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Review: The Vil label kicks off with a masterful reissue of a classic EP from 1993. 3 of Us was a trance and house project from an Italian collective made of F. Conti, Gianluca Rastelli and Marco Cucchia. They dropped only five EPs between 1993 and 1999 with this being the pick of the bunch. It hits the perfect sweet spot between the driving of hypnotic techno, the melodies of trance and the dreaminess inherent to much Italo music. Track one is a dark but smooth roller, the second has a stomping tech house energy to it and the third asnd fourth close out the EP with two more edgy techno stylers that bring old school cool to any club.

Review: The mysterious Creature is back with the seventh release on the blazing hot self-titled label. We have a clue who is behind this label but we aren't 100% sure who is making these impressive slabs of house music. For this edition, 'Singing' cleverly picks out a few lines from Moloko's 'Sing It Back' and turns it into dancefloor devastation. On the second side is the exceptionally dirty and sleezy grinder called 'Freaking'. Both, when used properly, should wreak havoc on the floor and make serious waves in the minimal techno world.

Review: Federsen's Robot Says R EP is an atmospheric journey of deep techno, showcasing his prowess with minimal soundscapes. 'High Pressure' opens the 12' with its captivating crystalline textures and mid-tempo groove, capturing a nocturnal essence. 'Sono' takes a melodic turn, evoking the classic styling of Detroit techno, hypnotic and mesmerizing. On the B-side, 'Fazed' delivers an addictive bassline-heavy groove, while the minimalist approach creates a driving momentum. Closing the EP, 'Quadrata' incorporates elements of house music, developing gradually into a deep and evolving soundscape. With its multifaceted tracks, Federsen invites listeners to immerse themselves in its late-night techno ambiance. You can always count on Federsen for an excellent combination of blending a classic sound, well-produced techno, yet still being danceable and emotion provoking.

Review: Unstoppable Munich label Ilian Tape has another entry in its fine ITX Series here and this one is called 'Biospore Farmers' from Fields of Mist, describing it as "Sunrise Beams Through Orbital Mist." In less abstract terms, it is a gorgeously hazy and lo-fi electro-exploration. The first two cuts are slow, doleful and reflective with grainy pads and deep space ambiance swirling around nice rough-edged broken beats. The B-side picks up the pace with the brilliantly kinetic bounce of 'Astral Projection Spores' and then the skittish and celestial trip that is 'Orbital Mist'. A high-class EP once again.

Review: Munich's cult favourite Ilian Tape brings some high-energy techno euphoria here from Fireground. Opener 'Recreation' is bristling synths and rattling percussion over closely stacked drums. 'Spice Up' keeps the same vibe but this time with brighter, more tranced-tinged chords which will get smiles on faces and hands in the air. 'Bamboo' is another intense wall of sound and 'Noise Of Light' then brings a more stripped-back side with funky drum programming and paranoid, searching synths up top. What a trip as ever from this innovative crew.

Review: Amsterdam collective Forsvarlig Arkiv is branching out with a new label that is going to represent what they are all about. This debut EP, 'Arkiv I', comes after many years of expert curating of their podcast series and welcomes four different, equally vital artists to offer up some fresh techno. Forest On Stasys kicks off with 'Sunken', a swamp and gurgling bit of mind-melting sound design, Zemog's 'A'te' then rides on silky, meditative loops with rising synth tension and Eyvind Blix follows a similar path with a more psychedelic edge. Biocym shuts down with 'Sabotage', a more percussive and edgy sound for late-night freaks.

Review: Russian label Samizdat follows up its notable first release with a second 12", this time from Genning. It is classy and sophisticated outing all the way with this one as opener 'Stair To The Sky's Rooftop' soon sets you off on a trip to the stars with its slick rhythms and glistening celestial chords. 'Window To The Dub' follows more of a tech house template with loopy drums and bass that rumble up and down and 'Summer Lighting' then zones you out on some lovely pads and frictionless drums. Last off all is 'Mystic Lakes' which takes off on balmy pads and plump, cuddly but dynamic drums.

Review: Prolific Lithuanian dub techno explorer Grad_U is back with a new album which further develops his explorations in realms well beyond the limitations of the dancefloor. Spectral Decay examines all manner of spatial processing, not to mention celebrating the power of the space between the pulses. There are still some steadfast technoid rhythms to latch onto, but the beats are always secondary to the atmospherics in Aleksandr Martinkevic's immersive productions. With a couple of remixes from kindred spirits such as Dominique Jacquinet and Ohrwert Alter folded in for good measure, this is another essential trip into the echo chamber from a master of the craft.

Review: Innershades pays tribute to classic dance music sounds on 'Heritage Vol. 1', infusing his tech and progressive productions with distinct sounds rather than merely emulating them. Monolithic drum sequences and menacing melodies run throughout the EP. 'This Is Belgium' features a clear-cut rhythm structure that allows the bassline to glide against SH-101 leads, while 'Eternal Voices' employs a 303 to create chaos and the energetic 'Rave Signal' combines ever-modulating leads, silky string layers and solid bass. The EP showcases Innershades's contemporary palette and pays respect to the new beat genre.

Review: Innershades has always dealt in lo-fi, misty sounds that are steeped in beauty and melancholy and offer plenty of subtle homages to Detroit. Here he cooks up more electro magic on the Explorer EP, which is again minimalistic in design but maximal in terms of dancefloor impact. His melodies really convey true emotional pain and the drums bring sleek electro energy and brilliance. 'Unknown Depths' is a serene one to open with, 'Explorer' brings some acid modulations and extra percussive snap and 'Aquaculture' is the most liquid and dubby cut here. 'Super 6' has a sense of hope for the future in its brighter, more optimistic melodies. Exceptional stuff.

Review: Jack Bags is back on La Sabbia with volume two of his Panorama Groove series. Once more he flies through a mutant mix of electro and techno in his own singular style. 'Another Acid' is first out of the blocks and layers up gurgling 303s with dark and sleazy vocals over a fat mid-tempo groove. 'Gently Glide' does just that with a more serene atmosphere, silky chords and ice cold drums - it's a super nice tune for late night grooving. Elsewhere are the likes of the grubby 'Ground Control', the Chicago jack of 'In My Mind', twisted and sludgy electro-techno motions of 'Operating Base' and the futurism of the more stripped back 'Underbush'.

Review: Digital Finesse makes its bow on vinyl with a new EP from Jimmy Batt that mixes up electro and techno from across the ages. 'The Enigma' is an adventures cut with lots going on - woozy sci-fi pads, dusty breakbeats, progressive techno melodies and electro rhythms that make for a superb cosmic trip. 'The Cloverleaf' is a squelching mix of chilly synths and drum machine loops and then the old school trance tinged techno thumper 'Problematic/The Gate' is awash with neon colour. Two further cuts bring throwback techno references to the fore with excellent drum precision.

Review: Five years have now passed since Russia-based Stef Mendisis first set out his stall as a maker of dark, intense, lo-fi and mind-altering club techno. In that time he's released just as handful of 12" singles, though all have been spot on. There's plenty to enjoy on the Greek producer's first outing on Mancunian label CLERGY, from the warehouse-friendly, stab-happy stomp of opener "Critical Ratio", to the similarly slamming surge of closing cut "Chroma", where hands-aloft riffs and short, looped female vocal snippets ride a booming, lo-fi techno groove. Sandwiched in between you'll find more rave-ready business, with the clap happy, organ-sporting peak-time sweatiness of "Memorex" standing out.

Review: Poetic Hovering Synth Tinkerer.

Review: Ohm and Kvadrant return to their spiritual home of Kontakt with more of that grandiose dub techno immersion they do so well, plumbing epic depths both within and beyond the functional demands of the dancefloor. 'Precious Little Diamond' kicks the record off in a steady-cruising form, guided by a smooth minimal tech house beat as the engine for some choice dub techno chords and mechanical hiccups. Deadbeat then takes the helm for a version which plunges into abstract echo chamber sonics he's spent decades perfecting before Levon Vincent completes the picture with a remix which heads into the outer limits of deep techno immersion.

Review: Loud Enough has readied its third outing and this one comes from the amusingly titled Raiders of the Lost Arp. As you can expect from the alias, this is music that leans heavily on arps. 'Funk009 (Otto-Zero-Out)' kicks off with thudding and taught house drums overlaid with rattling percussion and detuned synth hooks. 'Funk010 (Lava P)' hist harder, like an Italo Johnson party banger and then the flip side flips the script as it should: 'Funk006 (Drop)' has a more lively and lithe groove, brighter chords and an uplifting energy. Rounding things off is 'Funk007 (Circular)' , a cosmic looper with the best arps of the EP raining down the face of the gritty beats.

Review: Dino Sabatini returns to his own Outis Music label with another mesmerising selection of deep electronic sounds that seem to take plenty of influences from dub, downtempo, ambient and trip hop. The open has a creeping melodic sequence that is forever subtly shifting and brings a sense of eeriness to the smooth and unhurried dub rhythms below. 'Inenarrabilis' is then a double quick flurry of tiny synth loops and trippy effects then 'Plena Lunae' allows you to breathe once more and sink into a vast dub soundscape. 'Ego Experior' shuts down with some paranoid baselines bubbling up through a slowly churning groove. Some quality work here for sure.

Review: If you love the sound of Get Physical and similarly anthemic German techno labels, you're going to love this release on new label Didschn. The label nods to a track Super Flu released back in 2010, which was remixed to great effect by Monkey Safari a couple of years back. Now Super Flu open proceedings on this new release in partnership with Ivan Mas on the epic, infectious 'It's A House Day'. Monkey Safari then hop on the B-side for 'Malmedy', which hits a sweet spot near the mid-00s melodic minimal you'd hear from the likes of Gabriel Ananda. Then Super Flu and Mar+Mer link up for 'AMA', a sensual, emotive hands-in-the-air moment to move the masses.