Back catalogue: All genres

Review: Bay Area punk legends Rancid are back, finally. Tomorrow Never Comes arrives six years after Trouble Maker, marking the longest gap between albums the veterans have ever managed since they kicked off in 1991. Of course there's a degree of expectation around a Rancid album, and all you need to do is stick on the first title track and you'll know you're getting the full hit. This is Rancid at their fist-shaking, shit-kicking best, with Armstrong and Frederiksen sounding as vital as they did on And Out Come The Wolves. Clocking in at 16 tracks in 28 minutes it's also their shortest album to date. Say everything you need to in less than two minutes - it's the Rancid way!

Review: Originally released in 2003 and now celebrating its 20-year anniversary, Indestructible served as the sixth full-length from punk legends Rancid. While initially criticised upon release due to the "poppier" sound certain fans took umbrage with, time has grown kind to the project which boasts some of the most personal penmanship from primary songwriter Tim Armstrong (of Operation Ivy), delving into his divorce from The Distillers' Brody Dalle (now divorcing Josh Homme of Queens Of The Stone Age), as well paying homage to two influential heroes who died during the recording process: Joey Ramone and Joe Strummer, with the latter even being mentioned in the title-track. Known to be the final album with original drummer Brett Reed, and even featuring one of the most underappreciated cuts in their catalogue with closer 'Otherside', written by guitarist Lars Frederiksen about his brother Robert who tragically passed away two years prior, Indestructible deserves your reappraisal as it's slowly become the forgotten gem in the Rancid crown.

Review: Tucked away on a private press release in the hidden corners of 70s Italian jazz, Enzo Randisi's debut album has been rescued from obscurity and given the reissue it so richly deserves. The extensive ensemble playing on this album includes Randisi's son Riccardo on Rhodes, Giuseppe Costa on bass, Enzo Palacardo on guitar and Franco Lota and Mimmo Cafiero on percussion, all serving as a backdrop to Randisi's exquisite vibraphone. It's a masterpiece of spiritual jazz cast in mysterious shades and sure to be cherished by any jazz aficionado, as confirmed by plaudits from such legends as Archie Shepp and Gil Evans.

Review: We are honored to release 'A Boy Alone', a double LP set from Manchester electronic music pioneer Eric Random. Best known for his early recordings for New Hormones and Les Disques du Crepuscule and collaborations with Pete Shelley (Buzzcocks), Cabaret Voltaire and Nico. As an original member of The Tiller Boys with Shelley, Random injected a healthy dose of Krautrock into the dour Manchester post-punk scene in 1978/79 before going solo the following year. Random's first 7" "Subliminal"/"23 Skidoo" was released in 1981 via Les Disques du Crepuscule and explored ominous sonic surrounds. That same year also saw the release of a second 7" single on New Hormones, "Dow Chemical Company"/ "Skin Deep". Both tracks offered bubbling, rhythmic sound patterns, and were the first to feature other musicians that would become know as The Bedlamites. Consisting of Lynn Walton on vocals, Ian Runacres and Andy Diagram of Dislocation Dance, and bassist Wayne Worm, aka Wayne Sedgeman. Their debut 12" single "Subliminal Seduction"/"Bedlam-a-Go-Go" was released in 1982 through Plurex, mixing arid funk textures and sparse melodies. That same year the group contributed proto chill-out track "6.55" to Plurex compilation 'Hours' and the highly filmic track "In Cassette Conference" to the Touch cassette package 'Feature Mist'. In 1983, Random spent several months in the Himalayas with a group of musicians from the Kulu Valley and studied non-Western instruments such as tabla. On returning to Manchester, Random convened a new group of Belamites including Walton, Sedgeman and drummer Graham Dowdall aka Dids of Ludus. They released the 12" single "Mad As Mankind"/"Dream Web Of Maya" in 1984 on Cabaret Voltaire's Doublevision, embracing electronic, industrial and dub styles. In 1985 they contributed the soothing "Pure Power" to Food Records' "Imminent Episode One" compilation. Our reissue also includes 4 unreleased bonus tracks from Eric's archives recorded between 1981-1984. The whole set adds up to 115 minutes of sinister, somnambulant Random music. All songs have been remastered by George Horn at Fantasy Studios. Each copy is housed in a gatefold jacket designed by Eloise Leigh featuring a spread of ephemera, photos with liner notes by James Nice of LTM.

Review: Trombonist Phil Ranelin alongside Wendell Harrison founded Tribe as a community enterprise and record label in Detroit in the 70s that went on to have a huge impact. Its musical legacy lives on through plenty of vital albums, not least Vibes From The Tribe. The Japanese Edition of the original album now arrives on Groove Diggers complete with an obi-strip and six spellbinding tunes that have all been remixed and remastered from the original multi-track tapes or lacquered directly from master tapes. It is as good as spiritual jazz gets, frankly.

Review: It can't ever be overstated what Phil Ranelin and Wendell Harrison did in founding Tribe as a community enterprise and record label in Detroit in the 70s. The musical legacy speaks for itself and both players continue to inspire and uplift their communities while evolving as ever-inspired musicians. The Jazz Is Dead series has been invaluable in bringing some true greats of jazz through to work with Ali Shaheed Muhammed and Adrian Younge on new compositions, and so it goes on this incendiary 16th volume - one for the new wave of jazz fans and old heads alike to get into.

Review: Wendell Harrison and Phil Raneli's Message From The Tribe is regarded by those who know as an untouchable example of spiritual jazz. The Tribe label - run of course by the pair themselves - it came on was also one of the great of its era in the 1970s. Here the album has been remixed from the OG master tapes, all under the watchful eye of its creators, then lacquered by Bernie Grundman. It is an expansive and indulgent record that includes a vast booklet that takes us through the history of the label and touches on the story of Black American empowerment.

Review: As well as coming on vinyl, this new album from Hania Rani also comes as this CD version. 'On Giacometti' is the product of an extended residency in the Swiss mountains that focuses on the life and art of Swiss national treasure and sculptor Alberto Giacometti. Moving piano suites tempered by synth backings and ruinous ambiences are the names of Rani's game, all conveying the sense of peace exuded by the same Swiss mountains that struck Giacometti with divine inspiration. It is another superb piece of modern classical from the faultless Gondwana label.

Review: Since launching a few years back, Matthew Halsall's Gondwana Records has released some terrific albums from a string of talented but often little-known artists. This brilliant set is another. It comes from Hania Rani, a pianist, composer and producer better known for her collaborative work with the likes of Christian Loffler, Dobrawa Czocher and Hior Chronik. "Esja" is Rani's solo debut and sees her sashay between atmospheric, often poignant pieces that put her impeccable piano playing at the heart of the action. It's exceedingly elegant and picturesque, with Rani's subtle use of field recordings and crackling background noise only enhancing the listening experience.

Review: Since launching a few years back, Matthew Halsall's Gondwana Records has released some terrific albums from a string of talented but often little-known artists. This brilliant set is another. It comes from Hania Rani, a pianist, composer and producer better known for her collaborative work with the likes of Christian Loffler, Dobrawa Czocher and Hior Chronik. "Esja" is Rani's solo debut and sees her sashay between atmospheric, often poignant pieces that put her impeccable piano playing at the heart of the action. It's exceedingly elegant and picturesque, with Rani's subtle use of field recordings and crackling background noise only enhancing the listening experience.

Review: This is the CD version of Ghosts, the third solo album from Polish pianist and composer Hania Rani, courtesy of Mathew Halsall's Gondwana. It comes after an artist residency in Switzerland in an abandoned sanitarium amongst the mountains so is inspired by the numerous rumoured ghosts that inhabit the hills. Lead singles 'Hello' and 'Dancing with Ghosts' take drastically different approaches, with the former being an electro-ambient take on lounge jazz sensibilities and 'Dancing with Ghosts' being a moody and grumbling duet ballad with Patrick Whatson. The whole album has a lingering sense of finality and creeping doom and is another absorbing listen from front to back.

Review: Ghosts is the third solo album from Polish pianist and composer Hania Rani. It comes after an artist residency in Switzerland in an abandoned sanitarium amongst the mountains so is inspired by the numerous rumoured ghosts that inhabit the hills. Lead singles 'Hello' and 'Dancing with Ghosts' take drastically different approaches, with the former being an electro-ambient take on lounge jazz sensibilities and 'Dancing with Ghosts' being a moody and grumbling duet ballad with Patrick Whatson. The whole album has a lingering sense of finality and creeping doom, but with keys, strings and layered vocals making for a brilliantly atmospheric and moving listen.

Review: Happy birthday to Rank 1's Symsonic which is now 20 years old. To mark the occasion it gets this comprehensive reissue job on two slabs of nice heavyweight blue vinyl. The 2002 original is a hallmark of classic trance despite being the outfit's only-ever album. Singles such as 'Airwave', 'The Citrus Juicer', 'Awakening' and 'Such Is Life' were all standouts and made Rank 1 aka Piet Bervoets and Benno De Goeij one of Europe's most respected dance acts almost from the moment of their first single in 1999. Extra tunes are included on this special expanded edition of the original.