Back in stock: All genres

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Part of 1010's excellent Nanobox series, the Tangerine is a tiny powerhouse sampler. A fresh new approach to sampling, from one-shots to loops, all the way through to four-hour recordings.

Supplier's Notes:
Sweet and Tangy Sampling

The nanobox | tangerine delivers powerful sampling in an ultra portable form factor. With this nanobox, you can add recording, sample playback, clip launching, slicing, and musically intelligent looping capabilities to your desktop or travel rig. With an intuitive touch screen interface, nanobox | tangerine makes easy work of selecting, editing, and tweaking your samples. You can stream large samples of up to 4 GB file size straight from the microSD card. Interact with other musical components via MIDI. Load multi-sample banks with over 500 samples for amazing instrument reproduction. Tweak your configurations to get them just right, then save them to multiple presets for future reuse.

Top features

Play up to 24 stereo polyphonic notes when your samples fit in the 64 MB of internal memory or up to 8 larger stereo samples streaming directly from the microSD card

Play multi-sample banks with up to 16 velocity layers and 576 WAV files loaded in one preset

Configure 8 stereo sample pads per preset as single or multi-samples, clips, slicers, or new recordings

Stream long samples from the microSD card with a max sample size of 4 GB, which can be many hours of audio

Trigger samples with the touch screen or MIDI input as one shots or melodic notes

Control how samples start and stop by choosing from one-shot, toggle, gate and piano (New!) launch modes

Tweak playback through a variety of sample parameters, including start position, length, pitch, gain, filter, loop mode, launch quantization, ADSR, Exclusive Grouping, clip synchronization, slice placement and sequencing, and MIDI note and channel mapping

Quickly and easily use MIDI mapped controls for more tactile access to common parameters

Record up to 16 sequence layers per preset.

Get into the groove with a fast, fluid, and intuitive workflow

Make music anywhere thanks to a compact and nearly indestructible design

Recording Capabilities

Configure each pad for stereo or mono recording with the option to synchronize the start and stop times to clock inputs
Trigger recording via audio level threshold
Create perfectly sized loops by setting the recording length
Enable immediate playback after recording for live looping capabilities
Make recordings up to 4 hours in length
Resample the master output without patching
Automate recording of a multi-sample bank via MIDI
Store recorded samples as WAV files on the micro SD card then remove the card to transfer them to your computer

What is Included:
nanobox | tangerine - Compact Streaming Sampler
MicroSD card with 85 presets and over 1500 wav files
Colour matched USB power cord
Type B TRS MIDI To MIDI 5 Pin DIN adapter
Quick Start Guide

Technical Specs:

Power: USB-C connection 5V, 500mA
3.5mm audio input and output
Maximum input and output level: 2Vrms
DAC and ADC resolution: 24-bit
Internal resolution: 32-bit
Sample rate: 48kHz
MIDI Input: 3.5mm Type A/B auto sensing
MIDI Output: 3.5mm Type B
Clock Input: 1,2, 4, 8, 12 or 24 PPQ selectable
MIDI support: Note On/Off, Velocity, Pressure, Mod Wheel, Aftertouch, CC mappings to common parameters, program changes and clock
H x W x D: 1.5" x 3.75" x 3"
Weight: 0.25 lbs.
2" touch screen, 2 knobs and 4 buttons in a 3.75" x 3" x 1.5" package

Additional information

Weight: 0.65 lbs
Dimensions: 7.75 × 4.85 × 2.25 in

Review: The present face of IDM is here heard occupied by dream duo D'Arcangelo and Karsten Plum, whose latest joint effort for Acid Avengers bowls us over with its acid tweezings, pangs, twingings, twangs, thrums and flits-past. The pH scale skyrockets to the point of insanity on Pflum's side, with 'Hornfish Acid' and 'Aroe Acid' jointly corroding the full length of the Earth's core with their snippy but incisive sizzles and 'ows, until we reach a forbidden underworld uncannily reminiscent of Oz - except the faces of the protagonists are horribly twisted into a yellow, illegal-raved rictuses. D'Arcangelo's 'Gawain' does equally as much with its eerie sprung-verbed chroma-chords and muted but moving melodies; so too does 'Walker Two' raise the tempo to silly speeds, coming as a veritable velociraptor of Druqks-y breaks and drill bits, all let loose from the barrel at a surely illegal rate of fire.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Robert Owens is absolutely one of the voices of his generation. He has lent his tender tones to more classic tracks than you could possibly mention and he continues to do so nowadays with a wholeness generation of producer who want a touch go his authenticity. He has recently achieved another career milestone with a superbly poignant new single that comes with sublime remixes. DJ Spinna's re-flip adds his usual sense of soul and Adeen Records label head Camille then brings some South African Amapiano vibes. Nico Lahs takes it on with a heavy house groove and Scott Hess brings some classic acid jack to his version.

Review: Alleviated's Larry Heard reissue series has previously brought us the rough and tough acid of Gherkin Jerks and, more recently, the intergalactic downtempo grooves of his largely overlooked Alien LP. Here, they revisit one of Heard's later aliases, Loosefingers, dusting down and reissuing tracks from 2003's Glancing at the Moon EP. All three tracks are deep, warm and melodious in typical Heard fashion, with the title track delivering a sultry blend of wide-eyed chords, darting electronics, Latin-influenced percussion and tactile keys. "Deep Inside" delivers a hazy, sun-kissed take on soulful house - all jazz bass, sensual chords and gentle vocals. Best of all, though, is the tougher, synth-heavy "Lamentation", which rolls along at a near techno-tempo and is blessed with thrilling bleep melodies.

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


One of our favourite DJ turntables. Clearly inspired by the classic Technics SL-1200 but clocking in at a more affordable price point. Direct drive motor, decent build quality and a few nice bonus features like adjustable pitch range.

Supplier notes:
The AT-LP140XP fully manual professional DJ turntable features a high-torque direct-drive motor and anti-resonant, mass-damped, die-cast aluminium platter to ensure stable, on-axis rotation at 33-1/3, 45, and 78 RPM. It is equipped with an S-shaped tonearm with height adjustment, adjustable tracking force (counterweight) and adjustable dynamic anti-skate control.

Audio-Technica has been a leader in phono cartridge design for more than 50 years, and that expertise shows in the durable, high-output AT-XP3 DJ cartridge with 0.6 mil conical bonded stylus included with the turntable. It comes pre-mounted to an AT-HS6 universal 1/2"-mount headshell.

Designed to connect to components with a dedicated phono input, the turntable comes with a detachable dual RCA output cable and supplies a strong 5.5 mV output.

Additional professional features include a start/stop button; forward and reverse play; selectable high-accuracy quartz-controlled pitch lock and pitch change slider control with +/-8%, +/-16%, and +/-24% adjustment ranges; a stroboscopic platter with speed indicator; a retractable plug-type stylus target light; and a removable hinged dust cover.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Tel Aviv's Elado has put out a fine run of eight releases in just two years on the likes of GAMM, Barefoot Beats and Bonfido Disques, but for his next move, he branches out with his own reissue label. its aim is to "focus on uncovering lost gems" with the original paired with his own remixes. The first one is a 1983 private press from the Canadian pair OUI. 'Circle Of Love' is a big disco banger with flashy synth work and rugged arps, with a pair of Elado's mixes making it even more dancefloor ready. 'You Make Me High' is a more sentimental 80s pop sound.The release has recieved support from a lot of artist, such as Gerd Jansen and Hunee. A fine start to life for this new label.

Review: Guitarist, composer and skateboarder Tommy Guerrero hears several of his earliest albums reissued now via Be With, of which 2008's Return Of The Bastard was his fifth. Still evidently deep in the throes of recording for the pure fun of it, this fifteen-track album reflects a pure lyricless enjoyment that few other of Guerrero's contemporaries could ever hope to share. Perhaps it's the meditative truck of his earlier skate career that course-corrected his frame of mind to pure creative meditativeness; here driving noisy drum machines, lightly-amped two-tones, the occasional kalimba and faint vocals all collide for the perfect accompaniment to an implied visual narrative.

Review: ***B-STOCK: Slight surface marks ***


The Charlatans self-titled fourth album gets a lovely yellow make over for this reissue on Beggars Arkive. It's the first time for over 20 years new copies of this landmark album have been pressed, and Frank Arkwright at Abbey Road has taken care of the excellent mastering. The original release date was in 1995, and the album was the most ambitious of the band's career with plenty of number ones included along the way. The most successful of these of course was 'Just When You're Thinkin' Things Over'. It's a real piece of classic 90s indie that will always sound good.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


2022's stunning album Once Twice Melody was a fine example of Beach House doing what they do best - living bang up to that name, with intimate-but epic instrumentation falling somewhere between surf-y jangle and grand shoegaze. 'Become' is definitely on a similar tip, and as such feels much like an extension of the long form.
Dig a little deeper, though, and scratches begin to show. While the full-length record represented Beach House reaching for the stars, or at least the moon, and stepping into the role of festival headliners, here the sense of pure confidence and occasion is less pronounced. That may not be a bad thing, mind, because while Once came across like a finished article, refined and prepared, things here seem somehow rawer, as though we're sitting in on a session as oppose to getting the signed off product.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


REPRESS ALERT!: Best Italy turn their impeccable reissue powers towards a surefire burner from 1984 given the stamp of approval by the likes of David Mancuso, Larry Levan and Ron Hardy back in the day. "Come Back Lover" was actually mixed down by another legendary DJ - Tony Humphries - and it shows. Even the original mix plays out with an extended, floor-focused flow that captures the creative energy at work at this epochal time for DJ culture. As ever with Best reissues, there's a plethora of alternative and dub mixes to suit any spinner's specific requirements, with the groove front and centre every time.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


In anticipation of Nouvelle Phenomene's forthcoming album, Bordello A Parigi concomitantly announce the reissue of their acclaimed debut LP Glory Of Romance, almost ten years after its initial release. An emotively depth-scouring work of contemporary synthwave-via-darkwave, the musical quadrangle of Angela Santa, Fanni Santa, Peter B. and Zsolt Dziba first produced this impressive studio project under the ambit of Russian indie label Other Voices, giving rise to the likes of 'Glory Of Romance' and 'Caresse', both excellent singles venturing into a well-established sound, yet colliding it with a fabulously fresh thematic locus, such as modern-day fatigue and artifice. Truly an ever-new phenomenon, Nouvelle Phenomene's style - that of gothic-sonic art nouveau - is a newness that nevertheless does not forfeit timelessness.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.

Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.

Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.

The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.

While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.

Buchla 207t Features

Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more

Eurorack module
28hp wide

Review: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***


The 1990s was arguably the first 'golden age' of ambient - a time when the inherently atmospheric and laidback style not only exploded in popularity, but also became the post-club soundtrack of choice for a whole generation. This personal survey of the 90s ambient scene from journalist and author Jon Savage does a good job in gathering together a representative selection of genuine gems and overlooked classics, drifting between the bubbly, deep space brilliance of Richard H Kirk's Sandoz project ('Limbo'), bleeping ambient house ('Calm' by 2 Cabbages on a Drip), early progressive house (React 2 Rhythm), electronic psychedelia (the tabla rhythms and swirly noises of Rapoon), ambient blues (Underworld), IDM (U-ziq), and glacial, slow-motion bliss (Biosphere).

Review: ***B-STOCK: Missing original outer sleeve but otherwise in perfect working condition***


Mikal Asher, a scion of Jamaica's Morgan family dynasty, reunites with Chocolate Star Records here and does so with a collaboration with disco legend Gary Davis. Asher, akin to his brother Denroy Morgan, upholds the family's legacy of righteousness through music. Known as the Binghiman, he crafts captivating tunes with profound lyrics and has recorded in Ghana's Hustle Hard Studios and collaborated with industry pioneers in Kingston and Brooklyn, setting new standards in musical excellence along the way. Here, 'Wicked Ah Fi' transforms into a modern dub stepper, while 'Black Woman' offers a soulful, laid-back dedication to Davis' wife, Sonjia. This 7" also comes with innovative remixes from California-based DJ and producer Knoe1.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


A highly collectible splatter 12" vinyl of this Martin Hannett-produced session groundbreaking gothic/post-punk band, Joy Division. Includes the band's best known composition 'Love Will Tear Us Apart' and a superb non-album B-side in 'Leaders Of Men', plus an extended mix of the A-side. Most music fans and their mothers will have had the former track firmly implanted into their grey matter by now, but it's the B-side that really gets the true-heads going, channelling a massive, cortex-cracking sound that is closer to punk than post. Boy, did Joy Division have a toothy side.

Review: The Mars Volta's debut album remains one of the band's creative high-points. After the post-hardcore rush of At The Drive-In burst into flames, few could have dreamed something as ambitious and progressive as De Loused In The Comatorium could have emerged. The clue's in the word progressive, as Cedric Bixler-Zavala, Omar Rodriguez-Lopez and Jeremy Ward pooled their resources (with some bass assistance from Flea) to create long, spiralling narratives around the concept of Cerpin Taxt, the comatose hero of this nebulous story. Still sounding visionary 20 years later, it was the start of an exciting new chapter for a band truly unlike any other.

Review: ***B-STOCK: Slight split on top of outer sleeve, slight creasing to outer sleeve, record unopened and in perfect working order***


Hype and awe abound over this Orb side project, with Oss having been resurrected last year several decades on from its initial stint as a hybrid live / DJ project from Alex Paterson and his longtime collaborator Fil Le Gonidec. This new album is a mere 8 track weirdo's favourite, straight from the brains of this techno-toned, post-dub power duo, from the psytech clicks and claps of 'Wow Picasso' to the worse-for-wear machinations of 'No Speed Limit'. Grab this special coloured vinyl edition while you can.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


You'll have to go a long, long way to find a more important record in the back catalogue of The Damned. Strawberries marked album number five for the New Wave-Goth-punks, arriving in 1982, initially through the now-defunct UK indie label Bronze, established by Gary Bron who - incidentally - also played a pivotal role in helping Uriah Heap realise their sound. Digressions aside, this LP at once marks one of the finest moments in The Damned's history, and one of their most turbulent times.

The band's creative confidence - Captain Sensible especially was enjoying a fair share of the limelight at this time as a solo artist - helped them expand and mutate in both subtle and crystal clear ways, introducing instruments like the sitar and cello to the mix. Fans got their beloved dark room masters, and much more besides. Behind the scenes, though, this was a point in time pockmarked by fallouts and disagreements. Still, who said greatness doesn't come at a price?

Notes: ***B-STOCK: Without original box, product in perfect working order***


Introducing the Decksaver cover designed specifically for the Pioneer DDJ-XP1 and DDJ-XP2 performance controllers. Engineered with precision and crafted to perfection, this cover is the ultimate companion for DJs who want to protect and preserve their valuable gear.

Custom-molded in the UK, the Decksaver cover is expertly crafted to perfectly fit the contours of your DDJ-XP1 or DDJ-XP2. Made from super-strong polycarbonate, it forms an impenetrable barrier, shielding your controller from dust, spills, and accidental impacts, ensuring its longevity and pristine condition.

With the Decksaver cover securely in place, you can have peace of mind knowing that your DDJ-XP1 or DDJ-XP2 is always protected, whether you're in the DJ booth, studio, or on the road. No more worrying about scratches, liquid spills, or dust accumulation that can affect the performance and lifespan of your equipment.

Designed with functionality in mind, the Decksaver cover allows easy access to all the key features and controls of your DDJ-XP1 or DDJ-XP2. The precision molding ensures that buttons, pads, and faders remain fully accessible, allowing you to navigate your performance effortlessly and without any compromise.

Transportation is a breeze with the Decksaver cover. Its rugged construction and form-fitting design provide a secure fit, allowing you to pack your DDJ-XP1 or DDJ-XP2 into your gear bag without worry. Whether you're heading to a gig, a studio session, or a jam with fellow DJs, your controller will be protected throughout the journey.

Join the ranks of professional DJs worldwide who trust Decksaver for superior gear protection. The Decksaver cover for the Pioneer DDJ-XP1 and DDJ-XP2 is a testament to the brand's commitment to quality and innovation. Rely on its robust build, sleek design, and reliable durability to keep your gear safe and sound.

Elevate your DJ performance and keep your DDJ-XP1 or DDJ-XP2 in pristine condition with the Decksaver cover. Experience the peace of mind that comes with knowing your valuable equipment is shielded from potential hazards. Trust in the industry-leading protection provided by Decksaver and focus on delivering outstanding performances every time.

Fits: DDJ-XP1, DDJ-XP2

Dimensions

Weight 0.62 kg
Length 33.5 cm
Width 23.8 cm
Height 4 cm

Material: Smoked clear polycarbonate.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Conductive Labs have turned complex music theory into a killer synthesizer-jamming MIDI controller with The NDLR.

With four parts that can play up to 8 synths, it's possible to make fantastic electronic music with this device.

These tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good unit down over the years - this is where Decksaver steps in.

Designed exclusively for perfect fit, whilst still accommodating cables, your NDLR arpeggiator can sit ready for operation.

Slides straight into a flight or soft case, or rucksack for maximum protection during transportation.

Shields delicate controls, ports and internal components from damage at home, on the road and on stage.

Dimensions

Weight: 0.399kg
Length: 23.2cm
Width: 15.9cm
Height: 3.4cm

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


As part of a new looking back on German art rocker Nico's esteemed career by the indie label Domino, Desertshore chronologically follows The Marble Index, and is her third album, following the prior project's establishing her as an avant-garde artist with one foot in the mainstream, in stark defiance of the the prejudiced poo-poohs that followed her first (baroque pop) album, Chelsea Girl. Desertshore is more of a reconciliation of her prior two projects, bringing back the initial western pop sensibility while now firmly basking in a newfound weirdness-and-she-knows-it. From the opening dark waves of 'Janitor Of Lunacy' to the piano-balladic injection of sadness that is 'Afraid', this is another avant-garde masterpiece by the musician, never justifiably passed over.