Back catalogue: All genres

Notes: Bumper case in extra rugged silicone. For extra protection on the go. Made from 100% recycled silicone.

Notes: Extend your Large XTS Stand's functionality with a Flex Tray: the perfect solution for using multiple pieces of gear on a single desktop stand!

The XTS Flex Tray is available in two lengths: 13.3" or 17.7". It attaches easily and securely to your Large XTS Stand, with no tools required.

The 13.3" Flex Tray can hold 2-3 small pedals or synths. The 17.7" Flex Tray can fit an Elektron Digitakt and Digitone, two SP-404s, 2 large pedals like a Strymon BigSky or Timeline, or up to 6 compact pedals like Chase Bliss.

The XTS Flex Tray is compatible with the Large XTS Stand. For other XTS Stand size options, check out our complete XTS Desktop Stand System.

Flex Tray for Large XTS Stand
Xtend your XTS Stand's functionality
Use multiple pieces of gear on a single desktop stand
2 sizes available for ultimate versatility
Crafted from 100% solid sheet metal

Specs

13.3" Flex Tray

Length: 13.3"
Width: 8.3"
Weight: 2.9 lbs
Fits 2-3 small pedals or synths

Notes: The AKAI APC 40 MK2 Controller Stand is a highly versatile and practical accessory designed specifically for the APC 40 MK2 MIDI controller. This stand offers a host of features that make it an excellent choice for DJs, musicians, and producers who require an ergonomic, stable, and portable solution.

The stand is carefully crafted to provide an optimal working position for the controller, allowing for comfortable access to all knobs, faders, and buttons. Its ergonomic design ensures that you can use the controller for extended periods without straining your wrists or arms.

Stability is a key feature of the AKAI APC 40 MK2 Controller Stand. It is built with a sturdy and durable construction, ensuring that your controller remains securely in place during intense performances or studio sessions. You can confidently engage with the controls, knowing that the stand will provide a reliable platform.

Additionally, this stand excels in terms of portability. It features a lightweight and compact design, making it easy to transport from one location to another. Whether you’re going to a live gig, a studio session, or simply moving between different workspaces, the stand’s portability ensures that you can conveniently take it with you without any hassle.

In summary, the AKAI APC 40 MK2 Controller Stand is a superb product that combines ergonomic design, stability, and portability. It offers a comfortable and accessible platform for your APC 40 MK2 controller, making it an ideal choice for DJs, musicians, and producers who value convenience and performance.

Notes: The AKAI APC 40 MK2 Controller Stand is a highly versatile and practical accessory designed specifically for the APC 40 MK2 MIDI controller. This stand offers a host of features that make it an excellent choice for DJs, musicians, and producers who require an ergonomic, stable, and portable solution.

The stand is carefully crafted to provide an optimal working position for the controller, allowing for comfortable access to all knobs, faders, and buttons. Its ergonomic design ensures that you can use the controller for extended periods without straining your wrists or arms.

Stability is a key feature of the AKAI APC 40 MK2 Controller Stand. It is built with a sturdy and durable construction, ensuring that your controller remains securely in place during intense performances or studio sessions. You can confidently engage with the controls, knowing that the stand will provide a reliable platform.

Additionally, this stand excels in terms of portability. It features a lightweight and compact design, making it easy to transport from one location to another. Whether you’re going to a live gig, a studio session, or simply moving between different workspaces, the stand’s portability ensures that you can conveniently take it with you without any hassle.

In summary, the AKAI APC 40 MK2 Controller Stand is a superb product that combines ergonomic design, stability, and portability. It offers a comfortable and accessible platform for your APC 40 MK2 controller, making it an ideal choice for DJs, musicians, and producers who value convenience and performance.

Notes: Your AKAI deserves to be in a comfortable position to enjoy it. That is why CoverUp have designed this stand so that in your studio, you have the best ergonomics and can make music without thinking about anything else.

Notes: This specially designed stand for Elektron Digitakt / Digitone is attached from below to the equipment’s chassis, utilizing its universal VESA mounting points, enabling the use of the equipment in a much more ergonomic inclined position.

By swapping the position of the feet, it is possible to use the equipment in two different positions: lying down and upright.

It can be set up in a matter of seconds and weighs just a few grams.

Each stand features a groove to accommodate silicone feet to prevent the equipment from slipping or scratching.

Includes both side stands, screws for installation, and silicone feet.

Notes: Introducing the Stand for Korg KAOSS Pad - the ultimate solution for enhancing your music production experience while keeping your studio organized. Designed with ergonomics and durability in mind, this stand is meticulously crafted to elevate your Korg KAOSS Pad to a new level of functionality and convenience.

Constructed using ecologic PLA material, this stand not only offers exceptional sturdiness but also boasts eco-friendly attributes. PLA is a biodegradable and renewable material derived from plant-based sources. With this conscientious choice, you can take pride in reducing your environmental footprint without compromising on quality.

The ergonomics of the Stand for Korg KAOSS Pad are carefully engineered to optimize your workflow and maximize your comfort. Its thoughtfully angled design places your KAOSS Pad at the perfect height and angle, allowing for effortless interaction and intuitive control. Say goodbye to strained wrists and discomfort during long studio sessions, as this stand ensures a natural and relaxed position while you unleash your creativity.

This stand has been built this stand to withstand the test of time, and with the demands of a busy studio environment in mind. Its robust construction ensures stability, keeping your KAOSS Pad secure while you unleash your musical genius. Whether you're a professional producer or an aspiring musician, you can trust this stand to handle the rigors of your creative endeavours.

Beyond its practicality, the Stand for KAOSS Pad adds a touch of style to your studio setup. Its sleek and minimalist design complements any workspace, allowing you to showcase your gear with pride. The stand's black finish and clean lines exude a professional aesthetic that perfectly aligns with the modern musician's taste.

Don't let a cluttered studio hinder your creative flow. With the Stand for KAOSS Pad, you can keep your workspace tidy and organized. Its compact footprint takes up minimal space, leaving you with more room to manoeuvre and create. No more tangled cables or misplaced equipment - simply position your KAOSS Pad on this stand, and you'll have everything within easy reach, ensuring a seamless production process.

Upgrade your music production setup with the Stand for Korg KAOSS Pad today. Experience the perfect blend of ergonomics, durability, and eco-friendliness, all wrapped in a sleek design. Unleash your creativity, enjoy a more comfortable workflow, and make a positive impact on the environment - all with this exceptional stand.

Notes: One of Native's latest creations has its ergonomic stand ready for studying.

Now you can have greater comfort, view your screen and all the equipment thanks to this custom-designed stand.

At the base, there are 3m rubber feet so that the equipment does not move at any time.

Weight: 0.1 kg
Dimensions: 5 × 5 × 1 cm

Notes: The latest addition to the Roland family has its exclusive stand.

Specially designed for the Roland MC-707s.

Taking advantage of the shape of its cabinet to securely hold the equipment.

Achieving a very comfortable position during use.

These stands are lightweight, detachable, and take up very little space, perfect for live performers.

In the studio, they save space and improve the working position.

All CoverUp stands feature 3M rubber feet to prevent scratching or slipping.

With its ergonomic design, this stand provides exceptional comfort during use. Its thoughtful construction securely holds the Roland MC-707s, ensuring stability and convenience. Whether you're performing live or working in the studio, this stand offers the advantages of portability and space efficiency. The lightweight and detachable design make it easy to transport and set up wherever you go. Moreover, its compact size allows for convenient storage. Additionally, the high-quality rubber feet provide excellent grip and protect your equipment from scratches. Invest in this ergonomic stand from COVERUP for a comfortable and hassle-free experience while using your Roland MC-707s.

Notes: Durability is a key feature of this stand. We understand the demands of a busy studio environment, and we've built this stand to withstand the test of time. Its sturdy construction ensures stability and reliability, providing a secure base for your equipment. This way, you can focus on creating music with confidence, knowing that your gear is well-supported.

At the core of CoverUp's production process is the use of recycled sticky woods. By repurposing and transforming these materials into an innovative stand, we give new life to what was once considered waste. With this sustainable approach, we not only reduce the strain on natural resources but also promote a circular economy, where materials are reused and repurposed to minimize waste.

Beyond its practicality, the Stand adds a touch of elegance to your studio setup. Its sleek design and natural wood texture provide a visually appealing backdrop for your synth, elevating the overall aesthetics of your workspace. The stand seamlessly integrates with any decor style, allowing you to create a studio environment that inspires your creativity.

Keep your studio organized and optimized for productivity with the Stand. Its compact footprint and efficient design ensure that your workspace remains clutter-free, giving you the freedom to focus on your music. With everything neatly organized and within reach, you can streamline your production process and unleash your artistic potential.

Upgrade your music production setup with the Stand. Experience the perfect blend of ergonomic design, durability, and sustainability. By choosing this stand, you're not only investing in a high-quality product but also making a positive impact on the environment. Embrace the future of music production with this exceptional stand that combines functionality with sustainability.

Notes: Durability is a key feature of this stand. We understand the demands of a busy studio environment, and we've built this stand to withstand the test of time. Its sturdy construction ensures stability and reliability, providing a secure base for your equipment. This way, you can focus on creating music with confidence, knowing that your gear is well-supported.

At the core of CoverUp's production process is the use of recycled sticky woods. By repurposing and transforming these materials into an innovative stand, we give new life to what was once considered waste. With this sustainable approach, we not only reduce the strain on natural resources but also promote a circular economy, where materials are reused and repurposed to minimize waste.

Beyond its practicality, the Stand adds a touch of elegance to your studio setup. Its sleek design and natural wood texture provide a visually appealing backdrop for your synth, elevating the overall aesthetics of your workspace. The stand seamlessly integrates with any decor style, allowing you to create a studio environment that inspires your creativity.

Keep your studio organized and optimized for productivity with the Stand. Its compact footprint and efficient design ensure that your workspace remains clutter-free, giving you the freedom to focus on your music. With everything neatly organized and within reach, you can streamline your production process and unleash your artistic potential.

Upgrade your music production setup with the Stand. Experience the perfect blend of ergonomic design, durability, and sustainability. By choosing this stand, you're not only investing in a high-quality product but also making a positive impact on the environment. Embrace the future of music production with this exceptional stand that combines functionality with sustainability.

Notes: The latest addition to the Roland TR family has its exclusive stand.

Specially designed for the Roland TR-8s.

Taking advantage of the shape of its cabinet to securely hold the equipment.

Achieving a very comfortable position during use.

These stands are lightweight, detachable, and take up very little space, perfect for live performers.

In the studio, they save space and improve the working position.

All CoverUp stands feature 3M rubber feet to prevent scratching or slipping.

With its ergonomic design, this stand provides exceptional comfort during use. Its thoughtful construction securely holds the Roland TR-8s, ensuring stability and convenience. Whether you're performing live or working in the studio, this stand offers the advantages of portability and space efficiency. The lightweight and detachable design make it easy to transport and set up wherever you go. Moreover, its compact size allows for convenient storage. Additionally, the high-quality rubber feet provide excellent grip and protect your equipment from scratches. Invest in this ergonomic stand from COVERUP for a comfortable and hassle-free experience while using your Roland TR-8s.

Weight: 0,5 kg
Dimensions: 10 × 10 × 10 cm

Models: TR8S, MC707

Notes: This ergonomic stand model is specially designed for the new sampler/sequencer by Teenage Engineering. To achieve a more comfortable use of this beautiful machine, we decided to offer two possible positions: Studio and Live.

The Studio version has a higher angle and elevation, allowing it to be placed in our setup without obstructing rear connectors of other equipment. The Live version has a lower angle, and the front of the EP-133 remains at the level of the supporting surface. This facilitates its use while standing.

Both versions have silicone pads on their bottom to prevent slipping or scratching the surface where it rests. The wooden rods that connect both sides of the stand provide rigidity and stability to the assembly.

Notes: CoverUp designed two ergonomic support models for the OP-1: Studio and Live versions.

The Studio support has a higher incline and is elevated. This is ideal for seated use, improving screen visibility, and the height allows it to be positioned even behind other desktop equipment.

The Live version of this support has a slight incline and is intended for use in a live or standing situation.

Both supports have rubber feet to prevent slipping and are adorned with two well-known characters that appear on the OP-1.

***Please note: The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Notes: CoverUp designed two ergonomic support models for the OP-1: Studio and Live versions.

The Studio support has a higher incline and is elevated. This is ideal for seated use, improving screen visibility, and the height allows it to be positioned even behind other desktop equipment.

The Live version of this support has a slight incline and is intended for use in a live or standing situation.

Both supports have rubber feet to prevent slipping and are adorned with two well-known characters that appear on the OP-1.

Notes: The well-known Pocket Operators are essentially bare electronic boards, with the components visible.

To protect your Pocket Operator and make its use more comfortable, CoverUp offer this case, which includes a front part, a back cover, and the buttons.

This case is compatible with the entire Pocket Operator series, and its assembly is very simple.

Notes: External footswitch. Accessory for Sidekick JR.

Use the XT footswitch to control the operation of the modulation section of the Sidekick JR independently. Engage or true bypass the modulation effect.

XT footswitch bypasses the onboard modulation operation assign toggle switch of the Sidekick JR.

Connect to the XT jack input of the pedal.

Passive operation - no power needed for the XT footswitch to operate properly - use standard TS instrument jacks / cable only.

XT footswitch function is not affected by the power-up bypass/engage preset function of the onboard footswitches of Sidekick JR.

Dimensions (W x L x H) : 54 x 51 x 49 mm
Weight 0.91 kg
Made in Greece

Notes: You may wonder - what's that strange connector on the top of the Bullfrog? This is the VOICECARD slot. Voicecards expand functionality of the Bullfrog and make it even more versatile. Essentially, the voicecards replace patch cables - they connect the "modules" of the Bullfrog internally. But that's not all about them - some voicecards have built in mixers, signal generators and advanced electrical circuits to control the synthesiser, for example, sequencer that sends CV to control pitch and gate to start events on the synthesiser.

When inserting voicecards, make sure, the front panel of the voicecard faces the main interface of the Bullfrog. It is recommend that you turn off the Bullfrog when inserting a new voicecard.

The ELECTRIC ORGAN voicecard makes internal connections of the Bullfrog to emulate pipe organ, when several notes are played together. It also illustrates the principles of ADDITIVE SYNTHESIS. In additive synthesis several simpler waveforms are mixed together to generate more complex sounds. On this voicecard the pulsewave is sent to the DIVIDER and all outputs of the divider are mixed together with the original pulsewave and sent to the VCF and then to the VCA. Both ENVELOPE GENERATORS are involved in the same way as on the Acid Bassline voicecard. The DIVIDER divides an original frequency by even numbers and as result produces a pitch that is even octaves down form the original pitch. Faders on the voicecard determine an amplitude of each suboctave. Set the VCA OFFSET all way counter clockwise, PULSE OUT to the max. Push the MANUAL GATE button to check the sound. Tweak settings of the faders and observe the difference in the sound. Tweak CUTOFF and RESONANCE knobs. Add some echo by setting the DRY/WET knob to 12:00 and find the best DELAY TIME and FEEDBACK settings. Now, connect the keyboard and you are ready to perform Toccata and Fugue in D minor.

Notes: You may wonder - what's that strange connector on the top of the Bullfrog? This is the VOICECARD slot. Voicecards expand functionality of the Bullfrog and make it even more versatile. Essentially, the voicecards replace patch cables - they connect the "modules" of the Bullfrog internally. But that's not all about them - some voicecards have built in mixers, signal generators and advanced electrical circuits to control the synthesiser, for example, sequencer that sends CV to control pitch and gate to start events on the synthesizer (Figure 40).

When inserting voicecards, make sure, the front panel of the voicecard faces the main interface of the Bullfrog. It is recommended that you turn off the Bullfrog when inserting a new voicecard.

As it's name suggests, the HIGHPASS VCF voicecard expands the sound treatment capabilities of the Bullfrog by bringing a highpass filter into the game. This allows for exploring highpass and bandpass filtering. The voice card features typical VCF controls - CUTOFF frequency, RESONANCE and CV LEVEL. The CV source switch allows for selecting between three CV sources - envelope generator 2, Sample & Hold LFO, which is a pulsewave generator in the Sample&Hold "module". The voice card features internal audio connections - the output from the MIXER is patched into the highpass VCF, the output of the highpass VCF goes into the input of the onboard lowpass VCF which is then connected to the VCA. For more flexibility, no CV connections for the Bullfrog are present on the voice card, so you have to do the patching yourself.

Notes: You may wonder - what's that strange connector on the top of the Bullfrog? This is the VOICECARD slot. Voicecards expand functionality of the Bullfrog and make it even more versatile. Essentially, the voicecards replace patch cables - they connect the "modules" of the Bullfrog internally. But that's not all about them - some voicecards have built in mixers, signal generators and advanced electrical circuits to control the synthesiser, for example, sequencer that sends CV to control pitch and gate to start events on the synthesizer (Figure 40).

When inserting voicecards, make sure, the front panel of the voicecard faces the main interface of the Bullfrog. It is recommended that you turn off the Bullfrog when inserting a new voicecard.

The WIND AND STARS voicecard makes internal connections of the Bullfrog so that it automatically emulates randomly evolving wind sound and blinking stars are controlled by the divider. Toddlers fall asleep better when they hear sounds like these.

The NOISE is patched into VCF and the VCF is patched to VCA. Set the VCA OFFSET to 12:00, ENVELOPE GENERATOR 1 to LOOP mode, NOISE LVL all way clockwise. Then manipulate SAMPLE & HOLD RATE setting, VCF CUTOFF, RESONANCE and CV 1 LVL settings, and well as ATTACK 1 and RELEASE 1 settings. Add some echo by setting the DRY/WET knob to 12:00 and find the best DELAY TIME and FEEDBACK settings.

Enjoy and goodnight!

Notes: What started as a simple plan to develop a new line of patch cables, quickly became an engineering feat in typical Joranalogue fashion. After countless hours of stripping cables, benchmarking crosstalk and high frequency performance, and designing in-house cable testing tools, Patch is the result of these efforts.

Patch is a series of top-quality patch cables for the discerning modularist, available in black and white, and a variety of lengths. Constructed using a custom-made coaxial base cable and over moulded mini-jack plugs, protected by unique laser-cut aluminium shells, these Eurorack cables are designed to outlast and outperform.

Lengths 15, 30, 60 and 90 cm are available in 8-packs, while the extra-long 150 cm cables are supplied in 4-packs.

Premium patch cables with 3.5 mm mono mini-jack connectors for Eurorack modular synthesiser use.
Engineered for audio, CV as well as analogue video signals.
Unique anodised aluminium shells and heavy duty bend reliefs for long life span.
7 inner signal and 40 outer shield conductors of 100 % ultra-pure oxygen free copper.
Extra-flexible PVC outer sleeve: satisfying 'droop' without crinkles.
Safely packaged in a reusable cotton bag with branded hook-and-loop cable tie included.
Incredibly fun to patch with. (Seriously!)
Designed in Belgium; made in China.

Notes: What started as a simple plan to develop a new line of patch cables, quickly became an engineering feat in typical Joranalogue fashion. After countless hours of stripping cables, benchmarking crosstalk and high frequency performance, and designing in-house cable testing tools, Patch is the result of these efforts.

Patch is a series of top quality patch cables for the discerning modularist, available in black and white, and a variety of lengths. Constructed using a custom-made coaxial base cable and overmoulded mini-jack plugs, protected by unique laser-cut aluminium shells, these Eurorack cables are designed to outlast and outperform.

Lengths 15, 30, 60 and 90 cm are available in 8-packs, while the extra-long 150 cm cables are supplied in 4-packs.

Premium patch cables with 3.5 mm mono mini-jack connectors for Eurorack modular synthesiser use.
Engineered for audio, CV as well as analogue video signals.
Unique anodised aluminium shells and heavy duty bend reliefs for long life span.
7 inner signal and 40 outer shield conductors of 100 % ultra-pure oxygen free copper.
Extra-flexible PVC outer sleeve: satisfying 'droop' without crinkles.
Safely packaged in a reusable cotton bag with branded hook-and-loop cable tie included.
Incredibly fun to patch with. (Seriously!)
Designed in Belgium; made in China.

Notes: What started as a simple plan to develop a new line of patch cables, quickly became an engineering feat in typical Joranalogue fashion. After countless hours of stripping cables, benchmarking crosstalk and high frequency performance, and designing in-house cable testing tools, Patch is the result of these efforts.

Patch is a series of top-quality patch cables for the discerning modularist, available in black and white, and a variety of lengths. Constructed using a custom-made coaxial base cable and over moulded mini-jack plugs, protected by unique laser-cut aluminium shells, these Eurorack cables are designed to outlast and outperform.

Lengths 15, 30, 60 and 90 cm are available in 8-packs, while the extra-long 150 cm cables are supplied in 4-packs.

Premium patch cables with 3.5 mm mono mini-jack connectors for Eurorack modular synthesiser use.
Engineered for audio, CV as well as analogue video signals.
Unique anodised aluminium shells and heavy duty bend reliefs for long life span.
7 inner signal and 40 outer shield conductors of 100 % ultra-pure oxygen free copper.
Extra-flexible PVC outer sleeve: satisfying 'droop' without crinkles.
Safely packaged in a reusable cotton bag with branded hook-and-loop cable tie included.
Incredibly fun to patch with. (Seriously!)
Designed in Belgium; made in China.

Notes: 2mm thick aluminium panel, in bath-anodized finish, with high-quality light-grey printing.

Notes: 2mm thick aluminium panel, in bath-anodized finish, with high-quality light-grey printing.

Notes: LOCI Crate 30 is a 30hp case for small Eurorack configurations. Supplied with strong 3D printed LOCI Rails (inspired by vector rails) and stainless steel threaded strips. At just L49.99 RRP inc VAT it's an incredibly affordable route into the modular synth world.

Great for small Eurorack Modular setups.
Assembled in seconds.
Super strong.
Precision laser cut from ethically sourced and renewable 6mm Oak veneer.
Beautifully detailed with laser etched logo.
Non-slip pads.

Notes: ***B-STOCK: Old version in box, product in perfect working order***


A discovery born out of necessity, the Old Blood Noise Endeavors Split | Meld is a practical non-destructive way to manage parallel dual-mono and stereo signal paths and adds to the OBNE line of pedalboard friendly utility devices.

As a routing solution that splits two sets of stereo TRS to dual mono TS signal paths (and vice versa), this little passive box of tricks is an ideal route for parallel signal paths in a myriad of creative ways.

Especially useful for stereo pedalboards and setups with devices that have TRS stereo inputs & dual-mono outputs, Split | Meld can also be used to make use of a pedal's TRS effects loop, without the need to fiddle with TRS splitter cables that often can be poor quality and get in the way.

No power supply is needed here - simply connect and go.

Notes: The SC27 is a high-quality SuperSpeed USB-C to USB-C cable designed to connect devices that require fast data transfer speeds to your computer. It measures 2 metres in length and is capable of 5Gbps transfer speeds and 60W power delivery, making it ideal for use with high-performance devices. Available in a range of colours, including black, orange, red, purple, pink, green and blue.

High-quality SuperSpeed cable with up to 5Gbps data transfer and 60W charging
2m (6'6") long
Output Connection: USB-C
Input Connection: USB-C

Weight (grams): 28.7g
Dimensions (millimetres): Length: 2000mm

Notes: The VESA Mount is a sturdy adjustable mount for products fitted with VESA mounting screws, such as the RODECaster Pro II and RODECaster Duo. It features a locking ball head that can rotate 360 degrees for easy manoeuvring of the device in any orientation.

The mount attaches to any standard microphone stand or studio arm, and is the perfect way to position your device in a range of scenarios.

Note - not compatible with the original RODECaster Pro.

Suits both 100 and 75mm VESA mounts
360-degree ball head mount
Easy-to-use cam to lock in any position
Attaches to any standard microphone stand or sudio arm

Mechanical specifications

Weight (grams): 400g (including screws)
Dimensions (millimetres):
Length: 140
Width: 140
Height: 90
Compatible RODE Products: RODECaster Pro II, RODECaster Duo

Notes: ***B-STOCK: Box damaged, product in perfect working order***


SoundLAB Universal Cable Tester (11Type)

This is a versatile cable tester for use with most audio leads; the product can test the following leads, 8 & 4 Pole Speakon, Small Din, 3.5 mm Jack, 3 & 5 Pin XLR Male, 3 & 5 Pin XLR Female, Din 3P/ 5P/ 7P/ 8P, Phono and 6.35 mm Jack.

Notes: ***B-STOCK: Without original box, product has light surface marks but otherwise in perfect working condition.***


This 1-row rack for AE modular is 12 units wide; two of them are used by the MASTER module so you have 14U remaining for other modules.

Via a joint kit (not included) another case of this width (either one-row or two-row) can be attached at a free angle; the bus is connected via a short connector cable between both cases.

The sides are made of red acrylic, all other parts are of wood fibre board (MDF), black painted.

Dimensions:31.1 x 11.2 x 4.5 cm (width x depth x height)

Notes: A music producer/ sound engineer looking for a professional, durable case solution for your Motu M4 or M2? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Motu M4 or M2, this case is perfect for the travelling music producer/ sound engineer that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,54 kg / 1.188 lbs
Outer Dimensions (W x H x D): 23.3 x 15.5 x 5.6 cm | 9.2 x 6.1 x 2.2 inch
Inner Dimensions (W x H x D): N/A
Material: Durashock moulded EVA foam

Protection:

Covers main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Heavy duty handle
Easy grip zipper pulls

Fits

Motu M4 or M2

Notes: A music producer/ sound engineer looking for a professional, durable case solution for your Strymon Timeline/ Bigsky/ Mobius/ Nightsky/ Volante? Then look no further, UDG developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior this case provides protection against drops, scratches & liquids. Skillfully designed & moulded to fit the Strymon Timeline/ Bigsky/ Mobius/ Nightsky/ Volante, this case is perfect for the travelling A music producer/ sound engineer that needs to protect their equipment.

Specifications

Colour: Black
Weight: 0,40 kg / 0.88 lbs
Outer Dimensions (W x H x D): 23.8 x 14.9 x 8.5 cm | 9.4 x 5.9 x 3.3 inch
Inner Dimensions (W x H x D): 22.8 x 13.9 x 7.5 cm | 8.9 x 5.5 x 2.9 inch
Material: Durashock moulded EVA foam

Protection:

Cover main material 600D polyester with 5 mm EVA durashock moulded body
Water repellent laminated nylon exterior
Black soft fleece interior
Protective egg-crate foam prevent damage from vibrations & shocks

Extras

Removable divider for extra cables or power adapter
Heavy duty handle
Easy grip zipper pulls

Fits

Strymon Timeline/ Bigsky/ Mobius/ Nightsky/ Volante

Notes: Tiny but mighty busboard for the tiny but mighty Micronova

This tiny 100x30mm busboard is a perfect companion to Micronova. It provides six additional power headers and is the exact same size as Micronova - perfect for your custom case build.

Includes one 16-pin to 16-pin Eurorack power cable for connecting the busboard to your Micronova or other power supply. If you need them, grab some 16-pin to 10-pin power cables for connecting power to your modules.

100 mm x 30 mm x 13 mm

Notes: Optional accessory replacement panel.

Black anodised alu + heavy duty screen printing.

Notes: ***B-STOCK: Without original box, product has light surface marks but otherwise in perfect working condition.***


The Sonicware SmplTrek is a compact and powerful sampler that opens up endless creative possibilities for music producers and performers alike. With its intuitive interface and versatile feature set, the SmplTrek is the perfect tool for capturing and manipulating audio on the go.

The SmplTrek boasts a wide range of sampling and synthesis capabilities, including built-in effects, a step sequencer, and a wide variety of sound-shaping tools. It's a powerful and versatile instrument that's perfect for creating beats, melodies, and textures for your music.

To ensure the longevity and protection of your device, Decksaver has designed a custom-fit cover made from super-durable polycarbonate material. Decksaver's team of experts has spent many hours researching and testing to ensure that these covers provide the highest degree of protection against dust, debris, spills, and other potential hazards.

The Decksaver cover for the Sonicware SmplTrek is an essential accessory for any musician who values their equipment. Not only does it provide top-tier protection, but it also adds a sleek and professional look to your setup.

With this cover, you can rest assured that your SmplTrek will stay safe and secure, allowing you to focus on making music without any worries.

Dimensions

Weight: 0.70 kg
Length: 18.1 cm
Width: 15.3 cm
Height: 2.3 cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: The 2CVADD-HQ is a dual precision adder especially for adding 1V/octave (pitch-controlling) CVs. This makes it possible e.g. to transpose a sequence. Compared to general purpose CV mixers (like POLAMIX), this module does the summing of the CVs very precise (within a few millivolts), so the desired pitch is not affected.

The module offers three CV inputs for each of the both units; the first unit has an additional fourth input where the CV is subtracted - meaning "transposition downwards".

If you would like to have transposition buttons to shift by one or two octaves (or a free offset), take a look at the CVADDER-HQ module.

Notes: This is an expander for Bartender and Barback, enabling CV control of the level of the send bus of up to 8 channels.

Each section of four jacks has a cable to connect to the mixer modules. To get 4 channels to work with Barback you want to connect it to the last Barback in the chain of two. It will then pass along channels 3 & 4 to the next Barback.

Dimensions
2 HP

Current Draw
Module does not draw current

Notes: TRS Split - CV/Audio signal distributor

TRS Split is a multipurpose CV and audio signal distribution module. It has three 3.5 mm TRS (tip/ring/sleeve - stereo) jacks and six ordinary 3.5 mm mono jacks.

It contains 3 identical sections set up as following:

Upper jack carries the tip signal
Middle jack carries the stereo/dual signal
Lower jack carries the ring signal

Each section can either split a stereo signal into two mono signals or join two mono signals into one stereo signal. The module does not have any active components and does not need a power supply.

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

Switching sides

Two splitters can be used to switch tip and ring (left and right): Plug in a stereo cable in the middle jack of the first section. Connect mono cables to the upper and lower jack of the first section. Then connect the upper mono cable of the first section to the lower mono jack of the second section and the lower mono cable of the first section to the upper mono jack of the second section. The signals are switched. Plug a stereo cable in the middle of the second splitter and you're good to go.

Hint: This also works for MIDI signals. If you use MIDI over minijack, there are two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Stereo multiple setup

If you have a separate multiple in your modular, you can use the TRS-SPLIT to create a 1:2 stereo multiple as follows:

Plug a stereo cable in the middle jack of section 1, patch the mono cable from the upper jack into section 1 of your multiple (e.g. a 3/3/3 multiple) and feed two of the outputs back into the upper jacks of section 2 and 3. Do the same with the mono cable coming from the lower jack of section 1 going into the second section of a 3/3/3 multiple and patch two cables back into the lower jacks of section 2 and 3 of the TRS Split. Now the middle jacks of section 2 and 3 both carry the stereo signal.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current

Notes: TRS Tool - Stereo/Dual CV/Audio/MIDI signal multipurpose module

TRS Tool is a multipurpose CV and audio signal distribution module for working with 3.5 mm stereo jacks (tip/ring/sleeve). These jacks are common for stereo audio but also for MIDI.

The TRS TOOL has no active components and does not need a power supply. It contains 3 different sections set up as following from top to bottom:

TRS Split
The upper jack carries the tip signal
The middle jack carries the stereo/dual signal
The Lower jack carries the ring signal

Use cases:

When you plug a stereo signal carried by a stereo (TRS) cable into the middle jack, you receive two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. That way you can attack an "AUX" cable such as from your smartphone to your modular.

Or the other way around: Send two separate mono signals by plugging in a mono (TS) cable in the upper jack to carry the left signal and a mono (TS) cable in the lower jack to carry the right signal. Receive a stereo signal at the middle jack to be used with a stereo (TRS) cable.

Converting from stereo to dual mono and back allows you to alter the two sides of a stereo signal with different effects/filters.

Some tuners such as the Korg NTS-2 accept inputs to tune two oscillators combined in one 3.5 mm stereo jack. With one splitter you can easily feed two VCO signals into such a tuner.

TRS Quad Multiple

Multiply a stereo signal. Four TRS jacks to be used with stereo minijack cables.

Use cases:

You could use this to multiply the signal for headphones - listen to patches together.

Or create sends - route one (or two) stereo signals to effects and use the third one as dry signal going to the mixer.

Experimental: multiply a MIDI signal to two or three receivers: NOTE: depending on the output power of the MIDI sender and the power draw of the MIDI receivers this might or might not work. MIDI uses a current of typically 5 mA instead of voltage levels for data transmission. So when you attach too many devices to one output the current might not be enough to drive all of them. So this is strictly spoken not covered by the MIDI standard, but might work anyway.

A/B Swapper
The bottom section of the module consists of two connected TRS jacks.
Whatever signal applies to the tip in jack A will be routed to the ring in jack B.
Whatever signal applies to the ring in jack A will be routed to the tip in jack B.

Use cases:

Switch the left and right side of a stereo audio signal.

Switch between MIDI standard A and B: If you use MIDI over minijack, there's two standards A and B - some manufacturers use A some B - thus not all connections are working. Now you can easily switch between the standards using the TRS Split.

Note: The MIDI input of the DROID X7 automatically detects A and B, so there is no switching necessary. The MIDI output of the X7 can be set to A or B with a switch on the back of the module.

Dimensions
2 HP
22 mm deep

Current Draw
Module does not draw current

Notes: When patching, you might feel inspired to add an effect mid patch - but how do you audition your new sound compared to the baseline, without a lot of continuous plugging and unplugging? The Bypass offers a solution. Quickly switch between the dry and wet signal output AND immediately hear the impact of your dynamics change, FX or EQ, switching back and forth at will.

The best part? It's a completely passive solution, drawing no power and requiring only an Intellijel 1U row. An invaluable tool for the studio, or the creative performer. The Bypass works similarly to an FX return circuit, taking a signal input and multiplying it to an output. A switch then allows the user to select either the dry input or the returned, wet input, for the final output.

Hand built, tested and guaranteed to take your abuse, the Bypass is the tool you wished you had in your arsenal yesterday - correct that mistake today!

Notes: The Man-Machine Interface, or MMI, is a passive touch and pressure sensitive controller which allows the user to direct CV and audio signals at will. The MMI consists of three input/output jacks, and five body contact surfaces in glorious gold.

The zig-zag body contacts correspond to the input/output jacks, with the top zig-zag connecting to the top jack, the middle zig-zag connecting to the middle jack, and the lower zig-zag connecting to the lower jack. The spiral patterns in between the zig-zags are comprised of the two adjacent jacks, so the upper spiral is comprised of the upper and middle jack, while the lower spiral is comprised of the middle and lower jack.

In order to operate the MMI, the user can touch any two points with their fingers, patch cables, a piece of fruit or vegetable, or any other conductive substance or object, in order to complete the connection. The degree of contact made with the MMI, and the resistance of the object completing the circuit, will determine the output that is sent along the circuit. For instance, if a user were to patch a VCO into the top jack, and patch the MMI into a filter in the middle jack, the VCO will be sent to the filter when the topmost zig-zag and lower zig-zag are connected by two fingers, for instance.

But how about the spirals? The spirals offer a way to make a connection with one finger. Using the example from before, the connection will instantly complete when the user touches the upper spiral pattern. Using this principle, it becomes possible to use the MMI in unusual and interesting ways, such as a rudimentary keyboard, a drum controller, a switch and any other number of weird and exciting purposes.

It is also possible to combine several MMI - using two different MMI, it is possible to reach across one zig-zag to another zig-zag, in order to make a different connection, or to place a particularly long vegetable across all the contacts just to see what will happen. The MMI is an unusual patching system for the experimental musician, and lends itself well to all manner of experimentation and weird instruments.

The MMI can bleed a tiny bit of signal when using sharp VCO waves like square waves, while other sounds like sine waves will have softer responses. This can easily be corrected with amplification or attenuation as needed.

The MMI takes up 4HP and is skiff friendly, and is also suitable for installing in external boxes as a passive control unit. You can combine any number of MMI to create increasingly complex keyboard-like arrangements, drum pad matrixes or advanced switch systems.

Dimensions
4 HP
14 mm deep

Notes: In recent years, stereo signal paths have increasingly found their way into the wonderful world of Eurorack synthesis - so naturally, utilities should follow suit. Introducing psATT, a simple solution to a problem you might not even realise you had. Far from just useful as an attenuator for audio sources in mixdowns, the psATT can also be used to bring stereo audio signals down to more manageable levels (such as line level), attenuate multiple signals simultaneously (like increasing the modulation depth of two LFO's at the same time! It's like having two hands, but with one hand!) and is even normalled, so if you only have a mono signal, the attenuated signal will be present at both outputs. That's what utility is all about!

There's not much else to say, except that it's passive, and draws no power - and it looks very classy in black and gold; and it's also only 2hp.

Notes: The DIODEFILTER is an adaption of the well-known diode ladder filter that became most popular by Roland's TB-303 bassline. And here it is for the AE modular!

Notes: With the STOMP-IO module, you can integrate guitar effect pedals and similar devices into your AE modular system! For output (send) and input (return) return there is a mono minijack socket; two minijack to 1/4" socket adapters are included as effect pedals usually work with the latter ones. Send and return levels can be controlled with separate knobs.

Notes: XMIX is a swiss knife for signal mixing and attenuating, offering four(!) mixers and two attenuators in a 1U module. It is designed especially with very small AE systems in mind.

You get:

A three channel mixer "A" with knobs
a passive mixer "B" with four channels
two four-channel mixers "C" and "D" with full level / one-third-level inputs
two attenuators with seven different attenuation levels

All mixers can be used / switched for audio and CV signals.

Notes: ***B-STOCK: Without original box, product in perfect working order***


Gate Expander for Sweet Sixteen mkII.

This is an expander, brings 8 gate inputs for the Sweet Sixteen mkII.

The panel is reversible, so jacks & buttons can be in the left or right side.

The orientation of the 10 pin ribbon cable is marked by the 'do not plug power here!' legend on the PCB, so it could be with the red stripe facing that in both GESS and Sweet Sixteen mkII modules.

Notes: DP-2 Digital Drum Practice Pad

DP-2 is a drum practice pad for solo practice and technique improvement. The pad can be used on a desktop or mounted to a snare drum stand and played with standard drum sticks. A built-in metronome produces audio prompts or spoken word beat counts through the integral speaker or via a headphone output. Each strike on the pad can be detected, which works with the internal modes to provide interactive rhythm training. Time signatures and beat types can be selected as needed within a wide range of tempo settings, all comprehensively displayed on the built-in LCD screen. Powered from its internal battery, the DP-2 can be re-charged via USB (5V 2A) using the supplied lead. An excellent and enjoyable training tool for drummers of all levels.

Comprehensive LCD display
Interactive rhythm trainer
USB type-C charging cable included

Battery: Internal 1300mA Li-ion rechargeable
Power in: USB type-C (for charging)
Speaker output: 0.5W
Recharge time: 2 hours
Tempo range: 40bpm - 208bpm
Time setting: 1, 2, 3, 4, 5, 6, 7, 8, 9
Dimensions: 270 x 240 x 27mm
Weight: 726g

In the box

The box for this item contains:

DP-2 digital drum practice pad
USB A to C lead (charge only)

Notes: Compact Tuner-metronome combo

The Korg TM-70T is a compact tuner-metronome combo. Offers precise tuning, clear metronome sound, and a user-friendly display. Features a transpose function, long battery life, and is ideal for a range of instruments. Made in Japan for quality assurance.

The TM-70T combo metronome and tuner is the latest evolution in our TM series, expertly blending a tuner and metronome in one practical unit. Designed for the modern musician, it delivers a suite of features in a surprisingly compact design, ensuring you stay in tune and on beat, whatever your instrument.

The TM-70T is designed to be portable and user-friendly. It's small enough to fit in your pocket, yet features an improved display for easy visibility, making it an ideal companion for musicians of all levels.

Korg have fine-tuned the TM-70T for precision and clarity. The tuning is quicker and more accurate, essential for every performance, and the metronome sound is loud and clear, cutting through even in noisy environments.

Notes: Compact Tuner-metronome combo

The Korg TM-70T is a compact tuner-metronome combo. Offers precise tuning, clear metronome sound, and a user-friendly display. Features a transpose function, long battery life, and is ideal for a range of instruments. Made in Japan for quality assurance.

The TM-70T combo metronome and tuner is the latest evolution in our TM series, expertly blending a tuner and metronome in one practical unit. Designed for the modern musician, it delivers a suite of features in a surprisingly compact design, ensuring you stay in tune and on beat, whatever your instrument.

The TM-70T is designed to be portable and user-friendly. It's small enough to fit in your pocket, yet features an improved display for easy visibility, making it an ideal companion for musicians of all levels.

Korg have fine-tuned the TM-70T for precision and clarity. The tuning is quicker and more accurate, essential for every performance, and the metronome sound is loud and clear, cutting through even in noisy environments.