Back catalogue:

Review: Some 35 years after their platinum-certified album Doolittle launched them into the UK Top Ten, and 20 years since their acclaimed Coachella reunion, Pixies are thriving in their second act. Their tenth album, The Night The Zombies Came following the 1987 mini-LP Come On Pilgrim marks their first new release since 2022's Doggerel. The album features thirteen new tracks that showcase a cinematic direction and draw on themes such as druidism, apocalyptic shopping malls, medieval restaurants, 12th-century poetry, surf rock, gargoyles, and bog people. It also incorporates the distinctive dry drum sound reminiscent of 1970s Fleetwood Mac.

Review: Pixies return with The Night The Zombies Came, their tenth album, marking 35 years since Doolittle cemented their place in alternative rock history. Building on the momentum of their 2022 album Doggerel, the band deliver 13 new tracks that prove to be among the most cinematic soundscapes of their career. The album weaves together eclectic themes like Druidism, apocalyptic shopping malls and medieval-themed restaurants. Black Francis, the band's primary songwriter, describes the album as a series of fragmented narratives that come together to form a kind of movie. The Pixies' trademark blend of surreal lyrics and dynamic "loud-quiet-loud" song structures remain intact, yet the new material explores fresh, imaginative territories. Having influenced iconic bands like Nirvana, Radiohead and Weezer, Pixies have long been a cornerstone of alternative rock and now, with Emma Richardson (formerly of Band of Skulls) joining as bassist after Paz Lenchantin's departure, they continue to evolve while maintaining their distinctive edge.