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Review: Jalapeno Records is one of UK's funkiest dance labels and is has been for ages. Bristol beatmakers The Allergies are just as funky and always serve up a massive dose of sunshine on their Latin flecked sounds. The opener here is 'Move On Baby' and is one of the best tunes the pair have ever laid down. Its packed with great samples, a high speed 60s spy theme rhythm and vintage rhythm 'n' blues vocals over energetic drum breaks. It is a textbook offering form this duo with all the big hooks and horns you need to carry you to the next level. B-side banger 'Are You Ready' is a stomping soul sessions with huge vocal work from Miss Marietta Smith.

Review: A tale of two sides, Azimuth's classic "Manha" should be recognisable to many; taken from their self-titled LP in 1975, its golden harmonies and lavish, lolloping Bob James style jazz are as timeless as they were 40 years ago. Flip for "America Latina". Conjured by prolific collaborator Osmar Milito (whose discography features the likes of Sammy Davis Jr, Spanky Wilson and Liza Minelli), its striking, sing-along charms are no accident... It was actually created for 70s Brazilian soap opera Selva De Pedra.

Review: Back Pluwatsch, or simply Bajka, is an Indian-born, South-African raised singer with diverse catalogue of music, and an equally compelling set of vocal chords. Her voice was first picked up by London's Jazzman circa 2005, and has travelled across other like like Ubiquity, Raw Tapes, and even on NYC house-techno conglomerate, Ibadan. Philophon feels like a much more natural place for her music to prosper on, a label that's been on our radar since day one, and always comes heavily recommended. "The World" is a true pearl of a song, charged and catapulted into the ether by a deep, raw percussive sway and, of course, Bajka's singular voice. "Invisible Joy" is a similarly deep and tropical, but here the tone is much more jazzy, reminding us of Sun Ra in places. All in all, this is some pretty killer material.

Review: In the early '70s, Cymande made a trio of killer albums that remain stone cold classics to this day. For this reissue 7", Mr Bongo has dipped into two of those albums - 1973's Second Time Around and 74's Promised Heights - and dug out two of the best-loved, most-sampled cuts. On the A you'll find "Fug", a low-slung, bassline-driven party full of killer drum breaks, righteous horn solos and, and conscious lyrics that call for global action against inequality (little, it seems, has changed politically since). It's one of those you should really own, as is the ever more familiar flipside "Brothers On The Slide", which boasts one of the most recognizable grooves in the history of dance music.

Review: A welcome return to action for Nashville scene stalwart DeRobert Adams and his faithful backing band the Half Truths, who between them have released countless revivalist soul gems over the last decade. '100 Yard Dash' is a fiercely up-tempo affair, with Adams' powerful vocals (he's somewhere between James Brown and Teddy Pendergrass) and the band's 1960s style soul instrumentation riding a breakbeat so fast that you could probably play it in a drum & bass set. It is a genuinely ace track all told, as is the more punchy, semi-stomping flipside funk workout 'It's All The Time'.

Review: Mumford & Sons drop a surprise single release alongside Pharrell Williams, 'Good People', delivering on a long-awaited promise to hop in the studio together after years of knowing each other. Finally falling back on their immediate instincts, 'Good People' hears the band and the solo wunderkind sing of tiredness and revelation, making adept use of a dry, driving, sportsmanlike instrumental palette (think hand claps, stomps, gospel harmonies). Though cryptic in theme, the mood on this one-off is one of triumph and impending miracle works to come.

Review: Samba flavours do not come more authentic than this. The sixth in Mr Bongo's Brazil 45 series, here they unearth two foundation pieces from Rio collective Os Origianais Do Samba. Forming in 60s Rio, they're still highly active today and have a discography peppered with Brazilian gold. This 45 does well to showcase their breadth... "La Vem Salgueiro" is quintessential samba. Heavy rhythm, punctuated vocals and a dynamic that leaps from bold and delicate in a flash, it charms you instantly. "Tenha Fe" has a softer soul as it strums and sways and more of a folky sensation, tight harmonies and alluring naked instrumentation.

Review: The renowned Jamaican reggae singer Winston Reedy is someone who has had several solo number-one hits that have made him widely known in the reggae world. He was also the lead singer for top reggae band The Cimarons with whom he saw much more success. He leads this new 45rpm with the super laid back and vibey 'Pirate' and it is paired with a 'Steady Rock' dub by The Inn House Crew, then backed with Jamaican-born, London-based artist, songwriter and producer Barry Issacs and a Germany-based Jamaican in Juliaiasiah whose 'Secret' is a sun-kissed delight.

Review: Top Sounds digs into the garage rock archives and has turned out some real treasure. The Syn were a short-lived but now cult outfit that, in 1967, released just two 45 rpms for the Deram label. Ever since then, fans of them and 60s rock alike, have fawned over them and collectors have paid high prices to own them. Now they can for a much more reasonable fee with this reissued 7" featuring the jaunty melodies and vocal harmonies of 'Created By Clive' and faster, harder more psyched out 'I'm Following You.'

Review: Six Minute Mile has rightly got plenty of attention for its first few outings and their early good work connotes with this eight 7". It's from Ohio's Wesley Bright who has joined forces with The Means of Production and New York's Ben Pirani, and is a lovely mid-tempo roller that reminds of balmy summer nights. The tune comes in two parts and opens with lovely Rhodes chords that are a great foundation for the tenor vocals of Wesley. Then come plenty of irresistible hooks and the rousing vocals sing of love and devotion like all good soul sounds should.