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Cat: MAR 002. Rel: 10 Jan 22
Breakbeat
Review: The second release on the fascinating Mooziken Analog Room label comes not from Detroit-based Iranian Salar Ansari, who delivered the imprint's debut release, but rather British acid house, techno and drum & bass pioneer A Guy Called Gerald. The Mancunian channels the raw, analogue-rich heaviness of his early work throughout the EP, which sees him skip between twisted, cunningly swung, acid-fired heaviness ('Old Skool'), pleasingly metallic blends of electro, clonk and house ('Sugoi'), trippy and hypnotic early morning mysticism (the Berlin-friendly haziness of 'Flash Fight') and chunky, funk-tinged tech-house (the 'is it heavyweight house or light-touch techno' of 'False Religion', where Gerald makes a rare appearance on the mic).
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Review: Portland-based Aaron Carlson is AC$ and this is his third outing on the cult Sakskobing label. Once again he comes at house music from a unique vantage point and mixes up the rawness of Motor City hero Omar-S with the disco dalliances of Metro Area and the deep house of Berlin. His tunes are packed with character as well as funky drum patterns such as on the seductive lo-fi house of 'Patio Protocol'. 'No Jello' is a bumping Chicago house cut with nice frayed edges and 'The Big Black Slot' is cosmic tech house with soulful heart. EPs this fresh and classy don't come along often.
… Read morePlayed by: Marcelo Tavares(Deep Space Podcast)
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Played by: Sikka
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Trip To The Moon Remixes EP (purple vinyl 12" in die-cut sleeve)
Cat: KFREPRESS 139. Rel: 18 Sep 23
UK Hardcore
Review: Kniteforce Records drop the first instalment of remixes for UK hardcore royalty Acen's landmark 'Trip II The Moon' series. Originally released on Phil Fearon's iconic Production House imprint, Acen's Trip II The Moon trilogy formed a crucial part of the hardcore canon. The first remix comes courtesy of d&b veteran Danny Byrd, who delivers a bassbin-rattling slice of choppy late hardcore nostalgia, replete with air-raid sirens, plentiful Prizna-esque wubs, and a rushier rendition of the famous brass hook. Next in line is NRG, who reimagines 'Trip II The Moon Part 2' as a vast, multipartite 'ardkore odyssey, sashaying between misty-eyed E-lation and punishing hoover beatdowns, before Glasgow's bounce techno innovator Scott Brown raises the roof with a typically rushy hard house version of 'Trip II The Moon Part 3'.
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Trip To The Moon Bonus Remixes EP (white vinyl 12" in die-cut sleeve)
Cat: KFREPRESS 140. Rel: 18 Sep 23
UK Hardcore
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Review: Deathchant continues its mission to put out the most deranged and situated hardcore out there with this new one from Akira, which takes the label well over 100 releases. 'Rice Up' kicks off with an unlikely sample from the tune best known for defining the Rocky soundtrack and it comes in a world of caustic fuzz and noise. After that one, 'Smoke Dad' is another techno blizzard with dense synth winds howling away over the edgy and serrated bass and beats. 'Vegan Rice Beats' shuts down with hip-hop samples and plenty of scratching.
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Review: Heat Rock add yet another breaksy heater to their repertoire and, in so doing, welcome two wicked producers from across the pond into their roster; Altered Tapes from Chicago, and Double A from New Zealand. The former stalwart goes in on an infamous flute loop from The Beatnuts, working in phat kicks and sawn-off breakbeats for a pacier, dancier instrumental version. Double A backs this up on the B with, dedicating a prayer and an amen to the same Dirty South classic. A must-have DJ tool for the aspiring breaks-purveyor.
… Read morePlayed by: Juno Recommends Hip Hop/R&B
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Review: Wex publishes yet another banger, this time under their German sub-label day by day with a new offering of elegant electronica by Anderson Musik (aka Matt Anderson) who has just finished a brief stint across Europe playing some star-studded setlists in London and Barcelona. 'Go Go Gadget EP' is a chemical compound of acid house and techno, a spacious journey into the retro-futuristic mean streets. Side A features something light and easy in 'Synthesised Happiness', a song best described as sounding how a soda tastes, whilst side B dons a more industrial cloak, turning up the intensity - only slightly - on 'Bon Fire'. Make no mistake, 'Go Go Gadget' is a sugary treat across all four tracks - be prepared for the sourness though.
… Read morePlayed by: Juno Recommends Breakbeat
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House Stage & Backstage EP (180 gram vinyl 12" in die-cut sleeve)
Cat: ARPIAR 017. Rel: 22 Feb 23
Minimal/Tech House
Review: This rather unique and otherworldly EP from Dan Andrei is a world all unto itself. While this is a mood conveyed by its somewhat Lovecraftian front cover, the three tracks found inside are equally rare in sound. Matter-of-fact and up-front, yet tentacular, the sonics heard on the lead track 'Ultraviolet' and the closer 'I Dream Of Shrimp' put forward a kind of alien honesty, as if our extraterrestrial visitors have absolutely no fear, and come in peace. It's no wonder this music is able to bridge gaps; it's seen the Romanian artist butt heads with the best and brightest in the international breaks and minimal scene, of late.
… Read morePlayed by: Mimi, Juno Recommends Minimal Tech
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Review: British producer, party set designer and DJ Angel D'Lite is known for her sickly sweet and high energy mixes and solo work. An avid vinyl collector and happy hardcore indulger, '303 Dalmations' feels like biting into a sour sweet and the headrush from the sugar high thereafter. 'Just Trippin' and '7am' are evocative of the 90s records that D'Lite digs for in her local shops and collection and are bubbly dance tracks with classic breakbeats (Producers will recognise the opening amen break vocal sample on 'Liquid Skies' very well). The feel of the EP is a classic club experience, and you can't help but dance along and smile - as D'Lite says herself "Happy Hardcore is good for the soul".
… Read morePlayed by: Juno Recommends Breakbeat
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Review: French finesse with German fusion... Willis Anne makes his Shall Not Fade debut with this killer 'Movement' EP. As with previous missives on his LAN imprint, the beats roam and romp freely between footwork, jungle and ghetto-tek with strong twangs of Detroit bringing it all together. Highlights include the wonderful layers of organs and vibrant chords of 'Direct Effect' and the fully-swung breakbeats and bellowing sub of 'Unison'. Get moving.
… Read morePlayed by: Agnostic Rhythm
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Review: The Cosmic Soup label did some mighty fine work in bringing Howard Dodd's work as Doc Bozique and Anoesis back into ear shot. Dodd released a fair clutch of wiggy, trance-inflected house and techno back in the wild old days of the mid-90s, and so it's no surprise to hear his music finding new relevance at a time when that sound is so warmly received on dancefloors all over the place. This release for German label Spray pulls together a few different bits from 1994, ranging from 'Heavy Water' and 'Diact' from The Anoesis EP to 'Trouble Down Groove' from Eight Day Music. Bringing the relevance with the current zeitgeist in no uncertain times, we're also treated to a remix courtesy of a scene leader in this field, D. Tiffany.
… Read morePlayed by: Juno Recommends Breakbeat
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Review: Anoesis is an alias for Howard Dodd, who you might have caught around labels like Cosmic Soup as Doc Bozique. The Anoesis material reaches back as far as the mid-90s, but now Dodd is minting a new label with some fresh gear which will be of great interest to anyone who appreciates the freewheeling spirit of 90s electronica. There's a strong danceable impetus to these five tunes, but the gleeful pooling of sound sources and disregard for staid functionality makes the EP much more than just something for the DJs to work in the mix. You could call it braindance then, but there's a deeper Detroit beatdown influence at play in these ear-catching constructions.
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Review: Omakase keeps up the momentum of its fine first release with a second sizzling followup, this time from Trauma alongside Anton under their collaborative guise Antraum. It's a case of super silky sounds only here with deft and dubbed out tech on the opener 'Hachi', which is defined by a superb vocal hook. 'Roko' is a jittery rhythm with breakbeat and icy cold hits all warmed through by a fine bassline. 'San' shuts down with a nice laid back tech beat that encourages you to sink deep into it.
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Played by: Juno Recommends Breakbeat, Evan Michael
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Review: Longtime drum & bass legend Aphrodite carved out his own path, helming up his very own Aphrodite Recordings almost from the word jump. The infamously groovy humanoid figure on the front cover of each release (a bit like the Moving Shadow logo, albeit more spiritual) sums up the mood of his releases: hardcore, ecstatic, demi-divine. On 'The Stonka' EP, the producer leans far more in the former territory, however, with 'Stonka' portraying a sub-heavy reversy-breaks cacophony and 'Break Of Day' laying down a ragga-sample-inflected mind-expander, not to mention a clever pun.
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Cat: DKMNTLUFO 12. Rel: 21 Jul 22
Breakbeat
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