Back catalogue: All genres

Review: West Coast Classics US has taken the hip-hop community by storm with their ability to license such seminal west coast tracks. With an extra focus on gangster rap, the label offers a classic on each side of a 7". Their sixth release has a couple of killers on it! 2pac and Dr.Dre's 'California Love' really needs no introduction. A legendary track that ate up the airwaves around the world and on MTV when it was released in 1996. Not to be outdone, Ice Cube covers the B-side with one of his most important solo tracks that established him after leaving NWA., 'Jackin For Beats'. Getting original copies of these on wax would cost a day's wage for most people. Like the label suggests, these are West Coast Classics and are blueprints for gangster rap.

Review: Measured Mile records puts two classy soul tracks onto the same 7". Originally released in 1974, Act 1 - 'It's The Same Old Story' is often looked over classic of the era. Act 1 hailed from Detroit and featured Raeford Gerald, Roger Terry, Reggie Ross and George Barker. The band had two minor hits but often people recall 'It's The Same Old Story' as their favorite of their only full album. Ivano Fossati's 'Night Of The Wolf' is found on the B-side. A jam song that verges slightly into Latin music, asks for quite a sum of money for its original copy. Both tracks add up to a real gem of a 7".

Review: Get yourself geared up for festival season with some fierce party starters certified with the Glitterbox stamp. Melvo Baptiste leads the charge with 'Sweat', a sizzling disco house stomper with Dames Brown giving the biggest diva energy on her show-stopping vocal. Lovebirds bring unbridled joy on the Philly string swoon and slinky b-line funk of 'Burn It Down', while Art Of Tones & Inaya Day keep it peak time on the sassy strutter 'Give My Love'. Young Pulse & Fleur De Mur complete the set with 'Smooth Sweet Talker', another bright and bold vocal cut par excellence.

Review: Euphonics, an EP released via Restless Planet, is three artists coming together to create a strong look at minimal music today. Adam Collins' 'Drexel' sets the tone with its quirky, minimal grooves and a captivating blend of the strange and the familiar. Christine Benz's 'GB3' offers a melodic respite, showcasing her prowess in tech house. The final track, 'Effluxion' by Intensive Purposes, emerges as the standout piece for us, transporting listeners to an idyllic island paradise with its tribal house rhythms. Together, these three tracks showcase the diversity and innovation within the electronic music scene.

Review: Big Love records assembles four talented artists for the 5th edition of A touch of love. The compilation opens with Seamus Haji's 'Dance With Me', a spirited house track featuring Kathy Brown's powerful vocals and a driving beat. Illyus & Barrientos contribute 'Wait' featuring Phebe Edwards, a melodic house track with disco influences, soaring strings and rhythmic percussion. The B-side features Richard Earnshaw & Mr V's 'This House Is Yours', a party-ready disco house track perfect for the dancefloor. DJ Meme's 'Century' concludes the compilation with a deeper, more melodic offering. Together, these four tracks offer some great opportunities to make a dancefloor happy.

Review: It's spinbacks, rave stabs and "can't you see"s galore on Injectionz' debut tenth hardcore dubplate, released on their eponymous imprint. Faithful to the form, this is a debut that won't fail to impress even the more seasoned veterans of the scene either; intro track 'Gotta Believe' seems to make light of its debutante's ambition by way of slapstick scat samples and even an "oh my god, I'm a DJ" interjection, then spraying the 'phones with scratches, cutups and repitchings at a blasphemous rate of fire. B-sider 'Rockin' The House' demonstrates a laxer tendency, proving that many different auditory vaccinations are indeed on offer to the would-be fan.

Review: Australian producer Inkswel is back on the Cosmocities label in France with more of his superbly soulful sounds, this time with none other than Chicago legend Robert Owens. The lush 'Space Love' is a playful deep house jam with the sort of cosmic synths that recall early Fingers Inc and Owens's smoky tones only heighten that feeling. Steve Spacek provides a mix that rides on broken beats with elastic bass but just as much cosmic energy and a Fluterumental gets all loose-limbed and seductive. On the flip side are two Yoruba Soul mixes that bring extra rich soul vibes and shimmering pad work. A classy and timeless EP for sure.

Review: Intensified's latest offering, 'Ska Campbell' b/w 'Hamsterdam,' marks their triumphant return after 13 years with a limited edition vinyl release. 'Ska Campbell' pays homage to saxophone legend Dennis 'Ska' Campbell, while 'Hamsterdam' is a funky reggae tribute to the TV series The Wire. The band's authentic 60s ska, rocksteady, and reggae sound shines through, showcasing their undeniable love for the genre. With only 500 hand-numbered copies available in five different sleeves and vinyl colours, this release is a must-have for ska enthusiasts. The band's enduring status are evident in their confident delivery and wide appeal, making this single a welcome addition to their esteemed discography.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


After label owner TOBI's fantastic debut release late last year with his 'Arrival Of The Nila' EP, the artist now presents the IT Guys for their debut release on the same label. Featuring four hi-fi trance-house with notes of Italo and progressive, it's a sound on a slightly different tip to its predecessor, but just as impactful. Various moods are explored, from the more resolutely euphoric ('Double Trouble') to the muted and transitional ('Baile Delito').

Review: Over the last couple of years, we've been treated to numerous reissues of classic cover versions by Japanese reggae/rocksteady combo Inokasira Rangers, including takes on Nirvana's 'Smells Like Teen Spirit', Pharrell's 'Happy' and New Order's 'Blue Monday'. Here we're treated to another, as the band's 2017 take on Underworld anthem 'Born Slippy' gets a fresh pressing. It's certainly a revolutionary revision, with Keichi Sokabe's surprisingly Karl Hyde-sounding lead vocal rising above a lusciously languid, sub-heavy reggae groove. Over on the flip they take on 'Groove Tube', a 1991 indie-pop-meets-acid house single from Japanese outfit Flipper's Guitar, reframing it as a baggy, glassy-eyed rocksteady number.

Review: If you love the sound of Get Physical and similarly anthemic German techno labels, you're going to love this release on new label Didschn. The label nods to a track Super Flu released back in 2010, which was remixed to great effect by Monkey Safari a couple of years back. Now Super Flu open proceedings on this new release in partnership with Ivan Mas on the epic, infectious 'It's A House Day'. Monkey Safari then hop on the B-side for 'Malmedy', which hits a sweet spot near the mid-00s melodic minimal you'd hear from the likes of Gabriel Ananda. Then Super Flu and Mar+Mer link up for 'AMA', a sensual, emotive hands-in-the-air moment to move the masses.

Review: Tour-Maubourg has been receiving quite a bit of press since their very first release. Often, their records quickly become sought after for their amazing beauty and genre-washing abilities. 'The Panorama Sessions' aims to continue the strong promotion and deliver another home run. Like the name suggests, these are alternate versions of other treasured Tour-Maubourg tracks that were featured on different releases, with this 12" bringing in the talents of the Ismael Ndir on saxophone. 'The Opening' gives us At Les vibes with the brilliant melodic touch, a smoothed out Balearic track that is nothing short of sublime, while 'Ode to Love' is another goosebump creator. These sunset styled interludes expanding into a feeling of light jazz and pseudo house, really work well on our mood receptors. 'Saint The A La Menthe (Panorama version)' is perhaps the most soulful track here, making it a perfect way to close things out. All and all, four unique, terrific new versions of classic Tour-Maubourg material to enjoy.

Review: Cult English electronic duo I Monster aka Sheffield based record producers Dean Honer and Jarrod Gosling dropped Neveroddoreven, their second studio album, on 21 July 2003. A little later than first planned, it now gets a special 20th Anniversary re-issue on CD as well as this double gatefold. It incudes the original album plus three new singles and the much loved acoustic version of 'Daydream in Blue' which even if you don't think you know, you will, because ti has been rather ubiquitous in ad campaigns for brands including Ford and Magnum Ice Cream. Also helping to keep this band relevant after all these years was their single 'Who Is She' going viral on TikTok in 2023 and picking up 290M Spotify streams.

Review: .Rhetorical Islands was originally pieced together from Giuseppe Ielasi's work for l'Audible Festival in Paris. An event dedicated to pushing forward thinking, mind-expanding, experimental and just plain strange sounds, his efforts certainly fit in with all of those terms. Presented here as ten standalone tracks, all without name and many without the usual elements we expect from a 'track', this first vinyl pressing of the work is really an extension of the original idea, rather than a time capsule of it. "Isolated sound worlds" is the phrase Ielasi used to describe what's happening here, and it's certainly true that the individual parts stand alone and can each be heard as autonomous. But together they also make a strange kind of sense, complementing, almost feeding into each other, even at the most stark juxtaposition. Ultimately, then, it's about interpretation, making what we choose from the ingredients.

Review: The arrival of Il Quadro di Troisi could not have been more ironic. Anything but new faces on the music scene, the Italian electronic partnership of Eva Geist and Donato Dozzy debuted as the reality of living in a pandemic really began to hit home - November 2020. A month that usually calls for their brand of dark, Ital-disco-cold-synth stuff was void of the situations you'd want to hear it in. No parties, no clubs, no concerts - not even an opportunity to stick it on when getting ready to do something. Nevertheless, we've more than made up for it now, and having grown incredibly close betwixt that waking nightmare and today's chaos, the arrival of a new LP is an enticing prospect. As the notes explain, "everything changes, all things evolve, nothing stays the same... La Commedia marks the band's embrace of a more traditional song form, shaped by a very personal and distinctive musical style. The distinguishing elements of Il Quadro di Troisi's music meld into a unique mix that is both seductive and eerie, elegant and earthy, contemporary and timeless."

Review: Precipice marks a return to Ill Considered's improvisational origins, with Idris Rahman, Emre Ramazanoglu, and Liran Donin synergising to showcase their exceptional talents and solidify their position as frontrunners in the UK's jazz landscape. Following the acclaimed 'Liminal Space in 2021, this album embodies a raw, minimalist essence reminiscent of 70s jazz classics. Collaborating once again with visual artist Vincent De Boer for the album's artwork, Ill Considered's evolution since their 2017 inception has been remarkable. Their pioneering DIY ethos, resulting in nine albums recorded in studios and live sessions, has garnered them a devoted following and garnered respect from jazz luminaries. Now, with their catalogue available on streaming platforms, Ill Considered's distinctive sonic universe is accessible to a wider audience who are ready to delight in both discovery and appreciation.

Review: Prolific London outfit Ill Considered are a talented bunch, with the vast majority of their tracks starting life as freewheeling improvisations built on quality grooves and memorable melodic themes. Interestingly given their penchant for releasing a new album every few months earlier in the career, Precipice is actually their first new studio set for three years. There's plenty to set the pulse racing throughout, from the wild hard-bop solos and ambidextrous grooves of 'Jellyfish', and the 60s spy-movie jazz of 'Vespa Carbro', to the breathless Afro-jazz of 'Kintsugi', and the exotic, slow-burn delight that is 'Solenopsis'.

Review: Four sides of cavernous, postmodern dub inna year 3000 style from the UK soundsystem circuit's hottest boyband: Mark Iration, Dennis Rootical & Rico O.B.F. The trio combine their years of experience crafting box rattling anthems, bringing a new irreverence, sparkle, and poppy playfulness to the classic UK roots template. This really shines through on cuts such as 'Calling Jahova' where washes of buzzsaw synth and Sheffield-type bleeps call to mind Gregory Isaacs' early 90s proto-grime oeuvre, and more austere bangers like the aptly named 'Serious Time', where trappy hi hat flurries and savage anvil snares offer up a taste of unashamed 00s steppa nostalgia, while also deftly channelling O.B.F.'s hip hop influence. Great cover too!

Review: On December 30th and 31st 1978, early demo versions were laid down in Spaceward Studios of what would eventually become the debut EP from future British metal giants Iron Maiden. The three tracks in question ('Iron Maiden', 'Invasion', 'Prowler') were all recorded within the same session, making for a far more primitive and raw offering than the finalised studio versions that would ultimately find their home on the band's self-titled 1980 debut LP. This compilation restores the original three-track The Soundhouse Tapes EP, while including a bevvy of additional demos, alternative takes and live cuts from the formative, (pre-Bruce Dickinson) Paul Di'Anno era.

Review: Wewantsounds press ahead with their hotly-awaited reissue of Japanese piano jazz master Fumio Itabashi's acclaimed album from 1981, Watarase. A seminal document of the history of jazz recorded at the rough moment that the pianist reached his career apogee - the eighties saw him perform several international tours - Watarase is exemplary of Itabashi's unorthodox piano playing for the time. Virtuosic, yet not indulgent of sustained notes or boilerplate consonance, Watarase is keen to wring out the purity of each composition, seeming less interested in style or ornamentation over pure composition. The result is an album which we're not surprised was raised to the heights of jazz standard exalt, with the title track being of most note in this regard; although the less obvious cuts here are also particularly enchanting, such as the rollicking two-chord improvs of 'Miss Cann'.

Notes: Following "Vintage Music T-shirt Scrap", The long-awaited third instalment of the scrap series is Jazz!

Focusing on jazz, focusing on original vintage posters, From flyers to booklets, calendars, and magazines of performances at the time!

There are many jazz record jacket books in the world, but this is the first poster book in the world.

Ide started by searching for materials for his autobiographical book "Rolling On The Road". Ninety percent of the items in the collection were collected intensively by Ide over a period of about a year and a half. "

Binding: 376 pages / A5 format