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Review: Jim (James Baron) is a UK producer making his brand of Balearic, folk and rock music. Generally, pushing the boundaries of Balearic, this double pack compilation houses remixes of tracks from his most debut album 'Love Makes Magic'. The lineup of producers lending their talents to this double pack is quite impressive. Uk house music legends X-press and Chris Coco just to mention two. This release encompasses a wide array of styles including downtempo, dub as well as house music all keeping the folk and Balearic soul of the originals. A true remix packet that brings these originals to different heights.

Review: Tour-Maubourg has been receiving quite a bit of press since their very first release. Often, their records quickly become sought after for their amazing beauty and genre-washing abilities. 'The Panorama Sessions' aims to continue the strong promotion and deliver another home run. Like the name suggests, these are alternate versions of other treasured Tour-Maubourg tracks that were featured on different releases, with this 12" bringing in the talents of the Ismael Ndir on saxophone. 'The Opening' gives us At Les vibes with the brilliant melodic touch, a smoothed out Balearic track that is nothing short of sublime, while 'Ode to Love' is another goosebump creator. These sunset styled interludes expanding into a feeling of light jazz and pseudo house, really work well on our mood receptors. 'Saint The A La Menthe (Panorama version)' is perhaps the most soulful track here, making it a perfect way to close things out. All and all, four unique, terrific new versions of classic Tour-Maubourg material to enjoy.

Review: The fledgling Detach label continues to show it means business with a new 12" in a lovely screen-printed sleeve. Romanian artist Dyl is the one in charge and has been serving up consistently excellent and innovative sounds now for serval years. All of these cuts mix up great sound design with languid rhythms - the first is eerie, with watery droplets and glassy tinkles hanging in the air, while 'Glasshouse 2' has a percolating rhythm down low. 'Glasshouse 3' gets a little more dynamic with a shimmering low end and freaky abstract life forms and 'Glasshouse 4' layers in more intense and ever-shifting synth lines while the closer sounds like it's roaming through a deserted factory long after it shut down.

Review: Ritual Release, the California-based imprint established by Woolfy vs Projections, have long kept tight-lipped about the identities of synth boogie revivalists Guruku. We have no idea (we suspect it's them, but could be wrong), but we do know that the act's latest EP is superb. There are two original tracks on offer, both featuring vocalist Rojai: the Dam Funk-meets-Dayton brilliance of 'Mesmerized' and the dreamier, sunnier, 80s synth-soul-inspired excellence of 'What It Takes'. Both come accompanied by tasty remixes. Giovanni Damico re-imagines 'Mesmerized' as a thickset electrofunk-goes-jazz-funk workout, while Daniel T stretches out and lightly dubs out the same song in a nu-disco style. Rayko and Woolfy vs Projections join forces on a dubby and club-friendly nu-disco revision of 'What It Takes', before we treated to a dancefloor dubs style 'Bonus Beats' mix.

Review: Have there been any remixes that have been more impactful and influential than StoneBridge's famous re-rub of Robin-S's 'Show Me Love'? An enormous crossover hit when it was first released in 1990, the track's blend of bold organ hooks, bumpin' beats, dreamy chords and big vocals later helped inspired the birth of what was then known as 'bassline house' or 'northern garage'. As this reissue proves, it remains a timeless dance anthem that transcends genre. This time round, it comes backed by a lesser-celebrated StoneBridge rework of another Robin-S track, 'Luv For Luv'. This is a bit deeper and sweeter, but mostly utilises the same musical ingredients (gravelly stabs, Korg M-1 organ lines, lush pads and so on).

Review: The Florence label is back with more of its high grade funk here with the eponymous artist or artists behind another healthy dose on this new 7". 'Dancing' is a raw sound with slapping drum hits and plenty of noodling synth lines that elevate the whole thing next to big horns. But the icing on the cake is of course the raw vocal lead that is offset by some more sooth female coos. A more funky and bouncy break is the foundation of the flipside joint 'Be My Baby' with its alluring vocals and raw 60s aesthetic serving to get you up on your toes.

Review: There's no secret to the success of Late Nite Tuff Guy's long-running Tuff Cuts series. Buyers have simply responded to the consistency of the Australian producer's approach, and the quality of loopy, house-friendly re-edits. This eighth volume features more party-starting fare, from the glassy-eyed extended breakdown of "Go For That" (yep, a Hall & Oates rework) and soft-touch house take on Marvin Gaye ("Heard It"), to the end-of-night bliss of "Dreams", a decidedly warm and rolling rearrangement of the famous Fleetwood Mac cut of the same name. As if that wasn't enough bangers in one place, he finishes with a triumphant rework of disco-era Michael Jackson ("Starting Something").

Review: The Guesthouse label comes through with more irresistible house goodness from Joey Youngman who has been a master of this form for many years. His sound blends the best of funky, soulful grooves with raw house drums to light up any party. He kicks off in wild fashion with the big energy and chunky funk of 'Another Night' before 'Oakland' then layers up slinky drums and emotive vocal hooks into a bristling arrangement. 'Thankful' (JY remix) explores a deeper late-night sound with a more seductive vocal and low-slung drums then things close down with 'Elevate Me' (JY remix), a steamy sound with contemporary r&b vocals and melodies that bring the fun.

Review: London-based artist and Semi Delicious label head Demi Riquisimo brings some peak time future tech inspiration to his new Windows 95 Anthem EP on Higher Ground. He has already dropped signature sounds on Ninja Tune, DJ Tennis' Life & Death and collaborated with Carlita, UNKLE and TSHA, so is very much a man of the moment. In this EP he leans on Italo and acid for his melodic licks which are high speed and glossy as they surge over crispy beats and retro-future keys. Chloe Caillet and Spray also add their own remixes to this tidy new 12".

Review: These Immortal Souls was an Australian Indie rock band who released two albums and a handful of singles in the period from 1987 to 1998, signing to Mute records in a period when the label was mostly working with electronic bands of some sort. These Immortal Souls were more of a retro rock group that would probably be grouped more with bands like The Mighty Lemon Drops, The Jesus & The Chain or Nick Cave, and Extra gathers some of their best work for a compilation that turns out to be a fine tribute to the band who were clearly ahead of their time.

Review: Federsen's Robot Says R EP is an atmospheric journey of deep techno, showcasing his prowess with minimal soundscapes. 'High Pressure' opens the 12' with its captivating crystalline textures and mid-tempo groove, capturing a nocturnal essence. 'Sono' takes a melodic turn, evoking the classic styling of Detroit techno, hypnotic and mesmerizing. On the B-side, 'Fazed' delivers an addictive bassline-heavy groove, while the minimalist approach creates a driving momentum. Closing the EP, 'Quadrata' incorporates elements of house music, developing gradually into a deep and evolving soundscape. With its multifaceted tracks, Federsen invites listeners to immerse themselves in its late-night techno ambiance. You can always count on Federsen for an excellent combination of blending a classic sound, well-produced techno, yet still being danceable and emotion provoking.

Review: You might think that you could cop a copy of New Order's seminal hit 'Blue Monday' fairly easily and cheaply given its ubiquity over the years. But no, copies in good condition still fetch around 50 quid, so this remastered reissue is well worth a cop. The single's iconic bassline and twitchy synth modulations very much soundtrack a generation, if not an entire youth revolution, but still enliven any dance floor many years later. What's more, the de-humanised vocals will always provide real singalong joy. On the flip is a 'The Beach', which is drenched in echo and reverb and general sonic filth.

Review: The amount of ultra-rare, hard to find, essential Northern Soul classics seems to be infinite. Here comes another reissue that aims to right that wrong with an officially licensed pair of tunes from the Phase One Network that has artwork based on the original promo version. 'Don't You Worry Baby The Best Is Yet To Come' is brimming with soul and immediately swells your heart with its elegant strings, graceful piano chords and swirling sense of groove all lifting you off your feet. 'Try To Leave Me If You Can' is a heartbroken slow song to conjure up memories of all the loves you've lost, or maybe never had.

Review: Back in 1990, Electribe 101 were riding high on the success of 'Talkin' With Myself', a Balearic house classic that ranks among the most saucer-eyed and loved-up songs of the era. The album that followed, Electribal Memories, was a gem, too, though has been largely overlooked - though not by those who fell in love with it at the time - ever since. Happily, it has finally been reissued on vinyl, with half-speed remastering and a deep cut to guarantee aural pleasure. With singer and creative force Billie Ray Martin providing some of her most memorable vocal performances, highlights include the early morning E-soul hypnotism of 'Inside Out' (a genius-like cover of a funk-soul classic), warm-up classic 'Heading For The Night' and the tactile deep house delight of 'Diamond Dove'.

Review: Contemporary vocal jazz favourite Jose James makes a staunch return after a long hiatus, following up 2008's The Dreamer with a brand new album, 1978. Combining James' deep love of jazz and hip-hop with songwriting and production nods to R&B heroes Quincy Jones, Michael Jackson and Leon Ware, 1978 is a suavely smooth operation of handclapping funk and organic bossa nova; it's sonically a meeting of the cosmopolitan collective minds New York to Brazil, bringing Afro-Latin sensibilities to the lyrical and productive form that is gritty hip-hop.

Review: For years, Purple Disco Machine has been igniting dancefloors worldwide and his momentum shows no signs of waning here. His latest single, 'Higher Ground,' is a collaboration with German artist Roosevelt and is a track that channels the vibrant energy of the 80s to deliver a club banger with an infectious synth loop that keeps dancers sweating on the dance floor. With its retro-inspired sound and undeniable groove, 'Higher Ground' is poised to become another standout hit for Purple Disco Machine and Roosevelt.

Review: Greg Foat and Sokratis Votskos come together for a superb jazz-infused Mediterranean musical trip on Live At Villa Maximus Mykonos that was recorded in a picturesque setting. It captures the essence of a sun-kissed Greek island with its breezy rhythms and soulful improvisations as Foat's masterful piano and Votskos' evocative saxophone intertwine seamlessly to transport you to plenty of tranquil seaside vistas. The duo's synergy is palpable and evokes a sense of serenity and joy with each note from enchanting melodies to vibrant improvisations. This gorgeous album really celebrates the beauty of music to take you to another place.

Review: Say She She is the psychedelic soul group from Brooklyn that's exploded onto the scene since their debut in 2019. Receiving critical acclaim for their two albums to date, and the pleasure of touring Europe and North America, the Nile Rodgers-inspired female trio even got a video message of approval from the legend himself. Authentic and organic are two words that fit the classically trained troupe to a tea and, in the great soul tradition, covers are a necessity. Jim Spencer's 1979 attempt at foraying into disco 'Wrap Myself Up in Your Love' wasn't received amazingly at the time, but thanks to the adoration of archive label The Numero Group, the song has seen a resurgence in covers and fans. The original vocal is zany and expressive against some jangly funk guitars, whilst Say She She's rendition hones in on the sultry aspect of the track. Guitars are muted down to transform the song into a lovemaking slow jam, wind passages are introduced and the vocal is subtly powerful and sexy. This 7" contains both Spencer's original track and the interpretation by the trio, pressed on white vinyl.

Review: It's only been two years - well, actually, not even that - since we last had an album from The Black Keys. No matter which clock you're looking at, though, fresh work from the Ohio duo can never get here soon enough, and from where we're sitting it sounds like Ohio Players is up there with the greatest records the band have given us. It also proves they're capable of constant reinvention, without risking that clear blues-garage identity. With guest appearance from rapper Lil Noid, legendary guitarist Beck, and Brit-indie icon Noel Gallagher, there's no disguising myriad influencing factors are at play. Yet, across the 14 pieces here, there's something wonderfully, unmistakably Black Keys happening. A thing to savour and submit to in equal measure, then.

Review: Electronica production duo Arnau Obiols and Kayyak, who've laid down a name for themselves for their distinct blend of cultural influences and captivating soundscapes, here present two new tracks that seamlessly fuse Afro-inspired rhythms with groovy organic beats. Barely letting us clock for a second that these are in any way electronically programmed or sequenced, this fresh Compost Records 12" hears its two new cuts, 'Faith' and 'San Diago', abound in the ambered, sandy interim of a clear-skied evening, in which cocktails flow and smiles widen. Remixes by Prins Thomas and Medle & Dele Sosimi do just as well to complement the mood.

Review: Shabaka Hutchings' Perceive Its Beauty is a profound and meditative musical journey that celebrates the richness and grace of African culture. Through a diverse ensemble of renowned musicians, Hutchings invites us to immerse ourselves in a sonic landscape that evokes the beauty and bounty of the Motherland. The album's meditative quality stems from the restraint and collective nature of its creation. The instruments seem to float effortlessly, creating a sonic cloud that carries echoes of Afro-Asian music and the tranquil sounds of nature. Yet, within this understated atmosphere, individual brilliance shines through. The artistry of Jason Moran on the piano and the ethereal voices of Moses Sumney and Eska add layers of nuance and emotional depth. In an era often marked by division and disharmony, Perceive Its Beauty offers a refuge of unity and peace. It invites us to transcend superficial boundaries and embrace the beauty and grace that resides within and around us.

Review: The soul, funk and disco 7" community is a strong one. Besides garage rock and psychedelic rock, there might not be another genre that is so beloved on the small but mighty 45rpm format. So, it completely makes sense if you are a newer producer releasing music in these genres then definitely know your fan base. Cool Million is a Danish and German duo doing just that. Their track 'Stronger' is the track and the title of their sixth full length album from 2019. The album has gained such strong reviews that they put it now as a single along with the Dub version on the reverse side. 'Stronger' is a positive and upbeat anthem that is sure reign in the innocent bystanders to party. The Dub is a super-cool alternative version that reminds of us classic roller-skating funk track from Midnight Star or Kool & The Gang. Need a party starter? Get this!

Review: In the continuing re-recording process for Pennsylvanian singer-songwriter, Billboard artist of the decade, and international sensation Taylor Swift, '1989' is the latest on the hit list of masters Swift is reclaiming - and arguably the most important. 'Blank Space', 'Shake it Off', 'Style', 'Bad Blood'...these are just four of the 16 songs that unquestionably cemented Swift's status as an eternal icon. Her previous, fourth album 'Red' - the first to be re-recorded - may have been her true breakthrough into charting pop, but '1989' is easily what has catapulted her to the level she is at today. Not only does the original music have so much weight behind it, but so does this brand new package: Brand new alternate art front and back covers, two gorgeous tangerine discs, never before seen photos on the album sleeves and - most importantly - FIVE unreleased songs from Swift's presumably unending vault of shelved tracks.

Review: Japanese outfit Inokashira Rangers are the world's finest group of Hammond-heavy reggae cover version maestros. They turn their hands to a range of stone cold Western classics and always bring a little sense of fun to their versions. Here it is Nirvana's Smells 'Like Teen Spirit' which they tackle and it is a much loved cut that always sells out, so now gets a reissue. On the flip side is the equally brillaint but more comic 'Summer Madness' with its pillowy drums and liquid synths. A left of centre brace of tunes but essential none the less.

Review: Belarusian producer Four Walls is back - this time around he finds himself on the new Ultraworld Records imprint from DJ Craft. This one kicks off with the lush prog house and silky synth arps of 'Mind Charger' which soon takes you to the stars. 'Metamorphosis' is a more raw-edged and acid-laced techno stomper for peak time action and 'Summer Nights' is a bubbling, elastic tapestry of new age overtones, thudding kicks, and trance-tinged pads. A remix by Toronto-based Pletnev adds another dimension to this club-ready EP.

Review: Terry Hall's album Home is the archetypal sound of gentle mid-90s pop rock, which is when it was released on Anxious. It was Hall's first solo record and spawned singles 'Forever J' and 'Sense', while much of the album was written with guitarist Craig Gannon and includes features with then-acclaimed musicians such as Ian Broudie of The Lightning Seeds. As such, there are plenty of big jangly guitars, soaring and tender vocal deliveries and post-baggy grooves that might well still get festival crowds swaying along without a care in the world.

Review: REPRESS ALERT!: Admirably no-nonsense house duo Dungeon Meat kick off a new label here, Slabs, which aims to serve up only the chunkiest hulks of wax aimed squarely at the club. Borren takes charge of the first platter and is the latest fast-rising talent to emerge from the ever-fertile Dutch scene. He has come up on a diet of Bret and Slapfunk parties and that shows in the tunes he presents here. 'Up Next' is heavy but silky, with gliding grooves and splashy cymbals next to cut-up vocals that will amp up any party. 'Beat My Shit' is another no-frills hardcore house assault with drums that have just the right amount of swing under old school chords and busy melodies that never rest. A fine first release.

Review: The Cowboy Bebop was an anime series that was much loved for its soundtrack albums by Japanese composer and instrumentalist Yoko Kanno and his band the Seatbelts. The sounds were weird and wonderful affairs that made odd connections between seemingly disparate worlds - jazz, rock, J-pop and electronic, often with a curious aesthetic. Just this year, Kanno has returned to soundtracking the series on Netflix so this reissue is sure to connect with fans old and new. It is largely instrumental, with big band pieces next to more ambient passages and extensive alto sax deployment. As far as cult records go, this one is right up there.

Review: He calls himself the house gangster and who are we to disagree with Puerto Rico-born, Chicago-bred house innovator DJ Sneak? He has been kicking out the jams for decades now, slaws with a raw edge and loopy, infectious style that is akin to French filter house. This new Galactic Funk EP comes on Phonogramme on acid yellow vinyl and packs his usual punch across a quarter of club-ready jams that have hooky melodies fluttering away up top as the dusty, rusty drums sounds do their thing down low. Another irresistible weapon from the big man.

Review: The second salvo on the Street Knowledge series of golden era hip-hop reissues comes from legendary East Coast twosome Gang Starr. It offers up a pair of much-loved 1990s club bangers: 1999's "Full Clip" and '92's "DWYCK". The former is a classic DJ Premier production: a toe-tapping, head-nodding bounce through rubbery beats, jazzy guitars and toasty bass topped off with the fine flows of the late MC Guru. "DWYCK" meanwhile is a more bass-heavy, floor-friendly affair, with Premier's on-point scratching complimenting Guru's vocal and the addictive weightiness of the groove. In other words, these are two golden era classics you definitely need in your life.

Review: Originally released in 1998, The Sound of Perseverance would serve as the seventh and subsequently final full-length from death metal pioneers Death, before mastermind Chuck Schuldiner's untimely loss due to brain cancer-related complications in 2001. Noted for being the only work with this specific line-up, featuring guitarist Shannon Hamm, drummer Richard Christy, and bassist Scott Clendenin (all members of Schuldiner's equally brilliant but often overlooked side-project Control Denied), this final death breath of fluid progressive tech-death greatness can sometimes fall through the cracks of the band's impeccable discography, and be fobbed off as a latter day addition sans the original core members, but mark our words, even the last Death album puts most modern death metal attempts to utter shame.

Notes: The elegance and luxury feel of real American hardwood that cannot be matched. GrooveWasher's handcrafted Walnut Record Cleaning Kit cleans your vinyl records with beauty, style and ease.

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G2 Record Cleaning Fluid Mist Spray (4 oz)
Record Label Protector Mask

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GrooveWasher Solid Walnut Wood Handle Design

The GrooveWasher walnut handle is milled from a single solid piece of midwest premium American Black Walnut, hand finished by wood artisans with waterproof oil polyurethane in Groovewasher's plant in Kansas City, Missouri, USA. Feel the woodgrain!

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G2 Record Cleaning Fluid

The GrooveWasher G2 Record Cleaning Fluid is the result of years of research and testing. The selection of ingredients was guided by the formulations of the D series fluids of the 1970s. G2 Fluid is designed for maximum cleaning effectiveness of the delicate vinyl surface and microgroove, without the need for rinsing. Anti-static action on contact. Honest cleaning to release the honest sound of the recording.

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Review: Peggy Gou has long since broken out of niche dance music circles out on to the wider world thanks to her pro and well crafted DJ sets and earned ties with plenty of high-end fashion brands. Including this, she does have some fine music making credentials as her hit single '(It Goes Like) Nanana' shows - its an inescapably catchy house cut with an iconic hook that is easy to sing along to. It now arrives, having first come via her own label, on XL which will only make it reach even higher levels of ubiquity. All hail the Gou!

Review: Portugal's Magic Carpet label has been one of the most attractive homes for discovering breaks and house since its inception and for their 13th release, they call upon the services of veteran Jack D. The 'Bongo Royale' EP excels in offering up a lot for everyone in a little four track EP. 'Swervin' It' is entertaining and infectious. injecting some fun into house music while 'Shifty Maneuvers' gets a bit more groovin'. On the B-side, 'Swamp Runner' combines a bit of a tribal groover with a slight bit of progressive house reminding us of some memorable 2000-esque club sounds and 'Bongo Function' closes out things on a high note.

Review: Deep house producer Shuya Okino shows his class once more on another tasteful outing, this time via the Extra Freedom/Village Again labels out of Japan. For this one he revisits his 2011 album Destiny which was made with help from the Japanese funk, boogie and jazz-funk outfit Root Soul and replays and remakes the tunes. The originals become more disco-leaning and horn lead jams here with Okino's warm, rubbery basslines, P-funk synths, loose live beats and cute keys. The result is an album that sounds like Earth, Wind & Fire making modern soul and it will improve your life no end.