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Back in stock: All genres
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in stock $14.27
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Cat: STRUT 51CD. Rel: 30 Oct 09
International
in stock $11.68
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Review: This coming together of two dub and reggae giants might never have been heard had it not been unearthed in some long-forgotten vaults. Originally recorded at some unknown point in the seventies, it follows their debut album Ital Dub, and later King Tubby Meets The Rockers, and is just as vital. Lead by the trademark harmonica expressions of Pablo, with the contagious rhythms of Tubby, it is a free flowing record that explores a number of different moods and grooves from deep and hazy to more life affirming and direct. As a result, it keeps you utterly locked throughout.
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in stock $11.41
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in stock $10.90
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in stock $12.44
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Cat: PNFG 41CD. Rel: 11 Apr 24
Balearic/Downtempo
in stock $11.93
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in stock $14.01
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in stock $14.52
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Cat: BPR 91. Rel: 25 Sep 23
Indie/Alternative
in stock $14.52
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Cat: MODENACD 96. Rel: 28 Mar 24
Uplifting Trance
Review: Complementing the main LP release of this career-bookending Chicane release comes the CD edition of the new symphonic edition of Far From The Maddening Crowds. The original trance uplifter LP blew us all away at its initial '90s moment, proving producer Nicholas Bracegirdle's fine talents to the world. Now, however, comes the full orchestral version, sating our tireless retroactive desire for symphonies after trance; every track on the original album hears a full-blown symphonic orchestral rerub, utilising the collective talents of members of the The Halle and the Royal Liverpool Philharmonic Orchestra, and combining them with glistening SFX and studio embellishments to lend an epic neoclassical vibe to an all-out classic.
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Review: For her volume in K7's legendary DJ Kicks series, Cinthie Christl has delivered a righteous, life-affirming, no-holds-barred club mix that spends much of its time (though by no means all) showcasing old school and contemporary (if self-consciously retro-futurist) garage-house and deep house jams. That means groovy basslines, bumpin' beats, infectious organ motifs, diva vocal samples and surging piano riffs aplenty. Of course, there are diversions -see the crunchy breakbeat dreaminess of Ben Hauke, the squelchy Chicago deep house of 'Emergency Tech' by Boo Williams, the micro-house of BMW and the acid-fired shimmer of Anna Wall - but it's the loved-up brilliance of the classic-sounding house cuts from the likes of Terrence Parker, Adriyano, Ruff Stuff, Amir Alexander and Niles Cooper that linger longest in the memory.y.
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Cat: DAIS 186CD. Rel: 26 Aug 22
Experimental/Electronic
Review: First released 22 years ago at the turn of the millennium, Constant Shallowness Leads To Evil has been described as one of Coil's most "mind-altering creations"; given the fiercely experimental and often otherworldly nature of their catalogue, that's some going. The album, which has now been fully remastered, was one of the first things Coil recorded following their relocation to Weston-super-Mare, and sonically it's as bleak, windswept, and barren as the town itself seems out of season. It's full of droning tones, modular blips, metallic melodies, slowly shifting ambient textures and musical motifs that lap in and out like waves. Furthermore, the album's standout moment, the near 14-minute 'I Am The Green Child', is like some mutant, experimental sea shanty crossed with a hypnotic ambient-industrial raga.
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Review: Four years after the untimely death of her husband John Coltrane, Alice Coltrane held a special concert at Carnegie Hall. This was planned to be released by Impulse at the time but somehow this legendary concert recording stayed dormant until this year. This release is to kick off a release tribute that will continue through the year that joins Verve and Impulse in tribute to Alice and her work. This double CD included two transcendental tunes from Journey in Satchidananda (Which Alice released just the year before), followed by two compositions by John Coltrane and served as a sign of things to come. These two pieces that showed a sign of what was to come from John Coltrane as he entered into the 1970s. Make sure to pick up this special concert!
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Review: British soul singer Dee C Lee started her career singing backup for Wham and the Style Council, before embarking on a solo career that included an early release on Mo Wax. By the late 90s, she'd pretty much stepped back from music though - making this new album for Acid Jazz a genuine surprise (it's her first new release for over a quarter of a century). It's rather good, too, with Lee's sublime and emotion-rich vocals soaring above 'heritage soul' style tracks that variously offer nods to bossa-nova ('Don't Forget About Love'), disco/jazz-funk fusion ('Be There In The Morning', with its excellent horns and fluttering flutes), and Motown-style stompers (the uplifting excellence of 'Walk Away').
… Read more in stock $10.90
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Cat: AV 2018105. Rel: 26 Feb 24
Progressive Rock
in stock $11.41
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Cat: CST 111CD. Rel: 26 Mar 15
Post Rock/Experimental
in stock $11.16
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Review: The Canadian post-rock instrumentalists return with a demand for revolution, soundtracked by just shy of 45 minutes of orchestral aggression. As with all of their work, GY!BE convey their ideas articulately through evocative wordless music. The opener, 'Undoing a Luciferian Towers' sets a tone for the album with a monolithic and militaristic march. Passages of feedback open out into anthemic expanse on the three parts of 'Bosses Hang'. 'Fam/Famine' balances between harmonic assonance and dissonance, ramping up the tension before the final triptych 'Anthem Of The State' takes a more optimistic tone, with the movement away from noise providing some glimmers of light in the abyss. 'Luciferian Towers' is an impeccable and polished record, and possibly Godspeed You! Black Emperor's finest to date.
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Cat: CST 081CD. Rel: 05 Jan 90
Post Rock/Experimental
in stock $11.93
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Review: Four years on from her last full-length outing, Ariana Grande returns with her seventh studio album, Eternal Sunshine. In keeping with many post-pandemic albums, Grande apparently drew on her own personal experiences during the writing process, keen to deliver something that mixed "vulnerability" with entertainment. Musically, it also follows current and recent pop trends, combining r&b and hip-hop roots with nods to disco ('Bye'), 80s synth-pop ('Supernatural', 'This Boy'), trap ('True Story'), EDM (the house-tinged 'Yes and?' and colourful 'We Can't be Friends (Wait For Your Love') and classic balladeering ('I Wish I Hated You', with its expansive musical palette and intricate instrumental flourishes).
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Review: Through his work with revivalist soul band the Indications, Durand Jones has already proved that he's a serious talent - a vocalist and lyricist whose impressive range and impassioned, emotive delivery mark him out as a genuine star in the making. Wait Till I Get Over, his debut solo album, will only enhance his reputation. Framed as a love letter to his hometown of Hillaryville, with thoughtful lyrics that reflect not only on his own intriguing life story but also the history of the town's black community, the collected songs veer from string-laden, socially conscious ballads and fuzzy rhythm & blues workouts, smoky slow jams, nods to Sly Stone and righteous, reverb-laden gospel winners.
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Review: The irrepressible Past Inside The Present is back with the second in a trilogy of tape loop experiments from T.R. Jordan. This is the limited and hand-numbered CD format and is another cohesive piece of this three-suite puzzle. All of the music was made by the same materials and methods and was all made in "a concentrated period of inspired experimentation with no energy wasted." The artist calls it a form of "musical composting" and the music is full of a sense of musical grace and elegance, peaceful pads and sonic versions of pastoral scenes like flowing rivers and mossy rocks under beautiful wispy clouds.
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Cat: HAFTW 015CD. Rel: 03 Jun 14
Industrial/Noise
Review: Experimental musician Leyland Kirby has been skirting round the edges of electronic music since the tail end of the '90s, delivering curious concept albums under a dizzying variety of pseudonyms (The Caretaker, The Stranger, Billy Ray Cyrix, Butcher Claws and Bored in Columbia, amongst many others). Here he dons his familiar V/VM alias for a discordant trip into drone territory supposedly inspired by fading memories of the last throes of early '90s outdoor raves. In truth, there's little in the music - a typically hissing, dystopian fusion of murky textures and becalmed electronic tones - to justify the concept, but it matters little. Kirby is a master at creating vaguely spooky, industrial-influenced soundscapes, and The Death of a Rave (A Partial Flashback) only enhances his reputation.
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Review: Behemoth reggae and dancehall troupe Little Lion Sounds make a riveting comeback with the reissue of Kingston Journey, first released in 2019 - this time around, we're led once again by the ear to the 'Ibbean heartland. With each track on this multifaceted stomper dedicated to a singular artist in the Little Lion roster, we're provided with ample choice of character, talent and style here. Kicking off with Jae Prynse's 'If We Only', the instrumental for which perfectly combines dancehall disjoint and reggae bubble to serene effect, we're first met with themes of militancy and hope, which continue to resound thereout. On the pure reggae side of things, Micah Shemaiah's 'Parler' is a standout, a dedication to the girl of his dreams; Queen Omega's 'No Love' responds with a swerve towards lovers' dancehall, defiantly lamenting the plight of those who lack the one quality that turns the world.
… Read more in stock $12.19
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in stock $10.38
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Review: What does it mean To Belong? Cynthia Bernard aka. Marine Eyes only begins to scratch the surface of this question on her latest ambient record (yet leaps a great deal forward in wrestling with it nonetheless), following up her prior effort 'Chamomile' with a distinctly beauteous fortnight of forenoon drones, all of which spur the realization that "belonging is everywhere and nowhere". Belonging is indeed a kind of ephemeral longing of being than can only ever be partly grasped, attained. Through its looping washes of warmed, brackish, padded backwash - not to mention its many bass-undergirded angel choirs - the likes of 'Timeshifting', 'Bridges' and 'Mended Own' stand out as such revelatory highlights, all contributing to an incredible album of sonic diaristic reflection, in which every sound sticks out clearly yet plays its proper part in a humble, rose-smelling gestalt.
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Review: Camae Ayewa AKA Moor Mother has long talked about wanting to work with an orchestra, applying her verbal Afro-futurism and free-jazz experimentation to the classical domain. She recently did just that, delivering a grandiose live interpretation of her ninth album, The Great Bailout, alongside the London Contemporary Orchestra. It makes perfect sense: while the album itself is not fully orchestrated, it's a conceptual work dissecting the British slave trade, slavery and colonialism. Musically, there are two central focal points: her spoken word vocals and the beautiful singing of Lonnie Haley. These two vital voices weave in and out of sound worlds rooted in dark ambient, lo-fi hip-hop beats, free jazz instrumentation, out-there samples and clandestine aural textures. It's naturally raw, moody and weighty, but more importantly it's also a genuine masterpiece that deserves your attention.
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in stock $10.13
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Joey NEGRO / NEIL PIERCE / VARIOUS
90s House & Garage Vol 2 (unmixed 2xCD)
Cat: ZEDDCD 47. Rel: 28 Feb 20
Hard House
Review: If there's one label to trust with presenting a faithful and knowledgeable overview of the '90s garage house sound, it is surely Z Records. Joey Negro's evergreen stable has been a bastion of the music since its inception, and this second volume of gold standard tracks is as well-informed as the first. Serious cuts and mixes from the likes of Satoshi Tomiie, Kings Of Tomorrow, Kerri Chandler, Marshall Jefferson - the list of big hitters goes on. But it's not just marquee bookings - there are some seriously headsy jams in here that will even have connoisseurs learning a thing or two. Bursting with musicality, soul and grooves by the pound, this is exactly how a comp should be done.
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Review: Analogue synth spooks rejoice, Pye Corner Audio is back with further explorations of the sweet spot between nostalgic fuzz and circuit-borne futurism. Ghost Box is a spiritual home for Martin Jenkins' flagship project, and he continues to edge out the scope of the Pye Corner sound without derailing the fundamental atmosphere. On The Endless Echo, warm, pulsing melodics set to eerie keys abound, and there's a fine balance between gorgeous ambient atmospheric pieces and sinewy, danceable rhythms, but Jenkins manages to sound fresh and inspired even while reliably holding true to the overall project aesthetic.
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Cat: ECLEC 22584. Rel: 11 Apr 24
Psych/Garage Rock
in stock $14.27
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in stock $10.90
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in stock $10.13
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Review: At 66 years young, Guiding By Voices main man Robert Pollard has a whopping 3,000 songs registered to his name with BMI, while outside of his primary project, he's released 22 solo albums as well as a plethora of lesser known works put out under obscure aliases. His latest alter ego, Rip Van Winkle, features a backing band shrouded in mystery on their debut EP The Grand Rapids, which redirects Pollard's eccentric and unique penmanship down the realms of neon-hued post-punk and frosted cold meets new wave machinations.
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