: 745931 Rel: 19 Sep 19
 
Control voltage processor - 14HP
Notes: The Model 156 was likely the first "CV manipulation" tool ever available to modular synthesists. In the original 100 series environment, the 156 was used as a front end to nearly every other module with a CV input. The majority of CV inputs throughout the 100 series do not have associated attenuators or offsets built into the modules, and thus they relied on the 156 to scale, offset, and attenuate the voltages traveling around the system. The 156 consists of 2 independent "voltage processors" Each with a control to mix the two inputs, add a voltage offset (positive only), and then a control to mix between the external CV to be processed and the internal offset. In addition, the "B" channel has an inverting input. The 156 is as close a replica to the original 156 as possible, and is built entirely of discrete analogue components.
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 1 in stock $300.28
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Cat: 745927 Rel: 19 Sep 19
 
Quad VC Gate - 14HP
Notes: The Model 110 is 4 independent transistor based voltage controlled amplifiers behind one panel. Each VCA (or "gate" in the original terminology) consists of an audio input with an attenuator, a CV input, and 2 outputs. The VCA's are AC coupled - meaning that they will not pass slow (or static) control voltages. The VCA's are calibrated to unity (an input of a 10v peak to peak audio wave, will produce a 10v peak to peak audio wave at output) when 5v is applied to the CV input and the attenuator is at approximately the 3'oclock position.

Notes: Unlike the later (and better known) Model 292, the original low pass gate - the Model 110 is entirely transistor based (rather than vactrol based like the 292), and is much faster.
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 1 in stock $403.83
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Cat: 745924 Rel: 19 Sep 19
 
6 channel mixer based on the mixer of Buchla’s 100 series
Notes: The Model 106 is a 100% discrete transistor based 6 input audio mixer.

Functionally, it allows the user to manually mix 6 signals into 1 output (All), or it may be used as 2 independent 3 into 1 mixers ("1-3" side and "4-6" side).

Aurally, the all transistor signal path adds its own unique sonic signature, imparting a subtle lo-fi warmth and saturation to the sound.

Additionally, the "All" output is inverted with respect to the "1-3" and "4-6" outputs. This feature can be exploited to creative effect.
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 1 in stock $300.28
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Cat: 746891 Rel: 12 Sep 19
 
Professional, studio-quality headphones with wide frequency response
Notes: Range-topping cans from Rhode Island DJ gear veterans Rane. Suitable for studio use as well as mixing, these are a classically styled closed-back design with 40mm drivers.

Supplier notes:
The RH-50 high-performance headphones are further evidence of Rane's unwavering dedication to both engineering excellence and ease of use. Recognizing that too many headphones designed for serious listening fall short of combining all the elements of great headphones into a single unit-full-range frequency response, ear pads that deliver hours of comfort, space-saving collapsible design and detachable cables with multiple jacks for use with virtually any gear-the RH-50 brings all these critical attributes together in one no-compromise unit. The result is a superb-sounding, comfortable, convenient unit that professionals and enthusiasts alike will depend on and enjoy, no matter how demanding the requirement.

The drivers are heavy-duty 40mm neodymium-powered units, which gives the RH-50 a particularly deep and potent bass response. When combined with their high-temperature/high-power voice coils, the overall effect is one of effortless authority, where every musical nuance is reproduced with detail and accuracy. The headphones are a collapsible design, making them easy to transport and the soft padded head band and ear pads stay comfortable during extended sessions.

In the box:

- RH-50 Headphones
- 39.4" (1m) straight detachable, locking 2.5mm (headphone end) to 3.5mm cable
- 55" (1.4m) coiled detachable, locking 2.5mm (headphone end) to 3.5mm cable
- 3.5mm to 1/4" TRS adapter
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 2 in stock $138.35
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Polyend Preset Module (synth module)
Cat: 732317 Rel: 11 Sep 19
 
Macro controller & sequencer - 22HP
Notes: Presets on a modular? Sacrilege! Or the best of both worlds, depending how you look at it. We'll probably go with the latter, because this is a super versatile little programmer/sequencer/preset storage module.

Supplier notes:
The 22 HP interface is simple, clean and streamlined. At first glance, Polyend Preset module might look like simple a digital preset manager for Eurorack systems, but it's much more than this. Its vast implications make it a very smart companion for your modular system. But let's start from the basics. With the use of 9 LED coloured clickable encoders, Preset allows you to store up to 9 different CV output values in 32 banks of 32 presets. Yep, 1024 in total!

It's capable:

Program the notes sequences using one of the 32 build-in musical scales. Record the automation using the encoders or external source.

Four modes, totally different possibilities:

Depending on what you want to achieve, there are four modes you can choose from: First, Next, Channel and Note.

Both First and Next modes are perfect for building your unique polyphonic synthesizer.

The Channel mode lets you choose which MIDI Channel is responsible for which voice. This mode is what the majority of users utilise to connect DAWs or external sequencers.

The Note mode translates data received from MIDI Notes C through G and directs them into the corresponding voices (no matter the octave). This scenario works excellent for triggering drums from drum pads or drum triggers.
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 More than 10 in stock $429.72
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Cat: 732315 Rel: 11 Sep 19
 
MIDI-CV converter module for Eurorack - 14HP
Notes: Eight-voice modular synthesis? Yes please. Updated version of the Poly splits your MIDI signal to CV and gate for fully polyphonic action. Chain multiple units for even more multi-voice madness.

Supplier notes:
The Polyend Poly 2 module is a polyphonic MIDI to CV converter Eurorack module, and it will change how you interact with your sequencers, controllers, DAW, and more. This powerful module features MIDI I/O plus USB A and USB B inputs, with a total of four Gate outputs, four Pitch outputs, and 12 outs for CV (CC 0-127) signals. And using the Smart Thru connection, you can daisy-chain multiple Poly 2 modules together for even more voices. And Sweetwater was excited to report that Poly 2 is even compatible with the MPE (Multidimensional Polyphonic Expression) standard used in innovative controllers such as the Roger Linn Design LinnStrument and the ROLI Seaboard series. Once you've explored the polyphonic expression the Polyend Poly 2 module is capable of, you'll never want to be without it.

No matter what kind of MIDI controller you use - keyboard, ribbon controller, pressure pad, or whatever - the Poly 2 module offers built-in scale filtering rewards you with highly musical output. Select a scale, and only the notes within that scale will be passed along to your patch destinations. This is different from scale quantization, which forces ANY input to trigger the note its closest to in the scale, and can make it much more enjoyable to use alternative MIDI controllers with the Poly 2 module.
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 More than 10 in stock $395.55
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Cat: 742407 Rel: 20 Sep 19
 
Medusa knob set by Polyend
Notes: Customise your Medusa with this set of colourful knobs.
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 1 in stock $31.84
Polyend Anywhere Powerbank Module (power supply module)
Cat: 732313 Rel: 11 Sep 19
 
Portable power source interface for Eurorack
Notes: Release your mind and release your modular system, with the Polyend Anywhere power compatibility Eurorack module. The Polyend Anywhere hooks up to any Power Bank battery to allow the user the liberty of portability with their modular system. Take your system for a walk! Smell the flowers, and use the inspiration to create the simultaneous feedback/AM/FM patch you've been dreaming of!
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 5 in stock $171.88
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Cat: 743616 Rel: 29 Aug 19
 
4-channel performance DJ controller for Serato DJ Pro
Notes: Flagship Serato business from Pioneer. The brand's top-of-the-range DDJ-1000 controller gets reconfigured for Serato. Same hardware layout as the standard version but optimised for DJ Pro instead of Rekordbox.

Supplier notes:
The Serato-compatible version of our popular DDJ-1000 is here - meet the DDJ-1000SRT. This 4-channel DJ controller for Serato DJ Pro is designed to feel just like our club-standard CDJ+DJM setup. You'll enjoy low-latency, full-size jog wheels and a slick MAGVEL FADER for tight scratching. And with On Jog Display, which shows you important track information in the centre of each jog wheel, you can concentrate on the crowd, not your laptop.

Build excitement on the dancefloor and create huge drops using 4 Sound Colour FX and 14 Beat FX. The DDJ-1000SRT comes with a free voucher for Pitch 'n Time DJ, enabling you to get creative with advanced key-related features. With multiple inputs and outputs, you can enhance your setup by connecting external equipment like CDJs, the DDJ-XP1, or turntables. This Serato DJ Pro controller will take your gigs to the next level.

Big Jog and Magvel Fader:
Scratching feels intuitive thanks to the full-size jog wheels, which you can set to your preferred resistance using Jog Adjust, and a MAGVEL FADER. Highly durable for more than 10 million movements, the MAGVEL FADER makes intricate performances feel easy.

Club-style layout:
The buttons and knobs on this Serato DJ Pro controller are arranged in the same way as those on our club-standard NXS2 DJ equipment. As a result, transitioning between this setup and gear you find in DJ booths is a breeze.

On Jog Display:
See all the information you need via the full-colour, high-definition LCD screen in the centre of each jog. Monitor playback time, BPM, playback position, and more. This feature's easy to use, with the display matching the Serato DJ Pro GUI.

Professional FX:
Enhance tracks using 4 popular Sound Colour FX - Pitch, Filter, Dub Echo, and Noise - from our DJM-series DJ mixers, and get creative with 14 Beat FX. You can instantly reference BPM and the name of the selected FX thanks to the dedicated Beat FX screen.

Well connected:
The DDJ-1000SRT has 4 inputs so you can connect to CDJs or analogue turntables, and use it as a stand-alone DJ mixer. You can also connect directly to PA speakers and microphones thanks to a Booth, 2 Master, and 2 Mic inputs.
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 1 in stock $1,386.53
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Cat: 712144 Rel: 29 Aug 19
 
Adjustable range mallet keyboard controller
Notes: The malletSTATION model EM1 is a full sized 3.0 octave adjustable range electronic mallet controller designed for all players in any genre, from the beginning student through the gigging professional.

The adjustable low note range function allows you to set the fundamental diatonic note of the instrument to what you need - low D xylophone? No problem! The malletSTATION is powered exclusively by Mac, PC, iPad, iPhone, and Android devices through USB Bus Power, allowing performance almost anywhere with minimal set-up and equipment.

Designed in collaboration with Keith McMillen Instruments, malletSTATION's tech-forward design features KMI's Smart Fabric Sensor technology allowing the silicone bar material to have an extremely sensitive, natural response, including mallet dampening and aftertouch control, and all can be easily tailored to your individual playing style.

The EM1 features a master control section, with 3 programmable faders, 4 programmable buttons, and the fixed function low note and octave shift buttons. In addition, three assignable pedal inputs allow for flexibility in performance such as sustain, expression, or any MIDI parameter of your choice. These controls are fully programmable through a software editor so changing your configuration is as easy as clicking a mouse.

The EM1 malletSTATION is also the most affordable mallet percussion controller on the market, street priced at just $999. The ultra-thin, lightweight chassis allows for easy portability, and the flexible mounting options provide many different ways of using your instrument. This is the only controller that will grow with you throughout your playing career - from music apps on your phone or tablet, to professional digital audio workstations and sound libraries - your sounds, and even the instruments you play, are only limited by the software you run.
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 1 in stock $1,023.06
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Cat: 739891 Rel: 30 Aug 19
 
Intuitive pitch CV sequencer in 4HP
Notes: Ultra-simple 16-step Eurorack CV sequencer with randomisation option and storage for up to 16 patterns. Straight to the point business, all in just 4HP of rack space.

Supplier notes:
Small, easy-to-program sequencers are a bit of a rarity. Vox Digitalis is our answer to this issue. With intuitive displays and simple controls, VD is perfect for all your pitch CV needs. Set your sequence length, dial in each note, randomize, save and load 16 sequences -- VD does all the stuff the big sequencers do, just in 4HP.
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 1 in stock $168.78
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