funk under 20
ホーム  Back Catalogue  All genres
Subscribe Subscribe here to receive our weekly round up of the best new music releases + exclusive offers

Filter

フォーマット
Release Date

Back catalogue: All genres

Juno's full catalogue of All genres
フォーマット: すべて レコード CD DJ機材 スタジオ機材
オプション
150/109(ページ1/3)の商品
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z すべて
1  2  3  »
シングル
The Night
The Night (limited 7")
Cat: JS7S 416. Rel: 08 May 25
 
Soul
The Night (2:57)
The Night (instrumental) (2:58)
 in stock $29.87
Ace Box Sneak
Cat: SSR 2017. Rel: 06 May 25
 
Jazz
Ace Box Sneak (2:49)
$100 Eldorado (4:01)
Review: After years of silence following the loss of Sonny Knight in 2017, former Lakers members Blair Krivanek and Cy Pierpont return with their new project, Ace Box Shift. The duo have made plenty of standout contributions to the soul revival scene before now and here they debut on Secret Stash Records with another pair of fiery instrumental cuts that work exceptionally well for DJs and dancefloors alike. They find Krivanek's jazz-infused guitar work meeting Pierpont's pounding rhythms with raw, funk-driven results that make for a bold, high-energy comeback that pays tribute to their roots while also moving things onwards.
Read more
 in stock $14.38
Everybody Loves The Sunshine (remastered)
Everybody Loves The Sunshine (remastered) (translucent orange vinyl 7" limited to 300 copies)
Cat: SSCRART 007 ORANGE. Rel: 09 May 25
 
Funk
Everybody Loves The Sunshine (vocal)
Everybody Loves The Sunshine (instrumental)
Review: This orange 7" is a miniature monument to one of soul's most quietly influential figures. Roy AyersiLos Angeles-born, jazz-schooled, funk-mindedicrafted 'Everybody Loves the Sunshine' not to dazzle but to dissolve. It moves with a drowsy clarity: shimmering synth, near-whispered vocals, and a lazily tumbling bassline that never quite lands. Released during a golden run of Ayers' mid-70s material, the track has since become shorthand for warm-weather introspection, equal parts ease and ache. The instrumental version on the reverse keeps the spirit intact, offering a meditative glide through the same terrain. Limited to 300 copies, this orange pressing pairs a low-lit groove with a deepening sense of legacyiAyers' influence isn't just heard, it's felt in the space he leaves behind.
Read more
タグ: Jazz Funk
 in stock $18.03
5 Borough Breaks Vol 35
Cat: 5BB 034. Rel: 02 May 25
 
Hip Hop/R&B
Blahzay Blahzay - "Danger" (3:43)
Gwen McCrae - "Rockin Chair" (3:20)
Review: .5 Borough Breaks are back with another essential slice of 90s hip-hop nostalgia. Their latest 7" revives a 1995 Hot 97 favourite-a gritty, golden-era banger that once ruled the NYC airwaves. Handily pressed for both DJs and collectors, Blahzay Blahzay's 'Danger' captures the raw energy of East Coast rap at its peak. As always with this label, the flip side features the original sample source: a soulful gem 'Rockin Chair' from recently departed legend Gwen McCrae whose legacy shaped generations of soul fans and hip-hop heads. As such, this 7" combines deep digging with authentic hip-hop flair and pays tribute to both the beatmakers and the soul pioneers who inspired them. Essential wax.
Read more
Played by: The Allergies
 in stock $15.50
Don't Stop
Cat: PETE 004HBR. Rel: 04 Jun 25
 
Disco/Nu-Disco
Pete Blaker - "Don't Stop" (13:15)
Pete Blaker & Dionisos - "Ice Cold" (6:54)
Review: Even if it's a point worth making, sometimes it needs to be made several times over before it lodges itself in the brain. Whoever was behind this original cosmic disco cut, it hammers home the principle of not stopping the music with such repetitive intent that we have to wonder whether we truly would want to stop the music had we not been inculcated as such. And though we're unsure of its origin, 'Don't Stop The Music' and its loving rerub from Leeuwarden, Netherlands DJ and producer Pete Blaker hears the artist dare not forsake the Northern English interest in such sounds by leasing his wares again to Newcastle label Hot Biscuit. Backed by a suspensory glaciation on the B, 'Ice Cold' with fellow producer Dionisos, you can be sure yet some other aspect of disco gold has also been reliably preserved here.
Read more
 in stock $20.58
Synthetic Substitution (reissue)
Cat: RR 00021. Rel: 15 May 25
 
Funk
Synthetic Substitution (3:31)
Synthetic Substitution (Just Blaze take 6 Master mix) (3:49)
Review: Originally released in 1973 by New York-born soul singer Melvin Bliss, 'Synthetic Substitution' was never meant to change music. A B-side to his single 'Reward', it quietly slipped out on Sunburst Records i and then, years later, exploded. With 'Funky Drummer' sticksman Bernard Purdie's drums at its core, it became one of the most sampled tracks in hip-hop history, forming the rhythmic backbone of cuts by De La Soul, Mobb Deep, LL Cool J, Justin Bieber and hundreds more. This new release gives the track its due, with a sharp remaster and a respectful rework from Just Blaze. The original still hits hard i a slinky, minimal soul groove with impeccable swing and eerie vocal calm. On the flip, the 'Just Blaze Take 6 Master Mix' lifts that legendary break into widescreen, looping and layering it with warmth and flair. It's not flashy, just smart i honouring the DNA while letting it breathe. It's a fresh pressing of a foundational beat, and a timely reminder of how deep hip-hop's roots run. Whether you're crate-digging or just craving drums with history, this is as vital as it gets.
Read more
Played by: Marc Hype
 in stock $11.00
Where Did I Go Wrong?
Cat: COK 45001. Rel: 15 May 25
 
Indie/Alternative
Where Did I Go Wrong? (3:48)
Family (4:15)
Review: Brenda is the soul-infused solo project of prolific Melbourne drummer and multi-instrumentalist Hudson Whitlock who now makes a stunning debut on College Of Knowledge Records with two tender ballads. He is already known for his work with Surprise Chef and Karate Boogaloo and here steps into the spotlight as a vocalist delivering introspective lyrics in a fragile falsetto. Drawing from sweet soul traditions of the 60s and Melbourne's cinematic soul movement, both 'Where Did I Go Wrong?' and 'Family' show off Brenda's emotive, indie-soul sound with lush arrangements and heartfelt deliveries marking a poignant and promising new chapter for Whitlock.
Read more
 in stock $14.38
Look At Me Now
Cat: SEV 018. Rel: 27 May 25
 
Soul
Look At Me Now (2:41)
Look At Me Now (alternative take) (2:54)
Review: After a wild shelf-clearer came by way of a reissue of 'Ordinary Joe' earlier this year, we've now a second Outta Sight reissue of yet another gladly intoned Terry Callier deep cut on our hands. Born and raised in Chicago's Cabrini-Green, Callier came up alongside a generation of soul and jazz innovators but always stood apart. After his debut LP The New Folk Sound fell into obscurity, and his 1968 Cadet single 'Look At Me Now' slipped past unnoticed, he was brought into his mentor Jerry Butler's Songwriters Workshop, a game-changing move. This stirring early statement works in much inner commentary on manhood, stage fright and vital moment seizure - "now my people think I just fake it / I know I do things they don't understand / so I've got to show them I can take it / I've got to show 'em I can be a man" - aches with the strain of double consciousness in a performance society.
Read more
 in stock $15.77
That's Enough For Me
That's Enough For Me (7" + insert)
Cat: FCS 0003. Rel: 17 Apr 25
 
Soul
That's Enough For Me (3:24)
Loving In The Morning (2:36)
Review: A reissued 7" single, pressed on standard black vinyl, shows Carmen's unique fusion of soul, country and r&b, recorded in New York City with legendary producer Bob Morgan. Carmen's smooth, emotive vocals are perfectly complemented by the rich, soulful instrumentation of The New Frontier, harnessing the beauty of the early '70s music scene. Both songs highlight Carmen's ability to blend heartfelt lyricism with groovy, soulful melodies, creating a sound that resonates with fans of both northern soul and roots music. Despite not achieving mainstream fame, Carmen developed a dedicated following, and these songs provide a snapshot of his talent as a songwriter and performer. Housed in a full-color jacket with an insert, this release is perfect for fans of classic soul, funk, country and the crossroads of these genres. It's a remarkable opportunity to experience the timeless, evocative music of Kip Carmen in all its warmth and authenticity.
Read more
 in stock $13.51
Don't You Care
Don't You Care (limited 7" 再プレス)
Cat: BGPS 046. Rel: 29 May 25
 
Soul
Don't You Care (2:47)
Never Did I Stop Loving You (2:32)
Review: Two powerful soul sessions from Alice Clark's eponymous debut 1972 album. "Don't You Care" is a hard-hitting soul standard (that became very popular in acid jazz scene in the early 90s) where Alice opens her heart for all to see while her incredible band ebb and flow with Clark's emotions. "Never Did I Stop Loving You", meanwhile, languishes in sentiment at a slightly lower tempo that allows her to really dig deep for those low notes. The real fun happens as we reach momentum towards the end and every band member brings out their A-game and bounces off each other - backing up Alice every step of the way. You will care about this.
Read more
 in stock $12.12
EP
EP (7")
Cat: LMNK 85. Rel: 01 May 25
 
Soul
Let's Make It Happen (feat Rolita) (4:22)
The Walk (1:36)
All Is Love (feat Rolita) (2:27)
Better Place (feat Rolita) (2:18)
Review: Commonsur is a rather elusive duo based between Geneva and Madrid. Now they finally present a stunning self-titled debut EP that blends their meticulous take on contemporary soul with an undercurrent of quiet optimism. The music draws from years of experience as multi-instrumentalists and producers in the European music scene and finds the artists craft a sound that's heartfelt, refined and deeply human from front to back. British-Spanish vocalist Rolita graces three of the four tracks and her rich, emotive voice adds extra lovely warmth and emotion to the polished grooves so that the result is a debut that feels both personal and expansive-music rooted in feeling, built with care, and delivered with understated power.
Read more
 in stock $11.27
Take It To The Limit
Cat: SP 100. Rel: 15 May 25
 
Disco/Nu-Disco
Take It To The Limit (4:17)
Take It To The Limit (Joaquin Joe Claussell extended version) (7:17)
Review: New York disco don Joe Claussell takes a scalpel to Norman Connors' 1980 uncut 'Take It To The Limit', turning a smooth Philly disco-soul burner into a swirling, peak-time epic. Originally voiced by Adaritha and buried on Connors' overlooked tenth LP for Arista, the track is flaymorphosed: pulled inside out, looped, stretched and whipped into chaos with Claussell's trademark floor-focused touch. If you've caught him lately at Body & Soul, you've likely heard this one spiralling into the rafters.
Read more
タグ: Disco Funk | Soul Disco
 in stock $24.53
I Heard A Sigh
Cat: TV 022. Rel: 16 May 25
 
Jazz
I Heard A Sigh (3:27)
Where Do You Come From (4:25)
Review: Never before released in this particular form, two inscriptions by the French jazz fusion band Cortex make for a fidgeting classic each, perfect for the tube-amped dancefloor. Made up of many a cover and original, the full-length 'Inedit '79' EP first came to Underdog Records in 2006, though it was composed almost entirely of recordings laid down in 1979, proving the band's asynchronic staying power across decades. This new 7", however, recuts the lead track from the album, and a never-before-heard session floorcut respectively. The B-side in question, 'Where Do You Come From', did not appear on the 2006 release, and was also recorded later in 1981, though it is considered a part of the same inspo-flush.
Read more
 in stock $18.89
November 18, 1983
Cat: ATH 189. Rel: 01 May 25
 
Funk
November 18 1983 (4:16)
November 18 1983 (dub) (4:39)
Review: You can always rely on Athens of the North to sure up pure gold each and every time. This is another case in point: Chris Rael's 'November 18, 1983' is a joyful, funky gem, somewhat reminiscent of a lost Cure record, and this is its first ever appearance on vinyl. Rael's dedication to creating something distinct by working progressive jazz and new wave into a new sound shines through. Despite initial doubts about his musical abilities, Rael's imagination and determination drove him to produce this layered work, which has long been out of print. Whether or not you have heard it before, you don't want to snooze on this one.A
Read more
 in stock $16.34
Spanish Joint
Spanish Joint (7" 再プレス)
Cat: PIBE 003. Rel: 27 May 25
 
Hip Hop/R&B
Spanish Joint (Kero Uno remix) (3:14)
Feel Like Makin' Love (Kero Uno remix) (2:15)
Review: American neo-soul pin-up D'Angelo has released a couple of the smoothest records of the last 30 years. He even made a welcome comeback in the mid 2010s and added some more magic to his cannon. Here Kero Uno remixes a couple of his tunes and ups their funky quotient to make them more suitable to dancefloors. First, he flips 'Spanish Joint' into a key-laced and funky workout with low-slung, hip-swinging grooves sure to seduce next to the zippy synth leads. On the flip is his hot take on 'Feel Like Makin' Love', another bona-fide gem full of heart and soul.
Read more
 in stock $22.54
I'm So In Love With You
Cat: S4R 50. Rel: 12 May 25
 
Soul
I'm So In Love With You (3:38)
A Whole Lot Of Man (3:23)
Review: These two unreleased tracks from Geater Davis deliver raw, hard-hitting Southern soul with his some nice gritty vocals, sharp guitar work and powerful horns all making them perfect for anyone who loves a bit of blues-tinged soul. Geater was born Vernon Davis in East Texas in 1946 and learned guitar from T-Bone Walker before then working as a sideman and breaking through with 'Sweet Woman's Love' in 1970. He charted again in 1972 with' Your Heart Is So Cold' on Seventy 7 Records, and though disco's rise curtailed touring opportunities, he kept performing across the South. Sadly, just as he was preparing for a comeback, he died of heart failure at age 38, but these gems remain.

Read more
 in stock $21.98
For 5 Long Years (reissue)
Cat: P7 6638. Rel: 23 May 25
 
Soul
For 5 Long Years (2:59)
I've Been Hurt So Many Times (3:13)
Review: P-Vine Japan does great work once more here by bringing back into print some hugely sought-after sounds from the blues and r&b world. The first release in their new series revives Larry Davis' 1969 Kent Records single, which was originally written by Sherwood Fleming. The A-side, 'For 5 Long Years' delivers a gritty mid-tempo funk-blues groove while the B-side, 'I've Been Hurt So Many Times' (a classic subject for a blues tune) channels Willie Cobbs' signature sound. These will be familiar to anyone who has danced at a Northern Soul event and cannot be slept on.
Read more
 in stock $18.89
Run For Cover
Cat: SEV 019. Rel: 27 May 25
 
Soul
Run For Cover (3:03)
Wear It On Our Face (3:24)
Review: The Dells were a legendary soul and doo-wop group defined by Johnny Carter's soaring falsetto and Marvin Junior's rich baritone. After first forming in 1952, their most iconic era came during their time with Chicago's Cadet label from the mid-60s to mid-70s. Their 1966 track 'Run For Cover' became a staple of the Northern Soul scene and remains highly sought-after today, with mint copies fetching over L100. Equally beloved is their 1968 dancer 'Wear It On Our Face' featuring a powerful Charles Stepney arrangement and the group's signature harmonies-both songs showcasing The Dells at the height of their soulful brilliance.
Read more
 in stock $15.77
No Way Back
Cat: MDS 73842. Rel: 22 Apr 25
 
Disco/Nu-Disco
No Way Back (2:59)
No Way Back (Ron Hardy edit) (8:30)
Review: Ron Hardy's legacy lives on though stories of his legendary DJ sets but also his seemingly endless catalogue of edits and reworks of the tunes he played in his heyday. Here we have another such exhibit in which he flips some classic disco. The original version of 'No Way Back' is riddled with picked guitar licks and dreamy keys while a funky low end moves on this disco-rock gem as brass bursts out for added oomph. Hardy ups the pace, twists it beyond this realm and adds big drum breaks that are Prue bit for dancers. It's a classic in its own right that gets regular plays by more bold and eclectic DJs.
Read more
Played by: Pete Haigh
 in stock $14.38
Coney Island's Boardwalk
Coney Island's Boardwalk (blue vinyl 7")
Cat: ESWD 207. Rel: 08 Apr 25
 
Soul
Coney Island's Boardwalk (4:33)
I Confess (3:57)
Review: The new soul project by ex-members of Silver Skylarks, Dorrington Drive, hears lush productions and distinct melodies channelled into the self-revelatory spirit of early 70s AM pop and soul. This cut could've easily been heard on one such radio station, a staple of the time. With the track named after the Riegelmann Boardwalk in Brooklyn, we find ourselves embarking on a thoroughly enjoyable Atlantic coastline jaunt here, through bombastic funk bass and slapping toms.
Read more
 in stock $12.39
Lost Girl
Lost Girl (translucent green vinyl 7")
Cat: DD 023G. Rel: 02 Jun 25
 
Hip Hop/R&B
Lost Girl (Marc Hype & Jim Dunloop Late Night rework) (3:24)
Special Technique Of Love (Jim Dunloop Shaolin Soul edit) (3:08)
Review: Dusty Donuts return with another heavyweight 7" of hip-hop gold, this time journeying from Queensbridge to Staten Island. Side A delivers a bouncy, chopped-up rework featuring a Lost Girl once heard on a legendary QB mixtape and it is guaranteed to ignite any dancefloor. Flipping over, the vibe shifts to Shaolin with a raw and soulful reinterpretation of a classic that pays tasteful homage to Staten Island's finest. With tight edits and a deep love for golden-era hip-hop, this release hits hard on both sides and is another great example of the craftsmanship, nostalgia and party-starting energy the Dusty Donuts crew always deals in.
Read more
Played by: Marc Hype
 in stock $20.28
Hollywood Dreaming
Cat: EXUMG 16. Rel: 03 Jun 25
 
Soul
Hollywood Dreaming (4:40)
Got To Get Away (4:29)
Review: Originally hailing from Washington DC, Father's Children were one of the capital's most promising funk outfits in the late 70s. This new 7" reissue on South Street Soul revives two prized tracks from their Mercury Records era, produced by Wayne Henderson of The Crusaders. 'Hollywood Dreaming' is a breezy, rolling slice of mellow soul-funkithe sort of elegant groove that turns up on late-night radio, all gentle clavs and cruising vocals. Flip it and 'Shine On' turns up the energy, driven by a snapping slap bassline, crisp brass jabs and a slick group vocal arrangement. Both cuts originally appeared on their 1979 LP, but the original 45 has long been a holy grail for collectorsifetching triple digits. This reissue not only preserves the format but delivers on fidelity and style, giving DJs and heads alike a long-awaited chance to spin these Washington-grown grooves without fear of shelling out a fortune.
Read more
Played by: Pete Haigh, Marc Hype
 in stock $15.77
Hollywood Dreaming
Cat: SSS 704. Rel: 23 Apr 25
 
Soul
Hollywood Dreaming (3:24)
Shine On (3:37)
Review: Originally released in 1979, this is a highly sought-after gem due a reissue to bring its soulful, classic charms back into the spotlight, complete with the original B-side. The opening track, 'Hollywood Dreaming', is a smooth, catchy piece that expertly blends a funky rhythm with a rich horn section and excellent vocals. The infectious melody and creative arrangement make it a standout in the band's catalog. It's a track that embodies the essence of late '70s soul and funk while still feeling fresh and timeless. 'Shine On' delivers a late-night disco groove, heavily influenced by the genre's rise during the era. Its funky bassline and smooth rhythm provide a perfect soundtrack for dancefloors and intimate settings alike. The track oozes with soulful energy, showcasing the band's ability to seamlessly merge funk and disco influences into a cohesive sound. Father's Children, formed in Washington, D.C., originally as a doo-wop group, evolved into a funk and soul powerhouse by the late 70s. It is certainly bittersweet to hold this piece of music in your hand - and especially without having to take out a second mortgage.
Read more
 in stock $16.90
Unstoppable
Unstoppable (7" limited to 300 copies)
Cat: UNIQ320 -1. Rel: 20 May 25
 
Soul
Unstoppable (3:35)
Going Going Gone (2:51)
Review: Emma Noble, the emerging soul singer from London, delivers a powerful performance on the girl group soul anthem 'Unstoppable'. Her second single, it's poised to become a next-gen floor-filler; catch us playing it on repeat, *in flagranti*, after it premiered on Craig Charles' BBC6 Soul Show in early 2025. 'Going Going Gone' backs it up on the B-side, as the first single from FPE's upcoming album Waves. Hearing rising Australian singer-songwriter and pop genius J Mahon on vocal duties, the track's catchy brass sections combine with J's androgynous soul vocals, and evokes the sounds of young Motown artists in the style's 60s adolescence.
Read more
 in stock $13.51
The Way You Love Me: Remixes
The Way You Love Me: Remixes (12" 再プレス)
Cat: GLITS 020. Rel: 29 May 25
 
Disco/Nu-Disco
The Way You Love Me (Dim TSOP version - Dimitri From Paris Glitterbox retouch) (8:14)
The Way You Love Me (Tom Moulton Philly Re-Grooved remix) (12:54)
Review: Some may argue that Dimitri From Paris and Tom Moulton have already provided the definitive remixes of Ron Hall, the Muthafunkaz and Marc Evans' 2006 gem "The Way You Love Me". This Glitterbox 12", which features alternative versions of those two legendary reworks, proves that they're wrong. Dimitri's "Glitterbox Retouch" of his Philadelphia International-inspired TSOP Version is a little more focused and tightly edited than its predecessor, but naturally incredibly similar. It's Moulton's "Philly Regrooved Mix", though, that's the real stunner. A near perfect example of Moulton's classic mixing skills, it sees the original disco mixer give space to each instrumental solo before unleashing the now oh-so-familiar vocal. The result is 13 minutes of unashamed disco bliss.
Read more
 in stock $16.90
That's What Love Is
Cat: PIPER 14. Rel: 24 Apr 25
 
Soul
That's What Loves Is (2:34)
Soul Superman #2 (2:33)
Review: Eddie Parker offers a compelling slice of Detroit soul for northern soul enthusiasts, repurposing the unmistakable Pied Piper backing track from the Hesitations' rare 'That's What Love Is'. Revered within the scene, both versions of this stomper are beloved for their punchy, soul-filled power. With this 45 release, the track finds its rightful place in the hands of collectors and dancers, bringing the unmistakable Pied Piper sound back to life in a more accessible form, ready to ignite the dancefloor once again. On the flip, 'Soul Superman #2' makes its debut on 45, expanding the Pied Piper legacy with a previously unreleased track that shares the same bold, masculine energy as its more famous sibling, 'Soul Superman'. While '#2' might not have the chart success of its predecessor, it holds its own with a driving rhythm and recognisable hooks that will easily appeal to fans of the original. This release proves once again the timeless quality of the Pied Piper sound, replete with its rich, groove-laden atmosphere
Read more
 in stock $12.12
Tainted Love (Record Store Day RSD 2025)
Cat: C 14003. Rel: 29 Apr 25
 
Soul
Tainted Love (2:12)
My Bad Boy's Comin' Home (2:40)
 in stock $16.90
Precious
Cat: SC 7079. Rel: 30 Apr 25
 
Deep House
Precious (4:15)
Precious (instrumental) (4:15)
 in stock $15.77
The Boogaloo EP
Cat: AJXEP 847. Rel: 14 May 25
 
Soul
Latin Dynamite (2:48)
Voodoo Working (2:37)
El Popcorn (2:40)
Cocktail De Medianoche (2:41)
Review: For five years, Acid Jazz has been showcasing Kevin Fingier's productions with each one carrying his signature Latin flair. It all began with 'Latin Dynamite', which sold out 15 days before its release and was followed by 'Cocktail de Medianoche' and 'Why Don't You Go Home', which were both instant sellouts. The second pressing of 'Latin Dynamite' included a fiery Latin rendition of the r&b classic 'It's Your Voodoo Working'. When Fingier released 'Not Strictly Soul,' it featured the Latin gem 'El Popcorn' which is now available on 7" for the first time. These four Latin Soul anthems are now united in one explosive Boogaloo EP that arrives just in time for summer.

Read more
タグ: Latin | Boogaloo
 in stock $18.03
Be A Witness
Cat: BCR 151. Rel: 17 Apr 25
 
Soul
Be A Witness (3:19)
Best For Us (3:35)
Review: Lady Wray delivers a powerful two-sider here as she hooks up with Grammy-nominated producer Leon Michels of Clairo and El Michels Affair for another single as they put the final touches to her upcoming album. The A-side, 'Be A Witness,' features Nicole's soaring vocals gliding over deep drum machines and Nick Movshon's funky bass which makes it a smooth mid-tempo groove about destined love and good vibes. On the flip, 'Best For Us' explores love, commitment and perseverance with lush synths and harmonies floating over Homer Steinweiss' tight drumming. They provide the perfect setting for Lady Wray's standout voice and get us excited for the full length.
Read more
 in stock $10.13
Calling Out (reissue)
Calling Out (reissue) (red vinyl 7")
Cat: CMC 288RED. Rel: 07 Apr 25
 
Deep House
Calling Out (7" edit) (5:39)
Calling Out (7" edit instrumental) (5:35)
Review: Former Paper Recordings artist Sophie Lloyd apparently started working on "Calling Out" whilst gripped by the January blues. Her intention was simply to make "happy music". To that end, she turned to her gospel roots. The results, shared here on 7" single for the first time, are little less than spectacular. With collaborator Dames Brown in tow, Lloyd's vocals - accompanied by a gospel choir, of course - simply soar above a jaunty, piano-heavy track rich in live instrumentation. It sits somewhere between traditional gospel, house and disco, with a flipside instrumental brilliantly showcasing the quality of the instrumentation throughout. The piano solos, in particular, are breathlessly good.
Read more
 in stock $14.93
Nomalizo (reissue)
Cat: SSINT 003. Rel: 03 Jun 25
 
Soul
Nomalizo (5:10)
Kilimanjaro Take Us Higher (5:03)
Review: This priceless double-header brings together two timeless gems from South African music icon Letta Mbulu. On one side, the afro-electro boogie cult classic 'Nomalizo', a favourite among diggers and refined selectors alike, with its honeyed vocals, salty synth work and languid rhythms. On the other, there's 'Kilimanjaro Takes Us Higher', an uplifting, up-tempo dancefloor anthem radiating optimism with soul-drenched vocals, funk bass, disco strings and agile keys. Released together as a single for the first time, these sought-after tracks have been embraced across countless scenes for decades. Nothing short of essential.
Read more
 in stock $16.90
Disco Donuts Vol 3
Disco Donuts Vol 3 (7" limited to 300 copies)
Cat: NUTS 003. Rel: 21 May 25
 
Disco/Nu-Disco
Expansions (4:14)
Ghetto Passion (4:06)
Review: Deified disco editor Mister Mushi breaks from his own Mushi 45s faction for a diplomatic dance-over with fellow sonic saucerers Disco Donuts, whose third volume in a series hammers home two more spacey soma-uplifts. 'Expansions' of course jazz-funk clarion call 'Expansions' by Lonnie Liston Smith & The Cosmic Echoes, whose importuning "expand your mind" motif will never leave us. And of course, there's 'Ghetto Passion', an unknown remix to us, yet whose beats are so punctual that they could pop an iron ballon; this is a raw, clear and seething analogue sound, a style which many disco artists have tried to emulate since.
Read more
 in stock $14.65
Think
Think (7" limited to 300 copies)
Cat: MSH 115. Rel: 22 Apr 25
 
Funk
Think (4:09)
Once In A Remix (3:43)
Review: Funk editor Mister Mushi finalises the latest fleet-dispatch by the eponymous factory known as Mushi 45. All housed on a distinctive yellow, large-innered 7" record (you know, the you need the metal spindle adapter for), every release on this label is a charm. Here the dotted line marks out a well-defined classic by Rob Base & DJ E-Z Rock from 1998, 'It Takes Two', which in turn samples Lynn Collins' 'Think', after which this reissue is named and from which the now rather saturated vocal sample originates. James Brown's original production and backing "c'mon!" admonitions shine brightly, while Mushi's extra phattenings also serve to emphasise the mix without peaking it.
Read more
 in stock $14.65
Linkwood Edits
Cat: MTN 51. Rel: 23 Apr 25
 
Disco/Nu-Disco
Make It Better (6:45)
No Easy (7:45)
Brekkers (4:40)
Review: Under the Linkwood alias, Nick Moore has released a wealth of fine material since debuting in the late 2000s - including a string of sublime albums and EPs. Last year he popped his re-edit cherry alongside The Mighty Zaf via a two-tracker paying tribute to the late, great Phil Asher. Here he takes the next step, delivering a first solo scalpel missive via the reliable and long-running Moton imprint. On side A, the Edinburgh producer attempts to 'Make It Better' via a razor-and-tape style edit of a slap-bass-sporting, synth-wielding slice of early 80s disco-boogie perfection. We have no idea of the source material, but the lightly extended track is as infectious as it is intriguing. Over on side B, 'No Easy' is a sweet, string-laden slab of mid-tempo disco-soul sweetness, while 'Brekkers' is a squelchy, up-tempo electrofunk workout tailor-made for break-dancers.
Read more
 in stock $19.16
Master Blaster
Cat: MXMRK 2070. Rel: 11 Apr 25
 
Classics/Ska
Master Blaster
I Was Made To Love Her
Review: New York's incomparable edit king, and a hugely prolific one at that, Danny Krivit aka Mr K returns with some elongated reworks of a couple of Stevie Wonder's most timeless tunes. First up is his version of 'Master Blaster' which was originally the sound of Stevie paying tribute to Bob Marley. In his hands, it has a big intro and drums ready to rock. Flip it over and you will find 'I Was Made To Love Her' which has big r&b overtones and the sort of breakdowns that really build a vibe in the club. Adding in lashings of signature soul and you have two more steamy and effective tributes from the one and only Mr K.
Read more
 in stock $14.93
Captain Future Theme
Cat: OD 01745. Rel: 29 May 25
 
Broken Beat/Nu Jazz/Nu Soul
Captain Future Theme (4:26)
Captain Future Theme (Delfonic remix) (4:55)
Review: Broken beat legends Nautilus return with a futuristic teaser for their upcoming 2026 studio album, and on this evidence, it's going to be superb. The first single reimagines a legendary anime soundtrack with their signature groove and features Japanese singer and sanshin virtuoso Anna Sato, whose vocals elevate the track to a new dimension. The release is completed by Berlin-based DJ and producer Delfonic, a well-known disco and house don and label head, renowned for his deep club remixes and praised by Gilles Peterson. Delfonic adds a magical touch with heavy beats that come with plenty of lavish synth work.
Read more
Played by: Voodoocuts
 in stock $21.14
Hercules
Cat: FSPT 1039. Rel: 17 Apr 25
 
Roots/Lovers Rock
Hercules (feat Alex Desert & The Lions) (4:08)
Tell It Like It Is (feat Asdru Sierra) (2:53)
Review: Night Owls return with a second wave of 7"s, delivering a fresh take on two classics by Aaron Neville under the featherlight sway of infamous record producer Allen Touissant. Reimagining 'Hercules' alongside 'Tell It Like It Is', the duo once again poke at the seams of the cine-funk sound, enlisting powerhouse collaborators - Alex Desert & The Lions, and vocalist Asdru Sierra - on both sides of this blistering 45. The B especially brims with a busty bonhomie on 'Tell It Like It Is', rewiring the OG song's current flows to a throughput of smooth reggae and cumbia.
Read more
 in stock $11.27
Strangers (In Our Homeland)
Cat: SRO 020. Rel: 10 Apr 25
 
Soul
Strangers (In Our Homeland) (4:06)
Reggie's Thang (4:23)
Review: Originally released in 1972, these are the only known recordings from Tulsa soul band Outback. The A-side is an eclectic, psychedelic funk ballad with lyrics drawn from religious scripture and drawing powerful parallels to Black slavery in the U.S. They lend a deeply spiritual and socially conscious edge to the track which is potent in groove as it is message. The B-side, 'Reggie's Thang,' takes a different turn and is a raw, psychedelic instrumental showcasing the band's musical range and experimental edge. Together, these are a time machine back to powerful moments in soul and funk history, now rediscovered and sure to be appreciated all over again.
Read more
 in stock $15.50
Back Stabbers
Cat: JPR 7 2401. Rel: 13 May 25
 
Disco/Nu-Disco
Backstabbers (3:10)
Backstabbers (instrumental) (3:09)
Review: C&C Music Factory lynchpin Eric Kupper takes on 'BackStabbers' with a considered touch, reinforcing its groove while preserving the essence of its original 1982 recording. Captured at Virtue Studios by a powerhouse ensembleiincluding MFSB and Salsoul Orchestra greats like Earl Young, Ron Baker and Vince Montana, Jr.ithis session defined the lush, orchestrated soul of Philadelphia. Joe Freeman's lead vocal remains the focal point, its urgency cutting through Kupper's updated mix, which tightens the percussion and adds a refined low-end punch. Side A presents the vocal mix, where the track's layered instrumentation breathes with new clarity, while Side B strips it down to an instrumental, letting the intricate arrangements shine. US-based Kupper, a veteran of over 1,400 remixes, treats the material with the respect of a historian and the instincts of a modern dancefloor craftsman, balancing nostalgia with crisp, club-ready sonics.
Read more
タグ: Disco House | Soul Disco
 in stock $16.07
Here I Go Again (Record Store Day RSD 2025)
Cat: OTS 375. Rel: 02 May 25
 
Soul
Jean Plum - "Here I Go Again" (2:29)
Larry T-Byrd Gordon - "Contact Off Funk" (4:27)
Review: A new 7" from Sample & Example by Cut Creator$ delivers another rare, still mostly uncut gem in the tourmaline world of soul and funk. 'Here I Go Again' from 1976 hears Jean Plum, a soulful Memphis singer, come bundled together with 'Contact Off Funk' by Larry "T-Bird" Gordon, a masterpiece of Southern funk produced by the equally estimable Willie Mitchell. For enthusiasts of rare funk and soul, the influential Hi Records legacy is made evident once again.
Read more
 in stock $20.86
A Broken Heart Cries
Cat: REPRO 19. Rel: 24 Apr 25
 
Soul
A Broken Heart Cries (3:00)
For The Rest Of My Days (3:41)
Review: In the mid 1990s, Kent Soul uncovered Joe Evans' master tapes and were thrilled to discover the unreleased gem 'A Broken Heart Cries' by The Pretenders - note, no relation to Chrissie Hynde and co. The track quickly caught the attention of Crossover DJs, who picked it up from Kent Soul's CD release, precipitating an avalanche of demand. This soul quartet is mostly recognised these days as but a wooden limb on Evans' everlasting music-mogul marionette, but their brilliance spans many an exquisite 7" and 12" released during the late 60s and early 70s, mostly on the Newark label Carnival Records. The boy-girl group commanded loose but masterful drumming and vintage, summery harmonies, with the A-side especially seeming to reflect a mood of hidden satisfaction in heartbreak. Now seizing the opportunity to bundle it in with the group's equipotent ballad 'For The Rest Of My Days,' Kent Soul do well to support both songs' first-ever UK vinyl release.
Read more
 in stock $12.12
In The Sand
In The Sand (7" in die-cut sleeve)
Cat: SC 730. Rel: 24 Apr 25
 
Disco/Nu-Disco
In The Sand (feat Julia St Louis) (3:45)
Tudo Pra Ela (feat Toco) (3:12)
Review: In this offering, the Italian project led by Stefano Trione, pairs the lush 80s-inspired groove of 'In The Sand' with the unreleased gem 'Tudo Pra Ela,' a sultry disco track that embodies the warmth and richness of Tirone's signature style. 'In The Sand' pays homage to the rare groove classic from iLevel, its tropical rhythm and sunny vibe transported through Julia St. Louis's breezy vocals and Marco Brioschi's trumpet melodies, creating an almost cinematic dancefloor experience. On the flip, 'Tudo Pra Ela' delves into a sophisticated disco sound, where Toco's delicate vocals intertwine with sensual backing from Priscila Ribas and a bassline from Edu Hebling that carries the track effortlessly into the early 80s. The perfect synthesis of Stefano's love for vintage sounds and contemporary finesse.
Read more
タグ: Balearic Disco | Italian
 in stock $13.24
Nobody Gets My Love
Cat: PRS 1024. Rel: 07 Apr 25
 
Soul
Nobody Gets My Love (2:53)
Too Much Too Soon (2:40)
Review: Junior Scaife delivers two ensouled sides, produced and co-written by Penrose mainstay Anthony Masino. One of the most gifted vocalists in the soulscape of today, Scaife infuses every note with a shrill sprechgesang, a longing, heaving intonation heard between the runs. 'Nobody Gets My Love' is an ode to tensions of love and pride, wielding the late-60s Hestor and Wylie Detroit sound as a listless instrument for impudence. On the B, 'Too Much Too Soon', offers a slow-burning ballad laced with wah guitar and a comparatively elegance, marking a standout for the lowrider soul crowd.
Read more
 in stock $9.01
Lady Day & John Coltrane
Lady Day & John Coltrane (7" 再プレス)
Cat: TOWN 147. Rel: 29 May 25
 
Funk
Gil Scott-Heron - "Lady Day & John Coltrane"
Cesar - "See-Saw Affair"
 in stock $10.43
Look Away
Cat: CITY 102. Rel: 24 Apr 25
 
Soul
Look Away (1:52)
It's Just Love (2:16)
Review: Long before Ashford & Simpson cemented themselves as the first couple of Motown, Valerie Simpson i raised in the Bronx i was quietly shaping the sound of American soul from the writing room. 'Look Away', now unearthed in its original form by Kent Records, captures her early brilliance. Backed by a haunting girl group (likely some of NYC's finest session singers), this previously unheard cut i out 25 April 2025 i predates the Shirelles' better-known version and carries a raw elegance that feels entirely her own: intimate, aching, and full of melodic poise. Flip it over and you get an even bigger scoop. 'It's Just Love' is a northern soul cornerstone, made famous by a near-mythical 1966 UK-only Parlophone 7" from John Andrews. This female-led take by Simpson, who co-wrote the song, is a seismic find i not just for collectors but for dancers who've long hunted a US production that didn't seem to exist. Now, more than 50 years on, it arrives with velvet touch and timeless sway, offering a rare, crystalline view of Simpson before the spotlight.
Read more
 in stock $12.12
Cherish The Day/Nothing Comes Between Us: The Unreleased Versions
Cat: SADE 001. Rel: 02 Jun 25
 
Disco/Nu-Disco
Cherish The Day (Lovers Rock version) (5:07)
Nothing Can Come Between Us (Disco Boogie 45 version) (5:09)
Review: Who doesn't love a bit of sophisticated soul? We certainly do and it's always good to hear some reworks of the soul great's finest cuts for the dancefloor. And that's what we have here on a new 7" that opens with a disco version of 'Nothing Can Come Between Us' and doesn't go hard, instead building in some gentle drums and lo-fi melodies, swooning vocals and a mystical late night sense of romance. On the flip, we get a lovers rock version of 'Cherish The Day' which adds plenty of lovely guitar lines to bring that island vibe while the shuffling drums lock you in gently.
Read more
タグ: Disco House
 in stock $12.39
An Extraodinary Dream
An Extraodinary Dream (7" + insert)
Cat: SRO 022. Rel: 10 Apr 25
 
Funk
An Extraordinary Dream (3:07)
An Extraordinary Dream (instrumental) (2:59)
Review: Long-lost Tidewater soul classic 'An Extraordinary Dream' gets a welcome reissue here by Symphonical with input from the last surviving band member Larry Gray. This timeless love song was recorded in 1969 at Charlie McClendon Studios and was the first of two singles by Gray and his group, The Soul Seekers, which was made up of five Huntington High alumni who helped shape the region's musical scene. Led by Gray who was fresh from five years at Stax Records with Otis Redding, the group backed numerous touring acts and this single was produced under Wilson Harrell's Check Productions. It's a lovably forlorn and low-slung soul sound with heavy-hearted melodies, horns and aching vocals.
Read more
 in stock $15.50
Funky Skunk
Funky Skunk (limited 7")
Cat: DYNAM 7148. Rel: 24 Apr 25
 
Funk
Funky Skunk (3:42)
Dirty Man (3:01)
Review: Dynamite Cuts lives up to its name once more by unearthing a deep funk treasure here, and they do the right thing and serve it up for the first time ever on its own 7". Sound Investment's 'Funky Skunk' is a raw and rhythm-heavy rarity previously confined to album-only status. It's bursting with tight grooves, gritty breaks and irresistible energy and is a dream for DJs, collectors and crate-diggers. On the B-side, 'Dirty Man' keeps the heat alive by delivering more deep-fried funk goodness. Both cuts showcase the band's raw musicianship and groove-driven spirit. Authentic funk vibes don't come much better than this.
Read more
 in stock $17.76
I'll Always Love You
Cat: SEV 020. Rel: 27 May 25
 
Soul
I'll Always Love You (2:45)
What More Could A Boy Ask For (3:07)
Review: Known as the Detroit Spinners in the UK, The Spinners recorded with Motown's V.I.P. label from 1964 to 1971 and in that time managed to leave a lasting mark on the Northern Soul scene. Their track 'I'll Always Love You,' which was written by Hunter and Stevenson in 1965, became a Northern Soul favourite with original UK Tamla Motown pressings often selling for over L500. 'What More Could A Boy Ask For'' is a 1966 gem by Bristol and Fuqua, which remained unreleased until its inclusion as a bonus track on the 2012 Yours Truly CD. Now, it receives its first official 7" vinyl release on the B-side of this one from Outta Sight.
Read more
 in stock $15.77
150/109(ページ1/3)の商品
A B C D E F G H I J K L M N O P Q R S T U V W X Y Z すべて
1  2  3  »
Cart subtotal: